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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFEA0ACE it is the complementary color #2015F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFEA0ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFEA0ACE shade: #E4EA05CE, #F5FC18CE, #FFFF2BCE, #FFFF3ECE and #FFFF51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFEA0ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFEA0ACE shade: #DFEA0ACE, #CED800CE, #BDC600CE, #ACB400CE and #9BA200CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFEA0ACE shade: #E0EB0A, #EBB90A, #EB7D0A, #EB400A and #EB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFEA0ACE shade: #E0EB0A, #A3EB0A, #66EB0A, #2AEB0A and #0AEB27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFEA0ACE shade matches the following richer shades: #E0EB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFEA0ACE shade: #E0EB0A, #CED71E, #BCC331, #AAB045 and #999C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFEA0ACE shade: #EB7A0A, #EBB60A, #E4EB0A, #A7EB0A and #6BEB0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFEA0ACE shade: #949C06, #BAC308, #E0EB0A, #ECF628 and #EFF850

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFEA0ACE shade: #DFEA0A, #0AEB3E and #980AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFEA0ACE shade: #DFEA0A, #0AE4EB and #EB0AE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFEA0ACE shade: #DFEA0A, #0AEB3E, #110AEB and #EB0AB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFEA0ACE shade: #DFEA0A, #0AEB82, #110AEB and #EB0A73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 78 / 7

HEX #DFEA0ACE

RGBA 223 234 10 0.81

HSLA 62.95, 0.92%, 0.48%, 0.81

LABA 89.18, -24.68, 86.76, 0.81

 

Complementary color

CMYK 70 / 74 / 0 / 3

HEX #2015F5CE

RGBA 32 21 245 0.81

HSLA 242.95, 0.92%, 0.52%, 0.81

LABA 32.78, 73.35, -101.42, 0.81

 

CMYK 2 / 0 / 79 / 7

HEX #E4EA05CE

RGBA 228 234 5 0.81

HSLA 61.57, 0.96%, 0.47%, 0.81

LABA 89.56, -22.65, 87.6, 0.81

 

CMYK 2 / 0 / 73 / 1

HEX #F5FC18CE

RGBA 245 252 24 0.81

HSLA 61.84, 0.97%, 0.54%, 0.81

LABA 95.62, -24.01, 90.95, 0.81

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF2BCE

RGBA 255 255 43 0.81

HSLA 60, 1%, 0.58%, 0.81

LABA 97.21, -20.98, 89.33, 0.81

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF3ECE

RGBA 255 255 62 0.81

HSLA 60, 1%, 0.62%, 0.81

LABA 97.28, -20.42, 84.68, 0.81

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF51CE

RGBA 255 255 81 0.81

HSLA 60, 1%, 0.66%, 0.81

LABA 97.38, -19.62, 78.71, 0.81

 

CMYK 4 / 0 / 78 / 7

HEX #DFEA0ACE

RGBA 223 234 10 0.81

HSLA 62.95, 0.92%, 0.48%, 0.81

LABA 89.18, -24.68, 86.76, 0.81

 

CMYK 4 / 0 / 81 / 12

HEX #CED800CE

RGBA 206 216 0 0.81

HSLA 62.78, 1%, 0.42%, 0.81

LABA 83.04, -23.23, 82.43, 0.81

 

CMYK 4 / 0 / 81 / 18

HEX #BDC600CE

RGBA 189 198 0 0.81

HSLA 62.73, 1%, 0.39%, 0.81

LABA 76.8, -21.67, 77.25, 0.81

 

CMYK 4 / 0 / 81 / 24

HEX #ACB400CE

RGBA 172 180 0 0.81

HSLA 62.67, 1%, 0.35%, 0.81

LABA 70.46, -20.09, 71.98, 0.81

 

CMYK 4 / 0 / 81 / 30

HEX #9BA200CE

RGBA 155 162 0 0.81

HSLA 62.59, 1%, 0.32%, 0.81

LABA 64.01, -18.47, 66.61, 0.81

 

