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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD32D it is the complementary color #202CD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD32D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD32D shade: #E4D328, #F5E53B, #FFF74E, #FFFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD32D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD32D shade: #DFD32D, #CEC11A, #BDAF07, #AC9D00 and #9B8B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD32D shade: #E0D42E, #E0A42E, #E0742E, #E0442E and #E02E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD32D shade: #E0D42E, #BCE02E, #8CE02E, #5CE02E and #2EE030

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD32D shade matches the following richer shades: #E0D42E and #F3E51B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD32D shade: #E0D42E, #CCC342, #B9B255, #A6A269 and #92917C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD32D shade: #E0722E, #E0A22E, #E0D12E, #BFE02E and #90E02E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD32D shade: #A39A18, #C7BC1E, #E0D42E, #E5DB52 and #EBE376

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD32D shade: #DFD32D, #2EE043 and #8A2EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD32D shade: #DFD32D, #2EE0D1 and #D12EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD32D shade: #DFD32D, #2EE043, #2E3DE0 and #E02ECB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD32D shade: #DFD32D, #2EE078, #2E3DE0 and #E02E96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 80 / 13

HEX #DFD32D

RGB 223 211 45

HSL 55.96, 0.74%, 0.53%

LAB 83.16, -12.79, 75.93

 

Complementary color

CMYK 85 / 79 / 0 / 18

HEX #202CD2

RGB 32 44 210

HSL 235.96, 0.74%, 0.47%

LAB 31.26, 54.77, -83.92

 

CMYK 0 / 7 / 82 / 11

HEX #E4D328

RGB 228 211 40

HSL 54.57, 0.78%, 0.53%

LAB 83.57, -10.82, 77.74

 

CMYK 0 / 7 / 76 / 4

HEX #F5E53B

RGB 245 229 59

HSL 54.84, 0.9%, 0.6%

LAB 89.75, -12.02, 78.44

 

CMYK 0 / 3 / 69 / 0

HEX #FFF74E

RGB 255 247 78

HSL 57.29, 1%, 0.65%

LAB 95.3, -15.91, 77.72

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 5 / 80 / 13

HEX #DFD32D

RGB 223 211 45

HSL 55.96, 0.74%, 0.53%

LAB 83.16, -12.79, 75.93

 

CMYK 0 / 6 / 87 / 19

HEX #CEC11A

RGB 206 193 26

HSL 55.67, 0.78%, 0.45%

LAB 76.88, -11.5, 74.57

 

CMYK 0 / 7 / 96 / 26

HEX #BDAF07

RGB 189 175 7

HSL 55.38, 0.93%, 0.38%

LAB 70.52, -9.99, 71.84

 

CMYK 0 / 9 / 100 / 33

HEX #AC9D00

RGB 172 157 0

HSL 54.77, 1%, 0.34%

LAB 64.07, -8.24, 67.32

 

CMYK 0 / 10 / 100 / 39

HEX #9B8B00

RGB 155 139 0

HSL 53.81, 1%, 0.3%

LAB 57.5, -6.35, 61.88

 

CMYK 0 / 5 / 79 / 12

HEX #E0D42E

RGB 224 212 46

HSL 55.96, 0.74%, 0.53%

LAB 83.51, -12.84, 75.99

 

CMYK 0 / 27 / 79 / 12

HEX #E0A42E

RGB 224 164 46

HSL 39.78, 0.74%, 0.53%

LAB 71.28, 12.07, 65.14

 

CMYK 0 / 48 / 79 / 12

HEX #E0742E

RGB 224 116 46

HSL 23.6, 0.74%, 0.53%

LAB 60.37, 37.47, 55.07

 

CMYK 0 / 70 / 79 / 12

HEX #E0442E

RGB 224 68 46

HSL 7.42, 0.74%, 0.53%

LAB 52.04, 59.22, 47.03

 

CMYK 0 / 79 / 79 / 12

HEX #E02E2E

RGB 224 46 46

HSL 0, 0.74%, 0.53%

LAB 49.49, 66.29, 44.49

 

CMYK 0 / 5 / 79 / 12

HEX #E0D42E

RGB 224 212 46

HSL 55.96, 0.74%, 0.53%

LAB 83.51, -12.84, 75.99

 

CMYK 16 / 0 / 79 / 12

HEX #BCE02E

RGB 188 224 46

HSL 72.13, 0.74%, 0.53%

LAB 84.07, -33.47, 75.45

 

CMYK 38 / 0 / 79 / 12

HEX #8CE02E

RGB 140 224 46

HSL 88.31, 0.74%, 0.53%

LAB 81.34, -51.33, 71.97

 

CMYK 59 / 0 / 79 / 12

HEX #5CE02E

RGB 92 224 46

HSL 104.49, 0.74%, 0.53%

LAB 79.49, -65.35, 69.59

 

CMYK 79 / 0 / 79 / 12

HEX #2EE030

RGB 46 224 48

HSL 120.67, 0.74%, 0.53%

LAB 78.52, -73.49, 67.76

 

CMYK 0 / 5 / 79 / 12

HEX #E0D42E

RGB 224 212 46

HSL 55.96, 0.74%, 0.53%

LAB 83.51, -12.84, 75.99

 

CMYK 0 / 6 / 89 / 5

HEX #F3E51B

RGB 243 229 27

HSL 56.11, 0.9%, 0.53%

LAB 89.47, -13.71, 85.67

 

CMYK 0 / 5 / 79 / 12

HEX #E0D42E

RGB 224 212 46

HSL 55.96, 0.74%, 0.53%

LAB 83.51, -12.84, 75.99

 

