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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFFAB94C it is the complementary color #2005464C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFFAB94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFFAB94C shade: #E4FAB44C, #F5FFC74C, #FFFFDA4C, #FFFFED4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFFAB94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFFAB94C shade: #DFFAB94C, #CEE8A64C, #BDD6934C, #ACC4804C and #9BB26D4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFFAB94C shade: #DEFAB7, #F0FAB7, #FAF2B7, #FAE0B7 and #FACEB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFFAB94C shade: #DEFAB7, #CCFAB7, #BAFAB7, #B7FAC6 and #B7FAD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFFAB94C shade matches the following richer shades: #DEFAB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFFAB94C shade: #DEFAB7, #DDF4BE, #DCEEC4, #DBE7CA and #DAE1D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFFAB94C shade: #FAF1B7, #F1FAB7, #DFFAB7, #CEFAB7 and #BCFAB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFFAB94C shade: #BBF56A, #CDF791, #DEFAB7, #F0FDDE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFFAB94C shade: #DFFAB9, #B7FADF and #FAB7FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFFAB94C shade: #DFFAB9, #B7DFFA and #FAB7DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFFAB94C shade: #DFFAB9, #B7FADF, #D2B7FA and #FAB7D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFFAB94C shade: #DFFAB9, #B7FAF3, #D2B7FA and #FAB7BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 8 / 1

HEX #DFFAB94C

RGBA 223 250 185 0.3

HSLA 84.92, 0.87%, 0.85%, 0.3

LABA 94.98, -19.67, 28.35, 0.3

 

Complementary color

CMYK 16 / 28 / 0 / 22

HEX #2005464C

RGBA 32 5 70 0.3

HSLA 264.92, 0.87%, 0.15%, 0.3

LABA 7.75, 29.8, -34.6, 0.3

 

CMYK 3 / 0 / 8 / 1

HEX #E4FAB44C

RGBA 228 250 180 0.3

HSLA 78.86, 0.88%, 0.84%, 0.3

LABA 95.23, -18.59, 31.27, 0.3

 

CMYK 1 / 0 / 7 / 0

HEX #F5FFC74C

RGBA 245 255 199 0.3

HSLA 70.71, 1%, 0.89%, 0.3

LABA 98.06, -12.32, 25.72, 0.3

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFDA4C

RGBA 255 255 218 0.3

HSLA 60, 1%, 0.93%, 0.3

LABA 99.16, -6.02, 17.71, 0.3

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFED4C

RGBA 255 255 237 0.3

HSLA 60, 1%, 0.96%, 0.3

LABA 99.57, -3.04, 8.59, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 3 / 0 / 8 / 1

HEX #DFFAB94C

RGBA 223 250 185 0.3

HSLA 84.92, 0.87%, 0.85%, 0.3

LABA 94.98, -19.67, 28.35, 0.3

 

CMYK 3 / 0 / 9 / 3

HEX #CEE8A64C

RGBA 206 232 166 0.3

HSLA 83.64, 0.59%, 0.78%, 0.3

LABA 88.73, -19.67, 29.36, 0.3

 

CMYK 4 / 0 / 9 / 5

HEX #BDD6934C

RGBA 189 214 147 0.3

HSLA 82.39, 0.45%, 0.71%, 0.3

LABA 82.39, -19.66, 30.41, 0.3

 

CMYK 4 / 0 / 10 / 7

HEX #ACC4804C

RGBA 172 196 128 0.3

HSLA 81.18, 0.37%, 0.64%, 0.3

LABA 75.95, -19.63, 31.52, 0.3

 

CMYK 4 / 0 / 12 / 9

HEX #9BB26D4C

RGBA 155 178 109 0.3

HSLA 80, 0.31%, 0.56%, 0.3

LABA 69.41, -19.58, 32.67, 0.3

 

CMYK 11 / 0 / 27 / 2

HEX #DEFAB7

RGB 222 250 183

HSL 85.07, 0.87%, 0.85%

LAB 94.87, -20.31, 29.21

 

