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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E016C6 it is the complementary color #1FE939. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E016C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E016C6 shade: #E516C1, #F628D4, #FF3AE7, #FF4CFA and #FF5EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E016C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E016C6 shade: #E016C6, #CF04B3, #BE00A0, #AD008D and #9C007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E016C6 shade: #DF16C5, #DF168F, #DF1659, #DF1623 and #DF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E016C6 shade: #DF16C5, #C216DF, #8C16DF, #5616DF and #2016DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E016C6 shade matches the following richer shades: #DF16C5 and #F302D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E016C6 shade: #DF16C5, #CB2AB6, #B73EA8, #A35199 and #90658A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E016C6 shade: #8B16DF, #C116DF, #DF16C7, #DF1692 and #DF165C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E016C6 shade: #940F83, #B912A4, #DF16C5, #EB33D3 and #EF59DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E016C6 shade: #E016C6, #DF5616 and #16DFA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E016C6 shade: #E016C6, #C7DF16 and #16C7DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E016C6 shade: #E016C6, #DF5616, #16DF2D and #169FDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E016C6 shade: #E016C6, #DF9216, #16DF2D and #1663DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 12 / 12

HEX #E016C6

RGB 224 22 198

HSL 307.72, 0.82%, 0.48%

LAB 52.4, 83.66, -41.56

 

Complementary color

CMYK 87 / 0 / 76 / 9

HEX #1FE939

RGB 31 233 57

HSL 127.72, 0.82%, 0.52%

LAB 81.22, -76.94, 67.57

 

CMYK 0 / 90 / 16 / 10

HEX #E516C1

RGB 229 22 193

HSL 310.43, 0.82%, 0.49%

LAB 53.04, 83.94, -37.59

 

CMYK 0 / 84 / 14 / 4

HEX #F628D4

RGB 246 40 212

HSL 309.9, 0.92%, 0.56%

LAB 57.91, 86.8, -40.64

 

CMYK 0 / 77 / 9 / 0

HEX #FF3AE7

RGB 255 58 231

HSL 307.31, 1%, 0.61%

LAB 61.7, 87.16, -45.28

 

CMYK 0 / 70 / 2 / 0

HEX #FF4CFA

RGB 255 76 250

HSL 301.68, 1%, 0.65%

LAB 64.43, 84.8, -51.54

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 90 / 12 / 12

HEX #E016C6

RGB 224 22 198

HSL 307.72, 0.82%, 0.48%

LAB 52.4, 83.66, -41.56

 

CMYK 0 / 98 / 14 / 19

HEX #CF04B3

RGB 207 4 179

HSL 308.28, 0.96%, 0.41%

LAB 47.76, 79.8, -38

 

CMYK 0 / 100 / 16 / 25

HEX #BE00A0

RGB 190 0 160

HSL 309.47, 1%, 0.37%

LAB 43.49, 74.62, -33.66

 

CMYK 0 / 100 / 18 / 32

HEX #AD008D

RGB 173 0 141

HSL 311.1, 1%, 0.34%

LAB 39.25, 69.02, -29.01

 

CMYK 0 / 100 / 22 / 39

HEX #9C007A

RGB 156 0 122

HSL 313.08, 1%, 0.31%

LAB 34.95, 63.33, -24.19

 

CMYK 0 / 90 / 12 / 13

HEX #DF16C5

RGB 223 22 197

HSL 307.76, 0.82%, 0.48%

LAB 52.17, 83.34, -41.36

 

CMYK 0 / 90 / 36 / 13

HEX #DF168F

RGB 223 22 143

HSL 323.88, 0.82%, 0.48%

LAB 49.79, 77.09, -13.18

 

CMYK 0 / 90 / 60 / 13

HEX #DF1659

RGB 223 22 89

HSL 340, 0.82%, 0.48%

LAB 48.24, 72.82, 17.57

 

CMYK 0 / 90 / 84 / 13

HEX #DF1623

RGB 223 22 35

HSL 356.12, 0.82%, 0.48%

LAB 47.47, 70.66, 48.25

 

CMYK 0 / 90 / 90 / 13

HEX #DF1616

RGB 223 22 22

HSL 0, 0.82%, 0.48%

LAB 47.39, 70.43, 54.15

 

CMYK 0 / 90 / 12 / 13

HEX #DF16C5

RGB 223 22 197

HSL 307.76, 0.82%, 0.48%

LAB 52.17, 83.34, -41.36

 

CMYK 13 / 90 / 0 / 13

HEX #C216DF

RGB 194 22 223

HSL 291.34, 0.82%, 0.48%

LAB 48.72, 82.29, -62.06

 

CMYK 37 / 90 / 0 / 13

HEX #8C16DF

RGB 140 22 223

HSL 275.22, 0.82%, 0.48%

LAB 40.37, 74.88, -76.03

 

CMYK 61 / 90 / 0 / 13

HEX #5616DF

RGB 86 22 223

HSL 259.1, 0.82%, 0.48%

LAB 33.73, 69.78, -87.21

 

CMYK 86 / 90 / 0 / 13

HEX #2016DF

RGB 32 22 223

HSL 242.99, 0.82%, 0.48%

LAB 29.93, 67.34, -93.63

 

CMYK 0 / 90 / 12 / 13

HEX #DF16C5

RGB 223 22 197

HSL 307.76, 0.82%, 0.48%

LAB 52.17, 83.34, -41.36

 

CMYK 0 / 99 / 13 / 5

HEX #F302D4

RGB 243 2 212

HSL 307.72, 0.98%, 0.48%

LAB 55.94, 90.48, -43.78

 

CMYK 0 / 90 / 12 / 13

HEX #DF16C5

RGB 223 22 197

HSL 307.76, 0.82%, 0.48%

LAB 52.17, 83.34, -41.36

 

