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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFF6963F it is the complementary color #2009693F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFF6963F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFF6963F shade: #E4F6913F, #F5FFA43F, #FFFFB73F, #FFFFCA3F and #FFFFDD3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFF6963F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFF6963F shade: #DFF6963F, #CEE4833F, #BDD2703F, #ACC05D3F and #9BAE4A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFF6963F shade: #DFF698, #F6F398, #F6DA98, #F6C098 and #F6A798

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFF6963F shade: #DFF698, #C6F698, #ADF698, #98F69C and #98F6B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFF6963F shade matches the following richer shades: #DFF698

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFF6963F shade: #DFF698, #DBEDA1, #D6E4AA, #D1DBB3 and #CDD2BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFF6963F shade: #F6DA98, #F6F398, #E0F698, #C7F698 and #AEF698

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFF6963F shade: #C8EF4C, #D4F372, #DFF698, #EBF9BE and #F7FDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFF6963F shade: #DFF696, #98F6C1 and #E698F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFF6963F shade: #DFF696, #98E0F6 and #F698E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFF6963F shade: #DFF696, #98F6C1, #AE98F6 and #F698CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFF6963F shade: #DFF696, #98F6DD, #AE98F6 and #F698B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 10 / 1

HEX #DFF6963F

RGBA 223 246 150 0.25

HSLA 74.38, 0.84%, 0.78%, 0.25

LABA 93.36, -22.26, 43.67, 0.25

 

Complementary color

CMYK 17 / 23 / 0 / 15

HEX #2009693F

RGBA 32 9 105 0.25

HSLA 254.38, 0.84%, 0.22%, 0.25

LABA 12.75, 38.25, -50.13, 0.25

 

CMYK 2 / 0 / 10 / 1

HEX #E4F6913F

RGBA 228 246 145 0.25

HSLA 70.69, 0.85%, 0.77%, 0.25

LABA 93.65, -20.94, 46.53, 0.25

 

CMYK 1 / 0 / 9 / 0

HEX #F5FFA43F

RGBA 245 255 164 0.25

HSLA 66.59, 1%, 0.82%, 0.25

LABA 97.48, -16.8, 42.42, 0.25

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFB73F

RGBA 255 255 183 0.25

HSLA 60, 1%, 0.86%, 0.25

LABA 98.51, -10.83, 34.51, 0.25

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFCA3F

RGBA 255 255 202 0.25

HSLA 60, 1%, 0.9%, 0.25

LABA 98.85, -8.33, 25.41, 0.25

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFDD3F

RGBA 255 255 221 0.25

HSLA 60, 1%, 0.93%, 0.25

LABA 99.22, -5.56, 16.27, 0.25

 

CMYK 2 / 0 / 10 / 1

HEX #DFF6963F

RGBA 223 246 150 0.25

HSLA 74.38, 0.84%, 0.78%, 0.25

LABA 93.36, -22.26, 43.67, 0.25

 

CMYK 2 / 0 / 11 / 3

HEX #CEE4833F

RGBA 206 228 131 0.25

HSLA 73.61, 0.64%, 0.7%, 0.25

LABA 87.12, -22.1, 44.8, 0.25

 

CMYK 3 / 0 / 12 / 4

HEX #BDD2703F

RGBA 189 210 112 0.25

HSLA 72.86, 0.52%, 0.63%, 0.25

LABA 80.78, -21.91, 45.95, 0.25

 

CMYK 3 / 0 / 13 / 6

HEX #ACC05D3F

RGBA 172 192 93 0.25

HSLA 72.12, 0.44%, 0.56%, 0.25

LABA 74.36, -21.64, 47.08, 0.25

 

CMYK 3 / 0 / 14 / 8

HEX #9BAE4A3F

RGBA 155 174 74 0.25

HSLA 71.4, 0.4%, 0.49%, 0.25

LABA 67.82, -21.3, 48.14, 0.25

 

