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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE904 it is the complementary color #2016FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE904. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE904 shade: #E4E900, #F5FB12, #FFFF25, #FFFF38 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE904. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE904 shade: #DFE904, #CED700, #BDC500, #ACB300 and #9BA100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE904 shade: #DDE704, #E7B404, #E77604, #E73904 and #E70404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE904 shade: #DDE704, #A0E704, #62E704, #25E704 and #04E71F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE904 shade matches the following richer shades: #DDE704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE904 shade: #DDE704, #CCD416, #BBC129, #A9AE3C and #989B4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE904 shade: #E77504, #E7B204, #DFE704, #A3E704 and #66E704

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE904 shade: #8F9602, #B6BE03, #DDE704, #F2FB18 and #F4FC41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE904 shade: #DFE904, #04E739 and #9404E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE904 shade: #DFE904, #04DFE7 and #E704DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE904 shade: #DFE904, #04E739, #0B04E7 and #E704B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE904 shade: #DFE904, #04E77D, #0B04E7 and #E7046E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 98 / 9

HEX #DFE904

RGB 223 233 4

HSL 62.62, 0.97%, 0.46%

LAB 88.91, -24.26, 87.02

 

Complementary color

CMYK 87 / 91 / 0 / 2

HEX #2016FB

RGB 32 22 251

HSL 242.62, 0.97%, 0.54%

LAB 33.66, 74.64, -103.33

 

CMYK 2 / 0 / 100 / 9

HEX #E4E900

RGB 228 233 0

HSL 61.29, 1%, 0.46%

LAB 89.29, -22.22, 87.79

 

CMYK 2 / 0 / 93 / 2

HEX #F5FB12

RGB 245 251 18

HSL 61.55, 0.97%, 0.53%

LAB 95.35, -23.61, 91.43

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF25

RGB 255 255 37

HSL 60, 1%, 0.57%

LAB 97.19, -21.12, 90.49

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 4 / 0 / 98 / 9

HEX #DFE904

RGB 223 233 4

HSL 62.62, 0.97%, 0.46%

LAB 88.91, -24.26, 87.02

 

CMYK 4 / 0 / 100 / 16

HEX #CED700

RGB 206 215 0

HSL 62.51, 1%, 0.42%

LAB 82.77, -22.75, 82.23

 

CMYK 4 / 0 / 100 / 23

HEX #BDC500

RGB 189 197 0

HSL 62.44, 1%, 0.39%

LAB 76.53, -21.18, 77.05

 

CMYK 4 / 0 / 100 / 30

HEX #ACB300

RGB 172 179 0

HSL 62.35, 1%, 0.35%

LAB 70.18, -19.59, 71.77

 

CMYK 4 / 0 / 100 / 37

HEX #9BA100

RGB 155 161 0

HSL 62.24, 1%, 0.32%

LAB 63.72, -17.96, 66.4

 

CMYK 4 / 0 / 98 / 9

HEX #DDE704

RGB 221 231 4

HSL 62.64, 0.97%, 0.46%

LAB 88.22, -24.13, 86.45

 

CMYK 0 / 22 / 98 / 9

HEX #E7B404

RGB 231 180 4

HSL 46.52, 0.97%, 0.46%

LAB 75.85, 5.83, 77.87

 

CMYK 0 / 49 / 98 / 9

HEX #E77604

RGB 231 118 4

HSL 30.13, 0.97%, 0.46%

LAB 61.61, 38.44, 68.36

 

CMYK 0 / 75 / 98 / 9

HEX #E73904

RGB 231 57 4

HSL 14.01, 0.97%, 0.46%

LAB 51.75, 64.43, 62.79

 

CMYK 0 / 98 / 98 / 9

HEX #E70404

RGB 231 4 4

HSL 0, 0.97%, 0.46%

LAB 48.37, 74.05, 61.26

 

CMYK 4 / 0 / 98 / 9

HEX #DDE704

RGB 221 231 4

HSL 62.64, 0.97%, 0.46%

LAB 88.22, -24.13, 86.45

 

CMYK 31 / 0 / 98 / 9

HEX #A0E704

RGB 160 231 4

HSL 78.77, 0.97%, 0.46%

LAB 84.29, -48.19, 81.74

 

CMYK 58 / 0 / 98 / 9

HEX #62E704

RGB 98 231 4

HSL 95.15, 0.97%, 0.46%

LAB 81.71, -67.49, 78.6

 

CMYK 84 / 0 / 98 / 9

HEX #25E704

RGB 37 231 4

HSL 111.28, 0.97%, 0.46%

LAB 80.49, -77.91, 77.11

 

CMYK 98 / 0 / 87 / 9

HEX #04E71F

RGB 4 231 31

HSL 127.14, 0.97%, 0.46%

LAB 80.33, -79.12, 73.43

 

CMYK 4 / 0 / 98 / 9

HEX #DDE704

RGB 221 231 4

HSL 62.64, 0.97%, 0.46%

LAB 88.22, -24.13, 86.45

 

CMYK 4 / 0 / 98 / 9

HEX #DDE704

RGB 221 231 4

HSL 62.64, 0.97%, 0.46%

LAB 88.22, -24.13, 86.45

 

CMYK 4 / 0 / 90 / 17

HEX #CCD416

RGB 204 212 22

HSL 62.53, 0.81%, 0.46%

LAB 81.83, -21.88, 79.11

 

