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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD971 it is the complementary color #20268E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD971. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD971 shade: #E4D96C, #F5EB7F, #FFFD92, #FFFFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD971. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD971 shade: #DFD971, #CEC75E, #BDB54B, #ACA338 and #9B9125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD971 shade: #DFD972, #DFBC72, #DF9E72, #DF8172 and #DF7272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD971 shade: #DFD972, #C7DF72, #AADF72, #8CDF72 and #72DF74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD971 shade matches the following richer shades: #DFD972, #EDE564 and #FBF256

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD971 shade: #DFD972, #D1CC80, #C3C08E, #B5B39C and #A7A7AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD971 shade: #DF9D72, #DFBB72, #DFD872, #C9DF72 and #ACDF72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD971 shade: #CFC62F, #D7D050, #DFD972, #E7E293 and #EEEBB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD971 shade: #DFD971, #72DF80 and #AC72DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD971 shade: #DFD971, #72DFD8 and #D872DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD971 shade: #DFD971, #72DF80, #7279DF and #DF72D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD971 shade: #DFD971, #72DFA1, #7279DF and #DF72B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 49 / 13

HEX #DFD971

RGB 223 217 113

HSL 56.73, 0.63%, 0.66%

LAB 85.25, -11.79, 51.47

 

Complementary color

CMYK 77 / 73 / 0 / 44

HEX #20268E

RGB 32 38 142

HSL 236.73, 0.63%, 0.34%

LAB 22.47, 35.16, -57.71

 

CMYK 0 / 5 / 53 / 11

HEX #E4D96C

RGB 228 217 108

HSL 54.5, 0.69%, 0.66%

LAB 85.61, -10.2, 54.33

 

CMYK 0 / 4 / 48 / 4

HEX #F5EB7F

RGB 245 235 127

HSL 54.92, 0.86%, 0.73%

LAB 91.85, -10.77, 53.2

 

CMYK 0 / 1 / 43 / 0

HEX #FFFD92

RGB 255 253 146

HSL 58.9, 1%, 0.79%

LAB 97.46, -13.95, 51.25

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 3 / 49 / 13

HEX #DFD971

RGB 223 217 113

HSL 56.73, 0.63%, 0.66%

LAB 85.25, -11.79, 51.47

 

CMYK 0 / 3 / 54 / 19

HEX #CEC75E

RGB 206 199 94

HSL 56.25, 0.53%, 0.59%

LAB 78.91, -11.22, 52.59

 

CMYK 0 / 4 / 60 / 26

HEX #BDB54B

RGB 189 181 75

HSL 55.79, 0.46%, 0.52%

LAB 72.48, -10.53, 53.62

 

CMYK 0 / 5 / 67 / 33

HEX #ACA338

RGB 172 163 56

HSL 55.34, 0.51%, 0.45%

LAB 65.94, -9.68, 54.42

 

CMYK 0 / 6 / 76 / 39

HEX #9B9125

RGB 155 145 37

HSL 54.92, 0.61%, 0.38%

LAB 59.3, -8.64, 54.72

 

CMYK 0 / 3 / 49 / 13

HEX #DFD972

RGB 223 217 114

HSL 56.7, 0.63%, 0.66%

LAB 85.27, -11.71, 51.01

 

CMYK 0 / 16 / 49 / 13

HEX #DFBC72

RGB 223 188 114

HSL 40.73, 0.63%, 0.66%

LAB 77.8, 3.2, 41.9

 

CMYK 0 / 29 / 49 / 13

HEX #DF9E72

RGB 223 158 114

HSL 24.22, 0.63%, 0.66%

LAB 70.43, 19.17, 32.56

 

CMYK 0 / 42 / 49 / 13

HEX #DF8172

RGB 223 129 114

HSL 8.26, 0.63%, 0.66%

LAB 63.84, 34.64, 23.9

 

CMYK 0 / 49 / 49 / 13

HEX #DF7272

RGB 223 114 114

HSL 0, 0.63%, 0.66%

LAB 60.73, 42.37, 19.7

 

CMYK 0 / 3 / 49 / 13

HEX #DFD972

RGB 223 217 114

HSL 56.7, 0.63%, 0.66%

LAB 85.27, -11.71, 51.01

 

CMYK 11 / 0 / 49 / 13

HEX #C7DF72

RGB 199 223 114

HSL 73.21, 0.63%, 0.66%

LAB 85.06, -24.13, 50.34

 

CMYK 24 / 0 / 49 / 13

HEX #AADF72

RGB 170 223 114

HSL 89.17, 0.63%, 0.66%

LAB 83.2, -35.01, 47.65

 

CMYK 37 / 0 / 49 / 13

HEX #8CDF72

RGB 140 223 114

HSL 105.69, 0.63%, 0.66%

LAB 81.6, -45.25, 45.33

 

CMYK 49 / 0 / 48 / 13

HEX #72DF74

RGB 114 223 116

HSL 121.1, 0.63%, 0.66%

LAB 80.52, -52.69, 42.79

 

CMYK 0 / 3 / 49 / 13

HEX #DFD972

RGB 223 217 114

HSL 56.7, 0.63%, 0.66%

LAB 85.27, -11.71, 51.01

 

CMYK 0 / 3 / 58 / 7

HEX #EDE564

RGB 237 229 100

HSL 56.5, 0.79%, 0.66%

LAB 89.38, -13.14, 62.42

 

CMYK 0 / 4 / 66 / 2

HEX #FBF256

RGB 251 242 86

HSL 56.73, 0.95%, 0.66%

LAB 93.75, -14.71, 73.13

 

CMYK 0 / 3 / 49 / 13

HEX #DFD972

RGB 223 217 114

HSL 56.7, 0.63%, 0.66%

LAB 85.27, -11.71, 51.01

 

