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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFFC2B it is the complementary color #2003D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFFC2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFFC2B shade: #E4FC26, #F5FF39, #FFFF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFFC2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFFC2B shade: #DFFC2B, #CEEA18, #BDD805, #ACC600 and #9BB400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFFC2B shade: #DFFC2C, #FCE12C, #FCA92C, #FC712C and #FC392C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFFC2B shade: #DFFC2C, #A7FC2C, #6FFC2C, #37FC2C and #2CFC59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFFC2B shade matches the following richer shades: #DFFC2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFFC2B shade: #DFFC2C, #D2EA3D, #C6D94F, #B9C860 and #ADB671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFFC2B shade: #FCA92C, #FCE02C, #E0FC2C, #A9FC2C and #71FC2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFFC2B shade: #B5D203, #D8FB04, #DFFC2C, #E5FC55 and #EBFD7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFFC2B shade: #DFFC2B, #2CFC71 and #C42CFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFFC2B shade: #DFFC2B, #2CE0FC and #FC2CE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFFC2B shade: #DFFC2B, #2CFC71, #482CFC and #FC2CB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFFC2B shade: #DFFC2B, #2CFCB0, #482CFC and #FC2C78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 83 / 1

HEX #DFFC2B

RGB 223 252 43

HSL 68.33, 0.97%, 0.58%

LAB 94.09, -32.49, 85.78

 

Complementary color

CMYK 85 / 99 / 0 / 17

HEX #2003D4

RGB 32 3 212

HSL 248.33, 0.97%, 0.42%

LAB 27.09, 68.62, -92.03

 

CMYK 10 / 0 / 85 / 1

HEX #E4FC26

RGB 228 252 38

HSL 66.73, 0.97%, 0.57%

LAB 94.42, -30.62, 87.22

 

CMYK 4 / 0 / 78 / 0

HEX #F5FF39

RGB 245 255 57

HSL 63.03, 1%, 0.61%

LAB 96.5, -24.63, 85.08

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2B

RGB 223 252 43

HSL 68.33, 0.97%, 0.58%

LAB 94.09, -32.49, 85.78

 

CMYK 12 / 0 / 90 / 8

HEX #CEEA18

RGB 206 234 24

HSL 68, 0.83%, 0.51%

LAB 87.98, -31.45, 83.75

 

CMYK 13 / 0 / 98 / 15

HEX #BDD805

RGB 189 216 5

HSL 67.68, 0.95%, 0.43%

LAB 81.81, -30.24, 80.52

 

CMYK 13 / 0 / 100 / 22

HEX #ACC600

RGB 172 198 0

HSL 67.88, 1%, 0.39%

LAB 75.55, -28.85, 75.76

 

CMYK 14 / 0 / 100 / 29

HEX #9BB400

RGB 155 180 0

HSL 68.33, 1%, 0.35%

LAB 69.19, -27.38, 70.47

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2C

RGB 223 252 44

HSL 68.37, 0.97%, 0.58%

LAB 94.09, -32.46, 85.56

 

CMYK 0 / 11 / 83 / 1

HEX #FCE12C

RGB 252 225 44

HSL 52.21, 0.97%, 0.58%

LAB 89.27, -7.58, 82.39

 

CMYK 0 / 33 / 83 / 1

HEX #FCA92C

RGB 252 169 44

HSL 36.06, 0.97%, 0.58%

LAB 75.61, 21.25, 70.82

 

CMYK 0 / 55 / 83 / 1

HEX #FC712C

RGB 252 113 44

HSL 19.9, 0.97%, 0.58%

LAB 63.91, 49.57, 60.66

 

CMYK 0 / 77 / 83 / 1

HEX #FC392C

RGB 252 57 44

HSL 3.75, 0.97%, 0.58%

LAB 55.89, 71.15, 53.49

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2C

RGB 223 252 44

HSL 68.37, 0.97%, 0.58%

LAB 94.09, -32.46, 85.56

 

CMYK 34 / 0 / 83 / 1

HEX #A7FC2C

RGB 167 252 44

HSL 84.52, 0.97%, 0.58%

LAB 90.79, -53.46, 81.42

 

CMYK 56 / 0 / 83 / 1

HEX #6FFC2C

RGB 111 252 44

HSL 100.67, 0.97%, 0.58%

LAB 88.53, -70.28, 78.56

 

CMYK 78 / 0 / 83 / 1

HEX #37FC2C

RGB 55 252 44

HSL 116.83, 0.97%, 0.58%

LAB 87.3, -80.69, 76.98

 

CMYK 83 / 0 / 65 / 1

HEX #2CFC59

RGB 44 252 89

HSL 132.98, 0.97%, 0.58%

LAB 87.43, -78.58, 62.5

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2C

RGB 223 252 44

HSL 68.37, 0.97%, 0.58%

LAB 94.09, -32.46, 85.56

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2C

RGB 223 252 44

HSL 68.37, 0.97%, 0.58%

LAB 94.09, -32.46, 85.56

 

CMYK 10 / 0 / 74 / 8

HEX #D2EA3D

RGB 210 234 61

HSL 68.32, 0.8%, 0.58%

LAB 88.39, -28.71, 75.59

 