CMYK 9 / 0 / 38 / 4

HEX #DFF698

RGB 223 246 152

HSL 74.68, 0.84%, 0.78%

LAB 93.39, -22.03, 42.73

 

CMYK 0 / 1 / 38 / 4

HEX #F6F398

RGB 246 243 152

HSL 58.09, 0.84%, 0.78%

LAB 94.3, -11.89, 44.22

 

CMYK 0 / 11 / 38 / 4

HEX #F6DA98

RGB 246 218 152

HSL 42.13, 0.84%, 0.78%

LAB 87.97, 0.67, 36.04

 

CMYK 0 / 22 / 38 / 4

HEX #F6C098

RGB 246 192 152

HSL 25.53, 0.84%, 0.78%

LAB 81.6, 14.17, 27.58

 

CMYK 0 / 32 / 38 / 4

HEX #F6A798

RGB 246 167 152

HSL 9.57, 0.84%, 0.78%

LAB 75.76, 27.34, 19.62

 

CMYK 9 / 0 / 38 / 4

HEX #DFF698

RGB 223 246 152

HSL 74.68, 0.84%, 0.78%

LAB 93.39, -22.03, 42.73

 

CMYK 20 / 0 / 38 / 4

HEX #C6F698

RGB 198 246 152

HSL 90.64, 0.84%, 0.78%

LAB 91.77, -31.09, 40.31

 

CMYK 30 / 0 / 38 / 4

HEX #ADF698

RGB 173 246 152

HSL 106.6, 0.84%, 0.78%

LAB 90.35, -39.6, 38.2

 

CMYK 38 / 0 / 37 / 4

HEX #98F69C

RGB 152 246 156

HSL 122.55, 0.84%, 0.78%

LAB 89.39, -45.56, 34.75

 

CMYK 38 / 0 / 26 / 4

HEX #98F6B6

RGB 152 246 182

HSL 139.15, 0.84%, 0.78%

LAB 89.84, -41.22, 22.2

 

CMYK 9 / 0 / 38 / 4

HEX #DFF698

RGB 223 246 152

HSL 74.68, 0.84%, 0.78%

LAB 93.39, -22.03, 42.73

 

CMYK 9 / 0 / 38 / 4

HEX #DFF698

RGB 223 246 152

HSL 74.68, 0.84%, 0.78%

LAB 93.39, -22.03, 42.73

 

CMYK 8 / 0 / 32 / 7

HEX #DBEDA1

RGB 219 237 161

HSL 74.21, 0.68%, 0.78%

LAB 90.87, -18.05, 34.91

 

CMYK 6 / 0 / 25 / 11

HEX #D6E4AA

RGB 214 228 170

HSL 74.48, 0.52%, 0.78%

LAB 88.3, -14.23, 26.82

 

CMYK 5 / 0 / 18 / 14

HEX #D1DBB3

RGB 209 219 179

HSL 75, 0.36%, 0.78%

LAB 85.74, -10.19, 18.57

 

CMYK 2 / 0 / 10 / 18

HEX #CDD2BC

RGB 205 210 188

HSL 73.64, 0.2%, 0.78%

LAB 83.29, -5.57, 10.32

 

CMYK 0 / 11 / 38 / 4

HEX #F6DA98

RGB 246 218 152

HSL 42.13, 0.84%, 0.78%

LAB 87.97, 0.67, 36.04

 

CMYK 0 / 1 / 38 / 4

HEX #F6F398

RGB 246 243 152

HSL 58.09, 0.84%, 0.78%

LAB 94.3, -11.89, 44.22

 

CMYK 9 / 0 / 38 / 4

HEX #E0F698

RGB 224 246 152

HSL 74.04, 0.84%, 0.78%

LAB 93.46, -21.66, 42.83

 

CMYK 19 / 0 / 38 / 4

HEX #C7F698

RGB 199 246 152

HSL 90, 0.84%, 0.78%

LAB 91.83, -30.74, 40.4

 

CMYK 29 / 0 / 38 / 4

HEX #AEF698

RGB 174 246 152

HSL 105.96, 0.84%, 0.78%

LAB 90.4, -39.27, 38.27

 

