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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD6C6 it is the complementary color #202939. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD6C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD6C6 shade: #E4D6C1, #F5E8D4, #FFFAE7, #FFFFFA and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD6C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD6C6 shade: #DFD6C6, #CEC4B3, #BDB2A0, #ACA08D and #9B8E7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD6C6 shade: #E0D7C8, #E0D1C8, #E0CAC8 and #E0C8C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD6C6 shade: #E0D7C8, #E0DEC8, #DBE0C8, #D5E0C8 and #CEE0C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD6C6 shade matches the following richer shades: #E0D7C8, #E7D9C0, #EEDBB9, #F5DDB2 and #FCDFAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD6C6 shade: #E0D7C8, #D9D5CF, #D2D3D6, #CBD1DD and #C4CFE4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD6C6 shade: #E0CAC8, #E0D0C8, #E0D7C8, #E0DDC8 and #DCE0C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD6C6 shade: #C2B193, #D1C4AD, #E0D7C8, #EFEAE2 and #FDFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD6C6 shade: #DFD6C6, #CCE0C8 and #CDC8E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD6C6 shade: #DFD6C6, #C8E0D7 and #D7C8E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD6C6 shade: #DFD6C6, #CCE0C8, #C8D0E0 and #DCC8E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD6C6 shade: #DFD6C6, #C8E0CB, #C8D0E0 and #E0C8DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 11 / 13

HEX #DFD6C6

RGB 223 214 198

HSL 38.4, 0.28%, 0.83%

LAB 85.94, 0.39, 8.99

 

Complementary color

CMYK 44 / 28 / 0 / 78

HEX #202939

RGB 32 41 57

HSL 218.4, 0.28%, 0.17%

LAB 16.45, 1.05, -11.53

 

CMYK 0 / 6 / 15 / 11

HEX #E4D6C1

RGB 228 214 193

HSL 36, 0.39%, 0.83%

LAB 86.22, 1.39, 12.1

 

CMYK 0 / 5 / 13 / 4

HEX #F5E8D4

RGB 245 232 212

HSL 36.36, 0.62%, 0.9%

LAB 92.52, 1.14, 11.3

 

CMYK 0 / 2 / 9 / 0

HEX #FFFAE7

RGB 255 250 231

HSL 47.5, 1%, 0.95%

LAB 98.19, -1.5, 9.69

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 4 / 11 / 13

HEX #DFD6C6

RGB 223 214 198

HSL 38.4, 0.28%, 0.83%

LAB 85.94, 0.39, 8.99

 

CMYK 0 / 5 / 13 / 19

HEX #CEC4B3

RGB 206 196 179

HSL 37.78, 0.22%, 0.75%

LAB 79.53, 0.62, 9.78

 

CMYK 0 / 6 / 15 / 26

HEX #BDB2A0

RGB 189 178 160

HSL 37.24, 0.18%, 0.68%

LAB 73.02, 0.87, 10.6

 

CMYK 0 / 7 / 18 / 33

HEX #ACA08D

RGB 172 160 141

HSL 36.77, 0.16%, 0.61%

LAB 66.39, 1.15, 11.48

 

CMYK 0 / 8 / 21 / 39

HEX #9B8E7A

RGB 155 142 122

HSL 36.36, 0.14%, 0.54%

LAB 59.63, 1.46, 12.42

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C8

RGB 224 215 200

HSL 37.5, 0.28%, 0.83%

LAB 86.31, 0.56, 8.49

 

CMYK 0 / 7 / 11 / 12

HEX #E0D1C8

RGB 224 209 200

HSL 22.5, 0.28%, 0.83%

LAB 84.8, 3.68, 6.32

 

CMYK 0 / 10 / 11 / 12

HEX #E0CAC8

RGB 224 202 200

HSL 5, 0.28%, 0.83%

LAB 83.05, 7.36, 3.79

 

