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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFEBAC it is the complementary color #201453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFEBAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFEBAC shade: #E4EBA7, #F5FDBA, #FFFFCD, #FFFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFEBAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFEBAC shade: #DFEBAC, #CED999, #BDC786, #ACB573 and #9BA360

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFEBAC shade: #DFEBAC, #EBE6AC, #EBD5AC, #EBC4AC and #EBB3AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFEBAC shade: #DFEBAC, #CEEBAC, #BDEBAC, #ACEBAC and #ACEBBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFEBAC shade matches the following richer shades: #DFEBAC, #E4F3A4 and #E9FB9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFEBAC shade: #DFEBAC, #DAE2B5, #D5DABD, #CFD2C5 and #CACACD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFEBAC shade: #EBD5AC, #EBE5AC, #DFEBAC, #CFEBAC and #BEEBAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFEBAC shade: #C5DB6A, #D2E38B, #DFEBAC, #ECF3CE and #F8FBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFEBAC shade: #DFEBAC, #ACEBC4 and #DDACEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFEBAC shade: #DFEBAC, #ACDFEB and #EBACDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFEBAC shade: #DFEBAC, #ACEBC4, #B8ACEB and #EBACD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFEBAC shade: #DFEBAC, #ACEBD7, #B8ACEB and #EBACC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

Complementary color

CMYK 61 / 76 / 0 / 67

HEX #201453

RGB 32 20 83

HSL 251.43, 0.61%, 0.2%

LAB 12.17, 25.42, -36.35

 

CMYK 3 / 0 / 29 / 8

HEX #E4EBA7

RGB 228 235 167

HSL 66.18, 0.63%, 0.79%

LAB 91.1, -12.96, 32.3

 

CMYK 3 / 0 / 26 / 1

HEX #F5FDBA

RGB 245 253 186

HSL 67.16, 0.94%, 0.86%

LAB 97.31, -13.12, 31.27

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 5 / 0 / 29 / 15

HEX #CED999

RGB 206 217 153

HSL 70.31, 0.46%, 0.73%

LAB 84.51, -14.02, 30.36

 

CMYK 5 / 0 / 33 / 22

HEX #BDC786

RGB 189 199 134

HSL 69.23, 0.37%, 0.65%

LAB 78.1, -13.87, 31.46

 

CMYK 5 / 0 / 36 / 29

HEX #ACB573

RGB 172 181 115

HSL 68.18, 0.31%, 0.58%

LAB 71.59, -13.69, 32.61

 

CMYK 5 / 0 / 41 / 36

HEX #9BA360

RGB 155 163 96

HSL 67.16, 0.27%, 0.51%

LAB 64.97, -13.46, 33.81

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 0 / 2 / 27 / 8

HEX #EBE6AC

RGB 235 230 172

HSL 55.24, 0.61%, 0.8%

LAB 90.43, -7.2, 28.94

 

CMYK 0 / 9 / 27 / 8

HEX #EBD5AC

RGB 235 213 172

HSL 39.05, 0.61%, 0.8%

LAB 86.12, 1.47, 23.07

 

CMYK 0 / 17 / 27 / 8

HEX #EBC4AC

RGB 235 196 172

HSL 22.86, 0.61%, 0.8%

LAB 81.9, 10.34, 17.23

 

CMYK 0 / 24 / 27 / 8

HEX #EBB3AC

RGB 235 179 172

HSL 6.67, 0.61%, 0.8%

LAB 77.8, 19.35, 11.46

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 12 / 0 / 27 / 8

HEX #CEEBAC

RGB 206 235 172

HSL 87.62, 0.61%, 0.8%

LAB 89.63, -20.28, 27.51

 

CMYK 20 / 0 / 27 / 8

HEX #BDEBAC

RGB 189 235 172

HSL 103.81, 0.61%, 0.8%

LAB 88.55, -26.2, 25.86

 

CMYK 27 / 0 / 27 / 8

HEX #ACEBAC

RGB 172 235 172

HSL 120, 0.61%, 0.8%

LAB 87.57, -31.86, 24.35

 

CMYK 27 / 0 / 20 / 8

HEX #ACEBBD

RGB 172 235 189

HSL 136.19, 0.61%, 0.8%

LAB 87.9, -28.92, 16.03

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 6 / 0 / 33 / 5

HEX #E4F3A4

RGB 228 243 164

HSL 71.39, 0.77%, 0.8%

LAB 93.13, -17.28, 36.51

 

CMYK 7 / 0 / 38 / 2

HEX #E9FB9C

RGB 233 251 156

HSL 71.37, 0.92%, 0.8%

LAB 95.46, -20.26, 43.57

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 4 / 0 / 20 / 11

HEX #DAE2B5

RGB 218 226 181

HSL 70.67, 0.44%, 0.8%

LAB 88.27, -10.18, 21.14

 