CMYK 0 / 4 / 68 / 20

HEX #CCC342

RGB 204 195 66

HSL 56.09, 0.58%, 0.53%

LAB 77.44, -11.89, 63

 

CMYK 0 / 4 / 54 / 27

HEX #B9B255

RGB 185 178 85

HSL 55.8, 0.42%, 0.53%

LAB 71.43, -9.9, 47.72

 

CMYK 0 / 2 / 37 / 35

HEX #A6A269

RGB 166 162 105

HSL 56.07, 0.26%, 0.53%

LAB 65.72, -7.36, 30.19

 

CMYK 0 / 1 / 15 / 43

HEX #92917C

RGB 146 145 124

HSL 57.27, 0.09%, 0.53%

LAB 59.72, -3.42, 11.29

 

CMYK 0 / 49 / 79 / 12

HEX #E0722E

RGB 224 114 46

HSL 22.92, 0.74%, 0.53%

LAB 59.96, 38.49, 54.68

 

CMYK 0 / 28 / 79 / 12

HEX #E0A22E

RGB 224 162 46

HSL 39.1, 0.74%, 0.53%

LAB 70.79, 13.14, 64.7

 

CMYK 0 / 7 / 79 / 12

HEX #E0D12E

RGB 224 209 46

HSL 54.94, 0.74%, 0.53%

LAB 82.72, -11.33, 75.31

 

CMYK 15 / 0 / 79 / 12

HEX #BFE02E

RGB 191 224 46

HSL 71.12, 0.74%, 0.53%

LAB 84.27, -32.28, 75.71

 

CMYK 36 / 0 / 79 / 12

HEX #90E02E

RGB 144 224 46

HSL 86.97, 0.74%, 0.53%

LAB 81.53, -49.96, 72.21

 

CMYK 0 / 6 / 85 / 36

HEX #A39A18

RGB 163 154 24

HSL 56.12, 0.74%, 0.37%

LAB 62.48, -10.29, 61.7

 

CMYK 0 / 6 / 85 / 22

HEX #C7BC1E

RGB 199 188 30

HSL 56.09, 0.74%, 0.45%

LAB 74.95, -11.89, 71.91

 

CMYK 0 / 5 / 79 / 12

HEX #E0D42E

RGB 224 212 46

HSL 55.96, 0.74%, 0.53%

LAB 83.51, -12.84, 75.99

 

CMYK 0 / 4 / 64 / 10

HEX #E5DB52

RGB 229 219 82

HSL 55.92, 0.74%, 0.61%

LAB 85.97, -12.61, 66.1

 

CMYK 0 / 3 / 50 / 8

HEX #EBE376

RGB 235 227 118

HSL 55.9, 0.75%, 0.69%

LAB 88.88, -11.55, 53.67

 

CMYK 0 / 5 / 80 / 13

HEX #DFD32D

RGB 223 211 45

HSL 55.96, 0.74%, 0.53%

LAB 83.16, -12.79, 75.93

 

CMYK 79 / 0 / 70 / 12

HEX #2EE043

RGB 46 224 67

HSL 127.08, 0.74%, 0.53%

LAB 78.63, -72.09, 61.57

 

CMYK 38 / 79 / 0 / 12

HEX #8A2EE0

RGB 138 46 224

HSL 271.01, 0.74%, 0.53%

LAB 42.37, 68.4, -73.34

 

CMYK 0 / 5 / 80 / 13

HEX #DFD32D

RGB 223 211 45

HSL 55.96, 0.74%, 0.53%

LAB 83.16, -12.79, 75.93

 

CMYK 79 / 0 / 7 / 12

HEX #2EE0D1

RGB 46 224 209

HSL 174.94, 0.74%, 0.53%

LAB 81.01, -45.69, -4.97

 

CMYK 7 / 79 / 0 / 12

HEX #D12EE0

RGB 209 46 224

HSL 294.94, 0.74%, 0.53%

LAB 52.83, 80.27, -55.9

 

CMYK 0 / 5 / 80 / 13

HEX #DFD32D

RGB 223 211 45

HSL 55.96, 0.74%, 0.53%

LAB 83.16, -12.79, 75.93

 

CMYK 79 / 0 / 70 / 12

HEX #2EE043

RGB 46 224 67

HSL 127.08, 0.74%, 0.53%

LAB 78.63, -72.09, 61.57

 

CMYK 79 / 73 / 0 / 12

HEX #2E3DE0

RGB 46 61 224

HSL 234.94, 0.74%, 0.53%

LAB 36.56, 50.97, -83.19

 

CMYK 0 / 79 / 9 / 12

HEX #E02ECB

RGB 224 46 203

HSL 307.08, 0.74%, 0.53%

LAB 54.15, 79.98, -41.67

 

CMYK 0 / 5 / 80 / 13

HEX #DFD32D

RGB 223 211 45

HSL 55.96, 0.74%, 0.53%

LAB 83.16, -12.79, 75.93

 

CMYK 79 / 0 / 46 / 12

HEX #2EE078

RGB 46 224 120

HSL 144.94, 0.74%, 0.53%

LAB 79.18, -65.46, 38.79

 

CMYK 79 / 73 / 0 / 12

HEX #2E3DE0

RGB 46 61 224

HSL 234.94, 0.74%, 0.53%

LAB 36.56, 50.97, -83.19

 

CMYK 0 / 79 / 33 / 12

HEX #E02E96

RGB 224 46 150

HSL 324.94, 0.74%, 0.53%

LAB 51.84, 73.4, -14.26

 

Description

Color code: HEX #DFD32D | qconv.com Color code: HEX #DFD32D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 211 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 211 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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