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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFFC6BCE it is the complementary color #200394CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFFC6BCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFFC6BCE shade: #E4FC66CE, #F5FF79CE, #FFFF8CCE, #FFFF9FCE and #FFFFB2CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFFC6BCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFFC6BCE shade: #DFFC6BCE, #CEEA58CE, #BDD845CE, #ACC632CE and #9BB41FCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFFC6BCE shade: #DFFC69, #FCF269, #FCCA69, #FCA269 and #FC7B69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFFC6BCE shade: #DFFC69, #B7FC69, #8FFC69, #69FC6A and #69FC92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFFC6BCE shade matches the following richer shades: #DFFC69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFFC6BCE shade: #DFFC69, #D7F075, #D0E382, #C8D78E and #C1CA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFFC6BCE shade: #FCCB69, #FCF269, #DFFC69, #B7FC69 and #90FC69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFFC6BCE shade: #CDFA18, #D6FB41, #DFFC69, #E7FD91 and #F0FEBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFFC6BCE shade: #DFFC6B, #69FCA4 and #DF69FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFFC6BCE shade: #DFFC6B, #69DFFC and #FC69DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFFC6BCE shade: #DFFC6B, #69FCA4, #8669FC and #FC69C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFFC6BCE shade: #DFFC6B, #69FCD0, #8669FC and #FC6995

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 47 / 1

HEX #DFFC6BCE

RGBA 223 252 107 0.81

HSLA 72, 0.96%, 0.7%, 0.81

LABA 94.47, -29.2, 64.81, 0.81

 

Complementary color

CMYK 63 / 79 / 0 / 34

HEX #200394CE

RGBA 32 3 148 0.81

HSLA 252, 0.96%, 0.3%, 0.81

LABA 17.97, 52.39, -68.9, 0.81

 

CMYK 8 / 0 / 48 / 1

HEX #E4FC66CE

RGBA 228 252 102 0.81

HSLA 69.6, 0.96%, 0.69%, 0.81

LABA 94.77, -27.64, 67.33, 0.81

 

CMYK 3 / 0 / 43 / 0

HEX #F5FF79CE

RGBA 245 255 121 0.81

HSLA 64.48, 1%, 0.74%, 0.81

LABA 96.95, -21, 61.97, 0.81

 

CMYK 0 / 0 / 37 / 0

HEX #FFFF8CCE

RGBA 255 255 140 0.81

HSLA 60, 1%, 0.77%, 0.81

LABA 97.9, -15.49, 54.62, 0.81

 

CMYK 0 / 0 / 30 / 0

HEX #FFFF9FCE

RGBA 255 255 159 0.81

HSLA 60, 1%, 0.81%, 0.81

LABA 98.15, -13.6, 45.86, 0.81

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFB2CE

RGBA 255 255 178 0.81

HSLA 60, 1%, 0.85%, 0.81

LABA 98.43, -11.44, 36.89, 0.81

 

CMYK 9 / 0 / 47 / 1

HEX #DFFC6BCE

RGBA 223 252 107 0.81

HSLA 72, 0.96%, 0.7%, 0.81

LABA 94.47, -29.2, 64.81, 0.81

 

CMYK 10 / 0 / 51 / 7

HEX #CEEA58CE

RGBA 206 234 88 0.81

HSLA 71.51, 0.78%, 0.63%, 0.81

LABA 88.29, -28.78, 65.61, 0.81

 

CMYK 10 / 0 / 55 / 12

HEX #BDD845CE

RGBA 189 216 69 0.81

HSLA 71.02, 0.65%, 0.56%, 0.81

LABA 82.03, -28.25, 66.14, 0.81

 

CMYK 11 / 0 / 61 / 18

HEX #ACC632CE

RGBA 172 198 50 0.81

HSLA 70.54, 0.6%, 0.49%, 0.81

LABA 75.69, -27.59, 66.2, 0.81

 

CMYK 11 / 0 / 67 / 24

HEX #9BB41FCE

RGBA 155 180 31 0.81

HSLA 70.07, 0.71%, 0.41%, 0.81

LABA 69.26, -26.75, 65.48, 0.81

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC69

RGB 223 252 105

HSL 71.84, 0.96%, 0.7%

LAB 94.45, -29.36, 65.64

 

CMYK 0 / 4 / 58 / 1

HEX #FCF269

RGB 252 242 105

HSL 55.92, 0.96%, 0.7%

LAB 93.98, -13.14, 65.71

 

CMYK 0 / 20 / 58 / 1

HEX #FCCA69

RGB 252 202 105

HSL 39.59, 0.96%, 0.7%

LAB 83.94, 7.03, 54.34

 

CMYK 0 / 36 / 58 / 1

HEX #FCA269

RGB 252 162 105

HSL 23.27, 0.96%, 0.7%

LAB 74.54, 27.93, 43.16

 

CMYK 0 / 51 / 58 / 1

HEX #FC7B69

RGB 252 123 105

HSL 7.35, 0.96%, 0.7%

LAB 66.43, 47.73, 33.03

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC69

RGB 223 252 105

HSL 71.84, 0.96%, 0.7%

LAB 94.45, -29.36, 65.64

 

CMYK 27 / 0 / 58 / 1

HEX #B7FC69

RGB 183 252 105

HSL 88.16, 0.96%, 0.7%

LAB 92, -44.15, 62.22

 

CMYK 43 / 0 / 58 / 1

HEX #8FFC69

RGB 143 252 105

HSL 104.49, 0.96%, 0.7%

LAB 90.08, -57.18, 59.52

 

CMYK 58 / 0 / 58 / 1

HEX #69FC6A

RGB 105 252 106

HSL 120.41, 0.96%, 0.7%

LAB 88.76, -67.03, 57.23

 

