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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFDDC6 it is the complementary color #202239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFDDC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFDDC6 shade: #E4DDC1, #F5EFD4, #FFFFE7, #FFFFFA and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFDDC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFDDC6 shade: #DFDDC6, #CECBB3, #BDB9A0, #ACA78D and #9B957A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFDDC6 shade: #E0DEC8, #E0D7C8, #E0D1C8, #E0CAC8 and #E0C8C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFDDC6 shade: #E0DEC8, #DBE0C8, #D5E0C8, #CEE0C8 and #C8E0C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFDDC6 shade matches the following richer shades: #E0DEC8, #E7E4C0, #EEEAB9, #F5F0B2 and #FCF5AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFDDC6 shade: #E0DEC8, #D9D8CF, #D2D2D6, #CBCCDD and #C4C6E4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFDDC6 shade: #E0D1C8, #E0D7C8, #E0DEC8, #DBE0C8 and #D5E0C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFDDC6 shade: #C2BE93, #D1CEAD, #E0DEC8, #EFEEE2 and #FDFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFDDC6 shade: #DFDDC6, #C8E0CA and #D4C8E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFDDC6 shade: #DFDDC6, #C8E0DE and #DEC8E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFDDC6 shade: #DFDDC6, #C8E0CA, #C8CAE0 and #E0C8DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFDDC6 shade: #DFDDC6, #C8E0D2, #C8CAE0 and #E0C8D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 11 / 13

HEX #DFDDC6

RGB 223 221 198

HSL 55.2, 0.28%, 0.83%

LAB 87.72, -3.22, 11.53

 

Complementary color

CMYK 44 / 40 / 0 / 78

HEX #202239

RGB 32 34 57

HSL 235.2, 0.28%, 0.17%

LAB 14.1, 6.12, -15.19

 

CMYK 0 / 3 / 15 / 11

HEX #E4DDC1

RGB 228 221 193

HSL 48, 0.39%, 0.83%

LAB 88, -2.22, 14.61

 

CMYK 0 / 2 / 13 / 4

HEX #F5EFD4

RGB 245 239 212

HSL 49.09, 0.62%, 0.9%

LAB 94.27, -2.41, 13.78

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 1 / 11 / 13

HEX #DFDDC6

RGB 223 221 198

HSL 55.2, 0.28%, 0.83%

LAB 87.72, -3.22, 11.53

 

CMYK 0 / 1 / 13 / 19

HEX #CECBB3

RGB 206 203 179

HSL 53.33, 0.22%, 0.75%

LAB 81.34, -3.05, 12.35

 

CMYK 0 / 2 / 15 / 26

HEX #BDB9A0

RGB 189 185 160

HSL 51.72, 0.18%, 0.68%

LAB 74.86, -2.86, 13.2

 

CMYK 0 / 3 / 18 / 33

HEX #ACA78D

RGB 172 167 141

HSL 50.32, 0.16%, 0.61%

LAB 68.26, -2.65, 14.11

 

CMYK 0 / 4 / 21 / 39

HEX #9B957A

RGB 155 149 122

HSL 49.09, 0.14%, 0.54%

LAB 61.54, -2.42, 15.08

 

CMYK 0 / 1 / 11 / 12

HEX #E0DEC8

RGB 224 222 200

HSL 55, 0.28%, 0.83%

LAB 88.09, -3.06, 11.03

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C8

RGB 224 215 200

HSL 37.5, 0.28%, 0.83%

LAB 86.31, 0.56, 8.49

 

CMYK 0 / 7 / 11 / 12

HEX #E0D1C8

RGB 224 209 200

HSL 22.5, 0.28%, 0.83%

LAB 84.8, 3.68, 6.32

 

CMYK 0 / 10 / 11 / 12

HEX #E0CAC8

RGB 224 202 200

HSL 5, 0.28%, 0.83%

LAB 83.05, 7.36, 3.79

 

