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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFFE09 it is the complementary color #2001F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFFE09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFFE09 shade: #E4FE04, #F5FF17, #FFFF2A, #FFFF3D and #FFFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFFE09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFFE09 shade: #DFFE09, #CEEC00, #BDDA00, #ACC800 and #9BB600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFFE09 shade: #DFFE0B, #FEDB0B, #FE9A0B, #FE580B and #FE170B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFFE09 shade: #DFFE0B, #9EFE0B, #5CFE0B, #1BFE0B and #0BFE3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFFE09 shade matches the following richer shades: #DFFE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFFE09 shade: #DFFE0B, #D0EA1F, #C2D633, #B3C247 and #A4AF5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFFE09 shade: #FE990B, #FED90B, #E2FE0B, #A1FE0B and #60FE0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFFE09 shade: #9FB601, #C3DF01, #DFFE0B, #E4FE34 and #EAFE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFFE09 shade: #DFFE09, #0BFE58 and #B90BFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFFE09 shade: #DFFE09, #0BE2FE and #FE0BE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFFE09 shade: #DFFE09, #0BFE58, #280BFE and #FE0BB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFFE09 shade: #DFFE09, #0BFEA1, #280BFE and #FE0B68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 96 / 0

HEX #DFFE09

RGB 223 254 9

HSL 67.59, 0.99%, 0.52%

LAB 94.56, -33.98, 90.91

 

Complementary color

CMYK 87 / 100 / 0 / 4

HEX #2001F6

RGB 32 1 246

HSL 247.59, 0.99%, 0.48%

LAB 31.77, 77.14, -103.68

 

CMYK 10 / 0 / 98 / 0

HEX #E4FE04

RGB 228 254 4

HSL 66.24, 0.99%, 0.51%

LAB 94.9, -32.02, 91.66

 

CMYK 4 / 0 / 91 / 0

HEX #F5FF17

RGB 245 255 23

HSL 62.59, 1%, 0.55%

LAB 96.41, -25.43, 91.68

 

CMYK 0 / 0 / 84 / 0

HEX #FFFF2A

RGB 255 255 42

HSL 60, 1%, 0.58%

LAB 97.21, -21.01, 89.53

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3D

RGB 255 255 61

HSL 60, 1%, 0.62%

LAB 97.28, -20.45, 84.96

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE09

RGB 223 254 9

HSL 67.59, 0.99%, 0.52%

LAB 94.56, -33.98, 90.91

 

CMYK 13 / 0 / 100 / 7

HEX #CEEC00

RGB 206 236 0

HSL 67.63, 1%, 0.46%

LAB 88.5, -32.65, 86.49

 

CMYK 13 / 0 / 100 / 15

HEX #BDDA00

RGB 189 218 0

HSL 67.98, 1%, 0.43%

LAB 82.36, -31.23, 81.38

 

CMYK 14 / 0 / 100 / 22

HEX #ACC800

RGB 172 200 0

HSL 68.4, 1%, 0.39%

LAB 76.12, -29.79, 76.19

 

CMYK 15 / 0 / 100 / 29

HEX #9BB600

RGB 155 182 0

HSL 68.9, 1%, 0.36%

LAB 69.77, -28.34, 70.9

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE0B

RGB 223 254 11

HSL 67.65, 0.99%, 0.52%

LAB 94.57, -33.96, 90.76

 

CMYK 0 / 14 / 96 / 0

HEX #FEDB0B

RGB 254 219 11

HSL 51.36, 0.99%, 0.52%

LAB 87.85, -4.28, 86.83

 

CMYK 0 / 39 / 96 / 0

HEX #FE9A0B

RGB 254 154 11

HSL 35.31, 0.99%, 0.52%

LAB 72.37, 29.33, 75.9

 

CMYK 0 / 65 / 96 / 0

HEX #FE580B

RGB 254 88 11

HSL 19.01, 0.99%, 0.52%

LAB 59.96, 60.63, 68.01

 

CMYK 0 / 91 / 96 / 0

HEX #FE170B

RGB 254 23 11

HSL 2.96, 0.99%, 0.52%

LAB 53.72, 78.03, 64.65

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE0B

RGB 223 254 11

HSL 67.65, 0.99%, 0.52%

LAB 94.57, -33.96, 90.76

 

CMYK 38 / 0 / 96 / 0

HEX #9EFE0B

RGB 158 254 11

HSL 83.7, 0.99%, 0.52%

LAB 90.86, -58.05, 86.29

 

CMYK 64 / 0 / 96 / 0

HEX #5CFE0B

RGB 92 254 11

HSL 100, 0.99%, 0.52%

LAB 88.53, -76.15, 83.45

 

CMYK 89 / 0 / 96 / 0

HEX #1BFE0B

RGB 27 254 11

HSL 116.05, 0.99%, 0.52%

LAB 87.55, -84.74, 82.24

 

CMYK 96 / 0 / 76 / 0

HEX #0BFE3D

RGB 11 254 61

HSL 132.35, 0.99%, 0.52%

LAB 87.63, -83.49, 72.57

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE0B

RGB 223 254 11

HSL 67.65, 0.99%, 0.52%

LAB 94.57, -33.96, 90.76

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE0B

RGB 223 254 11

HSL 67.65, 0.99%, 0.52%

LAB 94.57, -33.96, 90.76

 