CMYK 4 / 0 / 27 / 2

HEX #F0FAB7

RGB 240 250 183

HSL 68.96, 0.87%, 0.85%

LAB 96.13, -13.86, 31.12

 

CMYK 0 / 3 / 27 / 2

HEX #FAF2B7

RGB 250 242 183

HSL 52.84, 0.87%, 0.85%

LAB 94.84, -6.23, 29.51

 

CMYK 0 / 10 / 27 / 2

HEX #FAE0B7

RGB 250 224 183

HSL 36.72, 0.87%, 0.85%

LAB 90.35, 2.88, 23.36

 

CMYK 0 / 18 / 27 / 2

HEX #FACEB7

RGB 250 206 183

HSL 20.6, 0.87%, 0.85%

LAB 85.95, 12.19, 17.26

 

CMYK 11 / 0 / 27 / 2

HEX #DEFAB7

RGB 222 250 183

HSL 85.07, 0.87%, 0.85%

LAB 94.87, -20.31, 29.21

 

CMYK 18 / 0 / 27 / 2

HEX #CCFAB7

RGB 204 250 183

HSL 101.19, 0.87%, 0.85%

LAB 93.72, -26.55, 27.45

 

CMYK 26 / 0 / 27 / 2

HEX #BAFAB7

RGB 186 250 183

HSL 117.31, 0.87%, 0.85%

LAB 92.68, -32.52, 25.85

 

CMYK 27 / 0 / 21 / 2

HEX #B7FAC6

RGB 183 250 198

HSL 133.43, 0.87%, 0.85%

LAB 92.8, -30.94, 18.34

 

CMYK 27 / 0 / 14 / 2

HEX #B7FAD8

RGB 183 250 216

HSL 149.55, 0.87%, 0.85%

LAB 93.19, -27.63, 9.62

 

CMYK 11 / 0 / 27 / 2

HEX #DEFAB7

RGB 222 250 183

HSL 85.07, 0.87%, 0.85%

LAB 94.87, -20.31, 29.21

 

CMYK 11 / 0 / 27 / 2

HEX #DEFAB7

RGB 222 250 183

HSL 85.07, 0.87%, 0.85%

LAB 94.87, -20.31, 29.21

 

CMYK 9 / 0 / 22 / 4

HEX #DDF4BE

RGB 221 244 190

HSL 85.56, 0.71%, 0.85%

LAB 93.36, -16.72, 23.57

 

CMYK 8 / 0 / 18 / 7

HEX #DCEEC4

RGB 220 238 196

HSL 85.71, 0.55%, 0.85%

LAB 91.84, -13.19, 18.36

 

CMYK 5 / 0 / 13 / 9

HEX #DBE7CA

RGB 219 231 202

HSL 84.83, 0.38%, 0.85%

LAB 90.08, -9.07, 12.76

 

CMYK 3 / 0 / 8 / 12

HEX #DAE1D0

RGB 218 225 208

HSL 84.71, 0.22%, 0.85%

LAB 88.6, -5.36, 7.49

 

CMYK 0 / 4 / 27 / 2

HEX #FAF1B7

RGB 250 241 183

HSL 51.94, 0.87%, 0.85%

LAB 94.59, -5.73, 29.17

 

CMYK 4 / 0 / 27 / 2

HEX #F1FAB7

RGB 241 250 183

HSL 68.06, 0.87%, 0.85%

LAB 96.2, -13.49, 31.23

 

CMYK 11 / 0 / 27 / 2

HEX #DFFAB7

RGB 223 250 183

HSL 84.18, 0.87%, 0.85%

LAB 94.94, -19.96, 29.31

 

CMYK 18 / 0 / 27 / 2

HEX #CEFAB7

RGB 206 250 183

HSL 99.4, 0.87%, 0.85%

LAB 93.85, -25.87, 27.64

 

