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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E00A8C it is the complementary color #1FF573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E00A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E00A8C shade: #E50A87, #F61C9A, #FF2EAD, #FF40C0 and #FF52D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E00A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E00A8C shade: #E00A8C, #CF0079, #BE0066, #AD0053 and #9C0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E00A8C shade: #E00A8C, #E00A52, #E00A19 and #E00A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E00A8C shade: #E00A8C, #E00AC5, #C00AE0, #870AE0 and #4D0AE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E00A8C shade matches the following richer shades: #E00A8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E00A8C shade: #E00A8C, #CD1D88, #BA3084, #A74380 and #94567B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E00A8C shade: #C00AE0, #E00AC7, #E00A8E, #E00A55 and #E00A1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E00A8C shade: #91065A, #B80873, #E00A8C, #F41FA0 and #F646B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E00A8C shade: #E00A8C, #E0870A and #0AE0DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E00A8C shade: #E00A8C, #8EE00A and #0A8EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E00A8C shade: #E00A8C, #E0870A, #0AE05C and #0A63E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E00A8C shade: #E00A8C, #E0C70A, #0AE05C and #0A23E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

Complementary color

CMYK 87 / 0 / 53 / 4

HEX #1FF573

RGB 31 245 115

HSL 143.55, 0.91%, 0.54%

LAB 85.42, -74.35, 48.89

 

CMYK 0 / 96 / 41 / 10

HEX #E50A87

RGB 229 10 135

HSL 325.75, 0.92%, 0.47%

LAB 50.24, 78.87, -7.56

 

CMYK 0 / 89 / 37 / 4

HEX #F61C9A

RGB 246 28 154

HSL 325.32, 0.92%, 0.54%

LAB 54.82, 82.27, -11.74

 

CMYK 0 / 82 / 32 / 0

HEX #FF2EAD

RGB 255 46 173

HSL 323.54, 1%, 0.59%

LAB 58.26, 82.91, -17.53

 

CMYK 0 / 75 / 25 / 0

HEX #FF40C0

RGB 255 64 192

HSL 319.79, 1%, 0.63%

LAB 60.54, 80.54, -25

 

CMYK 0 / 68 / 17 / 0

HEX #FF52D3

RGB 255 82 211

HSL 315.26, 1%, 0.66%

LAB 63.34, 77.22, -31.48

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 0 / 100 / 42 / 19

HEX #CF0079

RGB 207 0 121

HSL 324.93, 1%, 0.41%

LAB 45.15, 73.76, -7.08

 

CMYK 0 / 100 / 46 / 25

HEX #BE0066

RGB 190 0 102

HSL 327.79, 1%, 0.37%

LAB 41.07, 68.43, -1.64

 

CMYK 0 / 100 / 52 / 32

HEX #AD0053

RGB 173 0 83

HSL 331.21, 1%, 0.34%

LAB 36.95, 63.08, 4.07

 

CMYK 0 / 100 / 59 / 39

HEX #9C0040

RGB 156 0 64

HSL 335.38, 1%, 0.31%

LAB 32.78, 57.72, 10.11

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 0 / 96 / 63 / 12

HEX #E00A52

RGB 224 10 82

HSL 339.81, 0.91%, 0.46%

LAB 47.85, 73.98, 21.39

 

CMYK 0 / 96 / 89 / 12

HEX #E00A19

RGB 224 10 25

HSL 355.79, 0.91%, 0.46%

LAB 47.15, 72.06, 52.81

 

CMYK 0 / 96 / 96 / 12

HEX #E00A0A

RGB 224 10 10

HSL 0, 0.91%, 0.46%

LAB 47.09, 71.89, 58.17

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 0 / 96 / 12 / 12

HEX #E00AC5

RGB 224 10 197

HSL 307.57, 0.91%, 0.46%

LAB 51.95, 84.7, -41.69

 

CMYK 14 / 96 / 0 / 12

HEX #C00AE0

RGB 192 10 224

HSL 291.03, 0.91%, 0.46%

LAB 48.01, 83.49, -63.8

 

CMYK 40 / 96 / 0 / 12

HEX #870AE0

RGB 135 10 224

HSL 275.05, 0.91%, 0.46%

LAB 39.16, 76.32, -78.62

 

CMYK 66 / 96 / 0 / 12

HEX #4D0AE0

RGB 77 10 224

HSL 258.79, 0.91%, 0.46%

LAB 32.21, 71.84, -90.34

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 0 / 86 / 34 / 20

HEX #CD1D88

RGB 205 29 136

HSL 323.52, 0.75%, 0.46%

LAB 46.49, 71.3, -14.27

 

