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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD8D500 it is the complementary color #20272A00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD8D500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD8D500 shade: #E4D8D000, #F5EAE300 and #FFFCF600

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD8D500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD8D500 shade: #DFD8D500, #CEC6C200, #BDB4AF00, #ACA29C00 and #9B908900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD8D500 shade: #DED7D3, #DED4D3 and #DED3D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD8D500 shade: #DED7D3, #DED9D3, #DEDCD3, #DDDED3 and #DADED3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD8D500 shade matches the following richer shades: #DED7D3, #E4D4CD, #EAD2C7, #F1CFC1 and #F7CDBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD8D500 shade: #DED7D3, #D8D9DA, #D2DCE0, #CCDEE6 and #C5E1EC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD8D500 shade: #DED3D6, #DED4D3, #DED7D3, #DED9D3 and #DEDCD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD8D500 shade: #BBABA4, #CCC1BC, #DED7D3, #F0ECEB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD8D500 shade: #DFD8D5, #D9DED3 and #D3D4DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD8D500 shade: #DFD8D5, #D3DED7 and #D7D3DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD8D500 shade: #DFD8D5, #D9DED3, #D3DBDE and #D9D3DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD8D500 shade: #DFD8D5, #D6DED3, #D3DBDE and #DCD3DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #DFD8D500

RGBA 223 216 213 0

HSLA 18, 0.14%, 0.85%, 0

LABA 86.8, 1.87, 2.32, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #20272A00

RGBA 32 39 42 0

HSLA 198, 0.14%, 0.15%, 0

LABA 15.09, -2.25, -3.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E4D8D000

RGBA 228 216 208 0

HSLA 24, 0.27%, 0.85%, 0

LABA 87.08, 2.76, 5.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F5EAE300

RGBA 245 234 227 0

HSLA 23.33, 0.47%, 0.93%, 0

LABA 93.37, 2.53, 4.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCF600

RGBA 255 252 246 0

HSLA 40, 1%, 0.98%, 0

LABA 99.04, -0.03, 3.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DFD8D500

RGBA 223 216 213 0

HSLA 18, 0.14%, 0.85%, 0

LABA 86.8, 1.87, 2.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CEC6C200

RGBA 206 198 194 0

HSLA 20, 0.11%, 0.78%, 0

LABA 80.41, 2.08, 2.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BDB4AF00

RGBA 189 180 175 0

HSLA 21.43, 0.1%, 0.71%, 0

LABA 73.91, 2.31, 3.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ACA29C00

RGBA 172 162 156 0

HSLA 22.5, 0.09%, 0.64%, 0

LABA 67.29, 2.55, 4.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9B908900

RGBA 155 144 137 0

HSLA 23.33, 0.08%, 0.57%, 0

LABA 60.53, 2.83, 5.18, 0

 

CMYK 0 / 3 / 5 / 13

HEX #DED7D3

RGB 222 215 211

HSL 21.82, 0.14%, 0.85%

LAB 86.42, 1.7, 2.81

 

CMYK 0 / 5 / 5 / 13

HEX #DED4D3

RGB 222 212 211

HSL 5.45, 0.14%, 0.85%

LAB 85.67, 3.26, 1.71

HEX #DED4D3

CMYK 0 / 5 / 5 / 13

HEX #DED3D3

RGB 222 211 211

HSL 0, 0.14%, 0.85%

LAB 85.41, 3.79, 1.35

HEX #DED3D3

CMYK 0 / 3 / 5 / 13

HEX #DED7D3

RGB 222 215 211

HSL 21.82, 0.14%, 0.85%

LAB 86.42, 1.7, 2.81

 

CMYK 0 / 2 / 5 / 13

HEX #DED9D3

RGB 222 217 211

HSL 32.73, 0.14%, 0.85%

LAB 86.93, 0.66, 3.54

 

CMYK 0 / 1 / 5 / 13

HEX #DEDCD3

RGB 222 220 211

HSL 49.09, 0.14%, 0.85%

LAB 87.69, -0.89, 4.65

 

CMYK 0 / 0 / 5 / 13

HEX #DDDED3

RGB 221 222 211

HSL 65.45, 0.14%, 0.85%

LAB 88.12, -2.27, 5.26

 

CMYK 2 / 0 / 5 / 13

HEX #DADED3

RGB 218 222 211

HSL 81.82, 0.14%, 0.85%

LAB 87.9, -3.3, 4.91

 

CMYK 0 / 3 / 5 / 13

HEX #DED7D3

RGB 222 215 211

HSL 21.82, 0.14%, 0.85%

LAB 86.42, 1.7, 2.81

 

CMYK 0 / 7 / 10 / 11

HEX #E4D4CD

RGB 228 212 205

HSL 18.26, 0.3%, 0.85%

LAB 86, 4.35, 5.44

 

CMYK 0 / 10 / 15 / 8

HEX #EAD2C7

RGB 234 210 199

HSL 18.86, 0.45%, 0.85%

LAB 85.86, 6.57, 8.48

 

CMYK 0 / 14 / 20 / 5

HEX #F1CFC1

RGB 241 207 193

HSL 17.5, 0.63%, 0.85%

LAB 85.59, 9.76, 11.35

 

CMYK 0 / 17 / 24 / 3

HEX #F7CDBB

RGB 247 205 187

HSL 18, 0.79%, 0.85%

LAB 85.52, 12.15, 14.5

 

CMYK 0 / 3 / 5 / 13

HEX #DED7D3

RGB 222 215 211

HSL 21.82, 0.14%, 0.85%

LAB 86.42, 1.7, 2.81

 