CMYK 9 / 0 / 64 / 15

HEX #C6D94F

RGB 198 217 79

HSL 68.26, 0.64%, 0.58%

LAB 83.02, -24.49, 63.47

 

CMYK 8 / 0 / 52 / 22

HEX #B9C860

RGB 185 200 96

HSL 68.65, 0.49%, 0.58%

LAB 77.56, -20.11, 49.67

 

CMYK 5 / 0 / 38 / 29

HEX #ADB671

RGB 173 182 113

HSL 67.83, 0.32%, 0.58%

LAB 71.91, -14.05, 34.08

 

CMYK 0 / 33 / 83 / 1

HEX #FCA92C

RGB 252 169 44

HSL 36.06, 0.97%, 0.58%

LAB 75.61, 21.25, 70.82

 

CMYK 0 / 11 / 83 / 1

HEX #FCE02C

RGB 252 224 44

HSL 51.92, 0.97%, 0.58%

LAB 89.01, -7.08, 82.17

 

CMYK 11 / 0 / 83 / 1

HEX #E0FC2C

RGB 224 252 44

HSL 68.08, 0.97%, 0.58%

LAB 94.16, -32.06, 85.65

 

CMYK 33 / 0 / 83 / 1

HEX #A9FC2C

RGB 169 252 44

HSL 83.94, 0.97%, 0.58%

LAB 90.89, -52.77, 81.54

 

CMYK 55 / 0 / 83 / 1

HEX #71FC2C

RGB 113 252 44

HSL 100.1, 0.97%, 0.58%

LAB 88.6, -69.78, 78.64

 

CMYK 14 / 0 / 99 / 18

HEX #B5D203

RGB 181 210 3

HSL 68.41, 0.97%, 0.42%

LAB 79.57, -30.74, 78.76

 

CMYK 14 / 0 / 98 / 2

HEX #D8FB04

RGB 216 251 4

HSL 68.5, 0.97%, 0.5%

LAB 93.28, -35.45, 90.08

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2C

RGB 223 252 44

HSL 68.37, 0.97%, 0.58%

LAB 94.09, -32.46, 85.56

 

CMYK 9 / 0 / 66 / 1

HEX #E5FC55

RGB 229 252 85

HSL 68.26, 0.97%, 0.66%

LAB 94.71, -28.34, 73.97

 

CMYK 7 / 0 / 51 / 1

HEX #EBFD7D

RGB 235 253 125

HSL 68.44, 0.97%, 0.74%

LAB 95.74, -23.58, 58.59

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2B

RGB 223 252 43

HSL 68.33, 0.97%, 0.58%

LAB 94.09, -32.49, 85.78

 

CMYK 83 / 0 / 55 / 1

HEX #2CFC71

RGB 44 252 113

HSL 139.9, 0.97%, 0.58%

LAB 87.65, -75.78, 52.53

 

CMYK 22 / 83 / 0 / 1

HEX #C42CFC

RGB 196 44 252

HSL 283.85, 0.97%, 0.58%

LAB 52.47, 83.38, -72.31

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2B

RGB 223 252 43

HSL 68.33, 0.97%, 0.58%

LAB 94.09, -32.49, 85.78

 

CMYK 83 / 11 / 0 / 1

HEX #2CE0FC

RGB 44 224 252

HSL 188.08, 0.97%, 0.58%

LAB 82.31, -33.3, -25.84

 

CMYK 0 / 83 / 11 / 1

HEX #FC2CE0

RGB 252 44 224

HSL 308.08, 0.97%, 0.58%

LAB 59.78, 88.76, -44.42

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2B

RGB 223 252 43

HSL 68.33, 0.97%, 0.58%

LAB 94.09, -32.49, 85.78

 

CMYK 83 / 0 / 55 / 1

HEX #2CFC71

RGB 44 252 113

HSL 139.9, 0.97%, 0.58%

LAB 87.65, -75.78, 52.53

 

CMYK 71 / 83 / 0 / 1

HEX #482CFC

RGB 72 44 252

HSL 248.08, 0.97%, 0.58%

LAB 38.21, 69.29, -96.26

 

CMYK 0 / 83 / 27 / 1

HEX #FC2CB7

RGB 252 44 183

HSL 319.9, 0.97%, 0.58%

LAB 57.96, 83.75, -23.84

 

CMYK 12 / 0 / 83 / 1

HEX #DFFC2B

RGB 223 252 43

HSL 68.33, 0.97%, 0.58%

LAB 94.09, -32.49, 85.78

 

CMYK 83 / 0 / 30 / 1

HEX #2CFCB0

RGB 44 252 176

HSL 158.08, 0.97%, 0.58%

LAB 88.59, -64.94, 23.08

 

CMYK 71 / 83 / 0 / 1

HEX #482CFC

RGB 72 44 252

HSL 248.08, 0.97%, 0.58%

LAB 38.21, 69.29, -96.26

 

CMYK 0 / 83 / 52 / 1

HEX #FC2C78

RGB 252 44 120

HSL 338.08, 0.97%, 0.58%

LAB 55.94, 77.98, 10.29

 

Description

Color code: HEX #DFFC2B | qconv.com Color code: HEX #DFFC2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 252 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 252 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 83% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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