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Color name
HEX #DFE321

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE321 it is the complementary color #201CDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE321. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE321 shade: #E4E31C, #F5F52F, #FFFF42, #FFFF55 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE321. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE321 shade: #DFE321, #CED10E, #BDBF00, #ACAD00 and #9B9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE321 shade: #DFE421, #E4B321, #E47E21, #E44A21 and #E42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE321 shade: #DFE421, #ABE421, #76E421, #42E421 and #21E434

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE321 shade matches the following richer shades: #DFE421 and #F3F80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE321 shade: #DFE421, #CCCF35, #B9BB49, #A5A75D and #929371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE321 shade: #E47F21, #E4B321, #E0E421, #ACE421 and #78E421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE321 shade: #9B9E14, #BFC318, #DFE421, #E5E845 and #EAED6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE321 shade: #DFE321, #21E44B and #9921E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE321 shade: #DFE321, #21E0E4 and #E421E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE321 shade: #DFE321, #21E44B, #2421E4 and #E421B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE321 shade: #DFE321, #21E485, #2421E4 and #E4217F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 85 / 11

HEX #DFE321

RGB 223 227 33

HSL 61.24, 0.78%, 0.51%

LAB 87.36, -20.98, 82.24

 

Complementary color

CMYK 86 / 87 / 0 / 13

HEX #201CDE

RGB 32 28 222

HSL 241.24, 0.78%, 0.49%

LAB 30.43, 65.16, -92.23

 

CMYK 0 / 0 / 88 / 11

HEX #E4E31C

RGB 228 227 28

HSL 59.7, 0.79%, 0.5%

LAB 87.74, -19, 83.61

 

CMYK 0 / 0 / 81 / 4

HEX #F5F52F

RGB 245 245 47

HSL 60, 0.91%, 0.57%

LAB 93.85, -20.2, 85.31

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF42

RGB 255 255 66

HSL 60, 1%, 0.63%

LAB 97.3, -20.27, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 2 / 0 / 85 / 11

HEX #DFE321

RGB 223 227 33

HSL 61.24, 0.78%, 0.51%

LAB 87.36, -20.98, 82.24

 

CMYK 1 / 0 / 93 / 18

HEX #CED10E

RGB 206 209 14

HSL 60.92, 0.87%, 0.44%

LAB 81.16, -19.69, 79.72

 

CMYK 1 / 0 / 100 / 25

HEX #BDBF00

RGB 189 191 0

HSL 60.63, 1%, 0.37%

LAB 74.88, -18.21, 75.83

 

CMYK 1 / 0 / 100 / 32

HEX #ACAD00

RGB 172 173 0

HSL 60.35, 1%, 0.34%

LAB 68.5, -16.56, 70.54

 

CMYK 0 / 0 / 100 / 39

HEX #9B9B00

RGB 155 155 0

HSL 60, 1%, 0.3%

LAB 62.01, -14.86, 65.14

 

CMYK 2 / 0 / 86 / 11

HEX #DFE421

RGB 223 228 33

HSL 61.54, 0.78%, 0.51%

LAB 87.62, -21.46, 82.46

 

CMYK 0 / 21 / 86 / 11

HEX #E4B321

RGB 228 179 33

HSL 44.92, 0.78%, 0.51%

LAB 75.35, 5.48, 72.65

 

CMYK 0 / 45 / 86 / 11

HEX #E47E21

RGB 228 126 33

HSL 28.62, 0.78%, 0.51%

LAB 62.95, 33.55, 62.5

 

CMYK 0 / 68 / 86 / 11

HEX #E44A21

RGB 228 74 33

HSL 12.62, 0.78%, 0.51%

LAB 53.49, 57.88, 54.69

 

CMYK 0 / 86 / 86 / 11

HEX #E42121

RGB 228 33 33

HSL 0, 0.78%, 0.51%

LAB 49.12, 70.07, 51.05

 

CMYK 2 / 0 / 86 / 11

HEX #DFE421

RGB 223 228 33

HSL 61.54, 0.78%, 0.51%

LAB 87.62, -21.46, 82.46

 

CMYK 25 / 0 / 86 / 11

HEX #ABE421

RGB 171 228 33

HSL 77.54, 0.78%, 0.51%

LAB 84.1, -42.3, 78.1

 

CMYK 48 / 0 / 86 / 11

HEX #76E421

RGB 118 228 33

HSL 93.85, 0.78%, 0.51%

LAB 81.54, -60.38, 74.9

 

CMYK 71 / 0 / 86 / 11

HEX #42E421

RGB 66 228 33

HSL 109.85, 0.78%, 0.51%

LAB 80.04, -72.54, 73.01

 

CMYK 86 / 0 / 77 / 11

HEX #21E434

RGB 33 228 52

HSL 125.85, 0.78%, 0.51%

LAB 79.65, -75.7, 67.6

 

CMYK 2 / 0 / 86 / 11

HEX #DFE421

RGB 223 228 33

HSL 61.54, 0.78%, 0.51%

LAB 87.62, -21.46, 82.46

 

CMYK 2 / 0 / 95 / 3

HEX #F3F80C

RGB 243 248 12

HSL 61.27, 0.94%, 0.51%

LAB 94.4, -23.07, 91.2

 

CMYK 2 / 0 / 86 / 11

HEX #DFE421

RGB 223 228 33

HSL 61.54, 0.78%, 0.51%

LAB 87.62, -21.46, 82.46

 

