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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD227 it is the complementary color #202DD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD227 shade: #E4D222, #F5E435, #FFF648, #FFFF5B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD227 shade: #DFD227, #CEC014, #BDAE01, #AC9C00 and #9B8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD227 shade: #DFD126, #DFA026, #DF6E26, #DF3C26 and #DF2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD227 shade: #DFD126, #BADF26, #88DF26, #56DF26 and #26DF27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD227 shade matches the following richer shades: #DFD126 and #F3E311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD227 shade: #DFD126, #CAC03A, #B6AF4E, #A29D62 and #8E8C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD227 shade: #DF6C26, #DF9E26, #DFCF26, #BDDF26 and #8BDF26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD227 shade: #9A9117, #BEB31C, #DFD126, #E4D949 and #E9E06D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD227 shade: #DFD227, #26DF3B and #8526DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD227 shade: #DFD227, #26DFCF and #CF26DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD227 shade: #DFD227, #26DF3B, #2635DF and #DF26C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD227 shade: #DFD227, #26DF73, #2635DF and #DF2691

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 83 / 13

HEX #DFD227

RGB 223 210 39

HSL 55.76, 0.74%, 0.51%

LAB 82.87, -12.47, 77.23

 

Complementary color

CMYK 85 / 79 / 0 / 15

HEX #202DD8

RGB 32 45 216

HSL 235.76, 0.74%, 0.49%

LAB 32.13, 56.16, -85.95

 

CMYK 0 / 8 / 85 / 11

HEX #E4D222

RGB 228 210 34

HSL 54.43, 0.78%, 0.51%

LAB 83.29, -10.47, 78.89

 

CMYK 0 / 7 / 78 / 4

HEX #F5E435

RGB 245 228 53

HSL 54.69, 0.91%, 0.58%

LAB 89.47, -11.74, 79.95

 

CMYK 0 / 4 / 72 / 0

HEX #FFF648

RGB 255 246 72

HSL 57.05, 1%, 0.64%

LAB 95.01, -15.7, 79.49

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 6 / 83 / 13

HEX #DFD227

RGB 223 210 39

HSL 55.76, 0.74%, 0.51%

LAB 82.87, -12.47, 77.23

 

CMYK 0 / 7 / 90 / 19

HEX #CEC014

RGB 206 192 20

HSL 55.48, 0.82%, 0.44%

LAB 76.6, -11.1, 75.41

 

CMYK 0 / 8 / 99 / 26

HEX #BDAE01

RGB 189 174 1

HSL 55.21, 0.99%, 0.37%

LAB 70.24, -9.54, 72.35

 

CMYK 0 / 9 / 100 / 33

HEX #AC9C00

RGB 172 156 0

HSL 54.42, 1%, 0.34%

LAB 63.79, -7.71, 67.12

 

CMYK 0 / 11 / 100 / 39

HEX #9B8A00

RGB 155 138 0

HSL 53.42, 1%, 0.3%

LAB 57.22, -5.8, 61.68

 

CMYK 0 / 6 / 83 / 13

HEX #DFD126

RGB 223 209 38

HSL 55.46, 0.74%, 0.51%

LAB 82.61, -11.99, 77.24

 

CMYK 0 / 28 / 83 / 13

HEX #DFA026

RGB 223 160 38

HSL 39.57, 0.74%, 0.51%

LAB 70.15, 13.53, 66.72

 

CMYK 0 / 51 / 83 / 13

HEX #DF6E26

RGB 223 110 38

HSL 23.35, 0.74%, 0.51%

LAB 58.96, 39.87, 57.02

 

CMYK 0 / 73 / 83 / 13

HEX #DF3C26

RGB 223 60 38

HSL 7.14, 0.74%, 0.51%

LAB 50.76, 61.52, 49.71

 

CMYK 0 / 83 / 83 / 13

HEX #DF2626

RGB 223 38 38

HSL 0, 0.74%, 0.51%

LAB 48.53, 67.78, 47.68

 

CMYK 0 / 6 / 83 / 13

HEX #DFD126

RGB 223 209 38

HSL 55.46, 0.74%, 0.51%

LAB 82.61, -11.99, 77.24

 

CMYK 17 / 0 / 83 / 13

HEX #BADF26

RGB 186 223 38

HSL 72, 0.74%, 0.51%

LAB 83.63, -34.08, 77

 

CMYK 39 / 0 / 83 / 13

HEX #88DF26

RGB 136 223 38

HSL 88.22, 0.74%, 0.51%

LAB 80.82, -52.61, 73.47

 

CMYK 61 / 0 / 83 / 13

HEX #56DF26

RGB 86 223 38

HSL 104.43, 0.74%, 0.51%

LAB 78.98, -66.8, 71.13

 

CMYK 83 / 0 / 83 / 13

HEX #26DF27

RGB 38 223 39

HSL 120.32, 0.74%, 0.51%

LAB 78.07, -74.57, 69.72

 

CMYK 0 / 6 / 83 / 13

HEX #DFD126

RGB 223 209 38

HSL 55.46, 0.74%, 0.51%

LAB 82.61, -11.99, 77.24

 

CMYK 0 / 7 / 93 / 5

HEX #F3E311

RGB 243 227 17

HSL 55.75, 0.9%, 0.51%

LAB 88.94, -12.86, 86.61

 

CMYK 0 / 6 / 83 / 13

HEX #DFD126

RGB 223 209 38

HSL 55.46, 0.74%, 0.51%

LAB 82.61, -11.99, 77.24

 