CMYK 0 / 11 / 11 / 12

HEX #E0C8C8

RGB 224 200 200

HSL 0, 0.28%, 0.83%

LAB 82.55, 8.41, 3.07

 

CMYK 0 / 1 / 11 / 12

HEX #E0DEC8

RGB 224 222 200

HSL 55, 0.28%, 0.83%

LAB 88.09, -3.06, 11.03

 

CMYK 2 / 0 / 11 / 12

HEX #DBE0C8

RGB 219 224 200

HSL 72.5, 0.28%, 0.83%

LAB 88.23, -5.84, 11.17

 

CMYK 5 / 0 / 11 / 12

HEX #D5E0C8

RGB 213 224 200

HSL 87.5, 0.28%, 0.83%

LAB 87.79, -7.93, 10.49

 

CMYK 8 / 0 / 11 / 12

HEX #CEE0C8

RGB 206 224 200

HSL 105, 0.28%, 0.83%

LAB 87.29, -10.35, 9.71

 

CMYK 11 / 0 / 11 / 12

HEX #C8E0C8

RGB 200 224 200

HSL 120, 0.28%, 0.83%

LAB 86.88, -12.39, 9.06

 

CMYK 0 / 1 / 11 / 12

HEX #E0DEC8

RGB 224 222 200

HSL 55, 0.28%, 0.83%

LAB 88.09, -3.06, 11.03

 

CMYK 0 / 1 / 17 / 9

HEX #E7E4C0

RGB 231 228 192

HSL 55.38, 0.45%, 0.83%

LAB 89.99, -4.86, 17.96

 

CMYK 0 / 2 / 22 / 7

HEX #EEEAB9

RGB 238 234 185

HSL 55.47, 0.61%, 0.83%

LAB 91.92, -6.36, 24.34

 

CMYK 0 / 2 / 27 / 4

HEX #F5F0B2

RGB 245 240 178

HSL 55.52, 0.77%, 0.83%

LAB 93.86, -7.73, 30.65

 

CMYK 0 / 3 / 32 / 1

HEX #FCF5AB

RGB 252 245 171

HSL 54.81, 0.93%, 0.83%

LAB 95.56, -8.47, 36.54

 

CMYK 0 / 1 / 11 / 12

HEX #E0DEC8

RGB 224 222 200

HSL 55, 0.28%, 0.83%

LAB 88.09, -3.06, 11.03

 

CMYK 0 / 0 / 5 / 15

HEX #D9D8CF

RGB 217 216 207

HSL 54, 0.12%, 0.83%

LAB 86.19, -1.24, 4.54

 

CMYK 2 / 2 / 0 / 16

HEX #D2D2D6

RGB 210 210 214

HSL 240, 0.05%, 0.83%

LAB 84.3, 0.74, -1.98

 

CMYK 8 / 8 / 0 / 13

HEX #CBCCDD

RGB 203 204 221

HSL 236.67, 0.21%, 0.83%

LAB 82.43, 2.89, -8.53

 

CMYK 14 / 13 / 0 / 11

HEX #C4C6E4

RGB 196 198 228

HSL 236.25, 0.37%, 0.83%

LAB 80.59, 5.24, -15.09

 

CMYK 0 / 7 / 11 / 12

HEX #E0D1C8

RGB 224 209 200

HSL 22.5, 0.28%, 0.83%

LAB 84.8, 3.68, 6.32

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C8

RGB 224 215 200

HSL 37.5, 0.28%, 0.83%

LAB 86.31, 0.56, 8.49

 

CMYK 0 / 1 / 11 / 12

HEX #E0DEC8

RGB 224 222 200

HSL 55, 0.28%, 0.83%

LAB 88.09, -3.06, 11.03

 

CMYK 2 / 0 / 11 / 12

HEX #DBE0C8

RGB 219 224 200

HSL 72.5, 0.28%, 0.83%

LAB 88.23, -5.84, 11.17

 

CMYK 5 / 0 / 11 / 12

HEX #D5E0C8

RGB 213 224 200

HSL 87.5, 0.28%, 0.83%

LAB 87.79, -7.93, 10.49

 

