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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE433 it is the complementary color #201BCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE433. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE433 shade: #E4E42E, #F5F641, #FFFF54, #FFFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE433. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE433 shade: #DFE433, #CED220, #BDC00D, #ACAE00 and #9B9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE433 shade: #E0E534, #E5BA34, #E58A34, #E55B34 and #E53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE433 shade: #E0E534, #B0E534, #80E534, #51E534 and #34E547

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE433 shade matches the following richer shades: #E0E534 and #F1F721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE433 shade: #E0E534, #CED246, #BDBF59, #ABAD6C and #9A9A7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE433 shade: #E58934, #E5B834, #E2E534, #B3E534 and #83E534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE433 shade: #ABAF17, #CFD41C, #E0E534, #E5E958 and #EBEE7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE433 shade: #DFE433, #34E55A and #A134E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE433 shade: #DFE433, #34E2E5 and #E534E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE433 shade: #DFE433, #34E55A, #3734E5 and #E534BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE433 shade: #DFE433, #34E58F, #3734E5 and #E53489

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 78 / 11

HEX #DFE433

RGB 223 228 51

HSL 61.69, 0.77%, 0.55%

LAB 87.69, -20.95, 78.26

 

Complementary color

CMYK 84 / 87 / 0 / 20

HEX #201BCC

RGB 32 27 204

HSL 241.69, 0.77%, 0.45%

LAB 27.98, 60.46, -85.88

 

CMYK 0 / 0 / 80 / 11

HEX #E4E42E

RGB 228 228 46

HSL 60, 0.77%, 0.54%

LAB 88.05, -19.04, 80.07

 

CMYK 0 / 0 / 74 / 4

HEX #F5F641

RGB 245 246 65

HSL 60.33, 0.91%, 0.61%

LAB 94.19, -20.07, 80.68

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 2 / 0 / 78 / 11

HEX #DFE433

RGB 223 228 51

HSL 61.69, 0.77%, 0.55%

LAB 87.69, -20.95, 78.26

 

CMYK 2 / 0 / 85 / 18

HEX #CED220

RGB 206 210 32

HSL 61.35, 0.74%, 0.47%

LAB 81.47, -19.85, 77.08

 

CMYK 2 / 0 / 93 / 25

HEX #BDC00D

RGB 189 192 13

HSL 61.01, 0.87%, 0.4%

LAB 75.17, -18.56, 74.67

 

CMYK 1 / 0 / 100 / 32

HEX #ACAE00

RGB 172 174 0

HSL 60.69, 1%, 0.34%

LAB 68.78, -17.07, 70.74

 

CMYK 1 / 0 / 100 / 39

HEX #9B9C00

RGB 155 156 0

HSL 60.38, 1%, 0.31%

LAB 62.29, -15.38, 65.35

 

CMYK 2 / 0 / 77 / 10

HEX #E0E534

RGB 224 229 52

HSL 61.69, 0.77%, 0.55%

LAB 88.03, -20.98, 78.32

 

CMYK 0 / 19 / 77 / 10

HEX #E5BA34

RGB 229 186 52

HSL 45.42, 0.77%, 0.55%

LAB 77.3, 2.81, 68.76

 

CMYK 0 / 40 / 77 / 10

HEX #E58A34

RGB 229 138 52

HSL 29.15, 0.77%, 0.55%

LAB 65.81, 28.26, 57.97

 

CMYK 0 / 60 / 77 / 10

HEX #E55B34

RGB 229 91 52

HSL 13.22, 0.77%, 0.55%

LAB 56.47, 51.62, 48.75

 

CMYK 0 / 77 / 77 / 10

HEX #E53434

RGB 229 52 52

HSL 0, 0.77%, 0.55%

LAB 51.11, 66.24, 43.21

 

CMYK 2 / 0 / 77 / 10

HEX #E0E534

RGB 224 229 52

HSL 61.69, 0.77%, 0.55%

LAB 88.03, -20.98, 78.32

 

CMYK 23 / 0 / 77 / 10

HEX #B0E534

RGB 176 229 52

HSL 77.97, 0.77%, 0.55%

LAB 84.75, -40.16, 74.12

 

CMYK 44 / 0 / 77 / 10

HEX #80E534

RGB 128 229 52

HSL 94.24, 0.77%, 0.55%

LAB 82.31, -56.9, 70.97

 

CMYK 65 / 0 / 77 / 10

HEX #51E534

RGB 81 229 52

HSL 110.17, 0.77%, 0.55%

LAB 80.76, -69.11, 68.95

 

CMYK 77 / 0 / 69 / 10

HEX #34E547

RGB 52 229 71

HSL 126.44, 0.77%, 0.55%

LAB 80.31, -72.52, 61.85

 

CMYK 2 / 0 / 77 / 10

HEX #E0E534

RGB 224 229 52

HSL 61.69, 0.77%, 0.55%

LAB 88.03, -20.98, 78.32

 

CMYK 2 / 0 / 87 / 3

HEX #F1F721

RGB 241 247 33

HSL 61.68, 0.93%, 0.55%

LAB 94.03, -23.12, 88.2

 

CMYK 2 / 0 / 77 / 10

HEX #E0E534

RGB 224 229 52

HSL 61.69, 0.77%, 0.55%

LAB 88.03, -20.98, 78.32

 

CMYK 2 / 0 / 67 / 18

HEX #CED246

RGB 206 210 70

HSL 61.71, 0.61%, 0.55%

LAB 81.65, -18.35, 65.78

 

