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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD4DB it is the complementary color #202B24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD4DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD4DB shade: #E4D4D6, #F5E6E9, #FFF8FC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD4DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD4DB shade: #DFD4DB, #CEC2C8, #BDB0B5, #AC9EA2 and #9B8C8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD4DB shade: #DED3DA, #DED3D7, #DED3D4 and #DED3D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD4DB shade: #DED3DA, #DED3DD, #DCD3DE, #D9D3DE and #D6D3DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD4DB shade matches the following richer shades: #DED3DA, #E5CDDC, #EBC7DE, #F1C0DF and #F7BAE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD4DB shade: #DED3DA, #D8D9D9, #D2DFD7, #CCE6D5 and #C6ECD4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD4DB shade: #DCD3DE, #DED3DE, #DED3DA, #DED3D7 and #DED3D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD4DB shade: #BBA4B3, #CDBBC7, #DED3DA, #F0EBEE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD4DB shade: #DFD4DB, #DED9D3 and #D3DEDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD4DB shade: #DFD4DB, #DADED3 and #D3DADE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD4DB shade: #DFD4DB, #DED9D3, #D3DED7 and #D3D8DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD4DB shade: #DFD4DB, #DEDDD3, #D3DED7 and #D3D5DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 2 / 13

HEX #DFD4DB

RGB 223 212 219

HSL 321.82, 0.15%, 0.85%

LAB 85.95, 5.01, -2.1

 

Complementary color

CMYK 26 / 0 / 16 / 83

HEX #202B24

RGB 32 43 36

HSL 141.82, 0.15%, 0.15%

LAB 16.32, -6.57, 3.01

 

CMYK 0 / 7 / 6 / 11

HEX #E4D4D6

RGB 228 212 214

HSL 352.5, 0.23%, 0.86%

LAB 86.22, 5.86, 0.99

 

CMYK 0 / 6 / 5 / 4

HEX #F5E6E9

RGB 245 230 233

HSL 348, 0.43%, 0.93%

LAB 92.53, 5.6, 0.36

 

CMYK 0 / 3 / 1 / 0

HEX #FFF8FC

RGB 255 248 252

HSL 325.71, 1%, 0.99%

LAB 98.2, 3.02, -1.1

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 5 / 2 / 13

HEX #DFD4DB

RGB 223 212 219

HSL 321.82, 0.15%, 0.85%

LAB 85.95, 5.01, -2.1

 

CMYK 0 / 6 / 3 / 19

HEX #CEC2C8

RGB 206 194 200

HSL 330, 0.11%, 0.78%

LAB 79.54, 5.26, -1.5

 

CMYK 0 / 7 / 4 / 26

HEX #BDB0B5

RGB 189 176 181

HSL 336.92, 0.09%, 0.72%

LAB 73.03, 5.53, -0.89

 

CMYK 0 / 8 / 6 / 33

HEX #AC9EA2

RGB 172 158 162

HSL 342.86, 0.08%, 0.65%

LAB 66.39, 5.82, -0.24

 

CMYK 0 / 10 / 8 / 39

HEX #9B8C8F

RGB 155 140 143

HSL 348, 0.07%, 0.58%

LAB 59.62, 6.15, 0.44

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 5 / 3 / 13

HEX #DED3D7

RGB 222 211 215

HSL 338.18, 0.14%, 0.85%

LAB 85.52, 4.49, -0.63

 

CMYK 0 / 5 / 5 / 13

HEX #DED3D4

RGB 222 211 212

HSL 354.55, 0.14%, 0.85%

LAB 85.44, 3.96, 0.85

 

CMYK 0 / 5 / 5 / 13

HEX #DED3D3

RGB 222 211 211

HSL 0, 0.14%, 0.85%

LAB 85.41, 3.79, 1.35

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 5 / 0 / 13

HEX #DED3DD

RGB 222 211 221

HSL 305.45, 0.14%, 0.85%

LAB 85.67, 5.56, -3.58

 

CMYK 1 / 5 / 0 / 13

HEX #DCD3DE

RGB 220 211 222

HSL 289.09, 0.14%, 0.85%

LAB 85.54, 5.06, -4.32

 

CMYK 2 / 5 / 0 / 13

HEX #D9D3DE

RGB 217 211 222

HSL 272.73, 0.14%, 0.85%

LAB 85.31, 4.05, -4.69

 

CMYK 4 / 5 / 0 / 13

HEX #D6D3DE

RGB 214 211 222

HSL 256.36, 0.14%, 0.85%

LAB 85.08, 3.05, -5.06

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 10 / 4 / 10

HEX #E5CDDC

RGB 229 205 220

HSL 322.5, 0.32%, 0.85%

LAB 84.73, 10.93, -4.36

 

CMYK 0 / 15 / 6 / 8

HEX #EBC7DE

RGB 235 199 222

HSL 321.67, 0.47%, 0.85%

LAB 83.85, 16.51, -6.67

 

CMYK 0 / 20 / 7 / 5

HEX #F1C0DF

RGB 241 192 223

HSL 322.04, 0.64%, 0.85%

LAB 82.77, 22.44, -8.75

 

