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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFFCCDCE it is the complementary color #200332CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFFCCDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFFCCDCE shade: #E4FCC8CE, #F5FFDBCE, #FFFFEECE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFFCCDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFFCCDCE shade: #DFFCCDCE, #CEEABACE, #BDD8A7CE, #ACC694CE and #9BB481CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFFCCDCE shade: #E0FCCF, #ECFCCF, #F9FCCF, #FCF3CF and #FCE7CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFFCCDCE shade: #E0FCCF, #D4FCCF, #CFFCD6, #CFFCE2 and #CFFCEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFFCCDCE shade matches the following richer shades: #E0FCCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFFCCDCE shade: #E0FCCF, #E1F8D3, #E2F4D7, #E3F0DB and #E4ECDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFFCCDCE shade: #F8FCCF, #ECFCCF, #E0FCCF, #D4FCCF and #CFFCD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFFCCDCE shade: #AEF881, #C7FAA8, #E0FCCF, #F9FEF6 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFFCCDCE shade: #DFFCCD, #CFFCF4 and #FCCFF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFFCCDCE shade: #DFFCCD, #CFE0FC and #FCCFE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFFCCDCE shade: #DFFCCD, #CFFCF4, #EBCFFC and #FCCFD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFFCCDCE shade: #DFFCCD, #CFF7FC, #EBCFFC and #FCD4CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 15 / 1

HEX #DFFCCDCE

RGBA 223 252 205 0.81

HSLA 97.02, 0.89%, 0.9%, 0.81

LABA 95.88, -17.62, 19.42, 0.81

 

Complementary color

CMYK 29 / 76 / 0 / 65

HEX #200332CE

RGBA 32 3 50 0.81

HSLA 277.02, 0.89%, 0.1%, 0.81

LABA 5.44, 24.13, -23.91, 0.81

 

CMYK 8 / 0 / 17 / 1

HEX #E4FCC8CE

RGBA 228 252 200 0.81

HSLA 87.69, 0.9%, 0.89%, 0.81

LABA 96.11, -16.68, 22.35, 0.81

 

CMYK 3 / 0 / 11 / 0

HEX #F5FFDBCE

RGBA 245 255 219 0.81

HSLA 76.67, 1%, 0.93%, 0.81

LABA 98.45, -9.34, 16.1, 0.81

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFEECE

RGBA 255 255 238 0.81

HSLA 60, 1%, 0.97%, 0.81

LABA 99.59, -2.88, 8.11, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 9 / 0 / 15 / 1

HEX #DFFCCDCE

RGBA 223 252 205 0.81

HSLA 97.02, 0.89%, 0.9%, 0.81

LABA 95.88, -17.62, 19.42, 0.81

 

CMYK 10 / 0 / 17 / 7

HEX #CEEABACE

RGBA 206 234 186 0.81

HSLA 95, 0.53%, 0.82%, 0.81

LABA 89.63, -17.66, 20.31, 0.81

 

CMYK 10 / 0 / 18 / 12

HEX #BDD8A7CE

RGBA 189 216 167 0.81

HSLA 93.06, 0.39%, 0.75%, 0.81

LABA 83.3, -17.71, 21.24, 0.81

 

CMYK 11 / 0 / 20 / 18

HEX #ACC694CE

RGBA 172 198 148 0.81

HSLA 91.2, 0.3%, 0.68%, 0.81

LABA 76.86, -17.75, 22.22, 0.81

 

CMYK 11 / 0 / 23 / 24

HEX #9BB481CE

RGBA 155 180 129 0.81

HSLA 89.41, 0.25%, 0.61%, 0.81

LABA 70.31, -17.8, 23.26, 0.81

 

CMYK 11 / 0 / 18 / 1

HEX #E0FCCF

RGB 224 252 207

HSL 97.33, 0.88%, 0.9%

LAB 95.99, -16.96, 18.55

 