CMYK 58 / 0 / 42 / 1

HEX #69FC92

RGB 105 252 146

HSL 136.73, 0.96%, 0.7%

LAB 89.25, -61.61, 39.19

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC69

RGB 223 252 105

HSL 71.84, 0.96%, 0.7%

LAB 94.45, -29.36, 65.64

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC69

RGB 223 252 105

HSL 71.84, 0.96%, 0.7%

LAB 94.45, -29.36, 65.64

 

CMYK 10 / 0 / 51 / 6

HEX #D7F075

RGB 215 240 117

HSL 72.2, 0.8%, 0.7%

LAB 90.8, -25.81, 56.05

 

CMYK 8 / 0 / 43 / 11

HEX #D0E382

RGB 208 227 130

HSL 71.75, 0.63%, 0.7%

LAB 86.98, -20.96, 45.14

 

CMYK 7 / 0 / 34 / 16

HEX #C8D78E

RGB 200 215 142

HSL 72.33, 0.48%, 0.7%

LAB 83.35, -16.7, 34.39

 

CMYK 4 / 0 / 23 / 21

HEX #C1CA9B

RGB 193 202 155

HSL 71.49, 0.31%, 0.7%

LAB 79.58, -11, 22.49

 

CMYK 0 / 19 / 58 / 1

HEX #FCCB69

RGB 252 203 105

HSL 40, 0.96%, 0.7%

LAB 84.19, 6.52, 54.63

 

CMYK 0 / 4 / 58 / 1

HEX #FCF269

RGB 252 242 105

HSL 55.92, 0.96%, 0.7%

LAB 93.98, -13.14, 65.71

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC69

RGB 223 252 105

HSL 71.84, 0.96%, 0.7%

LAB 94.45, -29.36, 65.64

 

CMYK 27 / 0 / 58 / 1

HEX #B7FC69

RGB 183 252 105

HSL 88.16, 0.96%, 0.7%

LAB 92, -44.15, 62.22

 

CMYK 43 / 0 / 58 / 1

HEX #90FC69

RGB 144 252 105

HSL 104.08, 0.96%, 0.7%

LAB 90.12, -56.89, 59.58

 

CMYK 18 / 0 / 90 / 2

HEX #CDFA18

RGB 205 250 24

HSL 71.95, 0.96%, 0.54%

LAB 92.32, -39.09, 87.17

 

CMYK 15 / 0 / 74 / 2

HEX #D6FB41

RGB 214 251 65

HSL 71.94, 0.96%, 0.62%

LAB 93.31, -34.78, 79.06

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC69

RGB 223 252 105

HSL 71.84, 0.96%, 0.7%

LAB 94.45, -29.36, 65.64

 

CMYK 9 / 0 / 43 / 1

HEX #E7FD91

RGB 231 253 145

HSL 72.22, 0.96%, 0.78%

LAB 95.7, -23.17, 49.15

 

CMYK 6 / 0 / 27 / 0

HEX #F0FEBA

RGB 240 254 186

HSL 72.35, 0.97%, 0.86%

LAB 97.21, -15.41, 31.07

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC6B

RGB 223 252 107

HSL 72, 0.96%, 0.7%

LAB 94.47, -29.2, 64.81

 

CMYK 58 / 0 / 35 / 1

HEX #69FCA4

RGB 105 252 164

HSL 144.08, 0.96%, 0.7%

LAB 89.54, -58.56, 30.63

 

CMYK 12 / 58 / 0 / 1

HEX #DF69FC

RGB 223 105 252

HSL 288.16, 0.96%, 0.7%

LAB 64.01, 66.79, -53.58

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC6B

RGB 223 252 107

HSL 72, 0.96%, 0.7%

LAB 94.47, -29.2, 64.81

 

CMYK 58 / 12 / 0 / 1

HEX #69DFFC

RGB 105 223 252

HSL 191.84, 0.96%, 0.7%

LAB 83.34, -25.15, -24.16

 

CMYK 0 / 58 / 12 / 1

HEX #FC69DF

RGB 252 105 223

HSL 311.84, 0.96%, 0.7%

LAB 66.62, 69.25, -33.16

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC6B

RGB 223 252 107

HSL 72, 0.96%, 0.7%

LAB 94.47, -29.2, 64.81

 

CMYK 58 / 0 / 35 / 1

HEX #69FCA4

RGB 105 252 164

HSL 144.08, 0.96%, 0.7%

LAB 89.54, -58.56, 30.63

 

CMYK 47 / 58 / 0 / 1

HEX #8669FC

RGB 134 105 252

HSL 251.84, 0.96%, 0.7%

LAB 54.24, 46.72, -69.79

 

CMYK 0 / 58 / 23 / 1

HEX #FC69C1

RGB 252 105 193

HSL 324.08, 0.96%, 0.7%

LAB 65.47, 65.02, -18.08

 

CMYK 12 / 0 / 58 / 1

HEX #DFFC6B

RGB 223 252 107

HSL 72, 0.96%, 0.7%

LAB 94.47, -29.2, 64.81

 

CMYK 58 / 0 / 17 / 1

HEX #69FCD0

RGB 105 252 208

HSL 162.04, 0.96%, 0.7%

LAB 90.4, -49.64, 9.35

 

CMYK 47 / 58 / 0 / 1

HEX #8669FC

RGB 134 105 252

HSL 251.84, 0.96%, 0.7%

LAB 54.24, 46.72, -69.79

 

CMYK 0 / 58 / 41 / 1

HEX #FC6995

RGB 252 105 149

HSL 342.04, 0.96%, 0.7%

LAB 64.14, 59.88, 5.01

 

Description

Color code: HEX #DFFC6BCE | qconv.com Color code: HEX #DFFC6BCE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 252 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 252 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 47 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 47% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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