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Color name
HEX #DFE040

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFE040 it is the complementary color #201FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFE040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFE040 shade: #E4E03B, #F5F24E, #FFFF61, #FFFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFE040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFE040 shade: #DFE040, #CECE2D, #BDBC1A, #ACAA07 and #9B9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFE040 shade: #DFE03E, #E0B53E, #E0893E, #E05E3E and #E03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFE040 shade: #DFE03E, #B3E03E, #87E03E, #5CE03E and #3EE04C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFE040 shade matches the following richer shades: #DFE03E and #F0F22C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFE040 shade: #DFE03E, #CDCD50, #BBBB62, #A9A974 and #979787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFE040 shade: #E0893E, #E0B43E, #E0E03E, #B4E03E and #89E03E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFE040 shade: #AEAF1C, #D1D222, #DFE03E, #E5E561 and #EAEB85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFE040 shade: #DFE040, #3EE05E and #9F3EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFE040 shade: #DFE040, #3EE0E0 and #E03EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFE040 shade: #DFE040, #3EE05E, #3E3EE0 and #E03EBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFE040 shade: #DFE040, #3EE08F, #3E3EE0 and #E03E8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 71 / 12

HEX #DFE040

RGB 223 224 64

HSL 60.38, 0.72%, 0.56%

LAB 86.69, -18.49, 73.33

 

Complementary color

CMYK 83 / 84 / 0 / 25

HEX #201FBF

RGB 32 31 191

HSL 240.38, 0.72%, 0.44%

LAB 26.87, 55.04, -80.08

 

CMYK 0 / 2 / 74 / 11

HEX #E4E03B

RGB 228 224 59

HSL 58.58, 0.76%, 0.56%

LAB 87.06, -16.63, 75.46

 

CMYK 0 / 1 / 68 / 4

HEX #F5F24E

RGB 245 242 78

HSL 58.92, 0.89%, 0.63%

LAB 93.22, -17.56, 75.4

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 71 / 12

HEX #DFE040

RGB 223 224 64

HSL 60.38, 0.72%, 0.56%

LAB 86.69, -18.49, 73.33

 

CMYK 0 / 0 / 78 / 19

HEX #CECE2D

RGB 206 206 45

HSL 60, 0.64%, 0.49%

LAB 80.43, -17.5, 73

 

CMYK 0 / 1 / 86 / 26

HEX #BDBC1A

RGB 189 188 26

HSL 59.63, 0.76%, 0.42%

LAB 74.1, -16.32, 71.72

 

CMYK 0 / 1 / 96 / 33

HEX #ACAA07

RGB 172 170 7

HSL 59.27, 0.92%, 0.35%

LAB 67.68, -14.93, 69.06

 

CMYK 0 / 2 / 100 / 39

HEX #9B9800

RGB 155 152 0

HSL 58.84, 1%, 0.3%

LAB 61.15, -13.29, 64.52

 

CMYK 0 / 0 / 72 / 12

HEX #DFE03E

RGB 223 224 62

HSL 60.37, 0.72%, 0.56%

LAB 86.68, -18.57, 73.99

 

CMYK 0 / 19 / 72 / 12

HEX #E0B53E

RGB 224 181 62

HSL 44.07, 0.72%, 0.56%

LAB 75.6, 3.71, 63.33

 

CMYK 0 / 39 / 72 / 12

HEX #E0893E

RGB 224 137 62

HSL 27.78, 0.72%, 0.56%

LAB 65.03, 27.15, 52.59

 

CMYK 0 / 58 / 72 / 12

HEX #E05E3E

RGB 224 94 62

HSL 11.85, 0.72%, 0.56%

LAB 56.29, 48.88, 43.19

 

CMYK 0 / 72 / 72 / 12

HEX #E03E3E

RGB 224 62 62

HSL 0, 0.72%, 0.56%

LAB 51.43, 61.96, 37.72

 

CMYK 0 / 0 / 72 / 12

HEX #DFE03E

RGB 223 224 62

HSL 60.37, 0.72%, 0.56%

LAB 86.68, -18.57, 73.99

 

CMYK 20 / 0 / 72 / 12

HEX #B3E03E

RGB 179 224 62

HSL 76.67, 0.72%, 0.56%

LAB 83.57, -36.29, 69.93

 

CMYK 40 / 0 / 72 / 12

HEX #87E03E

RGB 135 224 62

HSL 92.96, 0.72%, 0.56%

LAB 81.19, -52.14, 66.78

 

CMYK 59 / 0 / 72 / 12

HEX #5CE03E

RGB 92 224 62

HSL 108.89, 0.72%, 0.56%

LAB 79.58, -64.35, 64.64

 

CMYK 72 / 0 / 66 / 12

HEX #3EE04C

RGB 62 224 76

HSL 125.19, 0.72%, 0.56%

LAB 78.96, -69.07, 58.52

 

CMYK 0 / 0 / 72 / 12

HEX #DFE03E

RGB 223 224 62

HSL 60.37, 0.72%, 0.56%

LAB 86.68, -18.57, 73.99

 

CMYK 1 / 0 / 82 / 5

HEX #F0F22C

RGB 240 242 44

HSL 60.61, 0.88%, 0.56%

LAB 92.67, -20.89, 84.85

 

CMYK 0 / 0 / 72 / 12

HEX #DFE03E

RGB 223 224 62

HSL 60.37, 0.72%, 0.56%

LAB 86.68, -18.57, 73.99

 