CMYK 11 / 0 / 87 / 8

HEX #D0EA1F

RGB 208 234 31

HSL 67.68, 0.83%, 0.52%

LAB 88.14, -30.5, 82.8

 

CMYK 9 / 0 / 76 / 16

HEX #C2D633

RGB 194 214 51

HSL 67.36, 0.67%, 0.52%

LAB 81.73, -26.17, 72.07

 

CMYK 8 / 0 / 63 / 24

HEX #B3C247

RGB 179 194 71

HSL 67.32, 0.5%, 0.52%

LAB 75.22, -21.56, 58.06

 

CMYK 6 / 0 / 48 / 31

HEX #A4AF5B

RGB 164 175 91

HSL 67.86, 0.34%, 0.52%

LAB 68.97, -16.53, 41.47

 

CMYK 0 / 40 / 96 / 0

HEX #FE990B

RGB 254 153 11

HSL 35.06, 0.99%, 0.52%

LAB 72.15, 29.85, 75.75

 

CMYK 0 / 15 / 96 / 0

HEX #FED90B

RGB 254 217 11

HSL 50.86, 0.99%, 0.52%

LAB 87.35, -3.27, 86.47

 

CMYK 11 / 0 / 96 / 0

HEX #E2FE0B

RGB 226 254 11

HSL 66.91, 0.99%, 0.52%

LAB 94.77, -32.77, 91.01

 

CMYK 37 / 0 / 96 / 0

HEX #A1FE0B

RGB 161 254 11

HSL 82.96, 0.99%, 0.52%

LAB 91, -57.04, 86.46

 

CMYK 62 / 0 / 96 / 0

HEX #60FE0B

RGB 96 254 11

HSL 99.01, 0.99%, 0.52%

LAB 88.64, -75.31, 83.57

 

CMYK 13 / 0 / 99 / 29

HEX #9FB601

RGB 159 182 1

HSL 67.62, 0.99%, 0.36%

LAB 70.06, -26.64, 71.12

 

CMYK 13 / 0 / 100 / 13

HEX #C3DF01

RGB 195 223 1

HSL 67.57, 0.99%, 0.44%

LAB 84.16, -31.1, 82.83

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE0B

RGB 223 254 11

HSL 67.65, 0.99%, 0.52%

LAB 94.57, -33.96, 90.76

 

CMYK 10 / 0 / 80 / 0

HEX #E4FE34

RGB 228 254 52

HSL 67.72, 0.99%, 0.6%

LAB 95, -31.15, 84.59

 

CMYK 8 / 0 / 63 / 0

HEX #EAFE5E

RGB 234 254 94

HSL 67.5, 0.99%, 0.68%

LAB 95.66, -26.77, 71.63

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE09

RGB 223 254 9

HSL 67.59, 0.99%, 0.52%

LAB 94.56, -33.98, 90.91

 

CMYK 96 / 0 / 65 / 0

HEX #0BFE58

RGB 11 254 88

HSL 139.01, 0.99%, 0.52%

LAB 87.8, -81.23, 63.24

 

CMYK 27 / 96 / 0 / 0

HEX #B90BFE

RGB 185 11 254

HSL 282.96, 0.99%, 0.52%

LAB 49.14, 87.61, -78.92

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE09

RGB 223 254 9

HSL 67.59, 0.99%, 0.52%

LAB 94.56, -33.98, 90.91

 

CMYK 96 / 11 / 0 / 0

HEX #0BE2FE

RGB 11 226 254

HSL 186.91, 0.99%, 0.52%

LAB 82.71, -35.13, -26.32

 

CMYK 0 / 96 / 11 / 0

HEX #FE0BE2

RGB 254 11 226

HSL 306.91, 0.99%, 0.52%

LAB 58.79, 93.58, -47.08

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE09

RGB 223 254 9

HSL 67.59, 0.99%, 0.52%

LAB 94.56, -33.98, 90.91

 

CMYK 96 / 0 / 65 / 0

HEX #0BFE58

RGB 11 254 88

HSL 139.01, 0.99%, 0.52%

LAB 87.8, -81.23, 63.24

 

CMYK 84 / 96 / 0 / 0

HEX #280BFE

RGB 40 11 254

HSL 247.16, 0.99%, 0.52%

LAB 33.66, 77.7, -105.01

 

CMYK 0 / 96 / 30 / 0

HEX #FE0BB1

RGB 254 11 177

HSL 319.01, 0.99%, 0.52%

LAB 56.57, 87.92, -22.45

 

CMYK 12 / 0 / 96 / 0

HEX #DFFE09

RGB 223 254 9

HSL 67.59, 0.99%, 0.52%

LAB 94.56, -33.98, 90.91

 

CMYK 96 / 0 / 37 / 0

HEX #0BFEA1

RGB 11 254 161

HSL 157.04, 0.99%, 0.52%

LAB 88.7, -70.41, 30.78

 

CMYK 84 / 96 / 0 / 0

HEX #280BFE

RGB 40 11 254

HSL 247.16, 0.99%, 0.52%

LAB 33.66, 77.7, -105.01

 

CMYK 0 / 96 / 59 / 0

HEX #FE0B68

RGB 254 11 104

HSL 337.04, 0.99%, 0.52%

LAB 54.35, 82.04, 17.75

 

Description

Color code: HEX #DFFE09 | qconv.com Color code: HEX #DFFE09 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 254 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 254 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 96 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 96% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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