CMYK 0 / 74 / 29 / 27

HEX #BA3084

RGB 186 48 132

HSL 323.48, 0.59%, 0.46%

LAB 44.55, 61.39, -15.12

 

CMYK 0 / 60 / 23 / 35

HEX #A74380

RGB 167 67 128

HSL 323.4, 0.43%, 0.46%

LAB 43.93, 47.94, -13.92

 

CMYK 0 / 42 / 17 / 42

HEX #94567B

RGB 148 86 123

HSL 324.19, 0.26%, 0.46%

LAB 44.78, 30.98, -9.86

 

CMYK 14 / 96 / 0 / 12

HEX #C00AE0

RGB 192 10 224

HSL 291.03, 0.91%, 0.46%

LAB 48.01, 83.49, -63.8

 

CMYK 0 / 96 / 11 / 12

HEX #E00AC7

RGB 224 10 199

HSL 307.01, 0.91%, 0.46%

LAB 52.05, 84.96, -42.69

 

CMYK 0 / 96 / 37 / 12

HEX #E00A8E

RGB 224 10 142

HSL 322.99, 0.91%, 0.46%

LAB 49.52, 78.46, -12.98

 

CMYK 0 / 96 / 62 / 12

HEX #E00A55

RGB 224 10 85

HSL 338.97, 0.91%, 0.46%

LAB 47.91, 74.14, 19.62

 

CMYK 0 / 96 / 88 / 12

HEX #E00A1C

RGB 224 10 28

HSL 354.95, 0.91%, 0.46%

LAB 47.17, 72.11, 51.48

 

CMYK 0 / 96 / 38 / 43

HEX #91065A

RGB 145 6 90

HSL 323.74, 0.92%, 0.3%

LAB 31.55, 56.48, -9.1

 

CMYK 0 / 96 / 38 / 28

HEX #B80873

RGB 184 8 115

HSL 323.52, 0.92%, 0.38%

LAB 40.58, 67.48, -10.67

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 0 / 87 / 34 / 4

HEX #F41FA0

RGB 244 31 160

HSL 323.66, 0.91%, 0.54%

LAB 54.82, 81.97, -15.33

 

CMYK 0 / 72 / 28 / 4

HEX #F646B1

RGB 246 70 177

HSL 323.52, 0.91%, 0.62%

LAB 59.11, 74.78, -18.7

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 0 / 40 / 96 / 12

HEX #E0870A

RGB 224 135 10

HSL 35.05, 0.91%, 0.46%

LAB 64.32, 26.79, 68.75

 

CMYK 96 / 0 / 2 / 12

HEX #0AE0DC

RGB 10 224 220

HSL 178.88, 0.91%, 0.46%

LAB 81.04, -44.52, -10.81

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 37 / 0 / 96 / 12

HEX #8EE00A

RGB 142 224 10

HSL 82.99, 0.91%, 0.46%

LAB 81.34, -51.65, 78.51

 

CMYK 96 / 37 / 0 / 12

HEX #0A8EE0

RGB 10 142 224

HSL 202.99, 0.91%, 0.46%

LAB 56.87, -1.39, -50.26

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 0 / 40 / 96 / 12

HEX #E0870A

RGB 224 135 10

HSL 35.05, 0.91%, 0.46%

LAB 64.32, 26.79, 68.75

 

CMYK 96 / 0 / 59 / 12

HEX #0AE05C

RGB 10 224 92

HSL 142.99, 0.91%, 0.46%

LAB 78.55, -72.04, 51.13

 

CMYK 96 / 56 / 0 / 12

HEX #0A63E0

RGB 10 99 224

HSL 215.05, 0.91%, 0.46%

LAB 44.76, 25.46, -69.76

 

CMYK 0 / 96 / 38 / 12

HEX #E00A8C

RGB 224 10 140

HSL 323.55, 0.91%, 0.46%

LAB 49.44, 78.27, -11.88

 

CMYK 0 / 11 / 96 / 12

HEX #E0C70A

RGB 224 199 10

HSL 52.99, 0.91%, 0.46%

LAB 80.02, -7, 79.96

 

CMYK 96 / 0 / 59 / 12

HEX #0AE05C

RGB 10 224 92

HSL 142.99, 0.91%, 0.46%

LAB 78.55, -72.04, 51.13

 

CMYK 96 / 84 / 0 / 12

HEX #0A23E0

RGB 10 35 224

HSL 232.99, 0.91%, 0.46%

LAB 30.99, 62.64, -92.46

 

Description

Color code: HEX #E00A8C | qconv.com Color code: HEX #E00A8C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 10 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 10 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 38 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 38% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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