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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFEC2B it is the complementary color #2013D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFEC2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFEC2B shade: #E4EC26, #F5FE39, #FFFF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFEC2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFEC2B shade: #DFEC2B, #CEDA18, #BDC805, #ACB600 and #9BA400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFEC2B shade: #E0ED2C, #EDC62C, #ED922C, #ED5E2C and #ED2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFEC2B shade: #E0ED2C, #ACED2C, #78ED2C, #44ED2C and #2CED48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFEC2B shade matches the following richer shades: #E0ED2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFEC2B shade: #E0ED2C, #D0DA3E, #C0C851, #AFB564 and #9FA276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFEC2B shade: #ED932C, #EDC62C, #E0ED2C, #ACED2C and #79ED2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFEC2B shade: #ABB610, #CFDC13, #E0ED2C, #E5F052 and #EBF378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFEC2B shade: #DFEC2B, #2CED5F and #AC2CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFEC2B shade: #DFEC2B, #2CE0ED and #ED2CE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFEC2B shade: #DFEC2B, #2CED5F, #392CED and #ED2CB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFEC2B shade: #DFEC2B, #2CED99, #392CED and #ED2C7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 82 / 7

HEX #DFEC2B

RGB 223 236 43

HSL 64.04, 0.84%, 0.55%

LAB 89.79, -25.03, 82.13

 

Complementary color

CMYK 85 / 91 / 0 / 17

HEX #2013D4

RGB 32 19 212

HSL 244.04, 0.84%, 0.45%

LAB 28.18, 65.25, -90.2

 

CMYK 3 / 0 / 84 / 7

HEX #E4EC26

RGB 228 236 38

HSL 62.42, 0.84%, 0.54%

LAB 90.15, -23.11, 83.69

 

CMYK 4 / 0 / 78 / 0

HEX #F5FE39

RGB 245 254 57

HSL 62.74, 0.99%, 0.61%

LAB 96.24, -24.16, 84.85

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 6 / 0 / 82 / 7

HEX #DFEC2B

RGB 223 236 43

HSL 64.04, 0.84%, 0.55%

LAB 89.79, -25.03, 82.13

 

CMYK 6 / 0 / 89 / 15

HEX #CEDA18

RGB 206 218 24

HSL 63.71, 0.8%, 0.47%

LAB 83.62, -23.9, 80.28

 

CMYK 5 / 0 / 98 / 22

HEX #BDC805

RGB 189 200 5

HSL 63.38, 0.95%, 0.4%

LAB 77.36, -22.6, 77.17

 

CMYK 5 / 0 / 100 / 29

HEX #ACB600

RGB 172 182 0

HSL 63.3, 1%, 0.36%

LAB 71.03, -21.08, 72.4

 

CMYK 5 / 0 / 100 / 36

HEX #9BA400

RGB 155 164 0

HSL 63.29, 1%, 0.32%

LAB 64.58, -19.48, 67.04

 

CMYK 5 / 0 / 81 / 7

HEX #E0ED2C

RGB 224 237 44

HSL 64.04, 0.84%, 0.55%

LAB 90.14, -25.07, 82.22

 

CMYK 0 / 16 / 81 / 7

HEX #EDC62C

RGB 237 198 44

HSL 47.88, 0.84%, 0.55%

LAB 81.06, -0.25, 74.87

 

CMYK 0 / 38 / 81 / 7

HEX #ED922C

RGB 237 146 44

HSL 31.71, 0.84%, 0.55%

LAB 68.57, 27.08, 63.98

 

CMYK 0 / 60 / 81 / 7

HEX #ED5E2C

RGB 237 94 44

HSL 15.54, 0.84%, 0.55%

LAB 58.22, 52.85, 54.65

 

CMYK 0 / 81 / 81 / 7

HEX #ED2C2C

RGB 237 44 44

HSL 0, 0.84%, 0.55%

LAB 51.82, 70.36, 48.68

 

CMYK 5 / 0 / 81 / 7

HEX #E0ED2C

RGB 224 237 44

HSL 64.04, 0.84%, 0.55%

LAB 90.14, -25.07, 82.22

 

CMYK 27 / 0 / 81 / 7

HEX #ACED2C

RGB 172 237 44

HSL 80.21, 0.84%, 0.55%

LAB 86.76, -45.45, 77.98

 

CMYK 49 / 0 / 81 / 7

HEX #78ED2C

RGB 120 237 44

HSL 96.37, 0.84%, 0.55%

LAB 84.35, -62.65, 74.91

 

CMYK 71 / 0 / 81 / 7

HEX #44ED2C

RGB 68 237 44

HSL 112.54, 0.84%, 0.55%

LAB 82.9, -74.45, 73.06

 

CMYK 81 / 0 / 70 / 7

HEX #2CED48

RGB 44 237 72

HSL 128.7, 0.84%, 0.55%

LAB 82.69, -75.76, 63.95

 

CMYK 5 / 0 / 81 / 7

HEX #E0ED2C

RGB 224 237 44

HSL 64.04, 0.84%, 0.55%

LAB 90.14, -25.07, 82.22

 

CMYK 5 / 0 / 81 / 7

HEX #E0ED2C

RGB 224 237 44

HSL 64.04, 0.84%, 0.55%

LAB 90.14, -25.07, 82.22

 

CMYK 5 / 0 / 72 / 15

HEX #D0DA3E

RGB 208 218 62

HSL 63.85, 0.68%, 0.55%

LAB 83.91, -21.85, 70.95

 

