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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFDAAA it is the complementary color #202555. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFDAAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFDAAA shade: #E4DAA5, #F5ECB8, #FFFECB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFDAAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFDAAA shade: #DFDAAA, #CEC897, #BDB684, #ACA471 and #9B925E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFDAAA shade: #DFDAAA, #DFCCAA, #DFBDAA, #DFAFAA and #DFAAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFDAAA shade: #DFDAAA, #D5DFAA, #C7DFAA, #B9DFAA and #ABDFAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFDAAA shade matches the following richer shades: #DFDAAA, #E8E1A0, #F2E997 and #FBF18D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFDAAA shade: #DFDAAA, #D5D2B3, #CCCABD, #C2C3C6 and #B9BBD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFDAAA shade: #DFBDAA, #DFCBAA, #DFD9AA, #D6DFAA and #C8DFAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFDAAA shade: #C8C06E, #D3CD8C, #DFDAAA, #EAE7C8 and #F5F4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFDAAA shade: #DFDAAA, #AADFAF and #C4AADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFDAAA shade: #DFDAAA, #AADFD9 and #D9AADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFDAAA shade: #DFDAAA, #AADFAF, #AAAFDF and #DFAAD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFDAAA shade: #DFDAAA, #AADFBF, #AAAFDF and #DFAACA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

Complementary color

CMYK 62 / 56 / 0 / 67

HEX #202555

RGB 32 37 85

HSL 234.34, 0.45%, 0.23%

LAB 16.92, 14.28, -29.98

 

CMYK 0 / 4 / 28 / 11

HEX #E4DAA5

RGB 228 218 165

HSL 50.48, 0.54%, 0.77%

LAB 86.68, -4.66, 27.38

 

CMYK 0 / 4 / 25 / 4

HEX #F5ECB8

RGB 245 236 184

HSL 51.15, 0.75%, 0.84%

LAB 92.95, -4.93, 26.36

 

CMYK 0 / 0 / 20 / 0

HEX #FFFECB

RGB 255 254 203

HSL 58.85, 1%, 0.9%

LAB 98.61, -7.69, 24.58

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 0 / 3 / 27 / 19

HEX #CEC897

RGB 206 200 151

HSL 53.45, 0.36%, 0.7%

LAB 79.99, -5.62, 25.32

 

CMYK 0 / 4 / 30 / 26

HEX #BDB684

RGB 189 182 132

HSL 52.63, 0.3%, 0.63%

LAB 73.51, -5.33, 26.4

 

CMYK 0 / 5 / 34 / 33

HEX #ACA471

RGB 172 164 113

HSL 51.86, 0.26%, 0.56%

LAB 66.91, -5, 27.55

 

CMYK 0 / 6 / 39 / 39

HEX #9B925E

RGB 155 146 94

HSL 51.15, 0.24%, 0.49%

LAB 60.19, -4.59, 28.77

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 0 / 9 / 24 / 13

HEX #DFCCAA

RGB 223 204 170

HSL 38.49, 0.45%, 0.77%

LAB 82.79, 1.36, 19.37

 

CMYK 0 / 15 / 24 / 13

HEX #DFBDAA

RGB 223 189 170

HSL 21.51, 0.45%, 0.77%

LAB 79.03, 9.25, 14.11

 

CMYK 0 / 22 / 24 / 13

HEX #DFAFAA

RGB 223 175 170

HSL 5.66, 0.45%, 0.77%

LAB 75.61, 16.73, 9.25

 

CMYK 0 / 24 / 24 / 13

HEX #DFAAAA

RGB 223 170 170

HSL 0, 0.45%, 0.77%

LAB 74.41, 19.42, 7.54

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 4 / 0 / 24 / 13

HEX #D5DFAA

RGB 213 223 170

HSL 71.32, 0.45%, 0.77%

LAB 86.91, -12.09, 24.91

 

CMYK 11 / 0 / 24 / 13

HEX #C7DFAA

RGB 199 223 170

HSL 87.17, 0.45%, 0.77%

LAB 85.92, -17.16, 23.39

 

CMYK 17 / 0 / 24 / 13

HEX #B9DFAA

RGB 185 223 170

HSL 103.02, 0.45%, 0.77%

LAB 84.99, -22.09, 21.97

 

CMYK 23 / 0 / 24 / 13

HEX #ABDFAA

RGB 171 223 170

HSL 118.87, 0.45%, 0.77%

LAB 84.14, -26.84, 20.66

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 0 / 3 / 31 / 9

HEX #E8E1A0

RGB 232 225 160

HSL 54.17, 0.61%, 0.77%

LAB 88.71, -7.33, 32.73

 

CMYK 0 / 4 / 38 / 5

HEX #F2E997

RGB 242 233 151

HSL 54.07, 0.78%, 0.77%

LAB 91.41, -8.57, 40.95

 

