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Color name
HEX #DFD2D4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD2D4 it is the complementary color #202D2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD2D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD2D4 shade: #E4D2CF, #F5E4E2, #FFF6F5 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD2D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD2D4 shade: #DFD2D4, #CEC0C1, #BDAEAE, #AC9C9B and #9B8A88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD2D4 shade: #DFD2D4 and #DFD2D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD2D4 shade: #DFD2D4, #DFD2D8, #DFD2DB, #DFD2DF and #DCD2DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD2D4 shade matches the following richer shades: #DFD2D4, #E5CCD0, #ECC6CC, #F2C0C7 and #F8B9C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD2D4 shade: #DFD2D4, #D9D8D9, #D3DFDD, #CDE5E1 and #C6EBE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD2D4 shade: #DFD2DB, #DFD2D8, #DFD2D4, #DFD4D2 and #DFD7D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD2D4 shade: #BDA2A6, #CEBABD, #DFD2D4, #F0EAEB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD2D4 shade: #DFD2D4, #DFDFD2 and #D2DADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD2D4 shade: #DFD2D4, #D4DFD2 and #D2D4DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD2D4 shade: #DFD2D4, #DFDFD2, #D2DFDD and #D3D2DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD2D4 shade: #DFD2D4, #DBDFD2, #D2DFDD and #D7D2DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

Complementary color

CMYK 29 / 0 / 4 / 82

HEX #202D2B

RGB 32 45 43

HSL 170.77, 0.17%, 0.15%

LAB 17.27, -6.04, -0.51

 

CMYK 0 / 8 / 9 / 11

HEX #E4D2CF

RGB 228 210 207

HSL 8.57, 0.28%, 0.85%

LAB 85.55, 5.72, 3.73

 

CMYK 0 / 7 / 8 / 4

HEX #F5E4E2

RGB 245 228 226

HSL 6.32, 0.49%, 0.92%

LAB 91.86, 5.45, 3.05

 

CMYK 0 / 4 / 4 / 0

HEX #FFF6F5

RGB 255 246 245

HSL 6, 1%, 0.98%

LAB 97.54, 2.83, 1.54

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 0 / 7 / 6 / 19

HEX #CEC0C1

RGB 206 192 193

HSL 355.71, 0.13%, 0.78%

LAB 78.85, 5.09, 1.26

 

CMYK 0 / 8 / 8 / 26

HEX #BDAEAE

RGB 189 174 174

HSL 0, 0.1%, 0.71%

LAB 72.33, 5.37, 1.94

 

CMYK 0 / 9 / 10 / 33

HEX #AC9C9B

RGB 172 156 155

HSL 3.53, 0.09%, 0.64%

LAB 65.68, 5.68, 2.64

 

CMYK 0 / 11 / 12 / 39

HEX #9B8A88

RGB 155 138 136

HSL 6.32, 0.09%, 0.57%

LAB 58.9, 6.03, 3.39

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 0 / 6 / 6 / 13

HEX #DFD2D2

RGB 223 210 210

HSL 0, 0.17%, 0.85%

LAB 85.22, 4.48, 1.6

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 0 / 6 / 3 / 13

HEX #DFD2D8

RGB 223 210 216

HSL 332.31, 0.17%, 0.85%

LAB 85.37, 5.53, -1.36

 

CMYK 0 / 6 / 2 / 13

HEX #DFD2DB

RGB 223 210 219

HSL 318.46, 0.17%, 0.85%

LAB 85.45, 6.06, -2.84

 

CMYK 0 / 6 / 0 / 13

HEX #DFD2DF

RGB 223 210 223

HSL 300, 0.17%, 0.85%

LAB 85.56, 6.79, -4.8

 

CMYK 1 / 6 / 0 / 13

HEX #DCD2DF

RGB 220 210 223

HSL 286.15, 0.17%, 0.85%

LAB 85.32, 5.77, -5.18

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 0 / 11 / 9 / 10

HEX #E5CCD0

RGB 229 204 208

HSL 350.4, 0.32%, 0.85%

LAB 84.17, 9.39, 1.2

 

CMYK 0 / 16 / 14 / 7

HEX #ECC6CC

RGB 236 198 204

HSL 350.53, 0.5%, 0.85%

LAB 83.22, 14.38, 2.03

 

CMYK 0 / 21 / 18 / 5

HEX #F2C0C7

RGB 242 192 199

HSL 351.6, 0.66%, 0.85%

LAB 82.22, 18.91, 3.32

 

