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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE415 it is the complementary color #201BEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE415 shade: #E4E410, #F5F623, #FFFF36, #FFFF49 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE415 shade: #DFE415, #CED202, #BDC000, #ACAE00 and #9B9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE415 shade: #E0E515, #E5B215, #E57A15, #E54215 and #E51515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE415 shade: #E0E515, #A8E515, #70E515, #38E515 and #15E52B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE415 shade matches the following richer shades: #E0E515 and #F3F901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE415 shade: #E0E515, #CCD029, #B9BC3E, #A6A852 and #939466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE415 shade: #E57915, #E5B115, #E1E515, #AAE515 and #73E515

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE415 shade: #96990E, #BBBF12, #E0E515, #E8EC37 and #ECF05D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE415 shade: #DFE415, #15E542 and #9515E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE415 shade: #DFE415, #15E1E5 and #E515E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE415 shade: #DFE415, #15E542, #1915E5 and #E515B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE415 shade: #DFE415, #15E580, #1915E5 and #E51579

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 91 / 11

HEX #DFE415

RGB 223 228 21

HSL 61.45, 0.83%, 0.49%

LAB 87.6, -21.68, 84.39

 

Complementary color

CMYK 86 / 88 / 0 / 8

HEX #201BEA

RGB 32 27 234

HSL 241.45, 0.83%, 0.51%

LAB 31.88, 68.77, -96.68

 

CMYK 0 / 0 / 93 / 11

HEX #E4E410

RGB 228 228 16

HSL 60, 0.87%, 0.48%

LAB 87.98, -19.66, 85.46

 

CMYK 0 / 0 / 86 / 4

HEX #F5F623

RGB 245 246 35

HSL 60.28, 0.92%, 0.55%

LAB 94.07, -20.97, 88.02

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF36

RGB 255 255 54

HSL 60, 1%, 0.61%

LAB 97.25, -20.68, 86.81

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 2 / 0 / 91 / 11

HEX #DFE415

RGB 223 228 21

HSL 61.45, 0.83%, 0.49%

LAB 87.6, -21.68, 84.39

 

CMYK 2 / 0 / 99 / 18

HEX #CED202

RGB 206 210 2

HSL 61.15, 0.98%, 0.42%

LAB 81.41, -20.3, 81.05

 

CMYK 2 / 0 / 100 / 25

HEX #BDC000

RGB 189 192 0

HSL 60.94, 1%, 0.38%

LAB 75.15, -18.71, 76.04

 

CMYK 1 / 0 / 100 / 32

HEX #ACAE00

RGB 172 174 0

HSL 60.69, 1%, 0.34%

LAB 68.78, -17.07, 70.74

 

CMYK 1 / 0 / 100 / 39

HEX #9B9C00

RGB 155 156 0

HSL 60.38, 1%, 0.31%

LAB 62.29, -15.38, 65.35

 

CMYK 2 / 0 / 91 / 10

HEX #E0E515

RGB 224 229 21

HSL 61.44, 0.83%, 0.49%

LAB 87.94, -21.75, 84.69

 

CMYK 0 / 22 / 91 / 10

HEX #E5B215

RGB 229 178 21

HSL 45.29, 0.83%, 0.49%

LAB 75.17, 6.21, 75.09

 

CMYK 0 / 47 / 91 / 10

HEX #E57A15

RGB 229 122 21

HSL 29.13, 0.83%, 0.49%

LAB 62.2, 35.79, 65.44

 

CMYK 0 / 71 / 91 / 10

HEX #E54215

RGB 229 66 21

HSL 12.98, 0.83%, 0.49%

LAB 52.52, 60.97, 58.58

 

CMYK 0 / 91 / 91 / 10

HEX #E51515

RGB 229 21 21

HSL 0, 0.83%, 0.49%

LAB 48.57, 72.09, 55.93

 

CMYK 2 / 0 / 91 / 10

HEX #E0E515

RGB 224 229 21

HSL 61.44, 0.83%, 0.49%

LAB 87.94, -21.75, 84.69

 

CMYK 27 / 0 / 91 / 10

HEX #A8E515

RGB 168 229 21

HSL 77.6, 0.83%, 0.49%

LAB 84.18, -44.15, 80.13

 

CMYK 51 / 0 / 91 / 10

HEX #70E515

RGB 112 229 21

HSL 93.75, 0.83%, 0.49%

LAB 81.59, -62.81, 76.93

 

CMYK 76 / 0 / 91 / 10

HEX #38E515

RGB 56 229 21

HSL 109.9, 0.83%, 0.49%

LAB 80.14, -74.79, 75.14

 

CMYK 91 / 0 / 81 / 10

HEX #15E52B

RGB 21 229 43

HSL 126.35, 0.83%, 0.49%

LAB 79.83, -77.35, 70.27

 

CMYK 2 / 0 / 91 / 10

HEX #E0E515

RGB 224 229 21

HSL 61.44, 0.83%, 0.49%

LAB 87.94, -21.75, 84.69

 

CMYK 2 / 0 / 100 / 2

HEX #F3F901

RGB 243 249 1

HSL 61.45, 0.99%, 0.49%

LAB 94.66, -23.63, 92.18

 

CMYK 2 / 0 / 91 / 10

HEX #E0E515

RGB 224 229 21

HSL 61.44, 0.83%, 0.49%

LAB 87.94, -21.75, 84.69

 

CMYK 2 / 0 / 80 / 18

HEX #CCD029

RGB 204 208 41

HSL 61.44, 0.67%, 0.49%

LAB 80.8, -19.46, 74.34

 