CMYK 0 / 11 / 11 / 12

HEX #E0C8C8

RGB 224 200 200

HSL 0, 0.28%, 0.83%

LAB 82.55, 8.41, 3.07

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C8

RGB 224 215 200

HSL 37.5, 0.28%, 0.83%

LAB 86.31, 0.56, 8.49

 

CMYK 0 / 1 / 11 / 12

HEX #E0DEC8

RGB 224 222 200

HSL 55, 0.28%, 0.83%

LAB 88.09, -3.06, 11.03

 

CMYK 2 / 0 / 11 / 12

HEX #DBE0C8

RGB 219 224 200

HSL 72.5, 0.28%, 0.83%

LAB 88.23, -5.84, 11.17

 

CMYK 5 / 0 / 11 / 12

HEX #D5E0C8

RGB 213 224 200

HSL 87.5, 0.28%, 0.83%

LAB 87.79, -7.93, 10.49

 

CMYK 8 / 0 / 11 / 12

HEX #CEE0C8

RGB 206 224 200

HSL 105, 0.28%, 0.83%

LAB 87.29, -10.35, 9.71

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C8

RGB 224 215 200

HSL 37.5, 0.28%, 0.83%

LAB 86.31, 0.56, 8.49

 

CMYK 0 / 6 / 17 / 9

HEX #E7D9C0

RGB 231 217 192

HSL 38.46, 0.45%, 0.83%

LAB 87.2, 0.77, 14.04

 

CMYK 0 / 8 / 22 / 7

HEX #EEDBB9

RGB 238 219 185

HSL 38.49, 0.61%, 0.83%

LAB 88.13, 1.28, 19.1

 

CMYK 0 / 10 / 27 / 4

HEX #F5DDB2

RGB 245 221 178

HSL 38.51, 0.77%, 0.83%

LAB 89.08, 1.9, 24.15

 

CMYK 0 / 12 / 32 / 1

HEX #FCDFAB

RGB 252 223 171

HSL 38.52, 0.93%, 0.83%

LAB 90.05, 2.62, 29.18

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C8

RGB 224 215 200

HSL 37.5, 0.28%, 0.83%

LAB 86.31, 0.56, 8.49

 

CMYK 0 / 2 / 5 / 15

HEX #D9D5CF

RGB 217 213 207

HSL 36, 0.12%, 0.83%

LAB 85.43, 0.32, 3.43

 

CMYK 2 / 1 / 0 / 16

HEX #D2D3D6

RGB 210 211 214

HSL 225, 0.05%, 0.83%

LAB 84.56, 0.21, -1.61

 

CMYK 8 / 5 / 0 / 13

HEX #CBD1DD

RGB 203 209 221

HSL 220, 0.21%, 0.83%

LAB 83.71, 0.26, -6.63

 

CMYK 14 / 9 / 0 / 11

HEX #C4CFE4

RGB 196 207 228

HSL 219.38, 0.37%, 0.83%

LAB 82.89, 0.45, -11.64

 

CMYK 0 / 10 / 11 / 12

HEX #E0CAC8

RGB 224 202 200

HSL 5, 0.28%, 0.83%

LAB 83.05, 7.36, 3.79

 

CMYK 0 / 7 / 11 / 12

HEX #E0D0C8

RGB 224 208 200

HSL 20, 0.28%, 0.83%

LAB 84.55, 4.2, 5.95

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C8

RGB 224 215 200

HSL 37.5, 0.28%, 0.83%

LAB 86.31, 0.56, 8.49

 

CMYK 0 / 1 / 11 / 12

HEX #E0DDC8

RGB 224 221 200

HSL 52.5, 0.28%, 0.83%

LAB 87.84, -2.54, 10.67

 

CMYK 2 / 0 / 11 / 12

HEX #DCE0C8

RGB 220 224 200

HSL 70, 0.28%, 0.83%

LAB 88.3, -5.49, 11.29

 

