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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFDD53 it is the complementary color #2022AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFDD53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFDD53 shade: #E4DD4E, #F5EF61, #FFFF74, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFDD53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFDD53 shade: #DFDD53, #CECB40, #BDB92D, #ACA71A and #9B9507

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFDD53 shade: #DFDD52, #DFB752, #DF9152, #DF6B52 and #DF5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFDD53 shade: #DFDD52, #BBDF52, #95DF52, #6FDF52 and #52DF5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFDD53 shade matches the following richer shades: #DFDD52 and #EFED42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFDD53 shade: #DFDD52, #CECD63, #BEBD73, #ADAD84 and #9D9D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFDD53 shade: #DF9152, #DFB752, #DFDD52, #BCDF52 and #96DF52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFDD53 shade: #BCBA22, #D8D62F, #DFDD52, #E5E475 and #ECEA98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFDD53 shade: #DFDD53, #52DF6C and #A452DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFDD53 shade: #DFDD53, #52DFDD and #DD52DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFDD53 shade: #DFDD53, #52DF6C, #5254DF and #DF52C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFDD53 shade: #DFDD53, #52DF96, #5254DF and #DF529B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 63 / 13

HEX #DFDD53

RGB 223 221 83

HSL 59.14, 0.69%, 0.6%

LAB 86.02, -16.01, 65.59

 

Complementary color

CMYK 81 / 80 / 0 / 33

HEX #2022AC

RGB 32 34 172

HSL 239.14, 0.69%, 0.4%

LAB 25.04, 47.68, -71.79

 

CMYK 0 / 3 / 66 / 11

HEX #E4DD4E

RGB 228 221 78

HSL 57.2, 0.74%, 0.6%

LAB 86.38, -14.24, 68.08

 

CMYK 0 / 2 / 60 / 4

HEX #F5EF61

RGB 245 239 97

HSL 57.57, 0.88%, 0.67%

LAB 92.58, -15.02, 67.38

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD53

RGB 223 221 83

HSL 59.14, 0.69%, 0.6%

LAB 86.02, -16.01, 65.59

 

CMYK 0 / 1 / 69 / 19

HEX #CECB40

RGB 206 203 64

HSL 58.73, 0.59%, 0.53%

LAB 79.73, -15.19, 66.11

 

CMYK 0 / 2 / 76 / 26

HEX #BDB92D

RGB 189 185 45

HSL 58.33, 0.62%, 0.46%

LAB 73.35, -14.21, 66.11

 

CMYK 0 / 3 / 85 / 33

HEX #ACA71A

RGB 172 167 26

HSL 57.95, 0.74%, 0.39%

LAB 66.89, -13.03, 65.21

 

CMYK 0 / 4 / 95 / 39

HEX #9B9507

RGB 155 149 7

HSL 57.57, 0.91%, 0.32%

LAB 60.32, -11.61, 62.86

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD52

RGB 223 221 82

HSL 59.15, 0.69%, 0.6%

LAB 86.01, -16.07, 65.99

 

CMYK 0 / 18 / 63 / 13

HEX #DFB752

RGB 223 183 82

HSL 42.98, 0.69%, 0.6%

LAB 76.17, 3.33, 55.42

 

CMYK 0 / 35 / 63 / 13

HEX #DF9152

RGB 223 145 82

HSL 26.81, 0.69%, 0.6%

LAB 66.94, 23.59, 44.97

 

CMYK 0 / 52 / 63 / 13

HEX #DF6B52

RGB 223 107 82

HSL 10.64, 0.69%, 0.6%

LAB 58.8, 43.36, 35.27

 

CMYK 0 / 63 / 63 / 13

HEX #DF5252

RGB 223 82 82

HSL 0, 0.69%, 0.6%

LAB 54.38, 54.94, 29.77

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD52

RGB 223 221 82

HSL 59.15, 0.69%, 0.6%

LAB 86.01, -16.07, 65.99

 

CMYK 16 / 0 / 63 / 13

HEX #BBDF52

RGB 187 223 82

HSL 75.32, 0.69%, 0.6%

LAB 83.94, -31.49, 63

 

CMYK 33 / 0 / 63 / 13

HEX #95DF52

RGB 149 223 82

HSL 91.49, 0.69%, 0.6%

LAB 81.72, -45.54, 59.95

 

CMYK 50 / 0 / 63 / 13

HEX #6FDF52

RGB 111 223 82

HSL 107.66, 0.69%, 0.6%

LAB 80.05, -57.44, 57.65

 

CMYK 63 / 0 / 59 / 13

HEX #52DF5B

RGB 82 223 91

HSL 123.83, 0.69%, 0.6%

LAB 79.23, -63.52, 52.62

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD52

RGB 223 221 82

HSL 59.15, 0.69%, 0.6%

LAB 86.01, -16.07, 65.99

 

CMYK 0 / 1 / 72 / 6

HEX #EFED42

RGB 239 237 66

HSL 59.31, 0.84%, 0.6%

LAB 91.38, -18.14, 77.56

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD52

RGB 223 221 82

HSL 59.15, 0.69%, 0.6%

LAB 86.01, -16.07, 65.99

 