CMYK 0 / 4 / 44 / 2

HEX #FBF18D

RGB 251 241 141

HSL 54.55, 0.93%, 0.77%

LAB 94.03, -10.09, 49.31

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 0 / 1 / 16 / 16

HEX #D5D2B3

RGB 213 210 179

HSL 54.71, 0.29%, 0.77%

LAB 83.7, -4.13, 15.76

 

CMYK 0 / 1 / 7 / 20

HEX #CCCABD

RGB 204 202 189

HSL 52, 0.13%, 0.77%

LAB 81.16, -1.59, 6.72

 

CMYK 2 / 2 / 0 / 22

HEX #C2C3C6

RGB 194 195 198

HSL 225, 0.03%, 0.77%

LAB 78.8, 0.22, -1.63

 

CMYK 11 / 10 / 0 / 18

HEX #B9BBD0

RGB 185 187 208

HSL 234.78, 0.2%, 0.77%

LAB 76.32, 3.43, -10.78

 

CMYK 0 / 15 / 24 / 13

HEX #DFBDAA

RGB 223 189 170

HSL 21.51, 0.45%, 0.77%

LAB 79.03, 9.25, 14.11

 

CMYK 0 / 9 / 24 / 13

HEX #DFCBAA

RGB 223 203 170

HSL 37.36, 0.45%, 0.77%

LAB 82.54, 1.88, 19.02

 

CMYK 0 / 3 / 24 / 13

HEX #DFD9AA

RGB 223 217 170

HSL 53.21, 0.45%, 0.77%

LAB 86.11, -5.35, 23.95

 

CMYK 4 / 0 / 24 / 13

HEX #D6DFAA

RGB 214 223 170

HSL 70.19, 0.45%, 0.77%

LAB 86.98, -11.73, 25.03

 

CMYK 10 / 0 / 24 / 13

HEX #C8DFAA

RGB 200 223 170

HSL 86.04, 0.45%, 0.77%

LAB 85.98, -16.81, 23.5

 

CMYK 0 / 4 / 45 / 22

HEX #C8C06E

RGB 200 192 110

HSL 54.67, 0.45%, 0.61%

LAB 76.74, -8.66, 42.15

 

CMYK 0 / 3 / 34 / 17

HEX #D3CD8C

RGB 211 205 140

HSL 54.93, 0.45%, 0.69%

LAB 81.51, -7.67, 33.16

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 0 / 1 / 15 / 8

HEX #EAE7C8

RGB 234 231 200

HSL 54.71, 0.45%, 0.85%

LAB 91.15, -4.1, 15.47

 

CMYK 0 / 0 / 6 / 4

HEX #F5F4E6

RGB 245 244 230

HSL 56, 0.43%, 0.93%

LAB 95.92, -2.06, 6.85

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 24 / 0 / 22 / 13

HEX #AADFAF

RGB 170 223 175

HSL 125.66, 0.45%, 0.77%

LAB 84.18, -26.31, 18.1

 

CMYK 12 / 24 / 0 / 13

HEX #C4AADF

RGB 196 170 223

HSL 269.43, 0.45%, 0.77%

LAB 73.42, 19.41, -23.23

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 24 / 0 / 3 / 13

HEX #AADFD9

RGB 170 223 217

HSL 173.21, 0.45%, 0.77%

LAB 85.17, -18.17, -2.62

 

CMYK 3 / 24 / 0 / 13

HEX #D9AADF

RGB 217 170 223

HSL 293.21, 0.45%, 0.77%

LAB 75.34, 26.21, -20.13

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 24 / 0 / 22 / 13

HEX #AADFAF

RGB 170 223 175

HSL 125.66, 0.45%, 0.77%

LAB 84.18, -26.31, 18.1

 

CMYK 24 / 22 / 0 / 13

HEX #AAAFDF

RGB 170 175 223

HSL 234.34, 0.45%, 0.77%

LAB 72.58, 8.52, -24.7

 

CMYK 0 / 24 / 3 / 13

HEX #DFAAD9

RGB 223 170 217

HSL 306.79, 0.45%, 0.77%

LAB 75.73, 27.08, -16.23

 

CMYK 0 / 2 / 24 / 13

HEX #DFDAAA

RGB 223 218 170

HSL 54.34, 0.45%, 0.77%

LAB 86.37, -5.86, 24.3

 

CMYK 24 / 0 / 14 / 13

HEX #AADFBF

RGB 170 223 191

HSL 143.77, 0.45%, 0.77%

LAB 84.53, -23.4, 10.18

 

CMYK 24 / 22 / 0 / 13

HEX #AAAFDF

RGB 170 175 223

HSL 234.34, 0.45%, 0.77%

LAB 72.58, 8.52, -24.7

 

CMYK 0 / 24 / 9 / 13

HEX #DFAACA

RGB 223 170 202

HSL 323.77, 0.45%, 0.77%

LAB 75.27, 24.45, -8.73

 

Description

Color code: HEX #DFDAAA | qconv.com Color code: HEX #DFDAAA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 218 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 218 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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