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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFEE46 it is the complementary color #2011B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFEE46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFEE46 shade: #E4EE41, #F5FF54, #FFFF67, #FFFF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFEE46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFEE46 shade: #DFEE46, #CEDC33, #BDCA20, #ACB80D and #9BA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFEE46 shade: #DFEE44, #EECF44, #EEA144, #EE7444 and #EE4644

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFEE46 shade: #DFEE44, #B1EE44, #83EE44, #56EE44 and #44EE61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFEE46 shade matches the following richer shades: #DFEE44 and #ECFE34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFEE46 shade: #DFEE44, #D1DD55, #C3CD65, #B6BC76 and #A8AC86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFEE46 shade: #EEA144, #EECF44, #E0EE44, #B2EE44 and #85EE44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFEE46 shade: #BCCC13, #D8EA1F, #DFEE44, #E5F16A and #ECF590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFEE46 shade: #DFEE46, #44EE74 and #B844EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFEE46 shade: #DFEE46, #44E0EE and #EE44E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFEE46 shade: #DFEE46, #44EE74, #5244EE and #EE44BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFEE46 shade: #DFEE46, #44EEA7, #5244EE and #EE448B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 71 / 7

HEX #DFEE46

RGB 223 238 70

HSL 65.36, 0.83%, 0.6%

LAB 90.45, -24.94, 74.92

 

Complementary color

CMYK 83 / 91 / 0 / 27

HEX #2011B9

RGB 32 17 185

HSL 245.36, 0.83%, 0.4%

LAB 24.36, 58.52, -80.72

 

CMYK 4 / 0 / 73 / 7

HEX #E4EE41

RGB 228 238 65

HSL 63.47, 0.84%, 0.59%

LAB 90.79, -23.15, 77.04

 

CMYK 4 / 0 / 67 / 0

HEX #F5FF54

RGB 245 255 84

HSL 63.51, 1%, 0.66%

LAB 96.65, -23.47, 76.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE46

RGB 223 238 70

HSL 65.36, 0.83%, 0.6%

LAB 90.45, -24.94, 74.92

 

CMYK 6 / 0 / 77 / 14

HEX #CEDC33

RGB 206 220 51

HSL 64.97, 0.71%, 0.53%

LAB 84.25, -24.11, 74.69

 

CMYK 6 / 0 / 84 / 21

HEX #BDCA20

RGB 189 202 32

HSL 64.59, 0.73%, 0.46%

LAB 77.97, -23.11, 73.64

 

CMYK 7 / 0 / 93 / 28

HEX #ACB80D

RGB 172 184 13

HSL 64.21, 0.87%, 0.39%

LAB 71.61, -21.91, 71.34

 

CMYK 7 / 0 / 100 / 35

HEX #9BA600

RGB 155 166 0

HSL 63.98, 1%, 0.33%

LAB 65.15, -20.49, 67.46

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE44

RGB 223 238 68

HSL 65.29, 0.83%, 0.6%

LAB 90.44, -25.04, 75.59

 

CMYK 0 / 13 / 71 / 7

HEX #EECF44

RGB 238 207 68

HSL 49.06, 0.83%, 0.6%

LAB 83.56, -3.53, 69.33

 

CMYK 0 / 32 / 71 / 7

HEX #EEA144

RGB 238 161 68

HSL 32.82, 0.83%, 0.6%

LAB 72.28, 20.51, 57.97

 

CMYK 0 / 51 / 71 / 7

HEX #EE7444

RGB 238 116 68

HSL 16.94, 0.83%, 0.6%

LAB 62.58, 43.78, 47.64

 

CMYK 0 / 71 / 71 / 7

HEX #EE4644

RGB 238 70 68

HSL 0.71, 0.83%, 0.6%

LAB 55.05, 63.7, 39.17

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE44

RGB 223 238 68

HSL 65.29, 0.83%, 0.6%

LAB 90.44, -25.04, 75.59

 

CMYK 26 / 0 / 71 / 7

HEX #B1EE44

RGB 177 238 68

HSL 81.53, 0.83%, 0.6%

LAB 87.44, -42.92, 71.65

 

CMYK 45 / 0 / 71 / 7

HEX #83EE44

RGB 131 238 68

HSL 97.76, 0.83%, 0.6%

LAB 85.2, -58.47, 68.66

 

CMYK 64 / 0 / 71 / 7

HEX #56EE44

RGB 86 238 68

HSL 113.65, 0.83%, 0.6%

LAB 83.73, -69.93, 66.7

 

CMYK 71 / 0 / 59 / 7

HEX #44EE61

RGB 68 238 97

HSL 130.24, 0.83%, 0.6%

LAB 83.57, -70.4, 54.91

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE44

RGB 223 238 68

HSL 65.29, 0.83%, 0.6%

LAB 90.44, -25.04, 75.59

 

CMYK 7 / 0 / 80 / 0

HEX #ECFE34

RGB 236 254 52

HSL 65.35, 0.99%, 0.6%

LAB 95.57, -27.95, 85.3

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE44

RGB 223 238 68

HSL 65.29, 0.83%, 0.6%

LAB 90.44, -25.04, 75.59

 

CMYK 5 / 0 / 62 / 13

HEX #D1DD55

RGB 209 221 85

HSL 65.29, 0.67%, 0.6%

LAB 84.96, -21.58, 63.32

 