CMYK 0 / 9 / 24 / 24

HEX #C2B193

RGB 194 177 147

HSL 38.3, 0.28%, 0.67%

LAB 72.91, 1.33, 17.58

 

CMYK 0 / 6 / 17 / 18

HEX #D1C4AD

RGB 209 196 173

HSL 38.33, 0.28%, 0.75%

LAB 79.64, 0.78, 13.19

 

CMYK 0 / 4 / 11 / 12

HEX #E0D7C8

RGB 224 215 200

HSL 37.5, 0.28%, 0.83%

LAB 86.31, 0.56, 8.49

 

CMYK 0 / 2 / 5 / 6

HEX #EFEAE2

RGB 239 234 226

HSL 36.92, 0.29%, 0.91%

LAB 92.88, 0.31, 4.46

 

CMYK 0 / 0 / 0 / 1

HEX #FDFDFC

RGB 253 253 252

HSL 60, 0.2%, 0.99%

LAB 99.28, -0.17, 0.47

 

CMYK 0 / 4 / 11 / 13

HEX #DFD6C6

RGB 223 214 198

HSL 38.4, 0.28%, 0.83%

LAB 85.94, 0.39, 8.99

 

CMYK 9 / 0 / 11 / 12

HEX #CCE0C8

RGB 204 224 200

HSL 110, 0.28%, 0.83%

LAB 87.15, -11.03, 9.49

 

CMYK 8 / 11 / 0 / 12

HEX #CDC8E0

RGB 205 200 224

HSL 252.5, 0.28%, 0.83%

LAB 81.66, 6.27, -11.27

 

CMYK 0 / 4 / 11 / 13

HEX #DFD6C6

RGB 223 214 198

HSL 38.4, 0.28%, 0.83%

LAB 85.94, 0.39, 8.99

 

CMYK 11 / 0 / 4 / 12

HEX #C8E0D7

RGB 200 224 215

HSL 157.5, 0.28%, 0.83%

LAB 87.24, -9.65, 1.69

 

CMYK 4 / 11 / 0 / 12

HEX #D7C8E0

RGB 215 200 224

HSL 277.5, 0.28%, 0.83%

LAB 82.45, 9.58, -10.01

 

CMYK 0 / 4 / 11 / 13

HEX #DFD6C6

RGB 223 214 198

HSL 38.4, 0.28%, 0.83%

LAB 85.94, 0.39, 8.99

 

CMYK 9 / 0 / 11 / 12

HEX #CCE0C8

RGB 204 224 200

HSL 110, 0.28%, 0.83%

LAB 87.15, -11.03, 9.49

 

CMYK 11 / 7 / 0 / 12

HEX #C8D0E0

RGB 200 208 224

HSL 220, 0.28%, 0.83%

LAB 83.32, 0.4, -8.84

 

CMYK 2 / 11 / 0 / 12

HEX #DCC8E0

RGB 220 200 224

HSL 290, 0.28%, 0.83%

LAB 82.86, 11.25, -9.35

 

CMYK 0 / 4 / 11 / 13

HEX #DFD6C6

RGB 223 214 198

HSL 38.4, 0.28%, 0.83%

LAB 85.94, 0.39, 8.99

 

CMYK 11 / 0 / 9 / 12

HEX #C8E0CB

RGB 200 224 203

HSL 127.5, 0.28%, 0.83%

LAB 86.95, -11.86, 7.59

 

CMYK 11 / 7 / 0 / 12

HEX #C8D0E0

RGB 200 208 224

HSL 220, 0.28%, 0.83%

LAB 83.32, 0.4, -8.84

 

CMYK 0 / 11 / 1 / 12

HEX #E0C8DD

RGB 224 200 221

HSL 307.5, 0.28%, 0.83%

LAB 83.11, 12.05, -7.34

 

Description

Color code: HEX #DFD6C6 | qconv.com Color code: HEX #DFD6C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 214 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 214 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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