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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFEA36 it is the complementary color #2015C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFEA36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFEA36 shade: #E4EA31, #F5FC44, #FFFF57, #FFFF6A and #FFFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFEA36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFEA36 shade: #DFEA36, #CED823, #BDC610, #ACB400 and #9BA200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFEA36 shade: #DFEA34, #EAC434, #EA9334, #EA6234 and #EA3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFEA36 shade: #DFEA34, #AEEA34, #7DEA34, #4CEA34 and #34EA4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFEA36 shade matches the following richer shades: #DFEA34 and #EEFC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFEA36 shade: #DFEA34, #CFD846, #BFC558, #AFB36A and #9FA17D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFEA36 shade: #EA9234, #EAC234, #E1EA34, #B0EA34 and #80EA34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFEA36 shade: #AEB813, #D1DD17, #DFEA34, #E5EE59 and #EAF27F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFEA36 shade: #DFEA36, #34EA61 and #AA34EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFEA36 shade: #DFEA36, #34E1EA and #EA34E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFEA36 shade: #DFEA36, #34EA61, #3D34EA and #EA34BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFEA36 shade: #DFEA36, #34EA98, #3D34EA and #EA3486

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 77 / 8

HEX #DFEA36

RGB 223 234 54

HSL 63.67, 0.81%, 0.56%

LAB 89.3, -23.72, 78.86

 

Complementary color

CMYK 84 / 90 / 0 / 21

HEX #2015C9

RGB 32 21 201

HSL 243.67, 0.81%, 0.44%

LAB 26.91, 61.69, -85.91

 

CMYK 3 / 0 / 79 / 8

HEX #E4EA31

RGB 228 234 49

HSL 61.95, 0.81%, 0.55%

LAB 89.66, -21.84, 80.68

 

CMYK 3 / 0 / 73 / 1

HEX #F5FC44

RGB 245 252 68

HSL 62.28, 0.97%, 0.63%

LAB 95.77, -22.8, 81.22

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 5 / 0 / 77 / 8

HEX #DFEA36

RGB 223 234 54

HSL 63.67, 0.81%, 0.56%

LAB 89.3, -23.72, 78.86

 

CMYK 5 / 0 / 84 / 15

HEX #CED823

RGB 206 216 35

HSL 63.31, 0.72%, 0.49%

LAB 83.1, -22.7, 77.79

 

CMYK 5 / 0 / 92 / 22

HEX #BDC610

RGB 189 198 16

HSL 62.97, 0.85%, 0.42%

LAB 76.83, -21.49, 75.57

 

CMYK 4 / 0 / 100 / 29

HEX #ACB400

RGB 172 180 0

HSL 62.67, 1%, 0.35%

LAB 70.46, -20.09, 71.98

 

CMYK 4 / 0 / 100 / 36

HEX #9BA200

RGB 155 162 0

HSL 62.59, 1%, 0.32%

LAB 64.01, -18.47, 66.61

 

CMYK 5 / 0 / 78 / 8

HEX #DFEA34

RGB 223 234 52

HSL 63.63, 0.81%, 0.56%

LAB 89.29, -23.79, 79.41

 

CMYK 0 / 16 / 78 / 8

HEX #EAC434

RGB 234 196 52

HSL 47.47, 0.81%, 0.56%

LAB 80.3, -0.24, 71.69

 

CMYK 0 / 37 / 78 / 8

HEX #EA9334

RGB 234 147 52

HSL 31.32, 0.81%, 0.56%

LAB 68.47, 25.58, 60.73

 

CMYK 0 / 58 / 78 / 8

HEX #EA6234

RGB 234 98 52

HSL 15.16, 0.81%, 0.56%

LAB 58.49, 50.23, 51.04

 

CMYK 0 / 78 / 78 / 8

HEX #EA3434

RGB 234 52 52

HSL 0, 0.81%, 0.56%

LAB 52.06, 67.67, 44.5

 

CMYK 5 / 0 / 78 / 8

HEX #DFEA34

RGB 223 234 52

HSL 63.63, 0.81%, 0.56%

LAB 89.29, -23.79, 79.41

 

CMYK 26 / 0 / 78 / 8

HEX #AEEA34

RGB 174 234 52

HSL 79.78, 0.81%, 0.56%

LAB 86.05, -43.1, 75.28

 

CMYK 47 / 0 / 78 / 8

HEX #7DEA34

RGB 125 234 52

HSL 95.93, 0.81%, 0.56%

LAB 83.68, -59.71, 72.21

 

CMYK 68 / 0 / 78 / 8

HEX #4CEA34

RGB 76 234 52

HSL 112.09, 0.81%, 0.56%

LAB 82.18, -71.68, 70.26

 

CMYK 78 / 0 / 67 / 8

HEX #34EA4D

RGB 52 234 77

HSL 128.24, 0.81%, 0.56%

LAB 81.9, -73.5, 61.25

 

CMYK 5 / 0 / 78 / 8

HEX #DFEA34

RGB 223 234 52

HSL 63.63, 0.81%, 0.56%

LAB 89.29, -23.79, 79.41

 

CMYK 6 / 0 / 87 / 1

HEX #EEFC22

RGB 238 252 34

HSL 63.85, 0.97%, 0.56%

LAB 95.12, -26.68, 88.82

 

CMYK 5 / 0 / 78 / 8

HEX #DFEA34

RGB 223 234 52

HSL 63.63, 0.81%, 0.56%

LAB 89.29, -23.79, 79.41

 

