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Color name
HEX #DFD650

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD650 it is the complementary color #2029AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD650. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD650 shade: #E4D64B, #F5E85E, #FFFA71, #FFFF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD650. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD650 shade: #DFD650, #CEC43D, #BDB22A, #ACA017 and #9B8E04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD650 shade: #DFD54E, #DFAF4E, #DF884E, #DF614E and #DF4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD650 shade: #DFD54E, #C1DF4E, #9ADF4E, #73DF4E and #4EDF51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD650 shade matches the following richer shades: #DFD54E and #F0E43D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD650 shade: #DFD54E, #CEC75F, #BDB870, #ACA981 and #9B9A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD650 shade: #DF884E, #DFAE4E, #DFD54E, #C2DF4E and #9BDF4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD650 shade: #B9AF22, #D8CD2B, #DFD54E, #E5DE71 and #EBE694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD650 shade: #DFD650, #4EDF62 and #9B4EDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD650 shade: #DFD650, #4EDFD5 and #D54EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD650 shade: #DFD650, #4EDF62, #4E58DF and #DF4ECB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD650 shade: #DFD650, #4EDF8D, #4E58DF and #DF4EA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 64 / 13

HEX #DFD650

RGB 223 214 80

HSL 56.22, 0.69%, 0.59%

LAB 84.15, -12.71, 64.85

 

Complementary color

CMYK 82 / 77 / 0 / 31

HEX #2029AF

RGB 32 41 175

HSL 236.22, 0.69%, 0.41%

LAB 26.7, 44.9, -70.85

 

CMYK 0 / 6 / 67 / 11

HEX #E4D64B

RGB 228 214 75

HSL 54.51, 0.74%, 0.59%

LAB 84.53, -10.92, 67.35

 

CMYK 0 / 5 / 62 / 4

HEX #F5E85E

RGB 245 232 94

HSL 54.83, 0.88%, 0.66%

LAB 90.75, -11.77, 66.66

 

CMYK 0 / 2 / 56 / 0

HEX #FFFA71

RGB 255 250 113

HSL 57.89, 1%, 0.72%

LAB 96.34, -15.28, 64.97

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 4 / 64 / 13

HEX #DFD650

RGB 223 214 80

HSL 56.22, 0.69%, 0.59%

LAB 84.15, -12.71, 64.85

 

CMYK 0 / 5 / 70 / 19

HEX #CEC43D

RGB 206 196 61

HSL 55.86, 0.6%, 0.52%

LAB 77.84, -11.81, 65.35

 

CMYK 0 / 6 / 78 / 26

HEX #BDB22A

RGB 189 178 42

HSL 55.51, 0.64%, 0.45%

LAB 71.44, -10.74, 65.31

 

CMYK 0 / 7 / 87 / 33

HEX #ACA017

RGB 172 160 23

HSL 55.17, 0.76%, 0.38%

LAB 64.94, -9.45, 64.3

 

CMYK 0 / 8 / 97 / 39

HEX #9B8E04

RGB 155 142 4

HSL 54.83, 0.95%, 0.31%

LAB 58.34, -7.91, 61.84

 

CMYK 0 / 4 / 65 / 13

HEX #DFD54E

RGB 223 213 78

HSL 55.86, 0.69%, 0.59%

LAB 83.88, -12.33, 65.36

 

CMYK 0 / 22 / 65 / 13

HEX #DFAF4E

RGB 223 175 78

HSL 40.14, 0.69%, 0.59%

LAB 74.12, 7.3, 54.98

 

CMYK 0 / 39 / 65 / 13

HEX #DF884E

RGB 223 136 78

HSL 24, 0.69%, 0.59%

LAB 64.84, 28.14, 44.57

 

CMYK 0 / 57 / 65 / 13

HEX #DF614E

RGB 223 97 78

HSL 7.86, 0.69%, 0.59%

LAB 56.87, 47.95, 35.13

 

CMYK 0 / 65 / 65 / 13

HEX #DF4E4E

RGB 223 78 78

HSL 0, 0.69%, 0.59%

LAB 53.69, 56.37, 31.23

 

CMYK 0 / 4 / 65 / 13

HEX #DFD54E

RGB 223 213 78

HSL 55.86, 0.69%, 0.59%

LAB 83.88, -12.33, 65.36

 

CMYK 13 / 0 / 65 / 13

HEX #C1DF4E

RGB 193 223 78

HSL 72.41, 0.69%, 0.59%

LAB 84.31, -29.4, 65.11

 

CMYK 31 / 0 / 65 / 13

HEX #9ADF4E

RGB 154 223 78

HSL 88.55, 0.69%, 0.59%

LAB 81.94, -44.11, 61.9

 

CMYK 48 / 0 / 65 / 13

HEX #73DF4E

RGB 115 223 78

HSL 104.69, 0.69%, 0.59%

LAB 80.16, -56.68, 59.45

 

CMYK 65 / 0 / 64 / 13

HEX #4EDF51

RGB 78 223 81

HSL 121.24, 0.69%, 0.59%

LAB 79.04, -65.41, 56.66

 

CMYK 0 / 4 / 65 / 13

HEX #DFD54E

RGB 223 213 78

HSL 55.86, 0.69%, 0.59%

LAB 83.88, -12.33, 65.36

 

CMYK 0 / 5 / 75 / 6

HEX #F0E43D

RGB 240 228 61

HSL 55.98, 0.86%, 0.59%

LAB 89.09, -13.53, 77.06

 

CMYK 0 / 4 / 65 / 13

HEX #DFD54E

RGB 223 213 78

HSL 55.86, 0.69%, 0.59%

LAB 83.88, -12.33, 65.36

 

