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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFED6B it is the complementary color #201294. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFED6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFED6B shade: #E4ED66, #F5FF79, #FFFF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFED6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFED6B shade: #DFED6B, #CEDB58, #BDC945, #ACB732 and #9BA51F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFED6B shade: #DEEC69, #ECD769, #ECB369, #EC9069 and #EC6D69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFED6B shade: #DEEC69, #BAEC69, #97EC69, #74EC69 and #69EC81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFED6B shade matches the following richer shades: #DEEC69 and #E9FA5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFED6B shade: #DEEC69, #D3DE76, #C8D184, #BEC392 and #B3B69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFED6B shade: #ECB369, #ECD669, #DFEC69, #BCEC69 and #99EC69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFED6B shade: #CEE31F, #D6E744, #DEEC69, #E6F18D and #EEF5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFED6B shade: #DFED6B, #69EC90 and #C569EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFED6B shade: #DFED6B, #69DFEC and #EC69DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFED6B shade: #DFED6B, #69EC90, #7669EC and #EC69C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFED6B shade: #DFED6B, #69ECB7, #7669EC and #EC699D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 55 / 7

HEX #DFED6B

RGB 223 237 107

HSL 66.46, 0.78%, 0.67%

LAB 90.47, -22.11, 60.3

 

Complementary color

CMYK 78 / 88 / 0 / 42

HEX #201294

RGB 32 18 148

HSL 246.46, 0.78%, 0.33%

LAB 19.55, 47.59, -66.27

 

CMYK 4 / 0 / 57 / 7

HEX #E4ED66

RGB 228 237 102

HSL 64, 0.79%, 0.66%

LAB 90.79, -20.51, 62.94

 

CMYK 4 / 0 / 53 / 0

HEX #F5FF79

RGB 245 255 121

HSL 64.48, 1%, 0.74%

LAB 96.95, -21, 61.97

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 6 / 0 / 55 / 7

HEX #DFED6B

RGB 223 237 107

HSL 66.46, 0.78%, 0.67%

LAB 90.47, -22.11, 60.3

 

CMYK 6 / 0 / 60 / 14

HEX #CEDB58

RGB 206 219 88

HSL 65.95, 0.65%, 0.6%

LAB 84.22, -21.62, 61.21

 

CMYK 6 / 0 / 66 / 21

HEX #BDC945

RGB 189 201 69

HSL 65.45, 0.55%, 0.53%

LAB 77.89, -21.01, 61.9

 

CMYK 6 / 0 / 73 / 28

HEX #ACB732

RGB 172 183 50

HSL 64.96, 0.57%, 0.46%

LAB 71.47, -20.26, 62.18

 

CMYK 6 / 0 / 81 / 35

HEX #9BA51F

RGB 155 165 31

HSL 64.48, 0.68%, 0.38%

LAB 64.94, -19.33, 61.72

 

CMYK 6 / 0 / 56 / 7

HEX #DEEC69

RGB 222 236 105

HSL 66.41, 0.78%, 0.67%

LAB 90.11, -22.18, 60.75

 

CMYK 0 / 9 / 56 / 7

HEX #ECD769

RGB 236 215 105

HSL 50.38, 0.78%, 0.67%

LAB 85.73, -6.17, 56.04

 

CMYK 0 / 24 / 56 / 7

HEX #ECB369

RGB 236 179 105

HSL 33.89, 0.78%, 0.67%

LAB 76.74, 12.5, 45.41

 

CMYK 0 / 39 / 56 / 7

HEX #EC9069

RGB 236 144 105

HSL 17.86, 0.78%, 0.67%

LAB 68.61, 31.03, 35.36

 

CMYK 0 / 54 / 56 / 7

HEX #EC6D69

RGB 236 109 105

HSL 1.83, 0.78%, 0.67%

LAB 61.47, 48.74, 26.16

 

CMYK 6 / 0 / 56 / 7

HEX #DEEC69

RGB 222 236 105

HSL 66.41, 0.78%, 0.67%

LAB 90.11, -22.18, 60.75

 

CMYK 21 / 0 / 56 / 7

HEX #BAEC69

RGB 186 236 105

HSL 82.9, 0.78%, 0.67%

LAB 87.7, -35.98, 57.36

 

CMYK 36 / 0 / 56 / 7

HEX #97EC69

RGB 151 236 105

HSL 98.93, 0.78%, 0.67%

LAB 85.8, -48.21, 54.67

 

CMYK 51 / 0 / 56 / 7

HEX #74EC69

RGB 116 236 105

HSL 114.96, 0.78%, 0.67%

LAB 84.34, -58.6, 52.59

 

CMYK 56 / 0 / 45 / 7

HEX #69EC81

RGB 105 236 129

HSL 130.99, 0.78%, 0.67%

LAB 84.27, -58.17, 41.11

 

CMYK 6 / 0 / 56 / 7

HEX #DEEC69

RGB 222 236 105

HSL 66.41, 0.78%, 0.67%

LAB 90.11, -22.18, 60.75

 

CMYK 7 / 0 / 64 / 2

HEX #E9FA5B

RGB 233 250 91

HSL 66.42, 0.94%, 0.67%

LAB 94.5, -25.47, 71.57

 

CMYK 6 / 0 / 56 / 7

HEX #DEEC69

RGB 222 236 105

HSL 66.41, 0.78%, 0.67%

LAB 90.11, -22.18, 60.75

 

CMYK 5 / 0 / 47 / 13

HEX #D3DE76

RGB 211 222 118

HSL 66.35, 0.61%, 0.67%

LAB 85.71, -18.58, 49.42

 

