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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E01F44 it is the complementary color #1FE0BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E01F44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E01F44 shade: #E51F3F, #F63152, #FF4365, #FF5578 and #FF678B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E01F44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E01F44 shade: #E01F44, #CF0D31, #BE001E, #AD000B and #9C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E01F44 shade: #E01F44 and #E01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E01F44 shade: #E01F44, #E01F78, #E01FAC, #E01FE0 and #AC1FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E01F44 shade matches the following richer shades: #E01F44 and #F50A37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E01F44 shade: #E01F44, #CC3350, #B7485D, #A35C6A and #8E7177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E01F44 shade: #E01FAD, #E01F79, #E01F45, #E02C1F and #E05F1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E01F44 shade: #98152E, #BC1A39, #E01F44, #E54362 and #EA6780

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E01F44 shade: #E01F44, #E0E01F and #1F93E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E01F44 shade: #E01F44, #45E01F and #1F45E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E01F44 shade: #E01F44, #E0E01F, #1FE0BA and #1F1FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E01F44 shade: #E01F44, #A6E01F, #1FE0BA and #591FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

Complementary color

CMYK 86 / 0 / 17 / 12

HEX #1FE0BB

RGB 31 224 187

HSL 168.5, 0.76%, 0.5%

LAB 80.29, -52.63, 5.63

 

CMYK 0 / 86 / 72 / 10

HEX #E51F3F

RGB 229 31 63

HSL 350.3, 0.79%, 0.51%

LAB 49.49, 71.6, 35.15

 

CMYK 0 / 80 / 67 / 4

HEX #F63152

RGB 246 49 82

HSL 349.95, 0.92%, 0.58%

LAB 54.45, 72.99, 30.73

 

CMYK 0 / 74 / 60 / 0

HEX #FF4365

RGB 255 67 101

HSL 349.15, 1%, 0.63%

LAB 58.24, 71.41, 24.78

 

CMYK 0 / 67 / 53 / 0

HEX #FF5578

RGB 255 85 120

HSL 347.65, 1%, 0.67%

LAB 60.88, 66.45, 17.25

 

CMYK 0 / 60 / 45 / 0

HEX #FF678B

RGB 255 103 139

HSL 345.79, 1%, 0.7%

LAB 64.02, 60.73, 10.65

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 0 / 94 / 76 / 19

HEX #CF0D31

RGB 207 13 49

HSL 348.87, 0.88%, 0.43%

LAB 43.91, 68.13, 35.87

 

CMYK 0 / 100 / 84 / 25

HEX #BE001E

RGB 190 0 30

HSL 350.53, 1%, 0.37%

LAB 39.65, 64.64, 41.24

 

CMYK 0 / 100 / 94 / 32

HEX #AD000B

RGB 173 0 11

HSL 356.18, 1%, 0.34%

LAB 35.81, 60.02, 45.77

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 0 / 86 / 86 / 12

HEX #E01F1F

RGB 224 31 31

HSL 0, 0.76%, 0.5%

LAB 48.17, 69.35, 50.88

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 0 / 86 / 46 / 12

HEX #E01F78

RGB 224 31 120

HSL 332.33, 0.76%, 0.5%

LAB 49.72, 73.82, 0.66

 

CMYK 0 / 86 / 23 / 12

HEX #E01FAC

RGB 224 31 172

HSL 316.17, 0.76%, 0.5%

LAB 51.62, 79.06, -27.62

 

CMYK 0 / 86 / 0 / 12

HEX #E01FE0

RGB 224 31 224

HSL 300, 0.76%, 0.5%

LAB 54.25, 85.99, -53.49

 

CMYK 23 / 86 / 0 / 12

HEX #AC1FE0

RGB 172 31 224

HSL 283.83, 0.76%, 0.5%

LAB 45.82, 77.57, -67.51

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 0 / 96 / 78 / 4

HEX #F50A37

RGB 245 10 55

HSL 348.51, 0.92%, 0.5%

LAB 51.73, 77.86, 43.16

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 0 / 75 / 61 / 20

HEX #CC3350

RGB 204 51 80

HSL 348.63, 0.6%, 0.5%

LAB 46.69, 60.62, 20.37

 

CMYK 0 / 61 / 49 / 28

HEX #B7485D

RGB 183 72 93

HSL 348.65, 0.44%, 0.5%

LAB 46.3, 46.7, 11.29

 

