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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFFC9FCE it is the complementary color #200360CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFFC9FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFFC9FCE shade: #E4FC9ACE, #F5FFADCE, #FFFFC0CE, #FFFFD3CE and #FFFFE6CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFFC9FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFFC9FCE shade: #DFFC9FCE, #CEEA8CCE, #BDD879CE, #ACC666CE and #9BB453CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFFC9FCE shade: #E0FCA1, #F8FCA1, #FCE7A1, #FCCFA1 and #FCB6A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFFC9FCE shade: #E0FCA1, #C7FCA1, #AFFCA1, #A1FCAC and #A1FCC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFFC9FCE shade matches the following richer shades: #E0FCA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFFC9FCE shade: #E0FCA1, #DDF4A9, #DAECB1, #D7E5B9 and #D4DDC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFFC9FCE shade: #FCE7A1, #F9FCA1, #E1FCA1, #C8FCA1 and #B0FCA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFFC9FCE shade: #C5FA51, #D2FB79, #E0FCA1, #EDFDC9 and #FAFFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFFC9FCE shade: #DFFC9F, #A1FCCF and #F3A1FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFFC9FCE shade: #DFFC9F, #A1E1FC and #FCA1E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFFC9FCE shade: #DFFC9F, #A1FCCF, #BCA1FC and #FCA1CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFFC9FCE shade: #DFFC9F, #A1FCEA, #BCA1FC and #FCA1B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 30 / 1

HEX #DFFC9FCE

RGBA 223 252 159 0.81

HSLA 78.71, 0.94%, 0.81%, 0.81

LABA 95.08, -24.06, 41.47, 0.81

 

Complementary color

CMYK 54 / 78 / 0 / 51

HEX #200360CE

RGBA 32 3 96 0.81

HSLA 258.71, 0.94%, 0.19%, 0.81

LABA 10.68, 38.3, -47.59, 0.81

 

CMYK 8 / 0 / 32 / 1

HEX #E4FC9ACE

RGBA 228 252 154 0.81

HSLA 74.69, 0.94%, 0.8%, 0.81

LABA 95.35, -22.82, 44.32, 0.81

 

CMYK 3 / 0 / 26 / 0

HEX #F5FFADCE

RGBA 245 255 173 0.81

HSLA 67.32, 1%, 0.84%, 0.81

LABA 97.61, -15.74, 38.16, 0.81

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFC0CE

RGBA 255 255 192 0.81

HSLA 60, 1%, 0.88%, 0.81

LABA 98.66, -9.68, 30.2, 0.81

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFD3CE

RGBA 255 255 211 0.81

HSLA 60, 1%, 0.91%, 0.81

LABA 99.02, -7.05, 21.08, 0.81

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFE6CE

RGBA 255 255 230 0.81

HSLA 60, 1%, 0.95%, 0.81

LABA 99.41, -4.17, 11.95, 0.81

 

CMYK 9 / 0 / 30 / 1

HEX #DFFC9FCE

RGBA 223 252 159 0.81

HSLA 78.71, 0.94%, 0.81%, 0.81

LABA 95.08, -24.06, 41.47, 0.81

 

CMYK 10 / 0 / 33 / 7

HEX #CEEA8CCE

RGBA 206 234 140 0.81

HSLA 77.87, 0.69%, 0.73%, 0.81

LABA 88.86, -23.98, 42.59, 0.81

 

CMYK 10 / 0 / 36 / 12

HEX #BDD879CE

RGBA 189 216 121 0.81

HSLA 77.05, 0.55%, 0.66%, 0.81

LABA 82.55, -23.87, 43.73, 0.81

 

CMYK 11 / 0 / 39 / 18

HEX #ACC666CE

RGBA 172 198 102 0.81

HSLA 76.25, 0.46%, 0.59%, 0.81

LABA 76.14, -23.7, 44.88, 0.81

 

CMYK 11 / 0 / 44 / 24

HEX #9BB453CE

RGBA 155 180 83 0.81

HSLA 75.46, 0.39%, 0.52%, 0.81

LABA 69.64, -23.48, 46, 0.81

 

