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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFFAC34C it is the complementary color #20053C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFFAC34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFFAC34C shade: #E4FABE4C, #F5FFD14C, #FFFFE44C, #FFFFF74C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFFAC34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFFAC34C shade: #DFFAC34C, #CEE8B04C, #BDD69D4C, #ACC48A4C and #9BB2774C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFFAC34C shade: #DEFAC2, #EEFAC2, #FAF7C2, #FAE8C2 and #FAD9C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFFAC34C shade: #DEFAC2, #CFFAC2, #C2FAC3, #C2FAD3 and #C2FAE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFFAC34C shade matches the following richer shades: #DEFAC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFFAC34C shade: #DEFAC2, #DEF5C7, #DEEFCC, #DEEAD2 and #DEE5D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFFAC34C shade: #FAF7C2, #EEFAC2, #DFFAC2, #D0FAC2 and #C2FAC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFFAC34C shade: #B6F475, #CAF79C, #DEFAC2, #F3FDE8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFFAC34C shade: #DFFAC3, #C2FAE8 and #FAC2F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFFAC34C shade: #DFFAC3, #C2DFFA and #FAC2DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFFAC34C shade: #DFFAC3, #C2FAE8, #DDC2FA and #FAC2D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFFAC34C shade: #DFFAC3, #C2FAF9, #DDC2FA and #FAC2C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 7 / 1

HEX #DFFAC34C

RGBA 223 250 195 0.3

HSLA 89.45, 0.85%, 0.87%, 0.3

LABA 95.16, -18.2, 23.52, 0.3

 

Complementary color

CMYK 14 / 28 / 0 / 23

HEX #20053C4C

RGBA 32 5 60 0.3

HSLA 269.45, 0.85%, 0.13%, 0.3

LABA 6.7, 26.6, -29.18, 0.3

 

CMYK 3 / 0 / 7 / 1

HEX #E4FABE4C

RGBA 228 250 190 0.3

HSLA 82, 0.86%, 0.86%, 0.3

LABA 95.41, -17.19, 26.46, 0.3

 

CMYK 1 / 0 / 5 / 0

HEX #F5FFD14C

RGBA 245 255 209 0.3

HSLA 73.04, 1%, 0.91%, 0.3

LABA 98.25, -10.87, 20.91, 0.3

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFE44C

RGBA 255 255 228 0.3

HSLA 60, 1%, 0.95%, 0.3

LABA 99.37, -4.48, 12.91, 0.3

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFF74C

RGBA 255 255 247 0.3

HSLA 60, 1%, 0.98%, 0.3

LABA 99.8, -1.37, 3.81, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 3 / 0 / 7 / 1

HEX #DFFAC34C

RGBA 223 250 195 0.3

HSLA 89.45, 0.85%, 0.87%, 0.3

LABA 95.16, -18.2, 23.52, 0.3

 

CMYK 3 / 0 / 7 / 3

HEX #CEE8B04C

RGBA 206 232 176 0.3

HSLA 87.86, 0.55%, 0.8%, 0.3

LABA 88.91, -18.22, 24.47, 0.3

 

CMYK 4 / 0 / 8 / 5

HEX #BDD69D4C

RGBA 189 214 157 0.3

HSLA 86.32, 0.41%, 0.73%, 0.3

LABA 82.56, -18.23, 25.46, 0.3

 

CMYK 4 / 0 / 9 / 7

HEX #ACC48A4C

RGBA 172 196 138 0.3

HSLA 84.83, 0.33%, 0.65%, 0.3

LABA 76.12, -18.24, 26.51, 0.3

 

CMYK 4 / 0 / 10 / 9

HEX #9BB2774C

RGBA 155 178 119 0.3

HSLA 83.39, 0.28%, 0.58%, 0.3

LABA 69.57, -18.24, 27.61, 0.3

 