CMYK 5 / 0 / 51 / 20

HEX #C3CD65

RGB 195 205 101

HSL 65.77, 0.51%, 0.6%

LAB 79.73, -18.12, 50.05

 

CMYK 3 / 0 / 37 / 26

HEX #B6BC76

RGB 182 188 118

HSL 65.14, 0.34%, 0.6%

LAB 74.33, -12.97, 34.73

 

CMYK 2 / 0 / 22 / 33

HEX #A8AC86

RGB 168 172 134

HSL 66.32, 0.19%, 0.6%

LAB 69.15, -7.94, 19.12

 

CMYK 0 / 32 / 71 / 7

HEX #EEA144

RGB 238 161 68

HSL 32.82, 0.83%, 0.6%

LAB 72.28, 20.51, 57.97

 

CMYK 0 / 13 / 71 / 7

HEX #EECF44

RGB 238 207 68

HSL 49.06, 0.83%, 0.6%

LAB 83.56, -3.53, 69.33

 

CMYK 6 / 0 / 71 / 7

HEX #E0EE44

RGB 224 238 68

HSL 64.94, 0.83%, 0.6%

LAB 90.51, -24.64, 75.68

 

CMYK 25 / 0 / 71 / 7

HEX #B2EE44

RGB 178 238 68

HSL 81.18, 0.83%, 0.6%

LAB 87.5, -42.55, 71.72

 

CMYK 44 / 0 / 71 / 7

HEX #85EE44

RGB 133 238 68

HSL 97.06, 0.83%, 0.6%

LAB 85.28, -57.86, 68.77

 

CMYK 8 / 0 / 91 / 20

HEX #BCCC13

RGB 188 204 19

HSL 65.19, 0.83%, 0.44%

LAB 78.42, -24.78, 76.36

 

CMYK 8 / 0 / 87 / 8

HEX #D8EA1F

RGB 216 234 31

HSL 65.32, 0.83%, 0.52%

LAB 88.71, -27.25, 83.49

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE44

RGB 223 238 68

HSL 65.29, 0.83%, 0.6%

LAB 90.44, -25.04, 75.59

 

CMYK 5 / 0 / 56 / 5

HEX #E5F16A

RGB 229 241 106

HSL 65.33, 0.83%, 0.68%

LAB 91.96, -21.74, 62.54

 

CMYK 4 / 0 / 41 / 4

HEX #ECF590

RGB 236 245 144

HSL 65.35, 0.83%, 0.76%

LAB 93.95, -17.53, 47.52

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE46

RGB 223 238 70

HSL 65.36, 0.83%, 0.6%

LAB 90.45, -24.94, 74.92

 

CMYK 71 / 0 / 51 / 7

HEX #44EE74

RGB 68 238 116

HSL 136.94, 0.83%, 0.6%

LAB 83.78, -67.94, 46.53

 

CMYK 23 / 71 / 0 / 7

HEX #B844EE

RGB 184 68 238

HSL 280.94, 0.83%, 0.6%

LAB 52.4, 71.15, -64.69

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE46

RGB 223 238 70

HSL 65.36, 0.83%, 0.6%

LAB 90.45, -24.94, 74.92

 

CMYK 71 / 6 / 0 / 7

HEX #44E0EE

RGB 68 224 238

HSL 184.94, 0.83%, 0.6%

LAB 82.22, -35.21, -18.53

 

CMYK 0 / 71 / 6 / 7

HEX #EE44E0

RGB 238 68 224

HSL 304.94, 0.83%, 0.6%

LAB 59.61, 79.81, -44.83

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE46

RGB 223 238 70

HSL 65.36, 0.83%, 0.6%

LAB 90.45, -24.94, 74.92

 

CMYK 71 / 0 / 51 / 7

HEX #44EE74

RGB 68 238 116

HSL 136.94, 0.83%, 0.6%

LAB 83.78, -67.94, 46.53

 

CMYK 66 / 71 / 0 / 7

HEX #5244EE

RGB 82 68 238

HSL 244.94, 0.83%, 0.6%

LAB 41.38, 54.86, -83.13

 

CMYK 0 / 71 / 20 / 7

HEX #EE44BE

RGB 238 68 190

HSL 316.94, 0.83%, 0.6%

LAB 58.06, 75.08, -27.91

 

CMYK 6 / 0 / 71 / 7

HEX #DFEE46

RGB 223 238 70

HSL 65.36, 0.83%, 0.6%

LAB 90.45, -24.94, 74.92

 

CMYK 71 / 0 / 30 / 7

HEX #44EEA7

RGB 68 238 167

HSL 154.94, 0.83%, 0.6%

LAB 84.57, -59.01, 22.21

 

CMYK 66 / 71 / 0 / 7

HEX #5244EE

RGB 82 68 238

HSL 244.94, 0.83%, 0.6%

LAB 41.38, 54.86, -83.13

 

CMYK 0 / 71 / 42 / 7

HEX #EE448B

RGB 238 68 139

HSL 334.94, 0.83%, 0.6%

LAB 56.26, 69.32, -0.87

 

Description

Color code: HEX #DFEE46 | qconv.com Color code: HEX #DFEE46 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 238 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 238 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 71 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 71% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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