CMYK 25 / 0 / 27 / 2

HEX #BCFAB7

RGB 188 250 183

HSL 115.52, 0.87%, 0.85%

LAB 92.79, -31.87, 26.02

 

CMYK 24 / 0 / 57 / 4

HEX #BBF56A

RGB 187 245 106

HSL 85.04, 0.87%, 0.69%

LAB 90.28, -39.57, 59.89

 

CMYK 17 / 0 / 41 / 3

HEX #CDF791

RGB 205 247 145

HSL 84.71, 0.86%, 0.77%

LAB 92.37, -29.92, 44.6

 

CMYK 11 / 0 / 27 / 2

HEX #DEFAB7

RGB 222 250 183

HSL 85.07, 0.87%, 0.85%

LAB 94.87, -20.31, 29.21

 

CMYK 5 / 0 / 12 / 1

HEX #F0FDDE

RGB 240 253 222

HSL 85.16, 0.89%, 0.93%

LAB 97.65, -9.59, 13.38

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 0 / 26 / 2

HEX #DFFAB9

RGB 223 250 185

HSL 84.92, 0.87%, 0.85%

LAB 94.98, -19.67, 28.35

 

CMYK 27 / 0 / 11 / 2

HEX #B7FADF

RGB 183 250 223

HSL 155.82, 0.87%, 0.85%

LAB 93.35, -26.27, 6.24

 

CMYK 0 / 27 / 0 / 2

HEX #FAB7FA

RGB 250 183 250

HSL 300, 0.87%, 0.85%

LAB 82.43, 34.91, -23.63

 

CMYK 11 / 0 / 26 / 2

HEX #DFFAB9

RGB 223 250 185

HSL 84.92, 0.87%, 0.85%

LAB 94.98, -19.67, 28.35

 

CMYK 27 / 11 / 0 / 2

HEX #B7DFFA

RGB 183 223 250

HSL 204.18, 0.87%, 0.85%

LAB 86.87, -7.07, -17.41

 

CMYK 0 / 27 / 11 / 2

HEX #FAB7DF

RGB 250 183 223

HSL 324.18, 0.87%, 0.85%

LAB 81.58, 30.25, -10.43

 

CMYK 11 / 0 / 26 / 2

HEX #DFFAB9

RGB 223 250 185

HSL 84.92, 0.87%, 0.85%

LAB 94.98, -19.67, 28.35

 

CMYK 27 / 0 / 11 / 2

HEX #B7FADF

RGB 183 250 223

HSL 155.82, 0.87%, 0.85%

LAB 93.35, -26.27, 6.24

 

CMYK 16 / 27 / 0 / 2

HEX #D2B7FA

RGB 210 183 250

HSL 264.18, 0.87%, 0.85%

LAB 78.74, 22.4, -29.6

 

CMYK 0 / 27 / 16 / 2

HEX #FAB7D2

RGB 250 183 210

HSL 335.82, 0.87%, 0.85%

LAB 81.21, 28.18, -3.98

 

CMYK 11 / 0 / 26 / 2

HEX #DFFAB9

RGB 223 250 185

HSL 84.92, 0.87%, 0.85%

LAB 94.98, -19.67, 28.35

 

CMYK 27 / 0 / 3 / 2

HEX #B7FAF3

RGB 183 250 243

HSL 173.73, 0.87%, 0.85%

LAB 93.84, -22.17, -3.39

 

CMYK 16 / 27 / 0 / 2

HEX #D2B7FA

RGB 210 183 250

HSL 264.18, 0.87%, 0.85%

LAB 78.74, 22.4, -29.6

 

CMYK 0 / 27 / 24 / 2

HEX #FAB7BE

RGB 250 183 190

HSL 353.73, 0.87%, 0.85%

LAB 80.69, 25.23, 6.05

 

Description

Color code: HEX #DFFAB94C | qconv.com Color code: HEX #DFFAB94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 250 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 250 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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