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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFEF8C it is the complementary color #201073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFEF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFEF8C shade: #E4EF87, #F5FF9A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFEF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFEF8C shade: #DFEF8C, #CEDD79, #BDCB66, #ACB953 and #9BA740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFEF8C shade: #DEEF8A, #EFE48A, #EFC98A, #EFAD8A and #EF928A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFEF8C shade: #DEEF8A, #C3EF8A, #A8EF8A, #8DEF8A and #8AEFA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFEF8C shade matches the following richer shades: #DEEF8A and #E6F97F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFEF8C shade: #DEEF8A, #D7E495, #D0D99F, #C9CEAA and #C1C4B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFEF8C shade: #EFC88A, #EFE38A, #DFEF8A, #C5EF8A and #AAEF8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFEF8C shade: #CAE541, #D4EA66, #DEEF8A, #E8F4AE and #F2F8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFEF8C shade: #DFEF8C, #8AEFAD and #D58AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFEF8C shade: #DFEF8C, #8ADFEF and #EF8ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFEF8C shade: #DFEF8C, #8AEFAD, #998AEF and #EF8ACB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFEF8C shade: #DFEF8C, #8AEFCB, #998AEF and #EF8AAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 41 / 6

HEX #DFEF8C

RGB 223 239 140

HSL 69.7, 0.76%, 0.74%

LAB 91.38, -20, 46.02

 

Complementary color

CMYK 72 / 86 / 0 / 55

HEX #201073

RGB 32 16 115

HSL 249.7, 0.76%, 0.26%

LAB 15.04, 38.31, -52.87

 

CMYK 5 / 0 / 44 / 6

HEX #E4EF87

RGB 228 239 135

HSL 66.35, 0.76%, 0.73%

LAB 91.67, -18.61, 48.88

 

CMYK 4 / 0 / 40 / 0

HEX #F5FF9A

RGB 245 255 154

HSL 65.94, 1%, 0.8%

LAB 97.34, -17.91, 47.1

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 7 / 0 / 41 / 6

HEX #DFEF8C

RGB 223 239 140

HSL 69.7, 0.76%, 0.74%

LAB 91.38, -20, 46.02

 

CMYK 7 / 0 / 45 / 13

HEX #CEDD79

RGB 206 221 121

HSL 69, 0.6%, 0.67%

LAB 85.11, -19.75, 47.16

 

CMYK 7 / 0 / 50 / 20

HEX #BDCB66

RGB 189 203 102

HSL 68.32, 0.49%, 0.6%

LAB 78.75, -19.44, 48.3

 

CMYK 7 / 0 / 55 / 27

HEX #ACB953

RGB 172 185 83

HSL 67.65, 0.42%, 0.53%

LAB 72.29, -19.06, 49.39

 

CMYK 7 / 0 / 62 / 35

HEX #9BA740

RGB 155 167 64

HSL 66.99, 0.45%, 0.45%

LAB 65.73, -18.56, 50.34

 

CMYK 7 / 0 / 42 / 6

HEX #DEEF8A

RGB 222 239 138

HSL 70.1, 0.76%, 0.74%

LAB 91.28, -20.59, 46.85

 

CMYK 0 / 5 / 42 / 6

HEX #EFE48A

RGB 239 228 138

HSL 53.47, 0.76%, 0.74%

LAB 89.71, -8.6, 45.16

 

CMYK 0 / 16 / 42 / 6

HEX #EFC98A

RGB 239 201 138

HSL 37.43, 0.76%, 0.74%

LAB 82.89, 5.2, 36.45

 

CMYK 0 / 28 / 42 / 6

HEX #EFAD8A

RGB 239 173 138

HSL 20.79, 0.76%, 0.74%

LAB 76.11, 19.94, 27.52

 

CMYK 0 / 39 / 42 / 6

HEX #EF928A

RGB 239 146 138

HSL 4.75, 0.76%, 0.74%

LAB 70, 34.2, 19.22

 

CMYK 7 / 0 / 42 / 6

HEX #DEEF8A

RGB 222 239 138

HSL 70.1, 0.76%, 0.74%

LAB 91.28, -20.59, 46.85

 

CMYK 18 / 0 / 42 / 6

HEX #C3EF8A

RGB 195 239 138

HSL 86.14, 0.76%, 0.74%

LAB 89.47, -30.62, 44.2

 

CMYK 30 / 0 / 42 / 6

HEX #A8EF8A

RGB 168 239 138

HSL 102.18, 0.76%, 0.74%

LAB 87.92, -40.02, 41.9

 

CMYK 41 / 0 / 42 / 6

HEX #8DEF8A

RGB 141 239 138

HSL 118.22, 0.76%, 0.74%

LAB 86.62, -48.51, 39.98

 

CMYK 42 / 0 / 32 / 6

HEX #8AEFA2

RGB 138 239 162

HSL 134.26, 0.76%, 0.74%

LAB 86.87, -45.6, 28.26

 

CMYK 7 / 0 / 42 / 6

HEX #DEEF8A

RGB 222 239 138

HSL 70.1, 0.76%, 0.74%

LAB 91.28, -20.59, 46.85

 

CMYK 8 / 0 / 49 / 2

HEX #E6F97F

RGB 230 249 127

HSL 69.34, 0.91%, 0.74%

LAB 94.36, -23.42, 55.94

 

CMYK 7 / 0 / 42 / 6

HEX #DEEF8A

RGB 222 239 138

HSL 70.1, 0.76%, 0.74%

LAB 91.28, -20.59, 46.85

 