CMYK 11 / 0 / 22 / 2

HEX #DEFAC2

RGB 222 250 194

HSL 90, 0.85%, 0.87%

LAB 95.07, -18.7, 23.9

 

CMYK 5 / 0 / 22 / 2

HEX #EEFAC2

RGB 238 250 194

HSL 72.86, 0.85%, 0.87%

LAB 96.18, -13.06, 25.6

 

CMYK 0 / 1 / 22 / 2

HEX #FAF7C2

RGB 250 247 194

HSL 56.79, 0.85%, 0.87%

LAB 96.3, -7.26, 25.91

 

CMYK 0 / 7 / 22 / 2

HEX #FAE8C2

RGB 250 232 194

HSL 40.71, 0.85%, 0.87%

LAB 92.54, 0.29, 20.72

 

CMYK 0 / 13 / 22 / 2

HEX #FAD9C2

RGB 250 217 194

HSL 24.64, 0.85%, 0.87%

LAB 88.85, 7.99, 15.55

 

CMYK 11 / 0 / 22 / 2

HEX #DEFAC2

RGB 222 250 194

HSL 90, 0.85%, 0.87%

LAB 95.07, -18.7, 23.9

 

CMYK 17 / 0 / 22 / 2

HEX #CFFAC2

RGB 207 250 194

HSL 106.07, 0.85%, 0.87%

LAB 94.11, -23.83, 22.42

 

CMYK 22 / 0 / 22 / 2

HEX #C2FAC3

RGB 194 250 195

HSL 121.07, 0.85%, 0.87%

LAB 93.36, -27.96, 20.74

 

CMYK 22 / 0 / 16 / 2

HEX #C2FAD3

RGB 194 250 211

HSL 138.21, 0.85%, 0.87%

LAB 93.69, -25.17, 12.99

 

CMYK 22 / 0 / 10 / 2

HEX #C2FAE2

RGB 194 250 226

HSL 154.29, 0.85%, 0.87%

LAB 94.03, -22.37, 5.74

 

CMYK 11 / 0 / 22 / 2

HEX #DEFAC2

RGB 222 250 194

HSL 90, 0.85%, 0.87%

LAB 95.07, -18.7, 23.9

 

CMYK 11 / 0 / 22 / 2

HEX #DEFAC2

RGB 222 250 194

HSL 90, 0.85%, 0.87%

LAB 95.07, -18.7, 23.9

 

CMYK 9 / 0 / 19 / 4

HEX #DEF5C7

RGB 222 245 199

HSL 90, 0.7%, 0.87%

LAB 93.86, -15.48, 19.67

 

CMYK 7 / 0 / 15 / 6

HEX #DEEFCC

RGB 222 239 204

HSL 89.14, 0.52%, 0.87%

LAB 92.41, -11.71, 15.05

 

CMYK 5 / 0 / 10 / 8

HEX #DEEAD2

RGB 222 234 210

HSL 90, 0.36%, 0.87%

LAB 91.25, -8.22, 10.28

 

CMYK 3 / 0 / 6 / 10

HEX #DEE5D7

RGB 222 229 215

HSL 90, 0.21%, 0.87%

LAB 90.08, -4.83, 6

 

CMYK 0 / 1 / 22 / 2

HEX #FAF7C2

RGB 250 247 194

HSL 56.79, 0.85%, 0.87%

LAB 96.3, -7.26, 25.91

 

CMYK 5 / 0 / 22 / 2

HEX #EEFAC2

RGB 238 250 194

HSL 72.86, 0.85%, 0.87%

LAB 96.18, -13.06, 25.6

 

CMYK 11 / 0 / 22 / 2

HEX #DFFAC2

RGB 223 250 194

HSL 88.93, 0.85%, 0.87%

LAB 95.14, -18.35, 24

 

CMYK 17 / 0 / 22 / 2

HEX #D0FAC2

RGB 208 250 194

HSL 105, 0.85%, 0.87%

LAB 94.17, -23.49, 22.52

 

