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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE656 it is the complementary color #2019A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE656. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE656 shade: #E4E651, #F5F864, #FFFF77, #FFFF8A and #FFFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE656. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE656 shade: #DFE656, #CED443, #BDC230, #ACB01D and #9B9E0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE656 shade: #DFE656, #E6C656, #E69F56, #E67956 and #E65656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE656 shade: #DFE656, #B8E656, #91E656, #6BE656 and #56E669

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE656 shade matches the following richer shades: #DFE656 and #EDF547

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE656 shade: #DFE656, #D1D666, #C3C676, #B4B785 and #A6A795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE656 shade: #E69E56, #E6C456, #E1E656, #BBE656 and #95E656

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE656 shade: #C3CB1E, #D8E032, #DFE656, #E6EB7A and #EDF19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE656 shade: #DFE656, #56E678 and #B156E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE656 shade: #DFE656, #56E1E6 and #E656E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE656 shade: #DFE656, #56E678, #5B56E6 and #E656C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE656 shade: #DFE656, #56E6A3, #5B56E6 and #E65699

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

Complementary color

CMYK 81 / 85 / 0 / 34

HEX #2019A9

RGB 32 25 169

HSL 242.92, 0.74%, 0.38%

LAB 23.23, 50.99, -73

 

CMYK 1 / 0 / 65 / 10

HEX #E4E651

RGB 228 230 81

HSL 60.81, 0.75%, 0.61%

LAB 88.77, -18.49, 69.37

 

CMYK 1 / 0 / 60 / 3

HEX #F5F864

RGB 245 248 100

HSL 61.22, 0.91%, 0.68%

LAB 94.94, -19.19, 68.7

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 3 / 0 / 68 / 17

HEX #CED443

RGB 206 212 67

HSL 62.48, 0.63%, 0.55%

LAB 82.17, -19.5, 67.42

 

CMYK 3 / 0 / 75 / 24

HEX #BDC230

RGB 189 194 48

HSL 62.05, 0.6%, 0.47%

LAB 75.83, -18.62, 67.43

 

CMYK 2 / 0 / 84 / 31

HEX #ACB01D

RGB 172 176 29

HSL 61.63, 0.72%, 0.4%

LAB 69.41, -17.56, 66.6

 

CMYK 2 / 0 / 94 / 38

HEX #9B9E0A

RGB 155 158 10

HSL 61.22, 0.88%, 0.33%

LAB 62.88, -16.27, 64.4

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 0 / 14 / 63 / 10

HEX #E6C656

RGB 230 198 86

HSL 46.67, 0.74%, 0.62%

LAB 80.67, -1.29, 58.77

 

CMYK 0 / 31 / 63 / 10

HEX #E69F56

RGB 230 159 86

HSL 30.42, 0.74%, 0.62%

LAB 71.07, 19.27, 47.98

 

CMYK 0 / 47 / 63 / 10

HEX #E67956

RGB 230 121 86

HSL 14.58, 0.74%, 0.62%

LAB 62.65, 39.24, 38.01

 

CMYK 0 / 63 / 63 / 10

HEX #E65656

RGB 230 86 86

HSL 0, 0.74%, 0.62%

LAB 56.24, 55.81, 30.06

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 20 / 0 / 63 / 10

HEX #B8E656

RGB 184 230 86

HSL 79.17, 0.74%, 0.62%

LAB 85.73, -35.57, 63.24

 

CMYK 37 / 0 / 63 / 10

HEX #91E656

RGB 145 230 86

HSL 95.42, 0.74%, 0.62%

LAB 83.59, -49.49, 60.29

 

CMYK 53 / 0 / 63 / 10

HEX #6BE656

RGB 107 230 86

HSL 111.25, 0.74%, 0.62%

LAB 82.05, -60.73, 58.16

 

CMYK 63 / 0 / 54 / 10

HEX #56E669

RGB 86 230 105

HSL 127.92, 0.74%, 0.62%

LAB 81.62, -63.46, 49.12

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 3 / 0 / 71 / 4

HEX #EDF547

RGB 237 245 71

HSL 62.76, 0.9%, 0.62%

LAB 93.35, -22.57, 77.74

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 2 / 0 / 52 / 16

HEX #D1D666

RGB 209 214 102

HSL 62.68, 0.58%, 0.62%

LAB 83.24, -16.87, 53.96

 

CMYK 2 / 0 / 40 / 22

HEX #C3C676

RGB 195 198 118

HSL 62.25, 0.41%, 0.62%

LAB 78.05, -12.91, 39.68

 

