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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE35E it is the complementary color #201CA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE35E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE35E shade: #E4E359, #F5F56C, #FFFF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE35E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE35E shade: #DFE35E, #CED14B, #BDBF38, #ACAD25 and #9B9B12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE35E shade: #DEE25E, #E2C35E, #E29F5E, #E27B5E and #E25E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE35E shade: #DEE25E, #BBE25E, #97E25E, #73E25E and #5EE26C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE35E shade matches the following richer shades: #DEE25E and #EDF14F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE35E shade: #DEE25E, #D0D36D, #C2C47D, #B3B48C and #A5A59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE35E shade: #E29E5E, #E2C15E, #E0E25E, #BDE25E and #9AE25E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE35E shade: #C5CA23, #D7DC3B, #DEE25E, #E5E881 and #ECEFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE35E shade: #DFE35E, #5EE27B and #B05EE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE35E shade: #DFE35E, #5EE0E2 and #E25EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE35E shade: #DFE35E, #5EE27B, #605EE2 and #E25EC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE35E shade: #DFE35E, #5EE2A2, #605EE2 and #E25E9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 59 / 11

HEX #DFE35E

RGB 223 227 94

HSL 61.8, 0.7%, 0.63%

LAB 87.7, -18.23, 62.83

 

Complementary color

CMYK 80 / 83 / 0 / 37

HEX #201CA1

RGB 32 28 161

HSL 241.8, 0.7%, 0.37%

LAB 22.69, 47.15, -69.03

 

CMYK 0 / 0 / 61 / 11

HEX #E4E359

RGB 228 227 89

HSL 59.57, 0.72%, 0.62%

LAB 88.04, -16.54, 65.41

 

CMYK 0 / 0 / 56 / 4

HEX #F5F56C

RGB 245 245 108

HSL 60, 0.87%, 0.69%

LAB 94.23, -17.19, 64.55

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 2 / 0 / 59 / 11

HEX #DFE35E

RGB 223 227 94

HSL 61.8, 0.7%, 0.63%

LAB 87.7, -18.23, 62.83

 

CMYK 1 / 0 / 64 / 18

HEX #CED14B

RGB 206 209 75

HSL 61.34, 0.59%, 0.56%

LAB 81.42, -17.56, 63.58

 

CMYK 1 / 0 / 71 / 25

HEX #BDBF38

RGB 189 191 56

HSL 60.89, 0.55%, 0.48%

LAB 75.06, -16.75, 63.98

 

CMYK 1 / 0 / 79 / 32

HEX #ACAD25

RGB 172 173 37

HSL 60.44, 0.65%, 0.41%

LAB 68.6, -15.77, 63.75

 

CMYK 0 / 0 / 88 / 39

HEX #9B9B12

RGB 155 155 18

HSL 60, 0.79%, 0.34%

LAB 62.04, -14.56, 62.4

 

CMYK 2 / 0 / 58 / 11

HEX #DEE25E

RGB 222 226 94

HSL 61.82, 0.69%, 0.63%

LAB 87.35, -18.15, 62.43

 

CMYK 0 / 14 / 58 / 11

HEX #E2C35E

RGB 226 195 94

HSL 45.91, 0.69%, 0.63%

LAB 79.62, -0.86, 53.86

 

CMYK 0 / 30 / 58 / 11

HEX #E29F5E

RGB 226 159 94

HSL 29.55, 0.69%, 0.63%

LAB 70.71, 18.18, 43.44

 

CMYK 0 / 46 / 58 / 11

HEX #E27B5E

RGB 226 123 94

HSL 13.18, 0.69%, 0.63%

LAB 62.63, 37.23, 33.51

 

CMYK 0 / 58 / 58 / 11

HEX #E25E5E

RGB 226 94 94

HSL 0, 0.69%, 0.63%

LAB 57.06, 51.45, 26.38

 

CMYK 2 / 0 / 58 / 11

HEX #DEE25E

RGB 222 226 94

HSL 61.82, 0.69%, 0.63%

LAB 87.35, -18.15, 62.43

 

CMYK 17 / 0 / 58 / 11

HEX #BBE25E

RGB 187 226 94

HSL 77.73, 0.69%, 0.63%

LAB 84.88, -31.97, 58.99

 

CMYK 33 / 0 / 58 / 11

HEX #97E25E

RGB 151 226 94

HSL 94.09, 0.69%, 0.63%

LAB 82.8, -45.07, 56.08

 

CMYK 49 / 0 / 58 / 11

HEX #73E25E

RGB 115 226 94

HSL 110.45, 0.69%, 0.63%

LAB 81.21, -56.27, 53.84

 

CMYK 58 / 0 / 52 / 11

HEX #5EE26C

RGB 94 226 108

HSL 126.36, 0.69%, 0.63%

LAB 80.66, -59.9, 46.62

 

CMYK 2 / 0 / 58 / 11

HEX #DEE25E

RGB 222 226 94

HSL 61.82, 0.69%, 0.63%

LAB 87.35, -18.15, 62.43

 

CMYK 2 / 0 / 67 / 5

HEX #EDF14F

RGB 237 241 79

HSL 61.48, 0.85%, 0.63%

LAB 92.34, -20.27, 73.97

 

CMYK 2 / 0 / 58 / 11

HEX #DEE25E

RGB 222 226 94

HSL 61.82, 0.69%, 0.63%

LAB 87.35, -18.15, 62.43

 

CMYK 1 / 0 / 48 / 17

HEX #D0D36D

RGB 208 211 109

HSL 61.76, 0.54%, 0.63%

LAB 82.43, -15.17, 49.72

 