CMYK 2 / 0 / 13 / 15

HEX #D5DABD

RGB 213 218 189

HSL 70.34, 0.28%, 0.8%

LAB 85.99, -6.68, 13.71

 

CMYK 1 / 0 / 6 / 18

HEX #CFD2C5

RGB 207 210 197

HSL 73.85, 0.13%, 0.8%

LAB 83.65, -3.34, 6.07

 

CMYK 1 / 1 / 0 / 20

HEX #CACACD

RGB 202 202 205

HSL 240, 0.03%, 0.8%

LAB 81.4, 0.56, -1.5

 

CMYK 0 / 9 / 27 / 8

HEX #EBD5AC

RGB 235 213 172

HSL 39.05, 0.61%, 0.8%

LAB 86.12, 1.47, 23.07

 

CMYK 0 / 3 / 27 / 8

HEX #EBE5AC

RGB 235 229 172

HSL 54.29, 0.61%, 0.8%

LAB 90.17, -6.7, 28.6

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 12 / 0 / 27 / 8

HEX #CFEBAC

RGB 207 235 172

HSL 86.67, 0.61%, 0.8%

LAB 89.7, -19.92, 27.62

 

CMYK 19 / 0 / 27 / 8

HEX #BEEBAC

RGB 190 235 172

HSL 102.86, 0.61%, 0.8%

LAB 88.61, -25.86, 25.95

 

CMYK 10 / 0 / 52 / 14

HEX #C5DB6A

RGB 197 219 106

HSL 71.68, 0.61%, 0.64%

LAB 83.74, -23.74, 52.48

 

CMYK 7 / 0 / 39 / 11

HEX #D2E38B

RGB 210 227 139

HSL 71.59, 0.61%, 0.72%

LAB 87.24, -19.2, 41.08

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 3 / 0 / 15 / 5

HEX #ECF3CE

RGB 236 243 206

HSL 71.35, 0.61%, 0.88%

LAB 94.48, -8.52, 17.08

 

CMYK 1 / 0 / 5 / 2

HEX #F8FBEF

RGB 248 251 239

HSL 75, 0.6%, 0.96%

LAB 98.11, -3.06, 5.39

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 27 / 0 / 17 / 8

HEX #ACEBC4

RGB 172 235 196

HSL 142.86, 0.61%, 0.8%

LAB 88.05, -27.63, 12.59

 

CMYK 6 / 27 / 0 / 8

HEX #DDACEB

RGB 221 172 235

HSL 286.67, 0.61%, 0.8%

LAB 76.6, 28.73, -24.69

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 27 / 5 / 0 / 8

HEX #ACDFEB

RGB 172 223 235

HSL 191.43, 0.61%, 0.8%

LAB 85.78, -13.64, -11.21

 

CMYK 0 / 27 / 5 / 8

HEX #EBACDF

RGB 235 172 223

HSL 311.43, 0.61%, 0.8%

LAB 77.58, 31.06, -16.59

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 27 / 0 / 17 / 8

HEX #ACEBC4

RGB 172 235 196

HSL 142.86, 0.61%, 0.8%

LAB 88.05, -27.63, 12.59

 

CMYK 22 / 27 / 0 / 8

HEX #B8ACEB

RGB 184 172 235

HSL 251.43, 0.61%, 0.8%

LAB 73.35, 17.21, -29.97

 

CMYK 0 / 27 / 10 / 8

HEX #EBACD3

RGB 235 172 211

HSL 322.86, 0.61%, 0.8%

LAB 77.2, 29.01, -10.62

 

CMYK 5 / 0 / 27 / 8

HEX #DFEBAC

RGB 223 235 172

HSL 71.43, 0.61%, 0.8%

LAB 90.82, -14.14, 29.32

 

CMYK 27 / 0 / 9 / 8

HEX #ACEBD7

RGB 172 235 215

HSL 160.95, 0.61%, 0.8%

LAB 88.49, -23.91, 3.3

 

CMYK 22 / 27 / 0 / 8

HEX #B8ACEB

RGB 184 172 235

HSL 251.43, 0.61%, 0.8%

LAB 73.35, 17.21, -29.97

 

CMYK 0 / 27 / 18 / 8

HEX #EBACC0

RGB 235 172 192

HSL 340.95, 0.61%, 0.8%

LAB 76.66, 25.97, -1.07

 

Description

Color code: HEX #DFEBAC | qconv.com Color code: HEX #DFEBAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 235 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 235 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 27 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 27% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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