CMYK 0 / 3 / 54 / 19

HEX #CEC75F

RGB 206 199 95

HSL 56.22, 0.53%, 0.59%

LAB 78.92, -11.14, 52.14

 

CMYK 0 / 3 / 41 / 26

HEX #BDB870

RGB 189 184 112

HSL 56.1, 0.37%, 0.59%

LAB 73.72, -8.78, 37.16

 

CMYK 0 / 2 / 25 / 33

HEX #ACA981

RGB 172 169 129

HSL 55.81, 0.21%, 0.59%

LAB 68.56, -5.53, 21.09

 

CMYK 0 / 1 / 6 / 39

HEX #9B9A92

RGB 155 154 146

HSL 53.33, 0.04%, 0.59%

LAB 63.47, -1.13, 4.32

 

CMYK 0 / 39 / 65 / 13

HEX #DF884E

RGB 223 136 78

HSL 24, 0.69%, 0.59%

LAB 64.84, 28.14, 44.57

 

CMYK 0 / 22 / 65 / 13

HEX #DFAE4E

RGB 223 174 78

HSL 39.72, 0.69%, 0.59%

LAB 73.88, 7.83, 54.71

 

CMYK 0 / 4 / 65 / 13

HEX #DFD54E

RGB 223 213 78

HSL 55.86, 0.69%, 0.59%

LAB 83.88, -12.33, 65.36

 

CMYK 13 / 0 / 65 / 13

HEX #C2DF4E

RGB 194 223 78

HSL 72, 0.69%, 0.59%

LAB 84.38, -29.01, 65.21

 

CMYK 30 / 0 / 65 / 13

HEX #9BDF4E

RGB 155 223 78

HSL 88.14, 0.69%, 0.59%

LAB 82, -43.75, 61.97

 

CMYK 0 / 5 / 82 / 27

HEX #B9AF22

RGB 185 175 34

HSL 56.03, 0.69%, 0.43%

LAB 70.24, -11.21, 66.46

 

CMYK 0 / 5 / 80 / 15

HEX #D8CD2B

RGB 216 205 43

HSL 56.18, 0.69%, 0.51%

LAB 80.98, -12.82, 74.35

 

CMYK 0 / 4 / 65 / 13

HEX #DFD54E

RGB 223 213 78

HSL 55.86, 0.69%, 0.59%

LAB 83.88, -12.33, 65.36

 

CMYK 0 / 3 / 51 / 10

HEX #E5DE71

RGB 229 222 113

HSL 56.38, 0.69%, 0.67%

LAB 87.04, -11.88, 53.71

 

CMYK 0 / 2 / 37 / 8

HEX #EBE694

RGB 235 230 148

HSL 56.55, 0.69%, 0.75%

LAB 90.04, -10.1, 40.57

 

CMYK 0 / 4 / 64 / 13

HEX #DFD650

RGB 223 214 80

HSL 56.22, 0.69%, 0.59%

LAB 84.15, -12.71, 64.85

 

CMYK 65 / 0 / 56 / 13

HEX #4EDF62

RGB 78 223 98

HSL 128.28, 0.69%, 0.59%

LAB 79.2, -63.48, 49.41

 

CMYK 30 / 65 / 0 / 13

HEX #9B4EDF

RGB 155 78 223

HSL 271.86, 0.69%, 0.59%

LAB 49.19, 57.79, -61.59

 

CMYK 0 / 4 / 64 / 13

HEX #DFD650

RGB 223 214 80

HSL 56.22, 0.69%, 0.59%

LAB 84.15, -12.71, 64.85

 

CMYK 65 / 0 / 4 / 13

HEX #4EDFD5

RGB 78 223 213

HSL 175.86, 0.69%, 0.59%

LAB 81.4, -40.39, -6.46

 

CMYK 4 / 65 / 0 / 13

HEX #D54EDF

RGB 213 78 223

HSL 295.86, 0.69%, 0.59%

LAB 57, 70.62, -48.65

 

CMYK 0 / 4 / 64 / 13

HEX #DFD650

RGB 223 214 80

HSL 56.22, 0.69%, 0.59%

LAB 84.15, -12.71, 64.85

 

CMYK 65 / 0 / 56 / 13

HEX #4EDF62

RGB 78 223 98

HSL 128.28, 0.69%, 0.59%

LAB 79.2, -63.48, 49.41

 

CMYK 65 / 61 / 0 / 13

HEX #4E58DF

RGB 78 88 223

HSL 235.86, 0.69%, 0.59%

LAB 44.13, 37.98, -70.13

 

CMYK 0 / 65 / 9 / 13

HEX #DF4ECB

RGB 223 78 203

HSL 308.28, 0.69%, 0.59%

LAB 57.51, 69.75, -36.4

 

CMYK 0 / 4 / 64 / 13

HEX #DFD650

RGB 223 214 80

HSL 56.22, 0.69%, 0.59%

LAB 84.15, -12.71, 64.85

 

CMYK 65 / 0 / 37 / 13

HEX #4EDF8D

RGB 78 223 141

HSL 146.07, 0.69%, 0.59%

LAB 79.79, -56.8, 29.13

 

CMYK 65 / 61 / 0 / 13

HEX #4E58DF

RGB 78 88 223

HSL 235.86, 0.69%, 0.59%

LAB 44.13, 37.98, -70.13

 

CMYK 0 / 65 / 28 / 13

HEX #DF4EA0

RGB 223 78 160

HSL 326.07, 0.69%, 0.59%

LAB 55.76, 63.82, -14.24

 

Description

Color code: HEX #DFD650 | qconv.com Color code: HEX #DFD650 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 214 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 214 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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