CMYK 0 / 79 / 10 / 20

HEX #CB2AB6

RGB 203 42 182

HSL 307.83, 0.66%, 0.48%

LAB 49.17, 73.7, -37.6

 

CMYK 0 / 66 / 8 / 28

HEX #B73EA8

RGB 183 62 168

HSL 307.44, 0.49%, 0.48%

LAB 47.42, 60.6, -32.34

 

CMYK 0 / 50 / 6 / 36

HEX #A35199

RGB 163 81 153

HSL 307.32, 0.34%, 0.48%

LAB 46.94, 43.85, -24.41

 

CMYK 0 / 30 / 4 / 44

HEX #90658A

RGB 144 101 138

HSL 308.37, 0.18%, 0.48%

LAB 48.35, 23.66, -13.52

 

CMYK 38 / 90 / 0 / 13

HEX #8B16DF

RGB 139 22 223

HSL 274.93, 0.82%, 0.48%

LAB 40.23, 74.77, -76.26

 

CMYK 13 / 90 / 0 / 13

HEX #C116DF

RGB 193 22 223

HSL 291.04, 0.82%, 0.48%

LAB 48.56, 82.14, -62.34

 

CMYK 0 / 90 / 11 / 13

HEX #DF16C7

RGB 223 22 199

HSL 307.16, 0.82%, 0.48%

LAB 52.27, 83.61, -42.35

 

CMYK 0 / 90 / 35 / 13

HEX #DF1692

RGB 223 22 146

HSL 322.99, 0.82%, 0.48%

LAB 49.9, 77.39, -14.82

 

CMYK 0 / 90 / 59 / 13

HEX #DF165C

RGB 223 22 92

HSL 339.1, 0.82%, 0.48%

LAB 48.3, 73.01, 15.81

 

CMYK 0 / 90 / 11 / 42

HEX #940F83

RGB 148 15 131

HSL 307.67, 0.82%, 0.32%

LAB 34.55, 60.92, -30.56

 

CMYK 0 / 90 / 11 / 27

HEX #B912A4

RGB 185 18 164

HSL 307.54, 0.82%, 0.4%

LAB 43.4, 72.34, -36.26

 

CMYK 0 / 90 / 12 / 13

HEX #DF16C5

RGB 223 22 197

HSL 307.76, 0.82%, 0.48%

LAB 52.17, 83.34, -41.36

 

CMYK 0 / 78 / 10 / 8

HEX #EB33D3

RGB 235 51 211

HSL 307.83, 0.82%, 0.56%

LAB 56.81, 82.1, -41.92

 

CMYK 0 / 63 / 8 / 6

HEX #EF59DB

RGB 239 89 219

HSL 308, 0.82%, 0.64%

LAB 62.18, 71.85, -37.98

 

CMYK 0 / 90 / 12 / 12

HEX #E016C6

RGB 224 22 198

HSL 307.72, 0.82%, 0.48%

LAB 52.4, 83.66, -41.56

 

CMYK 0 / 61 / 90 / 13

HEX #DF5616

RGB 223 86 22

HSL 19.1, 0.82%, 0.48%

LAB 54.45, 50.94, 59.13

 

CMYK 90 / 0 / 26 / 13

HEX #16DFA6

RGB 22 223 166

HSL 162.99, 0.82%, 0.48%

LAB 79.44, -57.85, 15.52

 

CMYK 0 / 90 / 12 / 12

HEX #E016C6

RGB 224 22 198

HSL 307.72, 0.82%, 0.48%

LAB 52.4, 83.66, -41.56

 

CMYK 11 / 0 / 90 / 13

HEX #C7DF16

RGB 199 223 22

HSL 67.16, 0.82%, 0.48%

LAB 84.47, -29.21, 81.05

 

CMYK 90 / 11 / 0 / 13

HEX #16C7DF

RGB 22 199 223

HSL 187.16, 0.82%, 0.48%

LAB 73.77, -31.74, -23.38

 

CMYK 0 / 90 / 12 / 12

HEX #E016C6

RGB 224 22 198

HSL 307.72, 0.82%, 0.48%

LAB 52.4, 83.66, -41.56

 

CMYK 0 / 61 / 90 / 13

HEX #DF5616

RGB 223 86 22

HSL 19.1, 0.82%, 0.48%

LAB 54.45, 50.94, 59.13

 

CMYK 90 / 0 / 80 / 13

HEX #16DF2D

RGB 22 223 45

HSL 126.87, 0.82%, 0.48%

LAB 77.95, -75.52, 67.99

 

CMYK 90 / 29 / 0 / 13

HEX #169FDF

RGB 22 159 223

HSL 199.1, 0.82%, 0.48%

LAB 61.91, -11.03, -41.74

 

CMYK 0 / 90 / 12 / 12

HEX #E016C6

RGB 224 22 198

HSL 307.72, 0.82%, 0.48%

LAB 52.4, 83.66, -41.56

 

CMYK 0 / 35 / 90 / 13

HEX #DF9216

RGB 223 146 22

HSL 37.01, 0.82%, 0.48%

LAB 66.75, 20.66, 68.24

 

CMYK 90 / 0 / 80 / 13

HEX #16DF2D

RGB 22 223 45

HSL 126.87, 0.82%, 0.48%

LAB 77.95, -75.52, 67.99

 

CMYK 90 / 56 / 0 / 13

HEX #1663DF

RGB 22 99 223

HSL 217.01, 0.82%, 0.48%

LAB 44.83, 25.52, -69.07

 

Description

Color code: HEX #E016C6 | qconv.com Color code: HEX #E016C6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 22 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 22 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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