CMYK 0 / 25 / 9 / 3

HEX #F7BAE1

RGB 247 186 225

HSL 321.64, 0.79%, 0.85%

LAB 82.02, 27.99, -10.89

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 0 / 0 / 15

HEX #D8D9D9

RGB 216 217 217

HSL 180, 0.01%, 0.85%

LAB 86.62, -0.33, -0.13

 

CMYK 6 / 0 / 4 / 13

HEX #D2DFD7

RGB 210 223 215

HSL 143.08, 0.17%, 0.85%

LAB 87.67, -5.82, 2.4

 

CMYK 11 / 0 / 7 / 10

HEX #CCE6D5

RGB 204 230 213

HSL 140.77, 0.34%, 0.85%

LAB 89.03, -11.74, 5.38

 

CMYK 16 / 0 / 10 / 7

HEX #C6ECD4

RGB 198 236 212

HSL 142.11, 0.5%, 0.85%

LAB 90.21, -16.89, 7.54

 

CMYK 1 / 5 / 0 / 13

HEX #DCD3DE

RGB 220 211 222

HSL 289.09, 0.14%, 0.85%

LAB 85.54, 5.06, -4.32

 

CMYK 0 / 5 / 0 / 13

HEX #DED3DE

RGB 222 211 222

HSL 300, 0.14%, 0.85%

LAB 85.7, 5.74, -4.07

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 5 / 3 / 13

HEX #DED3D7

RGB 222 211 215

HSL 338.18, 0.14%, 0.85%

LAB 85.52, 4.49, -0.63

 

CMYK 0 / 5 / 5 / 13

HEX #DED3D4

RGB 222 211 212

HSL 354.55, 0.14%, 0.85%

LAB 85.44, 3.96, 0.85

 

CMYK 0 / 12 / 4 / 27

HEX #BBA4B3

RGB 187 164 179

HSL 320.87, 0.14%, 0.69%

LAB 69.73, 11.02, -4.64

 

CMYK 0 / 9 / 3 / 20

HEX #CDBBC7

RGB 205 187 199

HSL 320, 0.15%, 0.77%

LAB 77.66, 8.48, -3.73

 

CMYK 0 / 5 / 2 / 13

HEX #DED3DA

RGB 222 211 218

HSL 321.82, 0.14%, 0.85%

LAB 85.59, 5.02, -2.1

 

CMYK 0 / 2 / 1 / 6

HEX #F0EBEE

RGB 240 235 238

HSL 324, 0.14%, 0.93%

LAB 93.5, 2.21, -0.87

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 5 / 2 / 13

HEX #DFD4DB

RGB 223 212 219

HSL 321.82, 0.15%, 0.85%

LAB 85.95, 5.01, -2.1

 

CMYK 0 / 2 / 5 / 13

HEX #DED9D3

RGB 222 217 211

HSL 32.73, 0.14%, 0.85%

LAB 86.93, 0.66, 3.54

 

CMYK 5 / 0 / 0 / 13

HEX #D3DEDE

RGB 211 222 222

HSL 180, 0.14%, 0.85%

LAB 87.66, -3.68, -1.29

 

CMYK 0 / 5 / 2 / 13

HEX #DFD4DB

RGB 223 212 219

HSL 321.82, 0.15%, 0.85%

LAB 85.95, 5.01, -2.1

 

CMYK 2 / 0 / 5 / 13

HEX #DADED3

RGB 218 222 211

HSL 81.82, 0.14%, 0.85%

LAB 87.9, -3.3, 4.91

 

CMYK 5 / 2 / 0 / 13

HEX #D3DADE

RGB 211 218 222

HSL 201.82, 0.14%, 0.85%

LAB 86.64, -1.61, -2.79

 

CMYK 0 / 5 / 2 / 13

HEX #DFD4DB

RGB 223 212 219

HSL 321.82, 0.15%, 0.85%

LAB 85.95, 5.01, -2.1

 

CMYK 0 / 2 / 5 / 13

HEX #DED9D3

RGB 222 217 211

HSL 32.73, 0.14%, 0.85%

LAB 86.93, 0.66, 3.54

 

CMYK 5 / 0 / 3 / 13

HEX #D3DED7

RGB 211 222 215

HSL 141.82, 0.14%, 0.85%

LAB 87.48, -4.97, 2.14

 

CMYK 5 / 3 / 0 / 13

HEX #D3D8DE

RGB 211 216 222

HSL 212.73, 0.14%, 0.85%

LAB 86.12, -0.57, -3.54

 

CMYK 0 / 5 / 2 / 13

HEX #DFD4DB

RGB 223 212 219

HSL 321.82, 0.15%, 0.85%

LAB 85.95, 5.01, -2.1

 

CMYK 0 / 0 / 5 / 13

HEX #DEDDD3

RGB 222 221 211

HSL 54.55, 0.14%, 0.85%

LAB 87.94, -1.41, 5.01

 

CMYK 5 / 0 / 3 / 13

HEX #D3DED7

RGB 211 222 215

HSL 141.82, 0.14%, 0.85%

LAB 87.48, -4.97, 2.14

 

CMYK 5 / 4 / 0 / 13

HEX #D3D5DE

RGB 211 213 222

HSL 229.09, 0.14%, 0.85%

LAB 85.36, 1, -4.67

 

Description

Color code: HEX #DFD4DB | qconv.com Color code: HEX #DFD4DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 212 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 212 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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