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Color name
HEX #DFDD40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFDD40 it is the complementary color #2022BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFDD40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFDD40 shade: #E4DD3B, #F5EF4E, #FFFF61, #FFFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFDD40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFDD40 shade: #DFDD40, #CECB2D, #BDB91A, #ACA707 and #9B9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFDD40 shade: #DEDC3F, #DEB23F, #DE873F, #DE5C3F and #DE3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFDD40 shade: #DEDC3F, #B5DE3F, #8BDE3F, #60DE3F and #3FDE4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFDD40 shade matches the following richer shades: #DEDC3F and #F1EE2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFDD40 shade: #DEDC3F, #CCCB51, #BAB963, #A8A776 and #969688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFDD40 shade: #DE873F, #DEB13F, #DEDC3F, #B7DE3F and #8CDE3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFDD40 shade: #AEAC1D, #D1CF23, #DEDC3F, #E4E362 and #EAE986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFDD40 shade: #DFDD40, #3FDE5C and #9C3FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFDD40 shade: #DFDD40, #3FDEDC and #DC3FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFDD40 shade: #DFDD40, #3FDE5C, #3F42DE and #DE3FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFDD40 shade: #DFDD40, #3FDE8C, #3F42DE and #DE3F91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 71 / 13

HEX #DFDD40

RGB 223 221 64

HSL 59.25, 0.71%, 0.56%

LAB 85.89, -17.02, 72.57

 

Complementary color

CMYK 83 / 82 / 0 / 25

HEX #2022BF

RGB 32 34 191

HSL 239.25, 0.71%, 0.44%

LAB 27.33, 53.68, -79.32

 

CMYK 0 / 3 / 74 / 11

HEX #E4DD3B

RGB 228 221 59

HSL 57.51, 0.76%, 0.56%

LAB 86.27, -15.15, 74.73

 

CMYK 0 / 2 / 68 / 4

HEX #F5EF4E

RGB 245 239 78

HSL 57.84, 0.89%, 0.63%

LAB 92.44, -16.1, 74.63

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 1 / 71 / 13

HEX #DFDD40

RGB 223 221 64

HSL 59.25, 0.71%, 0.56%

LAB 85.89, -17.02, 72.57

 

CMYK 0 / 1 / 78 / 19

HEX #CECB2D

RGB 206 203 45

HSL 58.88, 0.64%, 0.49%

LAB 79.63, -16.01, 72.28

 

CMYK 0 / 2 / 86 / 26

HEX #BDB91A

RGB 189 185 26

HSL 58.53, 0.76%, 0.42%

LAB 73.28, -14.81, 71.06

 

CMYK 0 / 3 / 96 / 33

HEX #ACA707

RGB 172 167 7

HSL 58.18, 0.92%, 0.35%

LAB 66.84, -13.39, 68.43

 

CMYK 0 / 4 / 100 / 39

HEX #9B9500

RGB 155 149 0

HSL 57.68, 1%, 0.3%

LAB 60.31, -11.71, 63.9

 

CMYK 0 / 1 / 72 / 13

HEX #DEDC3F

RGB 222 220 63

HSL 59.25, 0.71%, 0.56%

LAB 85.54, -16.99, 72.55

 

CMYK 0 / 20 / 72 / 13

HEX #DEB23F

RGB 222 178 63

HSL 43.4, 0.71%, 0.56%

LAB 74.65, 4.48, 61.92

 

CMYK 0 / 39 / 72 / 13

HEX #DE873F

RGB 222 135 63

HSL 27.17, 0.71%, 0.56%

LAB 64.34, 27.43, 51.32

 

CMYK 0 / 59 / 72 / 13

HEX #DE5C3F

RGB 222 92 63

HSL 10.94, 0.71%, 0.56%

LAB 55.63, 49.13, 41.84

 

CMYK 0 / 72 / 72 / 13

HEX #DE3F3F

RGB 222 63 63

HSL 0, 0.71%, 0.56%

LAB 51.2, 61.04, 36.8

 

CMYK 0 / 1 / 72 / 13

HEX #DEDC3F

RGB 222 220 63

HSL 59.25, 0.71%, 0.56%

LAB 85.54, -16.99, 72.55

 

CMYK 18 / 0 / 72 / 13

HEX #B5DE3F

RGB 181 222 63

HSL 75.47, 0.71%, 0.56%

LAB 83.14, -34.55, 69.21

 

CMYK 37 / 0 / 72 / 13

HEX #8BDE3F

RGB 139 222 63

HSL 91.32, 0.71%, 0.56%

LAB 80.79, -49.93, 66.1

 

CMYK 57 / 0 / 72 / 13

HEX #60DE3F

RGB 96 222 63

HSL 107.55, 0.71%, 0.56%

LAB 79.09, -62.62, 63.84

 

CMYK 72 / 0 / 67 / 13

HEX #3FDE4A

RGB 63 222 74

HSL 124.15, 0.71%, 0.56%

LAB 78.34, -68.47, 58.65

 

CMYK 0 / 1 / 72 / 13

HEX #DEDC3F

RGB 222 220 63

HSL 59.25, 0.71%, 0.56%

LAB 85.54, -16.99, 72.55

 

CMYK 0 / 1 / 81 / 5

HEX #F1EE2D

RGB 241 238 45

HSL 59.08, 0.88%, 0.56%

LAB 91.7, -18.53, 83.84

 

CMYK 0 / 1 / 72 / 13

HEX #DEDC3F

RGB 222 220 63

HSL 59.25, 0.71%, 0.56%

LAB 85.54, -16.99, 72.55

 