CMYK 2 / 0 / 27 / 28

HEX #B4B785

RGB 180 183 133

HSL 63.6, 0.26%, 0.62%

LAB 73.07, -9.24, 25.15

 

CMYK 1 / 0 / 11 / 35

HEX #A6A795

RGB 166 167 149

HSL 63.33, 0.09%, 0.62%

LAB 67.96, -3.61, 9.19

 

CMYK 0 / 31 / 63 / 10

HEX #E69E56

RGB 230 158 86

HSL 30, 0.74%, 0.62%

LAB 70.84, 19.8, 47.71

 

CMYK 0 / 15 / 63 / 10

HEX #E6C456

RGB 230 196 86

HSL 45.83, 0.74%, 0.62%

LAB 80.17, -0.26, 58.21

 

CMYK 2 / 0 / 63 / 10

HEX #E1E656

RGB 225 230 86

HSL 62.08, 0.74%, 0.62%

LAB 88.58, -19.41, 67.13

 

CMYK 19 / 0 / 63 / 10

HEX #BBE656

RGB 187 230 86

HSL 77.92, 0.74%, 0.62%

LAB 85.92, -34.43, 63.5

 

CMYK 35 / 0 / 63 / 10

HEX #95E656

RGB 149 230 86

HSL 93.75, 0.74%, 0.62%

LAB 83.79, -48.16, 60.56

 

CMYK 4 / 0 / 85 / 20

HEX #C3CB1E

RGB 195 203 30

HSL 62.77, 0.74%, 0.46%

LAB 78.7, -21.11, 74.86

 

CMYK 4 / 0 / 78 / 12

HEX #D8E032

RGB 216 224 50

HSL 62.76, 0.74%, 0.54%

LAB 86.08, -21.94, 76.9

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 2 / 0 / 48 / 8

HEX #E6EB7A

RGB 230 235 122

HSL 62.65, 0.74%, 0.7%

LAB 90.62, -17.12, 53.79

 

CMYK 2 / 0 / 34 / 5

HEX #EDF19E

RGB 237 241 158

HSL 62.89, 0.75%, 0.78%

LAB 93.18, -13.66, 39.69

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 63 / 0 / 48 / 10

HEX #56E678

RGB 86 230 120

HSL 134.17, 0.74%, 0.62%

LAB 81.8, -61.38, 42.25

 

CMYK 23 / 63 / 0 / 10

HEX #B156E6

RGB 177 86 230

HSL 277.92, 0.74%, 0.62%

LAB 53.72, 60.36, -58.1

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 63 / 2 / 0 / 10

HEX #56E1E6

RGB 86 225 230

HSL 182.08, 0.74%, 0.62%

LAB 82.67, -35.47, -13.58

 

CMYK 0 / 63 / 2 / 10

HEX #E656E1

RGB 230 86 225

HSL 302.08, 0.74%, 0.62%

LAB 60.71, 71.79, -43.75

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 63 / 0 / 48 / 10

HEX #56E678

RGB 86 230 120

HSL 134.17, 0.74%, 0.62%

LAB 81.8, -61.38, 42.25

 

CMYK 60 / 63 / 0 / 10

HEX #5B56E6

RGB 91 86 230

HSL 242.08, 0.74%, 0.62%

LAB 45.07, 43.41, -72.52

 

CMYK 0 / 63 / 15 / 10

HEX #E656C4

RGB 230 86 196

HSL 314.17, 0.74%, 0.62%

LAB 59.4, 67.34, -29.38

 

CMYK 3 / 0 / 63 / 10

HEX #DFE656

RGB 223 230 86

HSL 62.92, 0.74%, 0.62%

LAB 88.43, -20.22, 66.92

 

CMYK 63 / 0 / 29 / 10

HEX #56E6A3

RGB 86 230 163

HSL 152.08, 0.74%, 0.62%

LAB 82.49, -53.81, 21.48

 

CMYK 60 / 63 / 0 / 10

HEX #5B56E6

RGB 91 86 230

HSL 242.08, 0.74%, 0.62%

LAB 45.07, 43.41, -72.52

 

CMYK 0 / 63 / 33 / 10

HEX #E65699

RGB 230 86 153

HSL 332.08, 0.74%, 0.62%

LAB 57.83, 61.75, -6.94

 

Description

Color code: HEX #DFE656 | qconv.com Color code: HEX #DFE656 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 230 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 230 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 63 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 63% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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