CMYK 0 / 0 / 61 / 20

HEX #CDCD50

RGB 205 205 80

HSL 60, 0.56%, 0.56%

LAB 80.3, -15.67, 60.32

 

CMYK 0 / 0 / 48 / 27

HEX #BBBB62

RGB 187 187 98

HSL 60, 0.4%, 0.56%

LAB 74.18, -12.56, 44.73

 

CMYK 0 / 0 / 31 / 34

HEX #A9A974

RGB 169 169 116

HSL 60, 0.24%, 0.56%

LAB 68.07, -8.49, 27.43

 

CMYK 0 / 0 / 11 / 41

HEX #979787

RGB 151 151 135

HSL 60, 0.07%, 0.56%

LAB 62.05, -2.93, 8.43

 

CMYK 0 / 39 / 72 / 12

HEX #E0893E

RGB 224 137 62

HSL 27.78, 0.72%, 0.56%

LAB 65.03, 27.15, 52.59

 

CMYK 0 / 20 / 72 / 12

HEX #E0B43E

RGB 224 180 62

HSL 43.7, 0.72%, 0.56%

LAB 75.35, 4.23, 63.08

 

CMYK 0 / 0 / 72 / 12

HEX #E0E03E

RGB 224 224 62

HSL 60, 0.72%, 0.56%

LAB 86.75, -18.16, 74.09

 

CMYK 20 / 0 / 72 / 12

HEX #B4E03E

RGB 180 224 62

HSL 76.3, 0.72%, 0.56%

LAB 83.63, -35.9, 70.01

 

CMYK 39 / 0 / 72 / 12

HEX #89E03E

RGB 137 224 62

HSL 92.22, 0.72%, 0.56%

LAB 81.28, -51.48, 66.91

 

CMYK 1 / 0 / 84 / 31

HEX #AEAF1C

RGB 174 175 28

HSL 60.41, 0.72%, 0.4%

LAB 69.29, -16.21, 66.81

 

CMYK 0 / 0 / 84 / 18

HEX #D1D222

RGB 209 210 34

HSL 60.34, 0.72%, 0.48%

LAB 81.71, -18.53, 76.95

 

CMYK 0 / 0 / 72 / 12

HEX #DFE03E

RGB 223 224 62

HSL 60.37, 0.72%, 0.56%

LAB 86.68, -18.57, 73.99

 

CMYK 0 / 0 / 58 / 10

HEX #E5E561

RGB 229 229 97

HSL 60, 0.72%, 0.64%

LAB 88.71, -16.58, 62.8

 

CMYK 0 / 0 / 43 / 8

HEX #EAEB85

RGB 234 235 133

HSL 60.59, 0.72%, 0.72%

LAB 91.05, -14.53, 49.18

 

CMYK 0 / 0 / 71 / 12

HEX #DFE040

RGB 223 224 64

HSL 60.38, 0.72%, 0.56%

LAB 86.69, -18.49, 73.33

 

CMYK 72 / 0 / 58 / 12

HEX #3EE05E

RGB 62 224 94

HSL 131.85, 0.72%, 0.56%

LAB 79.12, -67.1, 51.05

 

CMYK 29 / 72 / 0 / 12

HEX #9F3EE0

RGB 159 62 224

HSL 275.93, 0.72%, 0.56%

LAB 47.23, 65.88, -65.3

 

CMYK 0 / 0 / 71 / 12

HEX #DFE040

RGB 223 224 64

HSL 60.38, 0.72%, 0.56%

LAB 86.69, -18.49, 73.33

 

CMYK 72 / 0 / 0 / 12

HEX #3EE0E0

RGB 62 224 224

HSL 180, 0.72%, 0.56%

LAB 81.68, -39.92, -11.92

 

CMYK 0 / 72 / 0 / 12

HEX #E03EE0

RGB 224 62 224

HSL 300, 0.72%, 0.56%

LAB 56.76, 78.72, -49.49

 

CMYK 0 / 0 / 71 / 12

HEX #DFE040

RGB 223 224 64

HSL 60.38, 0.72%, 0.56%

LAB 86.69, -18.49, 73.33

 

CMYK 72 / 0 / 58 / 12

HEX #3EE05E

RGB 62 224 94

HSL 131.85, 0.72%, 0.56%

LAB 79.12, -67.1, 51.05

 

CMYK 72 / 72 / 0 / 12

HEX #3E3EE0

RGB 62 62 224

HSL 240, 0.72%, 0.56%

LAB 37.57, 51.69, -81.48

 

CMYK 0 / 72 / 15 / 12

HEX #E03EBF

RGB 224 62 191

HSL 312.22, 0.72%, 0.56%

LAB 55.13, 73.85, -33.23

 

CMYK 0 / 0 / 71 / 12

HEX #DFE040

RGB 223 224 64

HSL 60.38, 0.72%, 0.56%

LAB 86.69, -18.49, 73.33

 

CMYK 72 / 0 / 36 / 12

HEX #3EE08F

RGB 62 224 143

HSL 150, 0.72%, 0.56%

LAB 79.79, -59.37, 28.05

 

CMYK 72 / 72 / 0 / 12

HEX #3E3EE0

RGB 62 62 224

HSL 240, 0.72%, 0.56%

LAB 37.57, 51.69, -81.48

 

CMYK 0 / 72 / 36 / 12

HEX #E03E8F

RGB 224 62 143

HSL 330, 0.72%, 0.56%

LAB 53.25, 67.97, -7.97

 

Description

Color code: HEX #DFE040 | qconv.com Color code: HEX #DFE040 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 224 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 224 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 71 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 71% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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