CMYK 1 / 0 / 36 / 23

HEX #C2C47D

RGB 194 196 125

HSL 61.69, 0.38%, 0.63%

LAB 77.54, -11.5, 35.44

 

CMYK 1 / 0 / 22 / 29

HEX #B3B48C

RGB 179 180 140

HSL 61.5, 0.21%, 0.63%

LAB 72.31, -7.06, 20.35

 

CMYK 0 / 0 / 6 / 35

HEX #A5A59B

RGB 165 165 155

HSL 60, 0.05%, 0.63%

LAB 67.48, -1.84, 5.17

 

CMYK 0 / 30 / 58 / 11

HEX #E29E5E

RGB 226 158 94

HSL 29.09, 0.69%, 0.63%

LAB 70.48, 18.71, 43.16

 

CMYK 0 / 15 / 58 / 11

HEX #E2C15E

RGB 226 193 94

HSL 45, 0.69%, 0.63%

LAB 79.11, 0.18, 53.28

 

CMYK 1 / 0 / 58 / 11

HEX #E0E25E

RGB 224 226 94

HSL 60.91, 0.69%, 0.63%

LAB 87.51, -17.34, 62.65

 

CMYK 16 / 0 / 58 / 11

HEX #BDE25E

RGB 189 226 94

HSL 76.82, 0.69%, 0.63%

LAB 85.01, -31.2, 59.17

 

CMYK 32 / 0 / 58 / 11

HEX #9AE25E

RGB 154 226 94

HSL 92.73, 0.69%, 0.63%

LAB 82.95, -44.04, 56.3

 

CMYK 2 / 0 / 83 / 21

HEX #C5CA23

RGB 197 202 35

HSL 61.8, 0.7%, 0.46%

LAB 78.6, -19.64, 73.73

 

CMYK 2 / 0 / 73 / 14

HEX #D7DC3B

RGB 215 220 59

HSL 61.86, 0.7%, 0.55%

LAB 84.97, -20.06, 73.14

 

CMYK 2 / 0 / 58 / 11

HEX #DEE25E

RGB 222 226 94

HSL 61.82, 0.69%, 0.63%

LAB 87.35, -18.15, 62.43

 

CMYK 1 / 0 / 44 / 9

HEX #E5E881

RGB 229 232 129

HSL 61.75, 0.69%, 0.71%

LAB 89.84, -15.39, 49.51

 

CMYK 1 / 0 / 31 / 6

HEX #ECEFA4

RGB 236 239 164

HSL 62.4, 0.7%, 0.79%

LAB 92.68, -12.33, 36.03

 

CMYK 2 / 0 / 59 / 11

HEX #DFE35E

RGB 223 227 94

HSL 61.8, 0.7%, 0.63%

LAB 87.7, -18.23, 62.83

 

CMYK 58 / 0 / 46 / 11

HEX #5EE27B

RGB 94 226 123

HSL 133.18, 0.69%, 0.63%

LAB 80.85, -57.76, 39.64

 

CMYK 22 / 58 / 0 / 11

HEX #B05EE2

RGB 176 94 226

HSL 277.27, 0.69%, 0.63%

LAB 54.79, 55.41, -54.15

 

CMYK 2 / 0 / 59 / 11

HEX #DFE35E

RGB 223 227 94

HSL 61.8, 0.7%, 0.63%

LAB 87.7, -18.23, 62.83

 

CMYK 58 / 1 / 0 / 11

HEX #5EE0E2

RGB 94 224 226

HSL 180.91, 0.69%, 0.63%

LAB 82.48, -34.77, -11.72

 

CMYK 0 / 58 / 1 / 11

HEX #E25EE0

RGB 226 94 224

HSL 300.91, 0.69%, 0.63%

LAB 61.27, 67.37, -42.34

 

CMYK 2 / 0 / 59 / 11

HEX #DFE35E

RGB 223 227 94

HSL 61.8, 0.7%, 0.63%

LAB 87.7, -18.23, 62.83

 

CMYK 58 / 0 / 46 / 11

HEX #5EE27B

RGB 94 226 123

HSL 133.18, 0.69%, 0.63%

LAB 80.85, -57.76, 39.64

 

CMYK 58 / 58 / 0 / 11

HEX #605EE2

RGB 96 94 226

HSL 240.91, 0.69%, 0.63%

LAB 46.95, 38.2, -67.18

 

CMYK 0 / 58 / 12 / 11

HEX #E25EC6

RGB 226 94 198

HSL 312.73, 0.69%, 0.63%

LAB 60.12, 63.22, -29.46

 

CMYK 2 / 0 / 59 / 11

HEX #DFE35E

RGB 223 227 94

HSL 61.8, 0.7%, 0.63%

LAB 87.7, -18.23, 62.83

 

CMYK 58 / 0 / 28 / 11

HEX #5EE2A2

RGB 94 226 162

HSL 150.91, 0.69%, 0.63%

LAB 81.5, -50.84, 20.66

 

CMYK 58 / 58 / 0 / 11

HEX #605EE2

RGB 96 94 226

HSL 240.91, 0.69%, 0.63%

LAB 46.95, 38.2, -67.18

 

CMYK 0 / 58 / 30 / 11

HEX #E25E9E

RGB 226 94 158

HSL 330.91, 0.69%, 0.63%

LAB 58.64, 57.7, -8.7

 

Description

Color code: HEX #DFE35E | qconv.com Color code: HEX #DFE35E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 227 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 227 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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