CMYK 6 / 0 / 18 / 1

HEX #ECFCCF

RGB 236 252 207

HSL 81.33, 0.88%, 0.9%

LAB 96.8, -12.83, 19.82

 

CMYK 1 / 0 / 18 / 1

HEX #F9FCCF

RGB 249 252 207

HSL 64, 0.88%, 0.9%

LAB 97.74, -8.27, 21.26

 

CMYK 0 / 4 / 18 / 1

HEX #FCF3CF

RGB 252 243 207

HSL 48, 0.88%, 0.9%

LAB 95.71, -2.7, 18.46

 

CMYK 0 / 8 / 18 / 1

HEX #FCE7CF

RGB 252 231 207

HSL 32, 0.88%, 0.9%

LAB 92.73, 3.39, 14.27

 

CMYK 11 / 0 / 18 / 1

HEX #E0FCCF

RGB 224 252 207

HSL 97.33, 0.88%, 0.9%

LAB 95.99, -16.96, 18.55

 

CMYK 16 / 0 / 18 / 1

HEX #D4FCCF

RGB 212 252 207

HSL 113.33, 0.88%, 0.9%

LAB 95.21, -21, 17.36

 

CMYK 18 / 0 / 15 / 1

HEX #CFFCD6

RGB 207 252 214

HSL 129.33, 0.88%, 0.9%

LAB 95.05, -21.45, 13.5

 

CMYK 18 / 0 / 10 / 1

HEX #CFFCE2

RGB 207 252 226

HSL 145.33, 0.88%, 0.9%

LAB 95.32, -19.29, 7.71

 

CMYK 18 / 0 / 6 / 1

HEX #CFFCEE

RGB 207 252 238

HSL 161.33, 0.88%, 0.9%

LAB 95.61, -17.03, 1.93

 

CMYK 11 / 0 / 18 / 1

HEX #E0FCCF

RGB 224 252 207

HSL 97.33, 0.88%, 0.9%

LAB 95.99, -16.96, 18.55

 

CMYK 11 / 0 / 18 / 1

HEX #E0FCCF

RGB 224 252 207

HSL 97.33, 0.88%, 0.9%

LAB 95.99, -16.96, 18.55

 

CMYK 9 / 0 / 15 / 3

HEX #E1F8D3

RGB 225 248 211

HSL 97.3, 0.73%, 0.9%

LAB 95.1, -14.01, 15.26

 

CMYK 7 / 0 / 12 / 4

HEX #E2F4D7

RGB 226 244 215

HSL 97.24, 0.57%, 0.9%

LAB 94.22, -11.03, 11.96

 

CMYK 5 / 0 / 9 / 6

HEX #E3F0DB

RGB 227 240 219

HSL 97.14, 0.41%, 0.9%

LAB 93.35, -8.01, 8.66

 

CMYK 3 / 0 / 6 / 7

HEX #E4ECDF

RGB 228 236 223

HSL 96.92, 0.25%, 0.9%

LAB 92.49, -4.97, 5.36

 

CMYK 2 / 0 / 18 / 1

HEX #F8FCCF

RGB 248 252 207

HSL 65.33, 0.88%, 0.9%

LAB 97.67, -8.62, 21.15

 

CMYK 6 / 0 / 18 / 1

HEX #ECFCCF

RGB 236 252 207

HSL 81.33, 0.88%, 0.9%

LAB 96.8, -12.83, 19.82

 

CMYK 11 / 0 / 18 / 1

HEX #E0FCCF

RGB 224 252 207

HSL 97.33, 0.88%, 0.9%

LAB 95.99, -16.96, 18.55

 

CMYK 16 / 0 / 18 / 1

HEX #D4FCCF

RGB 212 252 207

HSL 113.33, 0.88%, 0.9%

LAB 95.21, -21, 17.36

 

