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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE21C it is the complementary color #201DE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE21C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE21C shade: #E4E217, #F5F42A, #FFFF3D, #FFFF50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE21C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE21C shade: #DFE21C, #CED009, #BDBE00, #ACAC00 and #9B9A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE21C shade: #DFE21C, #E2B01C, #E27A1C, #E2451C and #E21C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE21C shade: #DFE21C, #AAE21C, #74E21C, #3FE21C and #1CE22E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE21C shade matches the following richer shades: #DFE21C and #F3F707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE21C shade: #DFE21C, #CBCE30, #B7B945, #A3A559 and #8F906E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE21C shade: #E2781C, #E2AD1C, #E2E21C, #ADE21C and #78E21C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE21C shade: #979912, #BBBE17, #DFE21C, #E4E740 and #E9EC65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE21C shade: #DFE21C, #1CE243 and #931CE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE21C shade: #DFE21C, #1CE2E2 and #E21CE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE21C shade: #DFE21C, #1CE243, #1C1CE2 and #E21CBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE21C shade: #DFE21C, #1CE27F, #1C1CE2 and #E21C7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

Complementary color

CMYK 86 / 87 / 0 / 11

HEX #201DE3

RGB 32 29 227

HSL 240.91, 0.78%, 0.5%

LAB 31.19, 66.2, -93.84

 

CMYK 0 / 1 / 90 / 11

HEX #E4E217

RGB 228 226 23

HSL 59.41, 0.82%, 0.49%

LAB 87.46, -18.59, 84.18

 

CMYK 0 / 0 / 83 / 4

HEX #F5F42A

RGB 245 244 42

HSL 59.7, 0.91%, 0.56%

LAB 93.57, -19.85, 86.21

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3D

RGB 255 255 61

HSL 60, 1%, 0.62%

LAB 97.28, -20.45, 84.96

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 1 / 0 / 96 / 18

HEX #CED009

RGB 206 208 9

HSL 60.6, 0.92%, 0.43%

LAB 80.88, -19.25, 80.01

 

CMYK 1 / 0 / 100 / 25

HEX #BDBE00

RGB 189 190 0

HSL 60.32, 1%, 0.37%

LAB 74.6, -17.71, 75.63

 

CMYK 0 / 0 / 100 / 33

HEX #ACAC00

RGB 172 172 0

HSL 60, 1%, 0.34%

LAB 68.22, -16.05, 70.34

 

CMYK 0 / 1 / 100 / 39

HEX #9B9A00

RGB 155 154 0

HSL 59.61, 1%, 0.3%

LAB 61.72, -14.34, 64.94

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 0 / 22 / 88 / 11

HEX #E2B01C

RGB 226 176 28

HSL 44.85, 0.78%, 0.5%

LAB 74.38, 6.08, 72.96

 

CMYK 0 / 46 / 88 / 11

HEX #E27A1C

RGB 226 122 28

HSL 28.48, 0.78%, 0.5%

LAB 61.8, 34.7, 63.04

 

CMYK 0 / 69 / 88 / 11

HEX #E2451C

RGB 226 69 28

HSL 12.42, 0.78%, 0.5%

LAB 52.41, 59.03, 55.71

 

CMYK 0 / 88 / 88 / 11

HEX #E21C1C

RGB 226 28 28

HSL 0, 0.78%, 0.5%

LAB 48.36, 70.36, 52.58

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 25 / 0 / 88 / 11

HEX #AAE21C

RGB 170 226 28

HSL 76.97, 0.78%, 0.5%

LAB 83.45, -41.94, 78.48

 

CMYK 49 / 0 / 88 / 11

HEX #74E21C

RGB 116 226 28

HSL 93.33, 0.78%, 0.5%

LAB 80.84, -60.39, 75.24

 

CMYK 72 / 0 / 88 / 11

HEX #3FE21C

RGB 63 226 28

HSL 109.39, 0.78%, 0.5%

LAB 79.35, -72.62, 73.37

 

CMYK 88 / 0 / 80 / 11

HEX #1CE22E

RGB 28 226 46

HSL 125.45, 0.78%, 0.5%

LAB 78.95, -75.9, 68.66

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 2 / 0 / 97 / 3

HEX #F3F707

RGB 243 247 7

HSL 61, 0.94%, 0.5%

LAB 94.14, -22.64, 91.36

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 1 / 0 / 77 / 19

HEX #CBCE30

RGB 203 206 48

HSL 61.14, 0.62%, 0.5%

LAB 80.21, -18.65, 71.84

 

