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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFEC4C it is the complementary color #2013B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFEC4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFEC4C shade: #E4EC47, #F5FE5A, #FFFF6D, #FFFF80 and #FFFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFEC4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFEC4C shade: #DFEC4C, #CEDA39, #BDC826, #ACB613 and #9BA400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFEC4C shade: #DFEC4A, #ECCD4A, #ECA24A, #EC764A and #EC4B4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFEC4C shade: #DFEC4A, #B3EC4A, #88EC4A, #5CEC4A and #4AEC64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFEC4C shade matches the following richer shades: #DFEC4A and #ECFC3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFEC4C shade: #DFEC4A, #D1DC5B, #C4CB6B, #B6BB7B and #A9AB8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFEC4C shade: #ECA04A, #ECCB4A, #E1EC4A, #B6EC4A and #8BEC4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFEC4C shade: #BFCE15, #D8E825, #DFEC4A, #E5F070 and #ECF395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFEC4C shade: #DFEC4C, #4AEC75 and #B64AEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFEC4C shade: #DFEC4C, #4AE1EC and #EC4AE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFEC4C shade: #DFEC4C, #4AEC75, #554AEC and #EC4AC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFEC4C shade: #DFEC4C, #4AECA6, #554AEC and #EC4A90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 68 / 7

HEX #DFEC4C

RGB 223 236 76

HSL 64.88, 0.81%, 0.61%

LAB 89.95, -23.69, 72.32

 

Complementary color

CMYK 82 / 89 / 0 / 30

HEX #2013B3

RGB 32 19 179

HSL 244.88, 0.81%, 0.39%

LAB 23.76, 56.21, -78.13

 

CMYK 3 / 0 / 70 / 7

HEX #E4EC47

RGB 228 236 71

HSL 62.91, 0.81%, 0.6%

LAB 90.29, -21.92, 74.56

 

CMYK 4 / 0 / 65 / 0

HEX #F5FE5A

RGB 245 254 90

HSL 63.29, 0.99%, 0.67%

LAB 96.42, -22.67, 74.22

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 6 / 0 / 68 / 7

HEX #DFEC4C

RGB 223 236 76

HSL 64.88, 0.81%, 0.61%

LAB 89.95, -23.69, 72.32

 

CMYK 6 / 0 / 74 / 15

HEX #CEDA39

RGB 206 218 57

HSL 64.47, 0.69%, 0.54%

LAB 83.74, -22.9, 72.38

 

CMYK 5 / 0 / 81 / 22

HEX #BDC826

RGB 189 200 38

HSL 64.07, 0.68%, 0.47%

LAB 77.44, -21.95, 71.75

 

CMYK 5 / 0 / 90 / 29

HEX #ACB613

RGB 172 182 19

HSL 63.68, 0.81%, 0.39%

LAB 71.06, -20.81, 70.02

 

CMYK 5 / 0 / 100 / 36

HEX #9BA400

RGB 155 164 0

HSL 63.29, 1%, 0.32%

LAB 64.58, -19.48, 67.04

 

CMYK 6 / 0 / 69 / 7

HEX #DFEC4A

RGB 223 236 74

HSL 64.81, 0.81%, 0.61%

LAB 89.94, -23.79, 73.03

 

CMYK 0 / 13 / 69 / 7

HEX #ECCD4A

RGB 236 205 74

HSL 48.52, 0.81%, 0.61%

LAB 82.91, -3.06, 66.32

 

CMYK 0 / 31 / 69 / 7

HEX #ECA24A

RGB 236 162 74

HSL 32.59, 0.81%, 0.61%

LAB 72.34, 19.45, 55.28

 

CMYK 0 / 50 / 69 / 7

HEX #EC764A

RGB 236 118 74

HSL 16.3, 0.81%, 0.61%

LAB 62.75, 42.34, 44.68

 

CMYK 0 / 68 / 69 / 7

HEX #EC4B4A

RGB 236 75 74

HSL 0.37, 0.81%, 0.61%

LAB 55.44, 61.52, 36.16

 

CMYK 6 / 0 / 69 / 7

HEX #DFEC4A

RGB 223 236 74

HSL 64.81, 0.81%, 0.61%

LAB 89.94, -23.79, 73.03

 

CMYK 24 / 0 / 69 / 7

HEX #B3EC4A

RGB 179 236 74

HSL 81.11, 0.81%, 0.61%

LAB 87.03, -40.95, 69.15

 

CMYK 42 / 0 / 69 / 7

HEX #88EC4A

RGB 136 236 74

HSL 97.04, 0.81%, 0.61%

LAB 84.85, -55.74, 66.23

 

CMYK 61 / 0 / 69 / 7

HEX #5CEC4A

RGB 92 236 74

HSL 113.33, 0.81%, 0.61%

LAB 83.32, -67.52, 64.15

 

CMYK 69 / 0 / 58 / 7

HEX #4AEC64

RGB 74 236 100

HSL 129.63, 0.81%, 0.61%

LAB 83.11, -68.4, 53.09

 

CMYK 6 / 0 / 69 / 7

HEX #DFEC4A

RGB 223 236 74

HSL 64.81, 0.81%, 0.61%

LAB 89.94, -23.79, 73.03

 

CMYK 6 / 0 / 77 / 1

HEX #ECFC3A

RGB 236 252 58

HSL 64.95, 0.97%, 0.61%

LAB 95.06, -26.81, 83.27

 

CMYK 6 / 0 / 69 / 7

HEX #DFEC4A

RGB 223 236 74

HSL 64.81, 0.81%, 0.61%

LAB 89.94, -23.79, 73.03

 