CMYK 4 / 0 / 68 / 15

HEX #CFD846

RGB 207 216 70

HSL 63.7, 0.65%, 0.56%

LAB 83.35, -20.88, 67.51

 

CMYK 3 / 0 / 55 / 23

HEX #BFC558

RGB 191 197 88

HSL 63.3, 0.48%, 0.56%

LAB 77.11, -16.86, 52.97

 

CMYK 2 / 0 / 41 / 30

HEX #AFB36A

RGB 175 179 106

HSL 63.29, 0.32%, 0.56%

LAB 71.14, -12.51, 36.75

 

CMYK 1 / 0 / 22 / 37

HEX #9FA17D

RGB 159 161 125

HSL 63.33, 0.16%, 0.56%

LAB 65.23, -6.91, 18.56

 

CMYK 0 / 38 / 78 / 8

HEX #EA9234

RGB 234 146 52

HSL 30.99, 0.81%, 0.56%

LAB 68.24, 26.11, 60.51

 

CMYK 0 / 17 / 78 / 8

HEX #EAC234

RGB 234 194 52

HSL 46.81, 0.81%, 0.56%

LAB 79.8, 0.79, 71.23

 

CMYK 4 / 0 / 78 / 8

HEX #E1EA34

RGB 225 234 52

HSL 62.97, 0.81%, 0.56%

LAB 89.44, -22.98, 79.6

 

CMYK 25 / 0 / 78 / 8

HEX #B0EA34

RGB 176 234 52

HSL 79.12, 0.81%, 0.56%

LAB 86.17, -42.35, 75.42

 

CMYK 45 / 0 / 78 / 8

HEX #80EA34

RGB 128 234 52

HSL 94.95, 0.81%, 0.56%

LAB 83.8, -58.8, 72.37

 

CMYK 5 / 0 / 90 / 28

HEX #AEB813

RGB 174 184 19

HSL 63.64, 0.81%, 0.4%

LAB 71.78, -20.94, 70.65

 

CMYK 5 / 0 / 90 / 13

HEX #D1DD17

RGB 209 221 23

HSL 63.64, 0.81%, 0.48%

LAB 84.65, -24.11, 81.35

 

CMYK 5 / 0 / 78 / 8

HEX #DFEA34

RGB 223 234 52

HSL 63.63, 0.81%, 0.56%

LAB 89.29, -23.79, 79.41

 

CMYK 4 / 0 / 63 / 7

HEX #E5EE59

RGB 229 238 89

HSL 63.62, 0.81%, 0.64%

LAB 91.02, -21.48, 68.6

 

CMYK 3 / 0 / 48 / 5

HEX #EAF27F

RGB 234 242 127

HSL 64.17, 0.82%, 0.72%

LAB 92.81, -18.51, 54.15

 

CMYK 5 / 0 / 77 / 8

HEX #DFEA36

RGB 223 234 54

HSL 63.67, 0.81%, 0.56%

LAB 89.3, -23.72, 78.86

 

CMYK 78 / 0 / 59 / 8

HEX #34EA61

RGB 52 234 97

HSL 134.84, 0.81%, 0.56%

LAB 82.08, -71.33, 53.11

 

CMYK 27 / 78 / 0 / 8

HEX #AA34EA

RGB 170 52 234

HSL 278.9, 0.81%, 0.56%

LAB 48.19, 73.53, -69.34

 

CMYK 5 / 0 / 77 / 8

HEX #DFEA36

RGB 223 234 54

HSL 63.67, 0.81%, 0.56%

LAB 89.3, -23.72, 78.86

 

CMYK 78 / 4 / 0 / 8

HEX #34E1EA

RGB 52 225 234

HSL 182.97, 0.81%, 0.56%

LAB 82.12, -38.52, -16.59

 

CMYK 0 / 78 / 4 / 8

HEX #EA34E1

RGB 234 52 225

HSL 302.97, 0.81%, 0.56%

LAB 57.45, 83.65, -48.86

 

CMYK 5 / 0 / 77 / 8

HEX #DFEA36

RGB 223 234 54

HSL 63.67, 0.81%, 0.56%

LAB 89.3, -23.72, 78.86

 

CMYK 78 / 0 / 59 / 8

HEX #34EA61

RGB 52 234 97

HSL 134.84, 0.81%, 0.56%

LAB 82.08, -71.33, 53.11

 

CMYK 74 / 78 / 0 / 8

HEX #3D34EA

RGB 61 52 234

HSL 242.97, 0.81%, 0.56%

LAB 36.72, 59.9, -88.59

 

CMYK 0 / 78 / 20 / 8

HEX #EA34BC

RGB 234 52 188

HSL 315.16, 0.81%, 0.56%

LAB 55.66, 78.59, -30.53

 

CMYK 5 / 0 / 77 / 8

HEX #DFEA36

RGB 223 234 54

HSL 63.67, 0.81%, 0.56%

LAB 89.3, -23.72, 78.86

 

CMYK 78 / 0 / 35 / 8

HEX #34EA98

RGB 52 234 152

HSL 152.97, 0.81%, 0.56%

LAB 82.83, -62.54, 27.49

 

CMYK 74 / 78 / 0 / 8

HEX #3D34EA

RGB 61 52 234

HSL 242.97, 0.81%, 0.56%

LAB 36.72, 59.9, -88.59

 

CMYK 0 / 78 / 43 / 8

HEX #EA3486

RGB 234 52 134

HSL 332.97, 0.81%, 0.56%

LAB 53.67, 72.69, -1.78

 

Description

Color code: HEX #DFEA36 | qconv.com Color code: HEX #DFEA36 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 234 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 234 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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