CMYK 3 / 0 / 79 / 24

HEX #BBC129

RGB 187 193 41

HSL 62.37, 0.65%, 0.46%

LAB 75.37, -19.24, 69.06

 

CMYK 3 / 0 / 66 / 32

HEX #A9AE3C

RGB 169 174 60

HSL 62.63, 0.49%, 0.46%

LAB 68.78, -16.44, 55.61

 

CMYK 2 / 0 / 49 / 39

HEX #989B4F

RGB 152 155 79

HSL 62.37, 0.32%, 0.46%

LAB 62.24, -12.32, 39.15

 

CMYK 0 / 49 / 98 / 9

HEX #E77504

RGB 231 117 4

HSL 29.87, 0.97%, 0.46%

LAB 61.41, 38.94, 68.24

 

CMYK 0 / 23 / 98 / 9

HEX #E7B204

RGB 231 178 4

HSL 45.99, 0.97%, 0.46%

LAB 75.35, 6.88, 77.52

 

CMYK 3 / 0 / 98 / 9

HEX #DFE704

RGB 223 231 4

HSL 62.11, 0.97%, 0.46%

LAB 88.38, -23.3, 86.63

 

CMYK 29 / 0 / 98 / 9

HEX #A3E704

RGB 163 231 4

HSL 77.97, 0.97%, 0.46%

LAB 84.46, -47.09, 81.93

 

CMYK 56 / 0 / 98 / 9

HEX #66E704

RGB 102 231 4

HSL 94.1, 0.97%, 0.46%

LAB 81.83, -66.48, 78.75

 

CMYK 5 / 0 / 99 / 41

HEX #8F9602

RGB 143 150 2

HSL 62.84, 0.97%, 0.3%

LAB 59.58, -17.63, 62.61

 

CMYK 4 / 0 / 98 / 25

HEX #B6BE03

RGB 182 190 3

HSL 62.57, 0.97%, 0.38%

LAB 74.05, -20.7, 74.65

 

CMYK 4 / 0 / 98 / 9

HEX #DDE704

RGB 221 231 4

HSL 62.64, 0.97%, 0.46%

LAB 88.22, -24.13, 86.45

 

CMYK 4 / 0 / 90 / 2

HEX #F2FB18

RGB 242 251 24

HSL 62.38, 0.97%, 0.54%

LAB 95.13, -24.76, 90.47

 

CMYK 3 / 0 / 74 / 1

HEX #F4FC41

RGB 244 252 65

HSL 62.57, 0.97%, 0.62%

LAB 95.68, -23.33, 82.03

 

CMYK 4 / 0 / 98 / 9

HEX #DFE904

RGB 223 233 4

HSL 62.62, 0.97%, 0.46%

LAB 88.91, -24.26, 87.02

 

CMYK 98 / 0 / 75 / 9

HEX #04E739

RGB 4 231 57

HSL 134.01, 0.97%, 0.46%

LAB 80.44, -77.7, 66.76

 

CMYK 36 / 98 / 0 / 9

HEX #9404E7

RGB 148 4 231

HSL 278.06, 0.97%, 0.46%

LAB 41.46, 79.72, -78.77

 

CMYK 4 / 0 / 98 / 9

HEX #DFE904

RGB 223 233 4

HSL 62.62, 0.97%, 0.46%

LAB 88.91, -24.26, 87.02

 

CMYK 98 / 3 / 0 / 9

HEX #04DFE7

RGB 4 223 231

HSL 182.11, 0.97%, 0.46%

LAB 81.06, -40.98, -16.64

 

CMYK 0 / 98 / 3 / 9

HEX #E704DF

RGB 231 4 223

HSL 302.11, 0.97%, 0.46%

LAB 54.45, 89.79, -52.53

 

CMYK 4 / 0 / 98 / 9

HEX #DFE904

RGB 223 233 4

HSL 62.62, 0.97%, 0.46%

LAB 88.91, -24.26, 87.02

 

CMYK 98 / 0 / 75 / 9

HEX #04E739

RGB 4 231 57

HSL 134.01, 0.97%, 0.46%

LAB 80.44, -77.7, 66.76

 

CMYK 95 / 98 / 0 / 9

HEX #0B04E7

RGB 11 4 231

HSL 241.85, 0.97%, 0.46%

LAB 29.23, 72.86, -99.41

 

CMYK 0 / 98 / 23 / 9

HEX #E704B2

RGB 231 4 178

HSL 314.01, 0.97%, 0.46%

LAB 52.16, 84.09, -30.2

 

CMYK 4 / 0 / 98 / 9

HEX #DFE904

RGB 223 233 4

HSL 62.62, 0.97%, 0.46%

LAB 88.91, -24.26, 87.02

 

CMYK 98 / 0 / 46 / 9

HEX #04E77D

RGB 4 231 125

HSL 151.98, 0.97%, 0.46%

LAB 81.1, -69.53, 38.71

 

CMYK 95 / 98 / 0 / 9

HEX #0B04E7

RGB 11 4 231

HSL 241.85, 0.97%, 0.46%

LAB 29.23, 72.86, -99.41

 

CMYK 0 / 98 / 52 / 9

HEX #E7046E

RGB 231 4 110

HSL 331.98, 0.97%, 0.46%

LAB 49.74, 77.78, 6.98

 

Description

Color code: HEX #DFE904 | qconv.com Color code: HEX #DFE904 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 233 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 233 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 98 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 98% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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