CMYK 0 / 25 / 21 / 3

HEX #F8B9C3

RGB 248 185 195

HSL 350.48, 0.82%, 0.85%

LAB 81.07, 24.17, 3.88

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 0 / 0 / 0 / 15

HEX #D9D8D9

RGB 217 216 217

HSL 300, 0.01%, 0.85%

LAB 86.44, 0.52, -0.38

 

CMYK 5 / 0 / 1 / 13

HEX #D3DFDD

RGB 211 223 221

HSL 170, 0.16%, 0.85%

LAB 87.89, -4.38, -0.42

 

CMYK 10 / 0 / 2 / 10

HEX #CDE5E1

RGB 205 229 225

HSL 170, 0.32%, 0.85%

LAB 89.14, -8.66, -0.76

 

CMYK 16 / 0 / 3 / 8

HEX #C6EBE5

RGB 198 235 229

HSL 170.27, 0.48%, 0.85%

LAB 90.36, -13.14, -1.12

 

CMYK 0 / 6 / 2 / 13

HEX #DFD2DB

RGB 223 210 219

HSL 318.46, 0.17%, 0.85%

LAB 85.45, 6.06, -2.84

 

CMYK 0 / 6 / 3 / 13

HEX #DFD2D8

RGB 223 210 216

HSL 332.31, 0.17%, 0.85%

LAB 85.37, 5.53, -1.36

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 0 / 5 / 6 / 13

HEX #DFD4D2

RGB 223 212 210

HSL 9.23, 0.17%, 0.85%

LAB 85.72, 3.44, 2.33

 

CMYK 0 / 4 / 6 / 13

HEX #DFD7D2

RGB 223 215 210

HSL 23.08, 0.17%, 0.85%

LAB 86.48, 1.87, 3.43

 

CMYK 0 / 14 / 12 / 26

HEX #BDA2A6

RGB 189 162 166

HSL 351.11, 0.17%, 0.69%

LAB 69.05, 10.55, 1.59

 

CMYK 0 / 10 / 8 / 19

HEX #CEBABD

RGB 206 186 189

HSL 351, 0.17%, 0.77%

LAB 77.23, 7.61, 1.06

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 0 / 3 / 2 / 6

HEX #F0EAEB

RGB 240 234 235

HSL 350, 0.17%, 0.93%

LAB 93.18, 2.19, 0.22

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 0 / 0 / 6 / 13

HEX #DFDFD2

RGB 223 223 210

HSL 60, 0.17%, 0.85%

LAB 88.5, -2.26, 6.36

 

CMYK 6 / 2 / 0 / 13

HEX #D2DADF

RGB 210 218 223

HSL 203.08, 0.17%, 0.85%

LAB 86.59, -1.75, -3.4

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 5 / 0 / 6 / 13

HEX #D4DFD2

RGB 212 223 210

HSL 110.77, 0.17%, 0.85%

LAB 87.69, -6.04, 5.08

 

CMYK 6 / 5 / 0 / 13

HEX #D2D4DF

RGB 210 212 223

HSL 230.77, 0.17%, 0.85%

LAB 85.06, 1.38, -5.66

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 0 / 0 / 6 / 13

HEX #DFDFD2

RGB 223 223 210

HSL 60, 0.17%, 0.85%

LAB 88.5, -2.26, 6.36

 

CMYK 6 / 0 / 1 / 13

HEX #D2DFDD

RGB 210 223 221

HSL 170.77, 0.17%, 0.85%

LAB 87.82, -4.71, -0.53

 

CMYK 5 / 6 / 0 / 13

HEX #D3D2DF

RGB 211 210 223

HSL 244.62, 0.17%, 0.85%

LAB 84.62, 2.76, -6.29

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D4

RGB 223 210 212

HSL 350.77, 0.17%, 0.85%

LAB 85.27, 4.83, 0.61

 

CMYK 2 / 0 / 6 / 13

HEX #DBDFD2

RGB 219 223 210

HSL 78.46, 0.17%, 0.85%

LAB 88.2, -3.65, 5.89

 

CMYK 6 / 0 / 1 / 13

HEX #D2DFDD

RGB 210 223 221

HSL 170.77, 0.17%, 0.85%

LAB 87.82, -4.71, -0.53

 

CMYK 4 / 6 / 0 / 13

HEX #D7D2DF

RGB 215 210 223

HSL 263.08, 0.17%, 0.85%

LAB 84.93, 4.1, -5.8

 

Description

Color code: HEX #DFD2D4 | qconv.com Color code: HEX #DFD2D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 210 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 210 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 5% 13% C M Y K

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Provide designers and agencies with accurate color values.

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