CMYK 22 / 0 / 22 / 2

HEX #C2FAC3

RGB 194 250 195

HSL 121.07, 0.85%, 0.87%

LAB 93.36, -27.96, 20.74

 

CMYK 25 / 0 / 52 / 4

HEX #B6F475

RGB 182 244 117

HSL 89.29, 0.85%, 0.71%

LAB 89.83, -39.87, 54.38

 

CMYK 18 / 0 / 37 / 3

HEX #CAF79C

RGB 202 247 156

HSL 89.67, 0.85%, 0.79%

LAB 92.34, -29.63, 39.13

 

CMYK 11 / 0 / 22 / 2

HEX #DEFAC2

RGB 222 250 194

HSL 90, 0.85%, 0.87%

LAB 95.07, -18.7, 23.9

 

CMYK 4 / 0 / 8 / 1

HEX #F3FDE8

RGB 243 253 232

HSL 88.57, 0.84%, 0.95%

LAB 98.09, -6.93, 8.91

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 0 / 22 / 2

HEX #DFFAC3

RGB 223 250 195

HSL 89.45, 0.85%, 0.87%

LAB 95.16, -18.2, 23.52

 

CMYK 22 / 0 / 7 / 2

HEX #C2FAE8

RGB 194 250 232

HSL 160.71, 0.85%, 0.87%

LAB 94.17, -21.2, 2.85

 

CMYK 0 / 22 / 2 / 2

HEX #FAC2F5

RGB 250 194 245

HSL 305.36, 0.85%, 0.87%

LAB 84.74, 28.22, -17.46

 

CMYK 11 / 0 / 22 / 2

HEX #DFFAC3

RGB 223 250 195

HSL 89.45, 0.85%, 0.87%

LAB 95.16, -18.2, 23.52

 

CMYK 22 / 11 / 0 / 2

HEX #C2DFFA

RGB 194 223 250

HSL 208.93, 0.85%, 0.87%

LAB 87.56, -3.84, -16.31

 

CMYK 0 / 22 / 11 / 2

HEX #FAC2DF

RGB 250 194 223

HSL 328.93, 0.85%, 0.87%

LAB 84.09, 24.45, -6.7

 

CMYK 11 / 0 / 22 / 2

HEX #DFFAC3

RGB 223 250 195

HSL 89.45, 0.85%, 0.87%

LAB 95.16, -18.2, 23.52

 

CMYK 22 / 0 / 7 / 2

HEX #C2FAE8

RGB 194 250 232

HSL 160.71, 0.85%, 0.87%

LAB 94.17, -21.2, 2.85

 

CMYK 12 / 22 / 0 / 2

HEX #DDC2FA

RGB 221 194 250

HSL 268.93, 0.85%, 0.87%

LAB 82.3, 19.86, -24.07

 

CMYK 0 / 22 / 15 / 2

HEX #FAC2D4

RGB 250 194 212

HSL 340.71, 0.85%, 0.87%

LAB 83.79, 22.69, -1.26

 

CMYK 11 / 0 / 22 / 2

HEX #DFFAC3

RGB 223 250 195

HSL 89.45, 0.85%, 0.87%

LAB 95.16, -18.2, 23.52

 

CMYK 22 / 0 / 0 / 2

HEX #C2FAF9

RGB 194 250 249

HSL 178.93, 0.85%, 0.87%

LAB 94.6, -17.73, -5.31

 

CMYK 12 / 22 / 0 / 2

HEX #DDC2FA

RGB 221 194 250

HSL 268.93, 0.85%, 0.87%

LAB 82.3, 19.86, -24.07

 

CMYK 0 / 22 / 22 / 2

HEX #FAC2C3

RGB 250 194 195

HSL 358.93, 0.85%, 0.87%

LAB 83.36, 20.14, 7.21

 

Description

Color code: HEX #DFFAC34C | qconv.com Color code: HEX #DFFAC34C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 250 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 250 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 7 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 7% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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