CMYK 4 / 0 / 60 / 22

HEX #C0C851

RGB 192 200 81

HSL 64.03, 0.52%, 0.55%

LAB 77.94, -18.48, 57.04

 

CMYK 3 / 0 / 45 / 29

HEX #AFB564

RGB 175 181 100

HSL 64.44, 0.35%, 0.55%

LAB 71.61, -14.19, 40.38

 

CMYK 2 / 0 / 27 / 36

HEX #9FA276

RGB 159 162 118

HSL 64.09, 0.19%, 0.55%

LAB 65.37, -8.48, 22.59

 

CMYK 0 / 38 / 81 / 7

HEX #ED932C

RGB 237 147 44

HSL 32.02, 0.84%, 0.55%

LAB 68.79, 26.56, 64.18

 

CMYK 0 / 16 / 81 / 7

HEX #EDC62C

RGB 237 198 44

HSL 47.88, 0.84%, 0.55%

LAB 81.06, -0.25, 74.87

 

CMYK 5 / 0 / 81 / 7

HEX #E0ED2C

RGB 224 237 44

HSL 64.04, 0.84%, 0.55%

LAB 90.14, -25.07, 82.22

 

CMYK 27 / 0 / 81 / 7

HEX #ACED2C

RGB 172 237 44

HSL 80.21, 0.84%, 0.55%

LAB 86.76, -45.45, 77.98

 

CMYK 49 / 0 / 81 / 7

HEX #79ED2C

RGB 121 237 44

HSL 96.06, 0.84%, 0.55%

LAB 84.39, -62.36, 74.96

 

CMYK 6 / 0 / 91 / 29

HEX #ABB610

RGB 171 182 16

HSL 63.98, 0.84%, 0.39%

LAB 70.98, -21.3, 70.4

 

CMYK 6 / 0 / 91 / 14

HEX #CFDC13

RGB 207 220 19

HSL 63.88, 0.84%, 0.47%

LAB 84.22, -24.53, 81.51

 

CMYK 5 / 0 / 81 / 7

HEX #E0ED2C

RGB 224 237 44

HSL 64.04, 0.84%, 0.55%

LAB 90.14, -25.07, 82.22

 

CMYK 5 / 0 / 66 / 6

HEX #E5F052

RGB 229 240 82

HSL 64.18, 0.84%, 0.63%

LAB 91.5, -22.85, 71.81

 

CMYK 3 / 0 / 51 / 5

HEX #EBF378

RGB 235 243 120

HSL 63.9, 0.84%, 0.71%

LAB 93.07, -19.22, 57.7

 

CMYK 6 / 0 / 82 / 7

HEX #DFEC2B

RGB 223 236 43

HSL 64.04, 0.84%, 0.55%

LAB 89.79, -25.03, 82.13

 

CMYK 81 / 0 / 60 / 7

HEX #2CED5F

RGB 44 237 95

HSL 135.85, 0.84%, 0.55%

LAB 82.88, -73.4, 54.89

 

CMYK 27 / 81 / 0 / 7

HEX #AC2CED

RGB 172 44 237

HSL 279.79, 0.84%, 0.55%

LAB 47.86, 76.86, -71.55

 

CMYK 6 / 0 / 82 / 7

HEX #DFEC2B

RGB 223 236 43

HSL 64.04, 0.84%, 0.55%

LAB 89.79, -25.03, 82.13

 

CMYK 81 / 5 / 0 / 7

HEX #2CE0ED

RGB 44 224 237

HSL 184.04, 0.84%, 0.55%

LAB 81.82, -37.85, -18.65

 

CMYK 0 / 81 / 5 / 7

HEX #ED2CE0

RGB 237 44 224

HSL 304.04, 0.84%, 0.55%

LAB 57.26, 85.91, -48.57

 

CMYK 6 / 0 / 82 / 7

HEX #DFEC2B

RGB 223 236 43

HSL 64.04, 0.84%, 0.55%

LAB 89.79, -25.03, 82.13

 

CMYK 81 / 0 / 60 / 7

HEX #2CED5F

RGB 44 237 95

HSL 135.85, 0.84%, 0.55%

LAB 82.88, -73.4, 54.89

 

CMYK 76 / 81 / 0 / 7

HEX #392CED

RGB 57 44 237

HSL 244.04, 0.84%, 0.55%

LAB 35.57, 64.18, -92.22

 

CMYK 0 / 81 / 22 / 7

HEX #ED2CB9

RGB 237 44 185

HSL 316.17, 0.84%, 0.55%

LAB 55.39, 80.78, -29.18

 

CMYK 6 / 0 / 82 / 7

HEX #DFEC2B

RGB 223 236 43

HSL 64.04, 0.84%, 0.55%

LAB 89.79, -25.03, 82.13

 

CMYK 81 / 0 / 35 / 7

HEX #2CED99

RGB 44 237 153

HSL 153.89, 0.84%, 0.55%

LAB 83.65, -64.22, 28.08

 

CMYK 76 / 81 / 0 / 7

HEX #392CED

RGB 57 44 237

HSL 244.04, 0.84%, 0.55%

LAB 35.57, 64.18, -92.22

 

CMYK 0 / 81 / 46 / 7

HEX #ED2C7F

RGB 237 44 127

HSL 334.2, 0.84%, 0.55%

LAB 53.32, 74.84, 1.96

 

Description

Color code: HEX #DFEC2B | qconv.com Color code: HEX #DFEC2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 236 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 236 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 82% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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