CMYK 18 / 0 / 15 / 1

HEX #CFFCD6

RGB 207 252 214

HSL 129.33, 0.88%, 0.9%

LAB 95.05, -21.45, 13.5

 

CMYK 30 / 0 / 48 / 3

HEX #AEF881

RGB 174 248 129

HSL 97.31, 0.89%, 0.74%

LAB 90.65, -43.08, 49.71

 

CMYK 20 / 0 / 33 / 2

HEX #C7FAA8

RGB 199 250 168

HSL 97.32, 0.89%, 0.82%

LAB 93.16, -30.45, 34.2

 

CMYK 11 / 0 / 18 / 1

HEX #E0FCCF

RGB 224 252 207

HSL 97.33, 0.88%, 0.9%

LAB 95.99, -16.96, 18.55

 

CMYK 2 / 0 / 3 / 0

HEX #F9FEF6

RGB 249 254 246

HSL 97.5, 0.8%, 0.98%

LAB 99.09, -3.04, 3.23

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 12 / 0 / 19 / 1

HEX #DFFCCD

RGB 223 252 205

HSL 97.02, 0.89%, 0.9%

LAB 95.88, -17.62, 19.42

 

CMYK 18 / 0 / 3 / 1

HEX #CFFCF4

RGB 207 252 244

HSL 169.33, 0.88%, 0.9%

LAB 95.75, -15.85, -0.94

 

CMYK 0 / 18 / 4 / 1

HEX #FCCFF2

RGB 252 207 242

HSL 313.33, 0.88%, 0.9%

LAB 87.84, 21.5, -11.21

 

CMYK 12 / 0 / 19 / 1

HEX #DFFCCD

RGB 223 252 205

HSL 97.02, 0.89%, 0.9%

LAB 95.88, -17.62, 19.42

 

CMYK 18 / 11 / 0 / 1

HEX #CFE0FC

RGB 207 224 252

HSL 217.33, 0.88%, 0.9%

LAB 88.74, -0, -15.51

 

CMYK 0 / 18 / 11 / 1

HEX #FCCFE0

RGB 252 207 224

HSL 337.33, 0.88%, 0.9%

LAB 87.34, 18.47, -2.42

 

CMYK 12 / 0 / 19 / 1

HEX #DFFCCD

RGB 223 252 205

HSL 97.02, 0.89%, 0.9%

LAB 95.88, -17.62, 19.42

 

CMYK 18 / 0 / 3 / 1

HEX #CFFCF4

RGB 207 252 244

HSL 169.33, 0.88%, 0.9%

LAB 95.75, -15.85, -0.94

 

CMYK 7 / 18 / 0 / 1

HEX #EBCFFC

RGB 235 207 252

HSL 277.33, 0.88%, 0.9%

LAB 86.66, 17.77, -18.42

 

CMYK 0 / 18 / 15 / 1

HEX #FCCFD7

RGB 252 207 215

HSL 349.33, 0.88%, 0.9%

LAB 87.11, 17.04, 2.01

 

CMYK 12 / 0 / 19 / 1

HEX #DFFCCD

RGB 223 252 205

HSL 97.02, 0.89%, 0.9%

LAB 95.88, -17.62, 19.42

 

CMYK 18 / 2 / 0 / 1

HEX #CFF7FC

RGB 207 247 252

HSL 186.67, 0.88%, 0.9%

LAB 94.66, -11.76, -6.69

 

CMYK 7 / 18 / 0 / 1

HEX #EBCFFC

RGB 235 207 252

HSL 277.33, 0.88%, 0.9%

LAB 86.66, 17.77, -18.42

 

CMYK 0 / 16 / 18 / 1

HEX #FCD4CF

RGB 252 212 207

HSL 6.67, 0.88%, 0.9%

LAB 88.11, 13.2, 7.68

 

Description

Color code: HEX #DFFCCDCE | qconv.com Color code: HEX #DFFCCDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 252 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 252 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 15 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 15% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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