CMYK 11 / 0 / 36 / 1

HEX #E0FCA1

RGB 224 252 161

HSL 78.46, 0.94%, 0.81%

LAB 95.18, -23.46, 40.62

 

CMYK 2 / 0 / 36 / 1

HEX #F8FCA1

RGB 248 252 161

HSL 62.64, 0.94%, 0.81%

LAB 96.88, -14.56, 43.16

 

CMYK 0 / 8 / 36 / 1

HEX #FCE7A1

RGB 252 231 161

HSL 46.15, 0.94%, 0.81%

LAB 91.87, -2.62, 36.7

 

CMYK 0 / 18 / 36 / 1

HEX #FCCFA1

RGB 252 207 161

HSL 30.33, 0.94%, 0.81%

LAB 85.95, 9.68, 28.83

 

CMYK 0 / 28 / 36 / 1

HEX #FCB6A1

RGB 252 182 161

HSL 13.85, 0.94%, 0.81%

LAB 80.02, 22.76, 20.75

 

CMYK 11 / 0 / 36 / 1

HEX #E0FCA1

RGB 224 252 161

HSL 78.46, 0.94%, 0.81%

LAB 95.18, -23.46, 40.62

 

CMYK 21 / 0 / 36 / 1

HEX #C7FCA1

RGB 199 252 161

HSL 94.95, 0.94%, 0.81%

LAB 93.6, -32.34, 38.26

 

CMYK 31 / 0 / 36 / 1

HEX #AFFCA1

RGB 175 252 161

HSL 110.77, 0.94%, 0.81%

LAB 92.27, -40.34, 36.27

 

CMYK 36 / 0 / 32 / 1

HEX #A1FCAC

RGB 161 252 172

HSL 127.25, 0.94%, 0.81%

LAB 91.76, -42.96, 29.97

 

CMYK 36 / 0 / 22 / 1

HEX #A1FCC5

RGB 161 252 197

HSL 143.74, 0.94%, 0.81%

LAB 92.23, -38.59, 17.9

 

CMYK 11 / 0 / 36 / 1

HEX #E0FCA1

RGB 224 252 161

HSL 78.46, 0.94%, 0.81%

LAB 95.18, -23.46, 40.62

 

CMYK 11 / 0 / 36 / 1

HEX #E0FCA1

RGB 224 252 161

HSL 78.46, 0.94%, 0.81%

LAB 95.18, -23.46, 40.62

 

CMYK 9 / 0 / 31 / 4

HEX #DDF4A9

RGB 221 244 169

HSL 78.4, 0.77%, 0.81%

LAB 92.99, -19.68, 33.72

 

CMYK 8 / 0 / 25 / 7

HEX #DAECB1

RGB 218 236 177

HSL 78.31, 0.61%, 0.81%

LAB 90.81, -15.75, 26.69

 

CMYK 6 / 0 / 19 / 10

HEX #D7E5B9

RGB 215 229 185

HSL 79.09, 0.46%, 0.81%

LAB 88.92, -12.16, 19.92

 

CMYK 4 / 0 / 13 / 13

HEX #D4DDC0

RGB 212 221 192

HSL 78.62, 0.3%, 0.81%

LAB 86.76, -8.08, 13.21

 

CMYK 0 / 8 / 36 / 1

HEX #FCE7A1

RGB 252 231 161

HSL 46.15, 0.94%, 0.81%

LAB 91.87, -2.62, 36.7

 

CMYK 1 / 0 / 36 / 1

HEX #F9FCA1

RGB 249 252 161

HSL 61.98, 0.94%, 0.81%

LAB 96.96, -14.19, 43.27

 

CMYK 11 / 0 / 36 / 1

HEX #E1FCA1

RGB 225 252 161

HSL 77.8, 0.94%, 0.81%

LAB 95.25, -23.09, 40.73

 

CMYK 21 / 0 / 36 / 1

HEX #C8FCA1

RGB 200 252 161

HSL 94.29, 0.94%, 0.81%

LAB 93.66, -32, 38.35

 