CMYK 1 / 0 / 74 / 19

HEX #CCCF35

RGB 204 207 53

HSL 61.17, 0.62%, 0.51%

LAB 80.58, -18.53, 70.67

 

CMYK 1 / 0 / 61 / 27

HEX #B9BB49

RGB 185 187 73

HSL 61.05, 0.46%, 0.51%

LAB 73.76, -15.43, 55.8

 

CMYK 1 / 0 / 44 / 35

HEX #A5A75D

RGB 165 167 93

HSL 61.62, 0.3%, 0.51%

LAB 66.84, -11.77, 37.88

 

CMYK 1 / 0 / 23 / 42

HEX #929371

RGB 146 147 113

HSL 61.76, 0.14%, 0.51%

LAB 60.04, -6.27, 17.94

 

CMYK 0 / 44 / 86 / 11

HEX #E47F21

RGB 228 127 33

HSL 28.92, 0.78%, 0.51%

LAB 63.16, 33.03, 62.68

 

CMYK 0 / 21 / 86 / 11

HEX #E4B321

RGB 228 179 33

HSL 44.92, 0.78%, 0.51%

LAB 75.35, 5.48, 72.65

 

CMYK 2 / 0 / 86 / 11

HEX #E0E421

RGB 224 228 33

HSL 61.23, 0.78%, 0.51%

LAB 87.7, -21.04, 82.55

 

CMYK 25 / 0 / 86 / 11

HEX #ACE421

RGB 172 228 33

HSL 77.23, 0.78%, 0.51%

LAB 84.16, -41.92, 78.17

 

CMYK 47 / 0 / 86 / 11

HEX #78E421

RGB 120 228 33

HSL 93.23, 0.78%, 0.51%

LAB 81.61, -59.78, 75

 

CMYK 2 / 0 / 87 / 38

HEX #9B9E14

RGB 155 158 20

HSL 61.3, 0.78%, 0.35%

LAB 62.9, -16.07, 62.68

 

CMYK 2 / 0 / 88 / 24

HEX #BFC318

RGB 191 195 24

HSL 61.4, 0.78%, 0.43%

LAB 76.18, -19.01, 73.85

 

CMYK 2 / 0 / 86 / 11

HEX #DFE421

RGB 223 228 33

HSL 61.54, 0.78%, 0.51%

LAB 87.62, -21.46, 82.46

 

CMYK 1 / 0 / 70 / 9

HEX #E5E845

RGB 229 232 69

HSL 61.1, 0.78%, 0.59%

LAB 89.3, -19.68, 74.31

 

CMYK 1 / 0 / 55 / 7

HEX #EAED6A

RGB 234 237 106

HSL 61.37, 0.78%, 0.67%

LAB 91.28, -17.83, 61.88

 

CMYK 2 / 0 / 85 / 11

HEX #DFE321

RGB 223 227 33

HSL 61.24, 0.78%, 0.51%

LAB 87.36, -20.98, 82.24

 

CMYK 86 / 0 / 67 / 11

HEX #21E44B

RGB 33 228 75

HSL 132.92, 0.78%, 0.51%

LAB 79.79, -73.84, 59.7

 

CMYK 33 / 86 / 0 / 11

HEX #9921E4

RGB 153 33 228

HSL 276.92, 0.78%, 0.51%

LAB 43.45, 75.19, -73.77

 

CMYK 2 / 0 / 85 / 11

HEX #DFE321

RGB 223 227 33

HSL 61.24, 0.78%, 0.51%

LAB 87.36, -20.98, 82.24

 

CMYK 86 / 2 / 0 / 11

HEX #21E0E4

RGB 33 224 228

HSL 181.23, 0.78%, 0.51%

LAB 81.42, -41.25, -14.48

 

CMYK 0 / 86 / 2 / 11

HEX #E421E0

RGB 228 33 224

HSL 301.23, 0.78%, 0.51%

LAB 55.03, 86.36, -52.19

 

CMYK 2 / 0 / 85 / 11

HEX #DFE321

RGB 223 227 33

HSL 61.24, 0.78%, 0.51%

LAB 87.36, -20.98, 82.24

 

CMYK 86 / 0 / 67 / 11

HEX #21E44B

RGB 33 228 75

HSL 132.92, 0.78%, 0.51%

LAB 79.79, -73.84, 59.7

 

CMYK 84 / 86 / 0 / 11

HEX #2421E4

RGB 36 33 228

HSL 240.92, 0.78%, 0.51%

LAB 31.95, 65.15, -93.13

 

CMYK 0 / 86 / 19 / 11

HEX #E421B9

RGB 228 33 185

HSL 313.23, 0.78%, 0.51%

LAB 53.04, 81.1, -32.96

 

CMYK 2 / 0 / 85 / 11

HEX #DFE321

RGB 223 227 33

HSL 61.24, 0.78%, 0.51%

LAB 87.36, -20.98, 82.24

 

CMYK 86 / 0 / 42 / 11

HEX #21E485

RGB 33 228 133

HSL 150.77, 0.78%, 0.51%

LAB 80.46, -65.77, 33.94

 

CMYK 84 / 86 / 0 / 11

HEX #2421E4

RGB 36 33 228

HSL 240.92, 0.78%, 0.51%

LAB 31.95, 65.15, -93.13

 

CMYK 0 / 86 / 44 / 11

HEX #E4217F

RGB 228 33 127

HSL 331.08, 0.78%, 0.51%

LAB 50.82, 74.98, -1.89

 

Description

Color code: HEX #DFE321 | qconv.com Color code: HEX #DFE321 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 227 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 227 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 85 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 85% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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