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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFF438 it is the complementary color #200BC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFF438. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFF438 shade: #E4F433, #F5FF46, #FFFF59, #FFFF6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFF438. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFF438 shade: #DFF438, #CEE225, #BDD012, #ACBE00 and #9BAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFF438 shade: #E0F538, #F5D738, #F5A438, #F57138 and #F53F38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFF438 shade: #E0F538, #ADF538, #7AF538, #47F538 and #38F55C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFF438 shade matches the following richer shades: #E0F538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFF438 shade: #E0F538, #D2E449, #C5D35A, #B8C26B and #ABB17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFF438 shade: #F5A338, #F5D538, #E2F538, #B0F538 and #7DF538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFF438 shade: #BACF0B, #D9F211, #E0F538, #E6F760 and #ECF987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFF438 shade: #DFF438, #38F571 and #BC38F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFF438 shade: #DFF438, #38E2F5 and #F538E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFF438 shade: #DFF438, #38F571, #4B38F5 and #F538BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFF438 shade: #DFF438, #38F5A9, #4B38F5 and #F53884

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 77 / 4

HEX #DFF438

RGB 223 244 56

HSL 66.7, 0.9%, 0.59%

LAB 91.99, -28.37, 80.72

 

Complementary color

CMYK 84 / 94 / 0 / 22

HEX #200BC7

RGB 32 11 199

HSL 246.7, 0.9%, 0.41%

LAB 25.77, 63.78, -86.63

 

CMYK 7 / 0 / 79 / 4

HEX #E4F433

RGB 228 244 51

HSL 64.97, 0.9%, 0.58%

LAB 92.32, -26.53, 82.5

 

CMYK 4 / 0 / 73 / 0

HEX #F5FF46

RGB 245 255 70

HSL 63.24, 1%, 0.64%

LAB 96.56, -24.14, 81.33

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 9 / 0 / 77 / 4

HEX #DFF438

RGB 223 244 56

HSL 66.7, 0.9%, 0.59%

LAB 91.99, -28.37, 80.72

 

CMYK 9 / 0 / 84 / 11

HEX #CEE225

RGB 206 226 37

HSL 66.35, 0.77%, 0.52%

LAB 85.83, -27.42, 79.64

 

CMYK 9 / 0 / 91 / 18

HEX #BDD012

RGB 189 208 18

HSL 66, 0.84%, 0.44%

LAB 79.6, -26.3, 77.46

 

CMYK 9 / 0 / 100 / 25

HEX #ACBE00

RGB 172 190 0

HSL 65.68, 1%, 0.37%

LAB 73.28, -25.01, 74.07

 

CMYK 10 / 0 / 100 / 33

HEX #9BAC00

RGB 155 172 0

HSL 65.93, 1%, 0.34%

LAB 66.88, -23.48, 68.74

 

CMYK 9 / 0 / 77 / 4

HEX #E0F538

RGB 224 245 56

HSL 66.67, 0.9%, 0.59%

LAB 92.33, -28.43, 81.05

 

CMYK 0 / 12 / 77 / 4

HEX #F5D738

RGB 245 215 56

HSL 50.48, 0.9%, 0.59%

LAB 86.16, -5.14, 76.1

 

CMYK 0 / 33 / 77 / 4

HEX #F5A438

RGB 245 164 56

HSL 34.29, 0.9%, 0.59%

LAB 73.71, 21.34, 64.59

 

CMYK 0 / 54 / 77 / 4

HEX #F57138

RGB 245 113 56

HSL 18.1, 0.9%, 0.59%

LAB 62.93, 47.36, 54.15

 

CMYK 0 / 74 / 77 / 4

HEX #F53F38

RGB 245 63 56

HSL 2.22, 0.9%, 0.59%

LAB 55.33, 67.69, 46.4

 

CMYK 9 / 0 / 77 / 4

HEX #E0F538

RGB 224 245 56

HSL 66.67, 0.9%, 0.59%

LAB 92.33, -28.43, 81.05

 

CMYK 29 / 0 / 77 / 4

HEX #ADF538

RGB 173 245 56

HSL 82.86, 0.9%, 0.59%

LAB 89.15, -47.98, 76.97

 

CMYK 50 / 0 / 77 / 4

HEX #7AF538

RGB 122 245 56

HSL 99.05, 0.9%, 0.59%

LAB 86.86, -64.38, 74.01

 

CMYK 71 / 0 / 77 / 4

HEX #47F538

RGB 71 245 56

HSL 115.24, 0.9%, 0.59%

LAB 85.47, -75.72, 72.2

 

CMYK 77 / 0 / 62 / 4

HEX #38F55C

RGB 56 245 92

HSL 131.43, 0.9%, 0.59%

LAB 85.46, -74.86, 59.14

 

CMYK 9 / 0 / 77 / 4

HEX #E0F538

RGB 224 245 56

HSL 66.67, 0.9%, 0.59%

LAB 92.33, -28.43, 81.05

 

CMYK 9 / 0 / 77 / 4

HEX #E0F538

RGB 224 245 56

HSL 66.67, 0.9%, 0.59%

LAB 92.33, -28.43, 81.05

 

CMYK 8 / 0 / 68 / 11

HEX #D2E449

RGB 210 228 73

HSL 66.97, 0.74%, 0.59%

LAB 86.83, -25.28, 69.98

 