CMYK 0 / 2 / 24 / 24

HEX #C2BE93

RGB 194 190 147

HSL 54.89, 0.28%, 0.67%

LAB 76.32, -5.55, 22.28

 

CMYK 0 / 1 / 17 / 18

HEX #D1CEAD

RGB 209 206 173

HSL 55, 0.28%, 0.75%

LAB 82.23, -4.45, 16.81

 

CMYK 0 / 1 / 11 / 12

HEX #E0DEC8

RGB 224 222 200

HSL 55, 0.28%, 0.83%

LAB 88.09, -3.06, 11.03

 

CMYK 0 / 0 / 5 / 6

HEX #EFEEE2

RGB 239 238 226

HSL 55.38, 0.29%, 0.91%

LAB 93.88, -1.73, 5.91

 

CMYK 0 / 0 / 0 / 1

HEX #FDFDFC

RGB 253 253 252

HSL 60, 0.2%, 0.99%

LAB 99.28, -0.17, 0.47

 

CMYK 0 / 1 / 11 / 13

HEX #DFDDC6

RGB 223 221 198

HSL 55.2, 0.28%, 0.83%

LAB 87.72, -3.22, 11.53

 

CMYK 11 / 0 / 10 / 12

HEX #C8E0CA

RGB 200 224 202

HSL 125, 0.28%, 0.83%

LAB 86.93, -12.04, 8.08

 

CMYK 5 / 11 / 0 / 12

HEX #D4C8E0

RGB 212 200 224

HSL 270, 0.28%, 0.83%

LAB 82.21, 8.58, -10.39

 

CMYK 0 / 1 / 11 / 13

HEX #DFDDC6

RGB 223 221 198

HSL 55.2, 0.28%, 0.83%

LAB 87.72, -3.22, 11.53

 

CMYK 11 / 0 / 1 / 12

HEX #C8E0DE

RGB 200 224 222

HSL 175, 0.28%, 0.83%

LAB 87.42, -8.3, -1.73

 

CMYK 1 / 11 / 0 / 12

HEX #DEC8E0

RGB 222 200 224

HSL 295, 0.28%, 0.83%

LAB 83.03, 11.92, -9.08

 

CMYK 0 / 1 / 11 / 13

HEX #DFDDC6

RGB 223 221 198

HSL 55.2, 0.28%, 0.83%

LAB 87.72, -3.22, 11.53

 

CMYK 11 / 0 / 10 / 12

HEX #C8E0CA

RGB 200 224 202

HSL 125, 0.28%, 0.83%

LAB 86.93, -12.04, 8.08

 

CMYK 11 / 10 / 0 / 12

HEX #C8CAE0

RGB 200 202 224

HSL 235, 0.28%, 0.83%

LAB 81.79, 3.57, -11.12

 

CMYK 0 / 11 / 1 / 12

HEX #E0C8DD

RGB 224 200 221

HSL 307.5, 0.28%, 0.83%

LAB 83.11, 12.05, -7.34

 

CMYK 0 / 1 / 11 / 13

HEX #DFDDC6

RGB 223 221 198

HSL 55.2, 0.28%, 0.83%

LAB 87.72, -3.22, 11.53

 

CMYK 11 / 0 / 6 / 12

HEX #C8E0D2

RGB 200 224 210

HSL 145, 0.28%, 0.83%

LAB 87.12, -10.58, 4.15

 

CMYK 11 / 10 / 0 / 12

HEX #C8CAE0

RGB 200 202 224

HSL 235, 0.28%, 0.83%

LAB 81.79, 3.57, -11.12

 

CMYK 0 / 11 / 4 / 12

HEX #E0C8D6

RGB 224 200 214

HSL 325, 0.28%, 0.83%

LAB 82.92, 10.8, -3.88

 

Description

Color code: HEX #DFDDC6 | qconv.com Color code: HEX #DFDDC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 221 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 221 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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