CMYK 2 / 0 / 67 / 26

HEX #B9BC3E

RGB 185 188 62

HSL 61.43, 0.5%, 0.49%

LAB 73.95, -16.62, 60.52

 

CMYK 1 / 0 / 51 / 34

HEX #A6A852

RGB 166 168 82

HSL 61.4, 0.34%, 0.49%

LAB 67.07, -12.95, 43.68

 

CMYK 1 / 0 / 31 / 42

HEX #939466

RGB 147 148 102

HSL 61.3, 0.18%, 0.49%

LAB 60.2, -7.99, 24.27

 

CMYK 0 / 47 / 91 / 10

HEX #E57915

RGB 229 121 21

HSL 28.85, 0.83%, 0.49%

LAB 61.99, 36.3, 65.29

 

CMYK 0 / 23 / 91 / 10

HEX #E5B115

RGB 229 177 21

HSL 45, 0.83%, 0.49%

LAB 74.92, 6.73, 74.91

 

CMYK 2 / 0 / 91 / 10

HEX #E1E515

RGB 225 229 21

HSL 61.15, 0.83%, 0.49%

LAB 88.02, -21.33, 84.79

 

CMYK 26 / 0 / 91 / 10

HEX #AAE515

RGB 170 229 21

HSL 77.02, 0.83%, 0.49%

LAB 84.3, -43.39, 80.27

 

CMYK 50 / 0 / 91 / 10

HEX #73E515

RGB 115 229 21

HSL 92.88, 0.83%, 0.49%

LAB 81.7, -61.95, 77.07

 

CMYK 2 / 0 / 91 / 40

HEX #96990E

RGB 150 153 14

HSL 61.29, 0.83%, 0.33%

LAB 61.04, -15.85, 62.17

 

CMYK 2 / 0 / 91 / 25

HEX #BBBF12

RGB 187 191 18

HSL 61.39, 0.83%, 0.41%

LAB 74.74, -18.85, 73.59

 

CMYK 2 / 0 / 91 / 10

HEX #E0E515

RGB 224 229 21

HSL 61.44, 0.83%, 0.49%

LAB 87.94, -21.75, 84.69

 

CMYK 2 / 0 / 77 / 7

HEX #E8EC37

RGB 232 236 55

HSL 61.33, 0.83%, 0.57%

LAB 90.52, -20.96, 79.93

 

CMYK 2 / 0 / 61 / 6

HEX #ECF05D

RGB 236 240 93

HSL 61.63, 0.83%, 0.65%

LAB 92.11, -19.38, 68.31

 

CMYK 2 / 0 / 91 / 11

HEX #DFE415

RGB 223 228 21

HSL 61.45, 0.83%, 0.49%

LAB 87.6, -21.68, 84.39

 

CMYK 91 / 0 / 71 / 10

HEX #15E542

RGB 21 229 66

HSL 132.98, 0.83%, 0.49%

LAB 79.95, -75.76, 63.22

 

CMYK 35 / 91 / 0 / 10

HEX #9515E5

RGB 149 21 229

HSL 276.92, 0.83%, 0.49%

LAB 42.13, 77.34, -76.52

 

CMYK 2 / 0 / 91 / 11

HEX #DFE415

RGB 223 228 21

HSL 61.45, 0.83%, 0.49%

LAB 87.6, -21.68, 84.39

 

CMYK 91 / 2 / 0 / 10

HEX #15E1E5

RGB 21 225 229

HSL 181.15, 0.83%, 0.49%

LAB 81.66, -41.99, -14.67

 

CMYK 0 / 91 / 2 / 10

HEX #E515E1

RGB 229 21 225

HSL 301.15, 0.83%, 0.49%

LAB 54.69, 88.35, -53.3

 

CMYK 2 / 0 / 91 / 11

HEX #DFE415

RGB 223 228 21

HSL 61.45, 0.83%, 0.49%

LAB 87.6, -21.68, 84.39

 

CMYK 91 / 0 / 71 / 10

HEX #15E542

RGB 21 229 66

HSL 132.98, 0.83%, 0.49%

LAB 79.95, -75.76, 63.22

 

CMYK 89 / 91 / 0 / 10

HEX #1915E5

RGB 25 21 229

HSL 241.15, 0.83%, 0.49%

LAB 30.4, 69.07, -96.3

 

CMYK 0 / 91 / 20 / 10

HEX #E515B8

RGB 229 21 184

HSL 312.98, 0.83%, 0.49%

LAB 52.57, 82.95, -33.1

 

CMYK 2 / 0 / 91 / 11

HEX #DFE415

RGB 223 228 21

HSL 61.45, 0.83%, 0.49%

LAB 87.6, -21.68, 84.39

 

CMYK 91 / 0 / 44 / 10

HEX #15E580

RGB 21 229 128

HSL 150.87, 0.83%, 0.49%

LAB 80.6, -67.75, 36.6

 

CMYK 89 / 91 / 0 / 10

HEX #1915E5

RGB 25 21 229

HSL 241.15, 0.83%, 0.49%

LAB 30.4, 69.07, -96.3

 

CMYK 0 / 91 / 47 / 10

HEX #E51579

RGB 229 21 121

HSL 331.15, 0.83%, 0.49%

LAB 50.19, 76.59, 0.85

 

Description

Color code: HEX #DFE415 | qconv.com Color code: HEX #DFE415 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 228 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 228 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 91 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 91% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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