CMYK 0 / 5 / 71 / 21

HEX #CAC03A

RGB 202 192 58

HSL 55.83, 0.58%, 0.51%

LAB 76.41, -11.63, 64.94

 

CMYK 0 / 4 / 57 / 29

HEX #B6AF4E

RGB 182 175 78

HSL 55.96, 0.42%, 0.51%

LAB 70.28, -10.16, 49.65

 

CMYK 0 / 3 / 40 / 36

HEX #A29D62

RGB 162 157 98

HSL 55.31, 0.26%, 0.51%

LAB 63.9, -7.16, 31.51

 

CMYK 0 / 1 / 17 / 44

HEX #8E8C76

RGB 142 140 118

HSL 55, 0.1%, 0.51%

LAB 57.86, -3.2, 12.04

 

CMYK 0 / 52 / 83 / 13

HEX #DF6C26

RGB 223 108 38

HSL 22.7, 0.74%, 0.51%

LAB 58.56, 40.87, 56.67

 

CMYK 0 / 29 / 83 / 13

HEX #DF9E26

RGB 223 158 38

HSL 38.92, 0.74%, 0.51%

LAB 69.67, 14.6, 66.3

 

CMYK 0 / 7 / 83 / 13

HEX #DFCF26

RGB 223 207 38

HSL 54.81, 0.74%, 0.51%

LAB 82.08, -10.99, 76.81

 

CMYK 15 / 0 / 83 / 13

HEX #BDDF26

RGB 189 223 38

HSL 71.03, 0.74%, 0.51%

LAB 83.83, -32.88, 77.25

 

CMYK 38 / 0 / 83 / 13

HEX #8BDF26

RGB 139 223 38

HSL 87.24, 0.74%, 0.51%

LAB 80.96, -51.6, 73.65

 

CMYK 0 / 6 / 85 / 40

HEX #9A9117

RGB 154 145 23

HSL 55.88, 0.74%, 0.35%

LAB 59.14, -9.6, 58.84

 

CMYK 0 / 6 / 85 / 25

HEX #BEB31C

RGB 190 179 28

HSL 55.93, 0.74%, 0.43%

LAB 71.74, -11.25, 69.4

 

CMYK 0 / 6 / 83 / 13

HEX #DFD126

RGB 223 209 38

HSL 55.46, 0.74%, 0.51%

LAB 82.61, -11.99, 77.24

 

CMYK 0 / 5 / 68 / 11

HEX #E4D949

RGB 228 217 73

HSL 55.74, 0.74%, 0.59%

LAB 85.3, -12.52, 68.9

 

CMYK 0 / 4 / 53 / 9

HEX #E9E06D

RGB 233 224 109

HSL 55.65, 0.74%, 0.67%

LAB 87.84, -11.6, 56.58

 

CMYK 0 / 6 / 83 / 13

HEX #DFD227

RGB 223 210 39

HSL 55.76, 0.74%, 0.51%

LAB 82.87, -12.47, 77.23

 

CMYK 83 / 0 / 74 / 13

HEX #26DF3B

RGB 38 223 59

HSL 126.81, 0.74%, 0.51%

LAB 78.17, -73.31, 63.91

 

CMYK 40 / 83 / 0 / 13

HEX #8526DF

RGB 133 38 223

HSL 270.81, 0.74%, 0.51%

LAB 40.74, 70.09, -75.47

 

CMYK 0 / 6 / 83 / 13

HEX #DFD227

RGB 223 210 39

HSL 55.76, 0.74%, 0.51%

LAB 82.87, -12.47, 77.23

 

CMYK 83 / 0 / 7 / 13

HEX #26DFCF

RGB 38 223 207

HSL 174.81, 0.74%, 0.51%

LAB 80.57, -46.45, -4.58

 

CMYK 7 / 83 / 0 / 13

HEX #CF26DF

RGB 207 38 223

HSL 294.81, 0.74%, 0.51%

LAB 51.81, 81.59, -56.98

 

CMYK 0 / 6 / 83 / 13

HEX #DFD227

RGB 223 210 39

HSL 55.76, 0.74%, 0.51%

LAB 82.87, -12.47, 77.23

 

CMYK 83 / 0 / 74 / 13

HEX #26DF3B

RGB 38 223 59

HSL 126.81, 0.74%, 0.51%

LAB 78.17, -73.31, 63.91

 

CMYK 83 / 76 / 0 / 13

HEX #2635DF

RGB 38 53 223

HSL 235.14, 0.74%, 0.51%

LAB 34.57, 54.55, -85.91

 

CMYK 0 / 83 / 10 / 13

HEX #DF26C9

RGB 223 38 201

HSL 307.14, 0.74%, 0.51%

LAB 53.27, 81.27, -41.93

 

CMYK 0 / 6 / 83 / 13

HEX #DFD227

RGB 223 210 39

HSL 55.76, 0.74%, 0.51%

LAB 82.87, -12.47, 77.23

 

CMYK 83 / 0 / 48 / 13

HEX #26DF73

RGB 38 223 115

HSL 144.97, 0.74%, 0.51%

LAB 78.71, -66.73, 40.61

 

CMYK 83 / 76 / 0 / 13

HEX #2635DF

RGB 38 53 223

HSL 235.14, 0.74%, 0.51%

LAB 34.57, 54.55, -85.91

 

CMYK 0 / 83 / 35 / 13

HEX #DF2691

RGB 223 38 145

HSL 325.3, 0.74%, 0.51%

LAB 50.83, 74.51, -12.82

 

Description

Color code: HEX #DFD227 | qconv.com Color code: HEX #DFD227 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 210 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 210 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 83 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 83% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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