CMYK 1 / 0 / 53 / 25

HEX #BDBF59

RGB 189 191 89

HSL 61.18, 0.44%, 0.55%

LAB 75.33, -14.58, 50.43

 

CMYK 1 / 0 / 38 / 32

HEX #ABAD6C

RGB 171 173 108

HSL 61.85, 0.28%, 0.55%

LAB 69.2, -10.78, 33.17

 

CMYK 0 / 0 / 18 / 40

HEX #9A9A7E

RGB 154 154 126

HSL 60, 0.12%, 0.55%

LAB 62.92, -4.92, 14.74

 

CMYK 0 / 40 / 77 / 10

HEX #E58934

RGB 229 137 52

HSL 28.81, 0.77%, 0.55%

LAB 65.59, 28.79, 57.76

 

CMYK 0 / 20 / 77 / 10

HEX #E5B834

RGB 229 184 52

HSL 44.75, 0.77%, 0.55%

LAB 76.79, 3.86, 68.3

 

CMYK 1 / 0 / 77 / 10

HEX #E2E534

RGB 226 229 52

HSL 61.02, 0.77%, 0.55%

LAB 88.19, -20.16, 78.52

 

CMYK 22 / 0 / 77 / 10

HEX #B3E534

RGB 179 229 52

HSL 76.95, 0.77%, 0.55%

LAB 84.93, -39.01, 74.35

 

CMYK 43 / 0 / 77 / 10

HEX #83E534

RGB 131 229 52

HSL 93.22, 0.77%, 0.55%

LAB 82.44, -55.97, 71.13

 

CMYK 2 / 0 / 87 / 31

HEX #ABAF17

RGB 171 175 23

HSL 61.58, 0.77%, 0.39%

LAB 69.03, -17.64, 67.6

 

CMYK 2 / 0 / 87 / 17

HEX #CFD41C

RGB 207 212 28

HSL 61.63, 0.77%, 0.47%

LAB 82.07, -20.5, 78.39

 

CMYK 2 / 0 / 77 / 10

HEX #E0E534

RGB 224 229 52

HSL 61.69, 0.77%, 0.55%

LAB 88.03, -20.98, 78.32

 

CMYK 2 / 0 / 62 / 9

HEX #E5E958

RGB 229 233 88

HSL 61.66, 0.77%, 0.63%

LAB 89.69, -19.13, 67.6

 

CMYK 1 / 0 / 47 / 7

HEX #EBEE7D

RGB 235 238 125

HSL 61.59, 0.77%, 0.71%

LAB 91.82, -16.36, 53.91

 

CMYK 2 / 0 / 78 / 11

HEX #DFE433

RGB 223 228 51

HSL 61.69, 0.77%, 0.55%

LAB 87.69, -20.95, 78.26

 

CMYK 77 / 0 / 61 / 10

HEX #34E55A

RGB 52 229 90

HSL 132.88, 0.77%, 0.55%

LAB 80.46, -70.58, 54.31

 

CMYK 30 / 77 / 0 / 10

HEX #A134E5

RGB 161 52 229

HSL 276.95, 0.77%, 0.55%

LAB 46.57, 71.01, -69.21

 

CMYK 2 / 0 / 78 / 11

HEX #DFE433

RGB 223 228 51

HSL 61.69, 0.77%, 0.55%

LAB 87.69, -20.95, 78.26

 

CMYK 77 / 1 / 0 / 10

HEX #34E2E5

RGB 52 226 229

HSL 181.02, 0.77%, 0.55%

LAB 82.26, -40.43, -13.73

 

CMYK 0 / 77 / 1 / 10

HEX #E534E2

RGB 229 52 226

HSL 301.02, 0.77%, 0.55%

LAB 56.69, 82.83, -50.68

 

CMYK 2 / 0 / 78 / 11

HEX #DFE433

RGB 223 228 51

HSL 61.69, 0.77%, 0.55%

LAB 87.69, -20.95, 78.26

 

CMYK 77 / 0 / 61 / 10

HEX #34E55A

RGB 52 229 90

HSL 132.88, 0.77%, 0.55%

LAB 80.46, -70.58, 54.31

 

CMYK 76 / 77 / 0 / 10

HEX #3734E5

RGB 55 52 229

HSL 241.02, 0.77%, 0.55%

LAB 35.84, 57.97, -87.22

 

CMYK 0 / 77 / 17 / 10

HEX #E534BE

RGB 229 52 190

HSL 313.22, 0.77%, 0.55%

LAB 54.9, 77.75, -32.95

 

CMYK 2 / 0 / 78 / 11

HEX #DFE433

RGB 223 228 51

HSL 61.69, 0.77%, 0.55%

LAB 87.69, -20.95, 78.26

 

CMYK 77 / 0 / 38 / 10

HEX #34E58F

RGB 52 229 143

HSL 150.85, 0.77%, 0.55%

LAB 81.16, -62.47, 29.84

 

CMYK 76 / 77 / 0 / 10

HEX #3734E5

RGB 55 52 229

HSL 241.02, 0.77%, 0.55%

LAB 35.84, 57.97, -87.22

 

CMYK 0 / 77 / 40 / 10

HEX #E53489

RGB 229 52 137

HSL 331.19, 0.77%, 0.55%

LAB 52.86, 71.71, -4.87

 

Description

Color code: HEX #DFE433 | qconv.com Color code: HEX #DFE433 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 228 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 228 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 78 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 78% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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