CMYK 5 / 0 / 96 / 8

HEX #E0EB0A

RGB 224 235 10

HSL 62.93, 0.92%, 0.48%

LAB 89.53, -24.74, 87.05

 

CMYK 0 / 21 / 96 / 8

HEX #EBB90A

RGB 235 185 10

HSL 46.67, 0.92%, 0.48%

LAB 77.51, 5, 78.61

 

CMYK 0 / 47 / 96 / 8

HEX #EB7D0A

RGB 235 125 10

HSL 30.67, 0.92%, 0.48%

LAB 63.63, 36.53, 69

 

CMYK 0 / 73 / 96 / 8

HEX #EB400A

RGB 235 64 10

HSL 14.4, 0.92%, 0.48%

LAB 53.33, 63.42, 62.67

 

CMYK 0 / 96 / 96 / 8

HEX #EB0A0A

RGB 235 10 10

HSL 0, 0.92%, 0.48%

LAB 49.38, 74.61, 60.59

 

CMYK 5 / 0 / 96 / 8

HEX #E0EB0A

RGB 224 235 10

HSL 62.93, 0.92%, 0.48%

LAB 89.53, -24.74, 87.05

 

CMYK 31 / 0 / 96 / 8

HEX #A3EB0A

RGB 163 235 10

HSL 79.2, 0.92%, 0.48%

LAB 85.62, -48.69, 82.34

 

CMYK 57 / 0 / 96 / 8

HEX #66EB0A

RGB 102 235 10

HSL 95.47, 0.92%, 0.48%

LAB 83.05, -67.75, 79.22

 

CMYK 82 / 0 / 96 / 8

HEX #2AEB0A

RGB 42 235 10

HSL 111.47, 0.92%, 0.48%

LAB 81.8, -78.43, 77.68

 

CMYK 96 / 0 / 83 / 8

HEX #0AEB27

RGB 10 235 39

HSL 127.73, 0.92%, 0.48%

LAB 81.64, -79.66, 72.88

 

CMYK 5 / 0 / 96 / 8

HEX #E0EB0A

RGB 224 235 10

HSL 62.93, 0.92%, 0.48%

LAB 89.53, -24.74, 87.05

 

CMYK 5 / 0 / 96 / 8

HEX #E0EB0A

RGB 224 235 10

HSL 62.93, 0.92%, 0.48%

LAB 89.53, -24.74, 87.05

 

CMYK 4 / 0 / 86 / 16

HEX #CED71E

RGB 206 215 30

HSL 62.92, 0.76%, 0.48%

LAB 82.82, -22.33, 78.58

 

CMYK 4 / 0 / 75 / 24

HEX #BCC331

RGB 188 195 49

HSL 62.88, 0.6%, 0.48%

LAB 76.03, -19.5, 67.27

 

CMYK 3 / 0 / 61 / 31

HEX #AAB045

RGB 170 176 69

HSL 63.36, 0.44%, 0.48%

LAB 69.49, -16.44, 52.56

 

CMYK 2 / 0 / 43 / 39

HEX #999C59

RGB 153 156 89

HSL 62.69, 0.27%, 0.48%

LAB 62.74, -11.39, 34.63

 

CMYK 0 / 48 / 96 / 8

HEX #EB7A0A

RGB 235 122 10

HSL 29.87, 0.92%, 0.48%

LAB 63.01, 38.06, 68.59

 

CMYK 0 / 23 / 96 / 8

HEX #EBB60A

RGB 235 182 10

HSL 45.87, 0.92%, 0.48%

LAB 76.76, 6.57, 78.07

 

CMYK 3 / 0 / 96 / 8

HEX #E4EB0A

RGB 228 235 10

HSL 61.87, 0.92%, 0.48%

LAB 89.83, -23.09, 87.41

 

CMYK 29 / 0 / 96 / 8

HEX #A7EB0A

RGB 167 235 10

HSL 78.13, 0.92%, 0.48%

LAB 85.83, -47.23, 82.6

 