CMYK 6 / 0 / 35 / 11

HEX #D7E495

RGB 215 228 149

HSL 69.87, 0.59%, 0.74%

LAB 88.02, -16.61, 37.15

 

CMYK 4 / 0 / 27 / 15

HEX #D0D99F

RGB 208 217 159

HSL 69.31, 0.43%, 0.74%

LAB 84.76, -12.46, 27.63

 

CMYK 2 / 0 / 17 / 19

HEX #C9CEAA

RGB 201 206 170

HSL 68.33, 0.27%, 0.74%

LAB 81.55, -7.84, 17.36

 

CMYK 2 / 0 / 8 / 23

HEX #C1C4B5

RGB 193 196 181

HSL 72, 0.11%, 0.74%

LAB 78.55, -3.73, 7.16

 

CMYK 0 / 16 / 42 / 6

HEX #EFC88A

RGB 239 200 138

HSL 36.83, 0.76%, 0.74%

LAB 82.64, 5.72, 36.13

 

CMYK 0 / 5 / 42 / 6

HEX #EFE38A

RGB 239 227 138

HSL 52.87, 0.76%, 0.74%

LAB 89.45, -8.1, 44.84

 

CMYK 7 / 0 / 42 / 6

HEX #DFEF8A

RGB 223 239 138

HSL 69.5, 0.76%, 0.74%

LAB 91.35, -20.21, 46.96

 

CMYK 18 / 0 / 42 / 6

HEX #C5EF8A

RGB 197 239 138

HSL 84.95, 0.76%, 0.74%

LAB 89.6, -29.9, 44.38

 

CMYK 29 / 0 / 42 / 6

HEX #AAEF8A

RGB 170 239 138

HSL 100.99, 0.76%, 0.74%

LAB 88.02, -39.36, 42.06

 

CMYK 12 / 0 / 72 / 10

HEX #CAE541

RGB 202 229 65

HSL 69.88, 0.76%, 0.58%

LAB 86.49, -29.38, 72.27

 

CMYK 9 / 0 / 56 / 8

HEX #D4EA66

RGB 212 234 102

HSL 70, 0.76%, 0.66%

LAB 88.83, -25.39, 60.42

 

CMYK 7 / 0 / 42 / 6

HEX #DEEF8A

RGB 222 239 138

HSL 70.1, 0.76%, 0.74%

LAB 91.28, -20.59, 46.85

 

CMYK 5 / 0 / 29 / 4

HEX #E8F4AE

RGB 232 244 174

HSL 70.29, 0.76%, 0.82%

LAB 93.85, -15.02, 32.49

 

CMYK 2 / 0 / 15 / 3

HEX #F2F8D2

RGB 242 248 210

HSL 69.47, 0.73%, 0.9%

LAB 96.27, -8.3, 17.6

 

CMYK 7 / 0 / 41 / 6

HEX #DFEF8C

RGB 223 239 140

HSL 69.7, 0.76%, 0.74%

LAB 91.38, -20, 46.02

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAD

RGB 138 239 173

HSL 140.79, 0.76%, 0.74%

LAB 87.07, -43.66, 22.9

 

CMYK 11 / 42 / 0 / 6

HEX #D58AEF

RGB 213 138 239

HSL 284.55, 0.76%, 0.74%

LAB 68.43, 45.31, -39.56

 

CMYK 7 / 0 / 41 / 6

HEX #DFEF8C

RGB 223 239 140

HSL 69.7, 0.76%, 0.74%

LAB 91.38, -20, 46.02

 

CMYK 42 / 7 / 0 / 6

HEX #8ADFEF

RGB 138 223 239

HSL 189.5, 0.76%, 0.74%

LAB 84.18, -21.69, -15.89

 

CMYK 0 / 42 / 7 / 6

HEX #EF8ADF

RGB 239 138 223

HSL 309.5, 0.76%, 0.74%

LAB 70.77, 50.1, -26.89

 

CMYK 7 / 0 / 41 / 6

HEX #DFEF8C

RGB 223 239 140

HSL 69.7, 0.76%, 0.74%

LAB 91.38, -20, 46.02

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAD

RGB 138 239 173

HSL 140.79, 0.76%, 0.74%

LAB 87.07, -43.66, 22.9

 

CMYK 36 / 42 / 0 / 6

HEX #998AEF

RGB 153 138 239

HSL 248.91, 0.76%, 0.74%

LAB 62.66, 28.66, -49.03

 

CMYK 0 / 42 / 15 / 6

HEX #EF8ACB

RGB 239 138 203

HSL 321.39, 0.76%, 0.74%

LAB 70.06, 46.86, -16.9

 

CMYK 7 / 0 / 41 / 6

HEX #DFEF8C

RGB 223 239 140

HSL 69.7, 0.76%, 0.74%

LAB 91.38, -20, 46.02

 

CMYK 42 / 0 / 15 / 6

HEX #8AEFCB

RGB 138 239 203

HSL 158.61, 0.76%, 0.74%

LAB 87.7, -37.72, 8.23

 

CMYK 36 / 42 / 0 / 6

HEX #998AEF

RGB 153 138 239

HSL 248.91, 0.76%, 0.74%

LAB 62.66, 28.66, -49.03

 

CMYK 0 / 42 / 28 / 6

HEX #EF8AAD

RGB 239 138 173

HSL 339.21, 0.76%, 0.74%

LAB 69.14, 42.53, -1.53

 

Description

Color code: HEX #DFEF8C | qconv.com Color code: HEX #DFEF8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 239 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 239 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 41 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 41% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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