CMYK 0 / 44 / 35 / 36

HEX #A35C6A

RGB 163 92 106

HSL 348.17, 0.28%, 0.5%

LAB 47.6, 30.67, 4.82

 

CMYK 0 / 20 / 16 / 44

HEX #8E7177

RGB 142 113 119

HSL 347.59, 0.11%, 0.5%

LAB 50.56, 12.41, 1.03

 

CMYK 0 / 86 / 23 / 12

HEX #E01FAD

RGB 224 31 173

HSL 315.85, 0.76%, 0.5%

LAB 51.66, 79.18, -28.14

 

CMYK 0 / 86 / 46 / 12

HEX #E01F79

RGB 224 31 121

HSL 332.02, 0.76%, 0.5%

LAB 49.75, 73.9, 0.09

 

CMYK 0 / 86 / 69 / 12

HEX #E01F45

RGB 224 31 69

HSL 348.19, 0.76%, 0.5%

LAB 48.58, 70.56, 30.25

 

CMYK 0 / 80 / 86 / 12

HEX #E02C1F

RGB 224 44 31

HSL 4.04, 0.76%, 0.5%

LAB 49.19, 66.45, 51.71

 

CMYK 0 / 58 / 86 / 12

HEX #E05F1F

RGB 224 95 31

HSL 19.9, 0.76%, 0.5%

LAB 56.22, 47.37, 57.45

 

CMYK 0 / 86 / 70 / 40

HEX #98152E

RGB 152 21 46

HSL 348.55, 0.76%, 0.34%

LAB 32.72, 52.22, 21.69

 

CMYK 0 / 86 / 70 / 26

HEX #BC1A39

RGB 188 26 57

HSL 348.52, 0.76%, 0.42%

LAB 40.78, 61.55, 26.35

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 0 / 71 / 57 / 10

HEX #E54362

RGB 229 67 98

HSL 348.52, 0.76%, 0.58%

LAB 53.55, 63.73, 19.48

 

CMYK 0 / 56 / 45 / 8

HEX #EA6780

RGB 234 103 128

HSL 348.55, 0.76%, 0.66%

LAB 60.56, 52.87, 11.66

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 0 / 0 / 86 / 12

HEX #E0E01F

RGB 224 224 31

HSL 60, 0.76%, 0.5%

LAB 86.63, -19.15, 82.07

 

CMYK 86 / 34 / 0 / 12

HEX #1F93E0

RGB 31 147 224

HSL 203.94, 0.76%, 0.5%

LAB 58.55, -3.31, -47.59

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 69 / 0 / 86 / 12

HEX #45E01F

RGB 69 224 31

HSL 108.19, 0.76%, 0.5%

LAB 78.85, -70.87, 72.41

 

CMYK 86 / 69 / 0 / 12

HEX #1F45E0

RGB 31 69 224

HSL 228.19, 0.76%, 0.5%

LAB 37.72, 45.39, -81.3

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 0 / 0 / 86 / 12

HEX #E0E01F

RGB 224 224 31

HSL 60, 0.76%, 0.5%

LAB 86.63, -19.15, 82.07

 

CMYK 86 / 0 / 17 / 12

HEX #1FE0BA

RGB 31 224 186

HSL 168.19, 0.76%, 0.5%

LAB 80.26, -52.88, 6.13

 

CMYK 86 / 86 / 0 / 12

HEX #1F1FE0

RGB 31 31 224

HSL 240, 0.76%, 0.5%

LAB 31, 64.62, -92.42

 

CMYK 0 / 86 / 70 / 12

HEX #E01F44

RGB 224 31 68

HSL 348.5, 0.76%, 0.5%

LAB 48.57, 70.52, 30.84

 

CMYK 26 / 0 / 86 / 12

HEX #A6E01F

RGB 166 224 31

HSL 78.03, 0.76%, 0.5%

LAB 82.66, -42.51, 77.16

 

CMYK 86 / 0 / 17 / 12

HEX #1FE0BA

RGB 31 224 186

HSL 168.19, 0.76%, 0.5%

LAB 80.26, -52.88, 6.13

 

CMYK 60 / 86 / 0 / 12

HEX #591FE0

RGB 89 31 224

HSL 258.03, 0.76%, 0.5%

LAB 34.97, 67.76, -85.71

 

Description

Color code: HEX #E01F44 | qconv.com Color code: HEX #E01F44 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 31 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 31 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 70 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 70% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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