CMYK 0 / 0 / 60 / 20

HEX #CCCB51

RGB 204 203 81

HSL 59.51, 0.55%, 0.56%

LAB 79.7, -15.02, 59.22

 

CMYK 0 / 1 / 47 / 27

HEX #BAB963

RGB 186 185 99

HSL 59.31, 0.39%, 0.56%

LAB 73.57, -11.85, 43.48

 

CMYK 0 / 1 / 30 / 34

HEX #A8A776

RGB 168 167 118

HSL 58.8, 0.22%, 0.56%

LAB 67.48, -7.56, 25.55

 

CMYK 0 / 0 / 9 / 41

HEX #969688

RGB 150 150 136

HSL 60, 0.06%, 0.56%

LAB 61.72, -2.59, 7.38

 

CMYK 0 / 39 / 72 / 13

HEX #DE873F

RGB 222 135 63

HSL 27.17, 0.71%, 0.56%

LAB 64.34, 27.43, 51.32

 

CMYK 0 / 20 / 72 / 13

HEX #DEB13F

RGB 222 177 63

HSL 43.02, 0.71%, 0.56%

LAB 74.4, 5, 61.67

 

CMYK 0 / 1 / 72 / 13

HEX #DEDC3F

RGB 222 220 63

HSL 59.25, 0.71%, 0.56%

LAB 85.54, -16.99, 72.55

 

CMYK 18 / 0 / 72 / 13

HEX #B7DE3F

RGB 183 222 63

HSL 74.72, 0.71%, 0.56%

LAB 83.27, -33.77, 69.38

 

CMYK 37 / 0 / 72 / 13

HEX #8CDE3F

RGB 140 222 63

HSL 90.94, 0.71%, 0.56%

LAB 80.84, -49.6, 66.16

 

CMYK 0 / 1 / 83 / 32

HEX #AEAC1D

RGB 174 172 29

HSL 59.17, 0.71%, 0.4%

LAB 68.45, -14.64, 65.87

 

CMYK 0 / 1 / 83 / 18

HEX #D1CF23

RGB 209 207 35

HSL 59.31, 0.71%, 0.48%

LAB 80.91, -17.03, 76.05

 

CMYK 0 / 1 / 72 / 13

HEX #DEDC3F

RGB 222 220 63

HSL 59.25, 0.71%, 0.56%

LAB 85.54, -16.99, 72.55

 

CMYK 0 / 0 / 57 / 11

HEX #E4E362

RGB 228 227 98

HSL 59.54, 0.71%, 0.64%

LAB 88.12, -15.93, 61.69

 

CMYK 0 / 0 / 43 / 8

HEX #EAE986

RGB 234 233 134

HSL 59.4, 0.7%, 0.72%

LAB 90.55, -13.44, 48.07

 

CMYK 0 / 1 / 71 / 13

HEX #DFDD40

RGB 223 221 64

HSL 59.25, 0.71%, 0.56%

LAB 85.89, -17.02, 72.57

 

CMYK 72 / 0 / 59 / 13

HEX #3FDE5C

RGB 63 222 92

HSL 130.94, 0.71%, 0.56%

LAB 78.5, -66.52, 51.22

 

CMYK 30 / 72 / 0 / 13

HEX #9C3FDE

RGB 156 63 222

HSL 275.09, 0.71%, 0.56%

LAB 46.84, 64.48, -64.82

 

CMYK 0 / 1 / 71 / 13

HEX #DFDD40

RGB 223 221 64

HSL 59.25, 0.71%, 0.56%

LAB 85.89, -17.02, 72.57

 

CMYK 72 / 0 / 1 / 13

HEX #3FDEDC

RGB 63 222 220

HSL 179.25, 0.71%, 0.56%

LAB 81, -40.03, -10.82

 

CMYK 1 / 72 / 0 / 13

HEX #DC3FDE

RGB 220 63 222

HSL 299.25, 0.71%, 0.56%

LAB 56.13, 77.27, -49.39

 

CMYK 0 / 1 / 71 / 13

HEX #DFDD40

RGB 223 221 64

HSL 59.25, 0.71%, 0.56%

LAB 85.89, -17.02, 72.57

 

CMYK 72 / 0 / 59 / 13

HEX #3FDE5C

RGB 63 222 92

HSL 130.94, 0.71%, 0.56%

LAB 78.5, -66.52, 51.22

 

CMYK 72 / 70 / 0 / 13

HEX #3F42DE

RGB 63 66 222

HSL 238.87, 0.71%, 0.56%

LAB 38.25, 48.9, -79.23

 

CMYK 0 / 72 / 13 / 13

HEX #DE3FC1

RGB 222 63 193

HSL 310.94, 0.71%, 0.56%

LAB 55.01, 73.35, -34.6

 

CMYK 0 / 1 / 71 / 13

HEX #DFDD40

RGB 223 221 64

HSL 59.25, 0.71%, 0.56%

LAB 85.89, -17.02, 72.57

 

CMYK 72 / 0 / 37 / 13

HEX #3FDE8C

RGB 63 222 140

HSL 149.06, 0.71%, 0.56%

LAB 79.15, -59.06, 28.73

 

CMYK 72 / 70 / 0 / 13

HEX #3F42DE

RGB 63 66 222

HSL 238.87, 0.71%, 0.56%

LAB 38.25, 48.9, -79.23

 

CMYK 0 / 72 / 35 / 13

HEX #DE3F91

RGB 222 63 145

HSL 329.06, 0.71%, 0.56%

LAB 53.09, 67.32, -9.43

 

Description

Color code: HEX #DFDD40 | qconv.com Color code: HEX #DFDD40 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 221 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 221 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 71% 13% C M Y K

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Provide designers and agencies with accurate color values.

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