CMYK 30 / 0 / 36 / 1

HEX #B0FCA1

RGB 176 252 161

HSL 110.11, 0.94%, 0.81%

LAB 92.32, -40.02, 36.34

 

CMYK 21 / 0 / 68 / 2

HEX #C5FA51

RGB 197 250 81

HSL 78.82, 0.94%, 0.65%

LAB 92.06, -39.98, 72.06

 

CMYK 16 / 0 / 52 / 2

HEX #D2FB79

RGB 210 251 121

HSL 78.92, 0.94%, 0.73%

LAB 93.48, -32.47, 57.31

 

CMYK 11 / 0 / 36 / 1

HEX #E0FCA1

RGB 224 252 161

HSL 78.46, 0.94%, 0.81%

LAB 95.18, -23.46, 40.62

 

CMYK 6 / 0 / 21 / 1

HEX #EDFDC9

RGB 237 253 201

HSL 78.46, 0.93%, 0.89%

LAB 97.01, -13.88, 23.18

 

CMYK 2 / 0 / 5 / 0

HEX #FAFFF1

RGB 250 255 241

HSL 81.43, 1%, 0.97%

LAB 99.3, -4.06, 6.1

 

CMYK 12 / 0 / 37 / 1

HEX #DFFC9F

RGB 223 252 159

HSL 78.71, 0.94%, 0.81%

LAB 95.08, -24.06, 41.47

 

CMYK 36 / 0 / 18 / 1

HEX #A1FCCF

RGB 161 252 207

HSL 150.33, 0.94%, 0.81%

LAB 92.44, -36.68, 13.05

 

CMYK 4 / 36 / 0 / 1

HEX #F3A1FC

RGB 243 161 252

HSL 294.07, 0.94%, 0.81%

LAB 77.02, 44.63, -33.04

 

CMYK 12 / 0 / 37 / 1

HEX #DFFC9F

RGB 223 252 159

HSL 78.71, 0.94%, 0.81%

LAB 95.08, -24.06, 41.47

 

CMYK 36 / 11 / 0 / 1

HEX #A1E1FC

RGB 161 225 252

HSL 197.8, 0.94%, 0.81%

LAB 86.23, -13.67, -19.55

 

CMYK 0 / 36 / 11 / 1

HEX #FCA1E1

RGB 252 161 225

HSL 317.8, 0.94%, 0.81%

LAB 77.05, 42.74, -18.28

 

CMYK 12 / 0 / 37 / 1

HEX #DFFC9F

RGB 223 252 159

HSL 78.71, 0.94%, 0.81%

LAB 95.08, -24.06, 41.47

 

CMYK 36 / 0 / 18 / 1

HEX #A1FCCF

RGB 161 252 207

HSL 150.33, 0.94%, 0.81%

LAB 92.44, -36.68, 13.05

 

CMYK 25 / 36 / 0 / 1

HEX #BCA1FC

RGB 188 161 252

HSL 257.8, 0.94%, 0.81%

LAB 71.7, 28.44, -41.73

 

CMYK 0 / 36 / 18 / 1

HEX #FCA1CF

RGB 252 161 207

HSL 329.67, 0.94%, 0.81%

LAB 76.49, 39.92, -9.31

 

CMYK 12 / 0 / 37 / 1

HEX #DFFC9F

RGB 223 252 159

HSL 78.71, 0.94%, 0.81%

LAB 95.08, -24.06, 41.47

 

CMYK 36 / 0 / 7 / 1

HEX #A1FCEA

RGB 161 252 234

HSL 168.13, 0.94%, 0.81%

LAB 93.07, -31.09, 0.02

 

CMYK 25 / 36 / 0 / 1

HEX #BCA1FC

RGB 188 161 252

HSL 257.8, 0.94%, 0.81%

LAB 71.7, 28.44, -41.73

 

CMYK 0 / 36 / 29 / 1

HEX #FCA1B3

RGB 252 161 179

HSL 348.13, 0.94%, 0.81%

LAB 75.72, 35.99, 4.91

 

Description

Color code: HEX #DFFC9FCE | qconv.com Color code: HEX #DFFC9FCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 252 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 252 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 30 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 30% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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