CMYK 1 / 0 / 63 / 27

HEX #B7B945

RGB 183 185 69

HSL 61.03, 0.46%, 0.5%

LAB 73.02, -15.52, 56.66

 

CMYK 1 / 0 / 46 / 35

HEX #A3A559

RGB 163 165 89

HSL 61.58, 0.3%, 0.5%

LAB 66.07, -11.96, 38.93

 

CMYK 1 / 0 / 24 / 44

HEX #8F906E

RGB 143 144 110

HSL 61.76, 0.13%, 0.5%

LAB 58.89, -6.28, 18

 

CMYK 0 / 47 / 88 / 11

HEX #E2781C

RGB 226 120 28

HSL 27.88, 0.78%, 0.5%

LAB 61.38, 35.73, 62.71

 

CMYK 0 / 23 / 88 / 11

HEX #E2AD1C

RGB 226 173 28

HSL 43.94, 0.78%, 0.5%

LAB 73.64, 7.67, 72.37

 

CMYK 0 / 0 / 88 / 11

HEX #E2E21C

RGB 226 226 28

HSL 60, 0.78%, 0.5%

LAB 87.31, -19.35, 83.21

 

CMYK 23 / 0 / 88 / 11

HEX #ADE21C

RGB 173 226 28

HSL 76.06, 0.78%, 0.5%

LAB 83.63, -40.79, 78.7

 

CMYK 47 / 0 / 88 / 11

HEX #78E21C

RGB 120 226 28

HSL 92.12, 0.78%, 0.5%

LAB 81, -59.2, 75.43

 

CMYK 1 / 0 / 88 / 40

HEX #979912

RGB 151 153 18

HSL 60.89, 0.79%, 0.34%

LAB 61.14, -15.31, 61.52

 

CMYK 2 / 0 / 88 / 25

HEX #BBBE17

RGB 187 190 23

HSL 61.08, 0.78%, 0.42%

LAB 74.48, -18.25, 72.54

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 1 / 0 / 72 / 9

HEX #E4E740

RGB 228 231 64

HSL 61.08, 0.78%, 0.58%

LAB 88.93, -19.83, 75.6

 

CMYK 1 / 0 / 57 / 7

HEX #E9EC65

RGB 233 236 101

HSL 61.33, 0.78%, 0.66%

LAB 90.9, -18.11, 63.59

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 88 / 0 / 70 / 11

HEX #1CE243

RGB 28 226 67

HSL 131.82, 0.78%, 0.5%

LAB 79.07, -74.37, 61.96

 

CMYK 35 / 88 / 0 / 11

HEX #931CE2

RGB 147 28 226

HSL 276.06, 0.78%, 0.5%

LAB 42.04, 75.14, -74.97

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 88 / 0 / 0 / 11

HEX #1CE2E2

RGB 28 226 226

HSL 180, 0.78%, 0.5%

LAB 81.91, -43, -12.69

 

CMYK 0 / 88 / 0 / 11

HEX #E21CE2

RGB 226 28 226

HSL 300, 0.78%, 0.5%

LAB 54.54, 87.09, -54.13

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 88 / 0 / 70 / 11

HEX #1CE243

RGB 28 226 67

HSL 131.82, 0.78%, 0.5%

LAB 79.07, -74.37, 61.96

 

CMYK 88 / 88 / 0 / 11

HEX #1C1CE2

RGB 28 28 226

HSL 240, 0.78%, 0.5%

LAB 30.8, 66.17, -93.91

 

CMYK 0 / 88 / 17 / 11

HEX #E21CBB

RGB 226 28 187

HSL 311.82, 0.78%, 0.5%

LAB 52.49, 81.78, -35

 

CMYK 1 / 0 / 88 / 11

HEX #DFE21C

RGB 223 226 28

HSL 60.91, 0.78%, 0.5%

LAB 87.08, -20.6, 82.93

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27F

RGB 28 226 127

HSL 150, 0.78%, 0.5%

LAB 79.71, -66.51, 35.96

 

CMYK 88 / 88 / 0 / 11

HEX #1C1CE2

RGB 28 28 226

HSL 240, 0.78%, 0.5%

LAB 30.8, 66.17, -93.91

 

CMYK 0 / 88 / 44 / 11

HEX #E21C7F

RGB 226 28 127

HSL 330, 0.78%, 0.5%

LAB 50.13, 75.39, -2.94

 

Description

Color code: HEX #DFE21C | qconv.com Color code: HEX #DFE21C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 226 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 226 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 88 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 88% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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