CMYK 54 / 0 / 96 / 8

HEX #6BEB0A

RGB 107 235 10

HSL 94.13, 0.92%, 0.48%

LAB 83.21, -66.46, 79.41

 

CMYK 5 / 0 / 96 / 39

HEX #949C06

RGB 148 156 6

HSL 63.2, 0.93%, 0.32%

LAB 61.73, -18.42, 63.82

 

CMYK 5 / 0 / 96 / 24

HEX #BAC308

RGB 186 195 8

HSL 62.89, 0.92%, 0.4%

LAB 75.75, -21.39, 75.55

 

CMYK 5 / 0 / 96 / 8

HEX #E0EB0A

RGB 224 235 10

HSL 62.93, 0.92%, 0.48%

LAB 89.53, -24.74, 87.05

 

CMYK 4 / 0 / 84 / 4

HEX #ECF628

RGB 236 246 40

HSL 62.91, 0.92%, 0.56%

LAB 93.41, -24.54, 86.21

 

CMYK 4 / 0 / 68 / 3

HEX #EFF850

RGB 239 248 80

HSL 63.21, 0.92%, 0.64%

LAB 94.34, -22.76, 75.65

 

CMYK 5 / 0 / 96 / 8

HEX #DFEA0A

RGB 223 234 10

HSL 62.95, 0.92%, 0.48%

LAB 89.18, -24.68, 86.76

 

CMYK 96 / 0 / 74 / 8

HEX #0AEB3E

RGB 10 235 62

HSL 133.87, 0.92%, 0.48%

LAB 81.75, -78.24, 66.42

 

CMYK 35 / 96 / 0 / 8

HEX #980AEB

RGB 152 10 235

HSL 277.87, 0.92%, 0.48%

LAB 42.6, 80.32, -79.14

 

CMYK 5 / 0 / 96 / 8

HEX #DFEA0A

RGB 223 234 10

HSL 62.95, 0.92%, 0.48%

LAB 89.18, -24.68, 86.76

 

CMYK 96 / 3 / 0 / 8

HEX #0AE4EB

RGB 10 228 235

HSL 181.87, 0.92%, 0.48%

LAB 82.67, -41.88, -16.32

 

CMYK 0 / 96 / 3 / 8

HEX #EB0AE4

RGB 235 10 228

HSL 301.87, 0.92%, 0.48%

LAB 55.56, 90.74, -53.54

 

CMYK 5 / 0 / 96 / 8

HEX #DFEA0A

RGB 223 234 10

HSL 62.95, 0.92%, 0.48%

LAB 89.18, -24.68, 86.76

 

CMYK 96 / 0 / 74 / 8

HEX #0AEB3E

RGB 10 235 62

HSL 133.87, 0.92%, 0.48%

LAB 81.75, -78.24, 66.42

 

CMYK 93 / 96 / 0 / 8

HEX #110AEB

RGB 17 10 235

HSL 241.87, 0.92%, 0.48%

LAB 30.24, 72.88, -100

 

CMYK 0 / 96 / 23 / 8

HEX #EB0AB6

RGB 235 10 182

HSL 314.13, 0.92%, 0.48%

LAB 53.23, 84.88, -30.82

 

CMYK 5 / 0 / 96 / 8

HEX #DFEA0A

RGB 223 234 10

HSL 62.95, 0.92%, 0.48%

LAB 89.18, -24.68, 86.76

 

CMYK 96 / 0 / 45 / 8

HEX #0AEB82

RGB 10 235 130

HSL 152, 0.92%, 0.48%

LAB 82.43, -69.8, 37.95

 

CMYK 93 / 96 / 0 / 8

HEX #110AEB

RGB 17 10 235

HSL 241.87, 0.92%, 0.48%

LAB 30.24, 72.88, -100

 

CMYK 0 / 96 / 51 / 8

HEX #EB0A73

RGB 235 10 115

HSL 332, 0.92%, 0.48%

LAB 50.82, 78.57, 5.58

 

Description

Color code: HEX #DFEA0ACE | qconv.com Color code: HEX #DFEA0ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 234 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 234 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 78 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 78% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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