CMYK 5 / 0 / 59 / 14

HEX #D1DC5B

RGB 209 220 91

HSL 65.12, 0.65%, 0.61%

LAB 84.74, -20.68, 60.56

 

CMYK 3 / 0 / 47 / 20

HEX #C4CB6B

RGB 196 203 107

HSL 64.38, 0.48%, 0.61%

LAB 79.33, -16.17, 46.73

 

CMYK 3 / 0 / 34 / 27

HEX #B6BB7B

RGB 182 187 123

HSL 64.69, 0.32%, 0.61%

LAB 74.14, -11.84, 31.88

 

CMYK 1 / 0 / 19 / 33

HEX #A9AB8B

RGB 169 171 139

HSL 63.75, 0.16%, 0.61%

LAB 69.06, -6.26, 16.28

 

CMYK 0 / 32 / 69 / 7

HEX #ECA04A

RGB 236 160 74

HSL 31.85, 0.81%, 0.61%

LAB 71.87, 20.51, 54.77

 

CMYK 0 / 14 / 69 / 7

HEX #ECCB4A

RGB 236 203 74

HSL 47.78, 0.81%, 0.61%

LAB 82.4, -2.04, 65.8

 

CMYK 5 / 0 / 69 / 7

HEX #E1EC4A

RGB 225 236 74

HSL 64.07, 0.81%, 0.61%

LAB 90.09, -22.98, 73.22

 

CMYK 23 / 0 / 69 / 7

HEX #B6EC4A

RGB 182 236 74

HSL 80, 0.81%, 0.61%

LAB 87.21, -39.83, 69.39

 

CMYK 41 / 0 / 69 / 7

HEX #8BEC4A

RGB 139 236 74

HSL 95.93, 0.81%, 0.61%

LAB 84.98, -54.8, 66.4

 

CMYK 7 / 0 / 90 / 19

HEX #BFCE15

RGB 191 206 21

HSL 64.86, 0.81%, 0.45%

LAB 79.2, -24.45, 76.77

 

CMYK 7 / 0 / 84 / 9

HEX #D8E825

RGB 216 232 37

HSL 64.92, 0.81%, 0.53%

LAB 88.18, -26.16, 81.9

 

CMYK 6 / 0 / 69 / 7

HEX #DFEC4A

RGB 223 236 74

HSL 64.81, 0.81%, 0.61%

LAB 89.94, -23.79, 73.03

 

CMYK 5 / 0 / 53 / 6

HEX #E5F070

RGB 229 240 112

HSL 65.16, 0.81%, 0.69%

LAB 91.75, -20.79, 59.66

 

CMYK 3 / 0 / 39 / 5

HEX #ECF395

RGB 236 243 149

HSL 64.47, 0.8%, 0.77%

LAB 93.5, -16.03, 44.52

 

CMYK 6 / 0 / 68 / 7

HEX #DFEC4C

RGB 223 236 76

HSL 64.88, 0.81%, 0.61%

LAB 89.95, -23.69, 72.32

 

CMYK 69 / 0 / 50 / 7

HEX #4AEC75

RGB 74 236 117

HSL 135.93, 0.81%, 0.61%

LAB 83.3, -66.16, 45.5

 

CMYK 23 / 69 / 0 / 7

HEX #B64AEC

RGB 182 74 236

HSL 280, 0.81%, 0.61%

LAB 52.84, 67.97, -62.87

 

CMYK 6 / 0 / 68 / 7

HEX #DFEC4C

RGB 223 236 76

HSL 64.88, 0.81%, 0.61%

LAB 89.95, -23.69, 72.32

 

CMYK 69 / 5 / 0 / 7

HEX #4AE1EC

RGB 74 225 236

HSL 184.07, 0.81%, 0.61%

LAB 82.57, -35.51, -16.93

 

CMYK 0 / 69 / 5 / 7

HEX #EC4AE1

RGB 236 74 225

HSL 304.07, 0.81%, 0.61%

LAB 60.04, 77.56, -44.74

 

CMYK 6 / 0 / 68 / 7

HEX #DFEC4C

RGB 223 236 76

HSL 64.88, 0.81%, 0.61%

LAB 89.95, -23.69, 72.32

 

CMYK 69 / 0 / 50 / 7

HEX #4AEC75

RGB 74 236 117

HSL 135.93, 0.81%, 0.61%

LAB 83.3, -66.16, 45.5

 

CMYK 64 / 69 / 0 / 7

HEX #554AEC

RGB 85 74 236

HSL 244.07, 0.81%, 0.61%

LAB 42.59, 51.33, -79.99

 

CMYK 0 / 69 / 18 / 7

HEX #EC4AC1

RGB 236 74 193

HSL 315.93, 0.81%, 0.61%

LAB 58.58, 72.97, -28.85

 

CMYK 6 / 0 / 68 / 7

HEX #DFEC4C

RGB 223 236 76

HSL 64.88, 0.81%, 0.61%

LAB 89.95, -23.69, 72.32

 

CMYK 69 / 0 / 30 / 7

HEX #4AECA6

RGB 74 236 166

HSL 154.07, 0.81%, 0.61%

LAB 84.07, -57.57, 22.06

 

CMYK 64 / 69 / 0 / 7

HEX #554AEC

RGB 85 74 236

HSL 244.07, 0.81%, 0.61%

LAB 42.59, 51.33, -79.99

 

CMYK 0 / 69 / 39 / 7

HEX #EC4A90

RGB 236 74 144

HSL 334.07, 0.81%, 0.61%

LAB 56.83, 67.16, -3.04

 

Description

Color code: HEX #DFEC4C | qconv.com Color code: HEX #DFEC4C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 236 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 236 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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