CMYK 7 / 0 / 57 / 17

HEX #C5D35A

RGB 197 211 90

HSL 66.94, 0.58%, 0.59%

LAB 81.4, -21.2, 57.04

 

CMYK 5 / 0 / 45 / 24

HEX #B8C26B

RGB 184 194 107

HSL 66.9, 0.42%, 0.59%

LAB 75.97, -16.45, 42.41

 

CMYK 3 / 0 / 30 / 31

HEX #ABB17C

RGB 171 177 124

HSL 66.79, 0.25%, 0.59%

LAB 70.56, -10.84, 26.48

 

CMYK 0 / 33 / 77 / 4

HEX #F5A338

RGB 245 163 56

HSL 33.97, 0.9%, 0.59%

LAB 73.48, 21.87, 64.37

 

CMYK 0 / 13 / 77 / 4

HEX #F5D538

RGB 245 213 56

HSL 49.84, 0.9%, 0.59%

LAB 85.65, -4.13, 75.64

 

CMYK 8 / 0 / 77 / 4

HEX #E2F538

RGB 226 245 56

HSL 66.03, 0.9%, 0.59%

LAB 92.47, -27.63, 81.23

 

CMYK 28 / 0 / 77 / 4

HEX #B0F538

RGB 176 245 56

HSL 81.9, 0.9%, 0.59%

LAB 89.31, -46.9, 77.18

 

CMYK 49 / 0 / 77 / 4

HEX #7DF538

RGB 125 245 56

HSL 98.1, 0.9%, 0.59%

LAB 86.97, -63.54, 74.16

 

CMYK 10 / 0 / 95 / 19

HEX #BACF0B

RGB 186 207 11

HSL 66.43, 0.9%, 0.43%

LAB 79.09, -27.17, 77.8

 

CMYK 10 / 0 / 93 / 5

HEX #D9F211

RGB 217 242 17

HSL 66.67, 0.9%, 0.51%

LAB 90.92, -30.81, 87.25

 

CMYK 9 / 0 / 77 / 4

HEX #E0F538

RGB 224 245 56

HSL 66.67, 0.9%, 0.59%

LAB 92.33, -28.43, 81.05

 

CMYK 7 / 0 / 61 / 3

HEX #E6F760

RGB 230 247 96

HSL 66.75, 0.9%, 0.67%

LAB 93.53, -24.92, 68.49

 

CMYK 5 / 0 / 46 / 2

HEX #ECF987

RGB 236 249 135

HSL 66.84, 0.9%, 0.75%

LAB 94.88, -20.37, 52.95

 

CMYK 9 / 0 / 77 / 4

HEX #DFF438

RGB 223 244 56

HSL 66.7, 0.9%, 0.59%

LAB 91.99, -28.37, 80.72

 

CMYK 77 / 0 / 54 / 4

HEX #38F571

RGB 56 245 113

HSL 138.1, 0.9%, 0.59%

LAB 85.67, -72.3, 50.19

 

CMYK 23 / 77 / 0 / 4

HEX #BC38F5

RGB 188 56 245

HSL 281.9, 0.9%, 0.59%

LAB 51.96, 77.43, -69.28

 

CMYK 9 / 0 / 77 / 4

HEX #DFF438

RGB 223 244 56

HSL 66.7, 0.9%, 0.59%

LAB 91.99, -28.37, 80.72

 

CMYK 77 / 8 / 0 / 4

HEX #38E2F5

RGB 56 226 245

HSL 186.03, 0.9%, 0.59%

LAB 82.82, -35.36, -21.35

 

CMYK 0 / 77 / 8 / 4

HEX #F538E2

RGB 245 56 226

HSL 306.03, 0.9%, 0.59%

LAB 59.65, 84.96, -45.83

 

CMYK 9 / 0 / 77 / 4

HEX #DFF438

RGB 223 244 56

HSL 66.7, 0.9%, 0.59%

LAB 91.99, -28.37, 80.72

 

CMYK 77 / 0 / 54 / 4

HEX #38F571

RGB 56 245 113

HSL 138.1, 0.9%, 0.59%

LAB 85.67, -72.3, 50.19

 

CMYK 69 / 77 / 0 / 4

HEX #4B38F5

RGB 75 56 245

HSL 246.03, 0.9%, 0.59%

LAB 39.44, 62.33, -90.28

 

CMYK 0 / 77 / 23 / 4

HEX #F538BC

RGB 245 56 188

HSL 318.1, 0.9%, 0.59%

LAB 57.92, 79.98, -26.89

 

CMYK 9 / 0 / 77 / 4

HEX #DFF438

RGB 223 244 56

HSL 66.7, 0.9%, 0.59%

LAB 91.99, -28.37, 80.72

 

CMYK 77 / 0 / 31 / 4

HEX #38F5A9

RGB 56 245 169

HSL 155.87, 0.9%, 0.59%

LAB 86.51, -62.7, 23.82

 

CMYK 69 / 77 / 0 / 4

HEX #4B38F5

RGB 75 56 245

HSL 246.03, 0.9%, 0.59%

LAB 39.44, 62.33, -90.28

 

CMYK 0 / 77 / 46 / 4

HEX #F53884

RGB 245 56 132

HSL 335.87, 0.9%, 0.59%

LAB 55.99, 74.22, 3.04

 

Description

Color code: HEX #DFF438 | qconv.com Color code: HEX #DFF438 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 244 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 244 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 77% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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