CMYK 16 / 0 / 68 / 6

HEX #C8EF4C

RGB 200 239 76

HSL 74.36, 0.84%, 0.62%

LAB 89.17, -34.2, 71.02

 

CMYK 13 / 0 / 53 / 5

HEX #D4F372

RGB 212 243 114

HSL 74.42, 0.84%, 0.7%

LAB 91.38, -28.64, 58.03

 

CMYK 9 / 0 / 38 / 4

HEX #DFF698

RGB 223 246 152

HSL 74.68, 0.84%, 0.78%

LAB 93.39, -22.03, 42.73

 

CMYK 6 / 0 / 24 / 2

HEX #EBF9BE

RGB 235 249 190

HSL 74.24, 0.83%, 0.86%

LAB 95.64, -14.21, 26.85

 

CMYK 2 / 0 / 10 / 1

HEX #F7FDE4

RGB 247 253 228

HSL 74.4, 0.86%, 0.94%

LAB 98.28, -6.23, 11.28

 

CMYK 9 / 0 / 39 / 4

HEX #DFF696

RGB 223 246 150

HSL 74.38, 0.84%, 0.78%

LAB 93.36, -22.26, 43.67

 

CMYK 38 / 0 / 22 / 4

HEX #98F6C1

RGB 152 246 193

HSL 146.17, 0.84%, 0.78%

LAB 90.06, -39.17, 16.85

 

CMYK 7 / 38 / 0 / 4

HEX #E698F6

RGB 230 152 246

HSL 289.79, 0.84%, 0.78%

LAB 73.5, 44.31, -35.35

 

CMYK 9 / 0 / 39 / 4

HEX #DFF696

RGB 223 246 150

HSL 74.38, 0.84%, 0.78%

LAB 93.36, -22.26, 43.67

 

CMYK 38 / 9 / 0 / 4

HEX #98E0F6

RGB 152 224 246

HSL 194.04, 0.84%, 0.78%

LAB 85.32, -16.97, -17.81

 

CMYK 0 / 38 / 9 / 4

HEX #F698E0

RGB 246 152 224

HSL 314.04, 0.84%, 0.78%

LAB 74.46, 45.3, -21.73

 

CMYK 9 / 0 / 39 / 4

HEX #DFF696

RGB 223 246 150

HSL 74.38, 0.84%, 0.78%

LAB 93.36, -22.26, 43.67

 

CMYK 38 / 0 / 22 / 4

HEX #98F6C1

RGB 152 246 193

HSL 146.17, 0.84%, 0.78%

LAB 90.06, -39.17, 16.85

 

CMYK 29 / 38 / 0 / 4

HEX #AE98F6

RGB 174 152 246

HSL 254.04, 0.84%, 0.78%

LAB 68.1, 28.11, -44.18

 

CMYK 0 / 38 / 17 / 4

HEX #F698CD

RGB 246 152 205

HSL 326.17, 0.84%, 0.78%

LAB 73.84, 42.28, -12.24

 

CMYK 9 / 0 / 39 / 4

HEX #DFF696

RGB 223 246 150

HSL 74.38, 0.84%, 0.78%

LAB 93.36, -22.26, 43.67

 

CMYK 38 / 0 / 10 / 4

HEX #98F6DD

RGB 152 246 221

HSL 164.04, 0.84%, 0.78%

LAB 90.69, -33.46, 3.24

 

CMYK 29 / 38 / 0 / 4

HEX #AE98F6

RGB 174 152 246

HSL 254.04, 0.84%, 0.78%

LAB 68.1, 28.11, -44.18

 

CMYK 0 / 38 / 28 / 4

HEX #F698B1

RGB 246 152 177

HSL 344.04, 0.84%, 0.78%

LAB 73.04, 38.28, 2.03

 

Description

Color code: HEX #DFF6963F | qconv.com Color code: HEX #DFF6963F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 246 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 246 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 10 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 10% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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