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Color name
HEX #DFDE19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFDE19 it is the complementary color #2021E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFDE19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFDE19 shade: #E4DE14, #F5F027, #FFFF3A, #FFFF4D and #FFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFDE19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFDE19 shade: #DFDE19, #CECC06, #BDBA00, #ACA800 and #9B9600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFDE19 shade: #E1E019, #E1AA19, #E17419, #E13E19 and #E11919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFDE19 shade: #E1E019, #ACE119, #76E119, #40E119 and #19E128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFDE19 shade matches the following richer shades: #E1E019 and #F5F405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFDE19 shade: #E1E019, #CDCC2D, #B8B841, #A4A456 and #90906A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFDE19 shade: #E17319, #E1A819, #E1DE19, #AFE119 and #7AE119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFDE19 shade: #979611, #BCBB15, #E1E019, #E9E83A and #EDED5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFDE19 shade: #DFDE19, #19E13E and #8E19E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFDE19 shade: #DFDE19, #19E1DE and #DE19E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFDE19 shade: #DFDE19, #19E13E, #191CE1 and #E119BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFDE19 shade: #DFDE19, #19E17A, #191CE1 and #E11980

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 89 / 13

HEX #DFDE19

RGB 223 222 25

HSL 59.7, 0.8%, 0.49%

LAB 86.01, -18.71, 82.57

 

Complementary color

CMYK 86 / 86 / 0 / 10

HEX #2021E6

RGB 32 33 230

HSL 239.7, 0.8%, 0.51%

LAB 32.05, 65.6, -94.11

 

CMYK 0 / 3 / 91 / 11

HEX #E4DE14

RGB 228 222 20

HSL 58.27, 0.84%, 0.49%

LAB 86.4, -16.68, 83.77

 

CMYK 0 / 2 / 84 / 4

HEX #F5F027

RGB 245 240 39

HSL 58.54, 0.91%, 0.56%

LAB 92.52, -18, 85.98

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3A

RGB 255 255 58

HSL 60, 1%, 0.61%

LAB 97.26, -20.55, 85.78

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 89 / 13

HEX #DFDE19

RGB 223 222 25

HSL 59.7, 0.8%, 0.49%

LAB 86.01, -18.71, 82.57

 

CMYK 0 / 1 / 97 / 19

HEX #CECC06

RGB 206 204 6

HSL 59.4, 0.94%, 0.42%

LAB 79.8, -17.3, 79.48

 

CMYK 0 / 2 / 100 / 26

HEX #BDBA00

RGB 189 186 0

HSL 59.05, 1%, 0.37%

LAB 73.5, -15.7, 74.83

 

CMYK 0 / 2 / 100 / 33

HEX #ACA800

RGB 172 168 0

HSL 58.6, 1%, 0.34%

LAB 67.11, -13.99, 69.52

 

CMYK 0 / 3 / 100 / 39

HEX #9B9600

RGB 155 150 0

HSL 58.06, 1%, 0.3%

LAB 60.59, -12.24, 64.11

 

CMYK 0 / 0 / 89 / 12

HEX #E1E019

RGB 225 224 25

HSL 59.7, 0.8%, 0.49%

LAB 86.7, -18.85, 83.18

 

CMYK 0 / 24 / 89 / 12

HEX #E1AA19

RGB 225 170 25

HSL 43.5, 0.8%, 0.49%

LAB 72.78, 8.76, 72.31

 

CMYK 0 / 48 / 89 / 12

HEX #E17419

RGB 225 116 25

HSL 27.3, 0.8%, 0.49%

LAB 60.4, 37.32, 62.78

 

CMYK 0 / 72 / 89 / 12

HEX #E13E19

RGB 225 62 25

HSL 11.1, 0.8%, 0.49%

LAB 51.29, 61.18, 55.94

 

CMYK 0 / 89 / 89 / 12

HEX #E11919

RGB 225 25 25

HSL 0, 0.8%, 0.49%

LAB 47.97, 70.54, 53.51

 

CMYK 0 / 0 / 89 / 12

HEX #E1E019

RGB 225 224 25

HSL 59.7, 0.8%, 0.49%

LAB 86.7, -18.85, 83.18

 

CMYK 24 / 0 / 89 / 12

HEX #ACE119

RGB 172 225 25

HSL 75.9, 0.8%, 0.49%

LAB 83.28, -40.81, 78.89

 

CMYK 48 / 0 / 89 / 12

HEX #76E119

RGB 118 225 25

HSL 92.1, 0.8%, 0.49%

LAB 80.61, -59.52, 75.6

 

CMYK 72 / 0 / 89 / 12

HEX #40E119

RGB 64 225 25

HSL 108.3, 0.8%, 0.49%

LAB 79.05, -72.25, 73.65

 

CMYK 89 / 0 / 82 / 12

HEX #19E128

RGB 25 225 40

HSL 124.5, 0.8%, 0.49%

LAB 78.58, -76.15, 69.9

 

CMYK 0 / 0 / 89 / 12

HEX #E1E019

RGB 225 224 25

HSL 59.7, 0.8%, 0.49%

LAB 86.7, -18.85, 83.18

 

CMYK 0 / 0 / 98 / 4

HEX #F5F405

RGB 245 244 5

HSL 59.75, 0.96%, 0.49%

LAB 93.5, -20.4, 91.11

 

CMYK 0 / 0 / 89 / 12

HEX #E1E019

RGB 225 224 25

HSL 59.7, 0.8%, 0.49%

LAB 86.7, -18.85, 83.18

 