CMYK 4 / 0 / 37 / 18

HEX #C8D184

RGB 200 209 132

HSL 67.01, 0.46%, 0.67%

LAB 81.59, -14.92, 37.19

 

CMYK 3 / 0 / 25 / 24

HEX #BEC392

RGB 190 195 146

HSL 66.12, 0.29%, 0.67%

LAB 77.31, -9.82, 24.11

 

CMYK 2 / 0 / 13 / 29

HEX #B3B69F

RGB 179 182 159

HSL 67.83, 0.14%, 0.67%

LAB 73.25, -5.14, 11.36

 

CMYK 0 / 24 / 56 / 7

HEX #ECB369

RGB 236 179 105

HSL 33.89, 0.78%, 0.67%

LAB 76.74, 12.5, 45.41

 

CMYK 0 / 9 / 56 / 7

HEX #ECD669

RGB 236 214 105

HSL 49.92, 0.78%, 0.67%

LAB 85.48, -5.67, 55.74

 

CMYK 6 / 0 / 56 / 7

HEX #DFEC69

RGB 223 236 105

HSL 65.95, 0.78%, 0.67%

LAB 90.18, -21.79, 60.85

 

CMYK 20 / 0 / 56 / 7

HEX #BCEC69

RGB 188 236 105

HSL 81.98, 0.78%, 0.67%

LAB 87.83, -35.24, 57.53

 

CMYK 35 / 0 / 56 / 7

HEX #99EC69

RGB 153 236 105

HSL 98.02, 0.78%, 0.67%

LAB 85.9, -47.56, 54.81

 

CMYK 9 / 0 / 86 / 11

HEX #CEE31F

RGB 206 227 31

HSL 66.43, 0.78%, 0.51%

LAB 86.09, -28.04, 81.06

 

CMYK 7 / 0 / 71 / 9

HEX #D6E744

RGB 214 231 68

HSL 66.26, 0.77%, 0.59%

LAB 87.9, -25.35, 72.91

 

CMYK 6 / 0 / 56 / 7

HEX #DEEC69

RGB 222 236 105

HSL 66.41, 0.78%, 0.67%

LAB 90.11, -22.18, 60.75

 

CMYK 5 / 0 / 41 / 5

HEX #E6F18D

RGB 230 241 141

HSL 66.6, 0.78%, 0.75%

LAB 92.42, -18.19, 46.96

 

CMYK 3 / 0 / 27 / 4

HEX #EEF5B2

RGB 238 245 178

HSL 66.27, 0.77%, 0.83%

LAB 94.61, -12.79, 31.57

 

CMYK 6 / 0 / 55 / 7

HEX #DFED6B

RGB 223 237 107

HSL 66.46, 0.78%, 0.67%

LAB 90.47, -22.11, 60.3

 

CMYK 56 / 0 / 39 / 7

HEX #69EC90

RGB 105 236 144

HSL 137.86, 0.78%, 0.67%

LAB 84.49, -55.79, 33.97

 

CMYK 17 / 56 / 0 / 7

HEX #C569EC

RGB 197 105 236

HSL 282.14, 0.78%, 0.67%

LAB 59.92, 57.26, -51.43

 

CMYK 6 / 0 / 55 / 7

HEX #DFED6B

RGB 223 237 107

HSL 66.46, 0.78%, 0.67%

LAB 90.47, -22.11, 60.3

 

CMYK 56 / 6 / 0 / 7

HEX #69DFEC

RGB 105 223 236

HSL 185.95, 0.78%, 0.67%

LAB 82.83, -29.59, -16.47

 

CMYK 0 / 56 / 6 / 7

HEX #EC69DF

RGB 236 105 223

HSL 305.95, 0.78%, 0.67%

LAB 64.37, 65.01, -36.82

 

CMYK 6 / 0 / 55 / 7

HEX #DFED6B

RGB 223 237 107

HSL 66.46, 0.78%, 0.67%

LAB 90.47, -22.11, 60.3

 

CMYK 56 / 0 / 39 / 7

HEX #69EC90

RGB 105 236 144

HSL 137.86, 0.78%, 0.67%

LAB 84.49, -55.79, 33.97

 

CMYK 50 / 56 / 0 / 7

HEX #7669EC

RGB 118 105 236

HSL 245.95, 0.78%, 0.67%

LAB 51.85, 38.9, -64.8

 

CMYK 0 / 56 / 17 / 7

HEX #EC69C5

RGB 236 105 197

HSL 317.86, 0.78%, 0.67%

LAB 63.32, 61, -23.84

 

CMYK 6 / 0 / 55 / 7

HEX #DFED6B

RGB 223 237 107

HSL 66.46, 0.78%, 0.67%

LAB 90.47, -22.11, 60.3

 

CMYK 56 / 0 / 22 / 7

HEX #69ECB7

RGB 105 236 183

HSL 155.73, 0.78%, 0.67%

LAB 85.21, -48.37, 14.94

 

CMYK 50 / 56 / 0 / 7

HEX #7669EC

RGB 118 105 236

HSL 245.95, 0.78%, 0.67%

LAB 51.85, 38.9, -64.8

 

CMYK 0 / 56 / 33 / 7

HEX #EC699D

RGB 236 105 157

HSL 336.18, 0.78%, 0.67%

LAB 61.97, 55.7, -3.02

 

Description

Color code: HEX #DFED6B | qconv.com Color code: HEX #DFED6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 237 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 237 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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