CMYK 0 / 0 / 52 / 19

HEX #CECD63

RGB 206 205 99

HSL 59.44, 0.52%, 0.6%

LAB 80.56, -13.84, 52.18

 

CMYK 0 / 1 / 39 / 25

HEX #BEBD73

RGB 190 189 115

HSL 59.2, 0.37%, 0.6%

LAB 75.19, -10.63, 37.5

 

CMYK 0 / 0 / 24 / 32

HEX #ADAD84

RGB 173 173 132

HSL 60, 0.2%, 0.6%

LAB 69.78, -6.84, 21.14

 

CMYK 0 / 0 / 6 / 38

HEX #9D9D94

RGB 157 157 148

HSL 60, 0.04%, 0.6%

LAB 64.5, -1.68, 4.7

 

CMYK 0 / 35 / 63 / 13

HEX #DF9152

RGB 223 145 82

HSL 26.81, 0.69%, 0.6%

LAB 66.94, 23.59, 44.97

 

CMYK 0 / 18 / 63 / 13

HEX #DFB752

RGB 223 183 82

HSL 42.98, 0.69%, 0.6%

LAB 76.17, 3.33, 55.42

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD52

RGB 223 221 82

HSL 59.15, 0.69%, 0.6%

LAB 86.01, -16.07, 65.99

 

CMYK 16 / 0 / 63 / 13

HEX #BCDF52

RGB 188 223 82

HSL 74.89, 0.69%, 0.6%

LAB 84.01, -31.1, 63.09

 

CMYK 33 / 0 / 63 / 13

HEX #96DF52

RGB 150 223 82

HSL 91.06, 0.69%, 0.6%

LAB 81.77, -45.2, 60.02

 

CMYK 0 / 1 / 82 / 26

HEX #BCBA22

RGB 188 186 34

HSL 59.22, 0.69%, 0.44%

LAB 73.5, -15.53, 69.35

 

CMYK 0 / 1 / 78 / 15

HEX #D8D62F

RGB 216 214 47

HSL 59.29, 0.68%, 0.52%

LAB 83.39, -17.17, 75.36

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD52

RGB 223 221 82

HSL 59.15, 0.69%, 0.6%

LAB 86.01, -16.07, 65.99

 

CMYK 0 / 0 / 49 / 10

HEX #E5E475

RGB 229 228 117

HSL 59.46, 0.68%, 0.68%

LAB 88.65, -14.52, 53.76

 

CMYK 0 / 1 / 36 / 7

HEX #ECEA98

RGB 236 234 152

HSL 58.57, 0.69%, 0.76%

LAB 91.21, -11.26, 40.1

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD53

RGB 223 221 83

HSL 59.14, 0.69%, 0.6%

LAB 86.02, -16.01, 65.59

 

CMYK 63 / 0 / 52 / 13

HEX #52DF6C

RGB 82 223 108

HSL 131.06, 0.69%, 0.6%

LAB 79.42, -61.37, 45.03

 

CMYK 26 / 63 / 0 / 13

HEX #A452DF

RGB 164 82 223

HSL 274.89, 0.69%, 0.6%

LAB 50.98, 57.83, -58.64

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD53

RGB 223 221 83

HSL 59.14, 0.69%, 0.6%

LAB 86.02, -16.01, 65.59

 

CMYK 63 / 0 / 1 / 13

HEX #52DFDD

RGB 82 223 221

HSL 179.15, 0.69%, 0.6%

LAB 81.72, -37.63, -10.22

 

CMYK 1 / 63 / 0 / 13

HEX #DD52DF

RGB 221 82 223

HSL 299.15, 0.69%, 0.6%

LAB 58.73, 70.9, -45.84

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD53

RGB 223 221 83

HSL 59.14, 0.69%, 0.6%

LAB 86.02, -16.01, 65.59

 

CMYK 63 / 0 / 52 / 13

HEX #52DF6C

RGB 82 223 108

HSL 131.06, 0.69%, 0.6%

LAB 79.42, -61.37, 45.03

 

CMYK 63 / 62 / 0 / 13

HEX #5254DF

RGB 82 84 223

HSL 239.15, 0.69%, 0.6%

LAB 43.45, 40.99, -71.22

 

CMYK 0 / 63 / 12 / 13

HEX #DF52C5

RGB 223 82 197

HSL 311.06, 0.69%, 0.6%

LAB 57.8, 67.28, -32.52

 

CMYK 0 / 1 / 63 / 13

HEX #DFDD53

RGB 223 221 83

HSL 59.14, 0.69%, 0.6%

LAB 86.02, -16.01, 65.59

 

CMYK 63 / 0 / 33 / 13

HEX #52DF96

RGB 82 223 150

HSL 148.94, 0.69%, 0.6%

LAB 80.05, -54.36, 24.86

 

CMYK 63 / 62 / 0 / 13

HEX #5254DF

RGB 82 84 223

HSL 239.15, 0.69%, 0.6%

LAB 43.45, 40.99, -71.22

 

CMYK 0 / 63 / 30 / 13

HEX #DF529B

RGB 223 82 155

HSL 328.94, 0.69%, 0.6%

LAB 56.18, 61.59, -10.69

 

Description

Color code: HEX #DFDD53 | qconv.com Color code: HEX #DFDD53 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 221 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 221 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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