CMYK 0 / 2 / 39 / 18

HEX #D1CC80

RGB 209 204 128

HSL 56.3, 0.47%, 0.66%

LAB 80.91, -9.32, 38.48

 

CMYK 0 / 2 / 27 / 24

HEX #C3C08E

RGB 195 192 142

HSL 56.6, 0.31%, 0.66%

LAB 76.83, -6.9, 25.65

 

CMYK 0 / 1 / 14 / 29

HEX #B5B39C

RGB 181 179 156

HSL 55.2, 0.14%, 0.66%

LAB 72.54, -3.29, 12.01

 

CMYK 2 / 2 / 0 / 33

HEX #A7A7AA

RGB 167 167 170

HSL 240, 0.02%, 0.66%

LAB 68.57, 0.58, -1.55

 

CMYK 0 / 30 / 49 / 13

HEX #DF9D72

RGB 223 157 114

HSL 23.67, 0.63%, 0.66%

LAB 70.19, 19.71, 32.25

 

CMYK 0 / 16 / 49 / 13

HEX #DFBB72

RGB 223 187 114

HSL 40.18, 0.63%, 0.66%

LAB 77.55, 3.72, 41.59

 

CMYK 0 / 3 / 49 / 13

HEX #DFD872

RGB 223 216 114

HSL 56.15, 0.63%, 0.66%

LAB 85, -11.2, 50.7

 

CMYK 10 / 0 / 49 / 13

HEX #C9DF72

RGB 201 223 114

HSL 72.11, 0.63%, 0.66%

LAB 85.2, -23.36, 50.54

 

CMYK 23 / 0 / 49 / 13

HEX #ACDF72

RGB 172 223 114

HSL 88.07, 0.63%, 0.66%

LAB 83.32, -34.28, 47.82

 

CMYK 0 / 4 / 77 / 19

HEX #CFC62F

RGB 207 198 47

HSL 56.63, 0.63%, 0.5%

LAB 78.38, -13, 70.61

 

CMYK 0 / 3 / 63 / 16

HEX #D7D050

RGB 215 208 80

HSL 56.89, 0.63%, 0.58%

LAB 81.91, -13.03, 62.28

 

CMYK 0 / 3 / 49 / 13

HEX #DFD972

RGB 223 217 114

HSL 56.7, 0.63%, 0.66%

LAB 85.27, -11.71, 51.01

 

CMYK 0 / 2 / 36 / 9

HEX #E7E293

RGB 231 226 147

HSL 56.43, 0.64%, 0.74%

LAB 88.68, -9.75, 39.25

 

CMYK 0 / 1 / 24 / 7

HEX #EEEBB5

RGB 238 235 181

HSL 56.84, 0.63%, 0.82%

LAB 92.1, -7.41, 26.64

 

CMYK 0 / 3 / 49 / 13

HEX #DFD971

RGB 223 217 113

HSL 56.73, 0.63%, 0.66%

LAB 85.25, -11.79, 51.47

 

CMYK 49 / 0 / 43 / 13

HEX #72DF80

RGB 114 223 128

HSL 127.71, 0.63%, 0.66%

LAB 80.69, -50.95, 37.09

 

CMYK 23 / 49 / 0 / 13

HEX #AC72DF

RGB 172 114 223

HSL 271.93, 0.63%, 0.66%

LAB 58.16, 43.26, -47.13

 

CMYK 0 / 3 / 49 / 13

HEX #DFD971

RGB 223 217 113

HSL 56.73, 0.63%, 0.66%

LAB 85.25, -11.79, 51.47

 

CMYK 49 / 0 / 3 / 13

HEX #72DFD8

RGB 114 223 216

HSL 176.15, 0.63%, 0.66%

LAB 82.55, -32.99, -6.24

 

CMYK 3 / 49 / 0 / 13

HEX #D872DF

RGB 216 114 223

HSL 296.15, 0.63%, 0.66%

LAB 63.31, 55.36, -38.68

 

CMYK 0 / 3 / 49 / 13

HEX #DFD971

RGB 223 217 113

HSL 56.73, 0.63%, 0.66%

LAB 85.25, -11.79, 51.47

 

CMYK 49 / 0 / 43 / 13

HEX #72DF80

RGB 114 223 128

HSL 127.71, 0.63%, 0.66%

LAB 80.69, -50.95, 37.09

 

CMYK 49 / 46 / 0 / 13

HEX #7279DF

RGB 114 121 223

HSL 236.15, 0.63%, 0.66%

LAB 54.64, 24.6, -53.05

 

CMYK 0 / 49 / 7 / 13

HEX #DF72D0

RGB 223 114 208

HSL 308.26, 0.63%, 0.66%

LAB 63.57, 54.73, -29.8

 

CMYK 0 / 3 / 49 / 13

HEX #DFD971

RGB 223 217 113

HSL 56.73, 0.63%, 0.66%

LAB 85.25, -11.79, 51.47

 

CMYK 49 / 0 / 28 / 13

HEX #72DFA1

RGB 114 223 161

HSL 145.87, 0.63%, 0.66%

LAB 81.25, -45.24, 20.94

 

CMYK 49 / 46 / 0 / 13

HEX #7279DF

RGB 114 121 223

HSL 236.15, 0.63%, 0.66%

LAB 54.64, 24.6, -53.05

 

CMYK 0 / 49 / 21 / 13

HEX #DF72B0

RGB 223 114 176

HSL 325.87, 0.63%, 0.66%

LAB 62.39, 49.75, -13.49

 

Description

Color code: HEX #DFD971 | qconv.com Color code: HEX #DFD971 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 217 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 217 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 49 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 49% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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