CMYK 1 / 0 / 0 / 15

HEX #D8D9DA

RGB 216 217 218

HSL 210, 0.03%, 0.85%

LAB 86.65, -0.15, -0.62

 

CMYK 6 / 2 / 0 / 12

HEX #D2DCE0

RGB 210 220 224

HSL 197.14, 0.18%, 0.85%

LAB 87.13, -2.6, -3.13

 

CMYK 11 / 3 / 0 / 10

HEX #CCDEE6

RGB 204 222 230

HSL 198.46, 0.34%, 0.85%

LAB 87.38, -4.42, -5.97

 

CMYK 17 / 5 / 0 / 7

HEX #C5E1EC

RGB 197 225 236

HSL 196.92, 0.51%, 0.85%

LAB 87.86, -6.95, -8.47

 

CMYK 0 / 5 / 4 / 13

HEX #DED3D6

RGB 222 211 214

HSL 343.64, 0.14%, 0.85%

LAB 85.49, 4.31, -0.13

 

CMYK 0 / 5 / 5 / 13

HEX #DED4D3

RGB 222 212 211

HSL 5.45, 0.14%, 0.85%

LAB 85.67, 3.26, 1.71

HEX #DED4D3

CMYK 0 / 3 / 5 / 13

HEX #DED7D3

RGB 222 215 211

HSL 21.82, 0.14%, 0.85%

LAB 86.42, 1.7, 2.81

HEX #DED7D3

CMYK 0 / 2 / 5 / 13

HEX #DED9D3

RGB 222 217 211

HSL 32.73, 0.14%, 0.85%

LAB 86.93, 0.66, 3.54

HEX #DED9D3

CMYK 0 / 1 / 5 / 13

HEX #DEDCD3

RGB 222 220 211

HSL 49.09, 0.14%, 0.85%

LAB 87.69, -0.89, 4.65

HEX #DEDCD3

CMYK 0 / 9 / 12 / 27

HEX #BBABA4

RGB 187 171 164

HSL 18.26, 0.14%, 0.69%

LAB 71.13, 4.56, 5.68

 

CMYK 0 / 5 / 8 / 20

HEX #CCC1BC

RGB 204 193 188

HSL 18.75, 0.14%, 0.77%

LAB 78.82, 2.98, 3.88

 

CMYK 0 / 3 / 5 / 13

HEX #DED7D3

RGB 222 215 211

HSL 21.82, 0.14%, 0.85%

LAB 86.42, 1.7, 2.81

 

CMYK 0 / 2 / 2 / 6

HEX #F0ECEB

RGB 240 236 235

HSL 12, 0.14%, 0.93%

LAB 93.67, 1.17, 0.95

 

CMYK 0 / 3 / 4 / 13

HEX #DFD8D5

RGB 223 216 213

HSL 18, 0.14%, 0.85%

LAB 86.8, 1.87, 2.32

 

CMYK 2 / 0 / 5 / 13

HEX #D9DED3

RGB 217 222 211

HSL 87.27, 0.14%, 0.85%

LAB 87.82, -3.65, 4.79

 

CMYK 5 / 5 / 0 / 13

HEX #D3D4DE

RGB 211 212 222

HSL 234.55, 0.14%, 0.85%

LAB 85.1, 1.52, -5.05

 

CMYK 0 / 3 / 4 / 13

HEX #DFD8D5

RGB 223 216 213

HSL 18, 0.14%, 0.85%

LAB 86.8, 1.87, 2.32

 

CMYK 5 / 0 / 3 / 13

HEX #D3DED7

RGB 211 222 215

HSL 141.82, 0.14%, 0.85%

LAB 87.48, -4.97, 2.14

 

CMYK 3 / 5 / 0 / 13

HEX #D7D3DE

RGB 215 211 222

HSL 261.82, 0.14%, 0.85%

LAB 85.15, 3.38, -4.94

 

CMYK 0 / 3 / 4 / 13

HEX #DFD8D5

RGB 223 216 213

HSL 18, 0.14%, 0.85%

LAB 86.8, 1.87, 2.32

 

CMYK 2 / 0 / 5 / 13

HEX #D9DED3

RGB 217 222 211

HSL 87.27, 0.14%, 0.85%

LAB 87.82, -3.65, 4.79

 

CMYK 5 / 1 / 0 / 13

HEX #D3DBDE

RGB 211 219 222

HSL 196.36, 0.14%, 0.85%

LAB 86.89, -2.13, -2.42

 

CMYK 2 / 5 / 0 / 13

HEX #D9D3DE

RGB 217 211 222

HSL 272.73, 0.14%, 0.85%

LAB 85.31, 4.05, -4.69

 

CMYK 0 / 3 / 4 / 13

HEX #DFD8D5

RGB 223 216 213

HSL 18, 0.14%, 0.85%

LAB 86.8, 1.87, 2.32

 

CMYK 4 / 0 / 5 / 13

HEX #D6DED3

RGB 214 222 211

HSL 103.64, 0.14%, 0.85%

LAB 87.6, -4.67, 4.45

 

CMYK 5 / 1 / 0 / 13

HEX #D3DBDE

RGB 211 219 222

HSL 196.36, 0.14%, 0.85%

LAB 86.89, -2.13, -2.42

 

CMYK 1 / 5 / 0 / 13

HEX #DCD3DE

RGB 220 211 222

HSL 289.09, 0.14%, 0.85%

LAB 85.54, 5.06, -4.32

 

Description

Color code: HEX #DFD8D500 | qconv.com Color code: HEX #DFD8D500 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 216 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 216 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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