CMYK 0 / 0 / 78 / 20

HEX #CDCC2D

RGB 205 204 45

HSL 59.63, 0.64%, 0.49%

LAB 79.82, -16.93, 72.42

 

CMYK 0 / 0 / 65 / 28

HEX #B8B841

RGB 184 184 65

HSL 60, 0.48%, 0.49%

LAB 72.79, -14.84, 58.11

 

CMYK 0 / 0 / 48 / 36

HEX #A4A456

RGB 164 164 86

HSL 60, 0.31%, 0.49%

LAB 65.84, -11.32, 40.19

 

CMYK 0 / 0 / 26 / 44

HEX #90906A

RGB 144 144 106

HSL 60, 0.15%, 0.49%

LAB 58.9, -6.47, 20.26

 

CMYK 0 / 49 / 89 / 12

HEX #E17319

RGB 225 115 25

HSL 27, 0.8%, 0.49%

LAB 60.19, 37.83, 62.63

 

CMYK 0 / 25 / 89 / 12

HEX #E1A819

RGB 225 168 25

HSL 42.9, 0.8%, 0.49%

LAB 72.28, 9.82, 71.92

 

CMYK 0 / 1 / 89 / 12

HEX #E1DE19

RGB 225 222 25

HSL 59.1, 0.8%, 0.49%

LAB 86.17, -17.87, 82.76

 

CMYK 22 / 0 / 89 / 12

HEX #AFE119

RGB 175 225 25

HSL 75, 0.8%, 0.49%

LAB 83.46, -39.65, 79.11

 

CMYK 46 / 0 / 89 / 12

HEX #7AE119

RGB 122 225 25

HSL 90.9, 0.8%, 0.49%

LAB 80.77, -58.3, 75.79

 

CMYK 0 / 1 / 89 / 41

HEX #979611

RGB 151 150 17

HSL 59.55, 0.8%, 0.33%

LAB 60.28, -13.77, 61.03

 

CMYK 0 / 1 / 89 / 26

HEX #BCBB15

RGB 188 187 21

HSL 59.64, 0.8%, 0.41%

LAB 73.73, -16.36, 72.34

 

CMYK 0 / 0 / 89 / 12

HEX #E1E019

RGB 225 224 25

HSL 59.7, 0.8%, 0.49%

LAB 86.7, -18.85, 83.18

 

CMYK 0 / 0 / 75 / 9

HEX #E9E83A

RGB 233 232 58

HSL 59.66, 0.8%, 0.57%

LAB 89.55, -18.5, 78.21

 

CMYK 0 / 0 / 60 / 7

HEX #EDED5F

RGB 237 237 95

HSL 60, 0.8%, 0.65%

LAB 91.41, -17.4, 66.77

 

CMYK 0 / 0 / 89 / 13

HEX #DFDE19

RGB 223 222 25

HSL 59.7, 0.8%, 0.49%

LAB 86.01, -18.71, 82.57

 

CMYK 89 / 0 / 72 / 12

HEX #19E13E

RGB 25 225 62

HSL 131.1, 0.8%, 0.49%

LAB 78.7, -74.71, 63.36

 

CMYK 37 / 89 / 0 / 12

HEX #8E19E1

RGB 142 25 225

HSL 275.1, 0.8%, 0.49%

LAB 41.03, 74.95, -76.08

 

CMYK 0 / 0 / 89 / 13

HEX #DFDE19

RGB 223 222 25

HSL 59.7, 0.8%, 0.49%

LAB 86.01, -18.71, 82.57

 

CMYK 89 / 0 / 1 / 12

HEX #19E1DE

RGB 25 225 222

HSL 179.1, 0.8%, 0.49%

LAB 81.47, -43.86, -11.22

 

CMYK 1 / 89 / 0 / 12

HEX #DE19E1

RGB 222 25 225

HSL 299.1, 0.8%, 0.49%

LAB 53.67, 86.69, -55.01

 

CMYK 0 / 0 / 89 / 13

HEX #DFDE19

RGB 223 222 25

HSL 59.7, 0.8%, 0.49%

LAB 86.01, -18.71, 82.57

 

CMYK 89 / 0 / 72 / 12

HEX #19E13E

RGB 25 225 62

HSL 131.1, 0.8%, 0.49%

LAB 78.7, -74.71, 63.36

 

CMYK 89 / 88 / 0 / 12

HEX #191CE1

RGB 25 28 225

HSL 239.1, 0.8%, 0.49%

LAB 30.58, 65.83, -93.72

 

CMYK 0 / 89 / 16 / 12

HEX #E119BC

RGB 225 25 188

HSL 311.1, 0.8%, 0.49%

LAB 52.21, 82.16, -36.04

 

CMYK 0 / 0 / 89 / 13

HEX #DFDE19

RGB 223 222 25

HSL 59.7, 0.8%, 0.49%

LAB 86.01, -18.71, 82.57

 

CMYK 89 / 0 / 46 / 12

HEX #19E17A

RGB 25 225 122

HSL 149.1, 0.8%, 0.49%

LAB 79.31, -67.23, 37.91

 

CMYK 89 / 88 / 0 / 12

HEX #191CE1

RGB 25 28 225

HSL 239.1, 0.8%, 0.49%

LAB 30.58, 65.83, -93.72

 

CMYK 0 / 89 / 43 / 12

HEX #E11980

RGB 225 25 128

HSL 329.1, 0.8%, 0.49%

LAB 49.81, 75.72, -4.04

 

Description

Color code: HEX #DFDE19 | qconv.com Color code: HEX #DFDE19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 222 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 222 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 89 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 89% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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