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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD097 it is the complementary color #202F68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD097. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD097 shade: #E4D092, #F5E2A5, #FFF4B8, #FFFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD097. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD097 shade: #DFD097, #CEBE84, #BDAC71, #AC9A5E and #9B884B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD097 shade: #DFCF96, #DFBC96, #DFA896 and #DF9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD097 shade: #DFCF96, #DADF96, #C6DF96, #B3DF96 and #9FDF96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD097 shade matches the following richer shades: #DFCF96, #EAD68B and #F5DC7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD097 shade: #DFCF96, #D4C9A1, #C8C2AC, #BDBCB7 and #B2B5C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD097 shade: #DFA896, #DFBB96, #DFCF96, #DBDF96 and #C8DF96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD097 shade: #CBB357, #D5C176, #DFCF96, #E8DEB5 and #F2ECD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD097 shade: #DFD097, #97DF96 and #B296DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD097 shade: #DFD097, #96DFCF and #CF96DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD097 shade: #DFD097, #97DF96, #96A5DF and #DD96DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD097 shade: #DFD097, #96DFAA, #96A5DF and #DF96CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 32 / 13

HEX #DFD097

RGB 223 208 151

HSL 47.5, 0.53%, 0.73%

LAB 83.46, -3.22, 30.23

 

Complementary color

CMYK 69 / 55 / 0 / 59

HEX #202F68

RGB 32 47 104

HSL 227.5, 0.53%, 0.27%

LAB 21.36, 14.49, -35.38

 

CMYK 0 / 9 / 36 / 11

HEX #E4D092

RGB 228 208 146

HSL 45.37, 0.6%, 0.73%

LAB 83.8, -1.87, 33.34

 

CMYK 0 / 8 / 33 / 4

HEX #F5E2A5

RGB 245 226 165

HSL 45.75, 0.8%, 0.8%

LAB 90.1, -2.29, 32.22

 

CMYK 0 / 4 / 28 / 0

HEX #FFF4B8

RGB 255 244 184

HSL 50.7, 1%, 0.86%

LAB 95.76, -5.25, 30.3

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 7 / 32 / 13

HEX #DFD097

RGB 223 208 151

HSL 47.5, 0.53%, 0.73%

LAB 83.46, -3.22, 30.23

 

CMYK 0 / 8 / 36 / 19

HEX #CEBE84

RGB 206 190 132

HSL 47.03, 0.43%, 0.66%

LAB 77.05, -2.82, 31.37

 

CMYK 0 / 9 / 40 / 26

HEX #BDAC71

RGB 189 172 113

HSL 46.58, 0.37%, 0.59%

LAB 70.54, -2.35, 32.56

 

CMYK 0 / 10 / 45 / 33

HEX #AC9A5E

RGB 172 154 94

HSL 46.15, 0.32%, 0.52%

LAB 63.91, -1.79, 33.83

 

CMYK 0 / 12 / 52 / 39

HEX #9B884B

RGB 155 136 75

HSL 45.75, 0.35%, 0.45%

LAB 57.16, -1.11, 35.14

 

CMYK 0 / 7 / 33 / 13

HEX #DFCF96

RGB 223 207 150

HSL 46.85, 0.53%, 0.73%

LAB 83.19, -2.82, 30.38

 

CMYK 0 / 16 / 33 / 13

HEX #DFBC96

RGB 223 188 150

HSL 31.23, 0.53%, 0.73%

LAB 78.38, 7.11, 23.9

 

CMYK 0 / 25 / 33 / 13

HEX #DFA896

RGB 223 168 150

HSL 14.79, 0.53%, 0.73%

LAB 73.48, 17.78, 17.16

 

CMYK 0 / 33 / 33 / 13

HEX #DF9696

RGB 223 150 150

HSL 0, 0.53%, 0.73%

LAB 69.26, 27.46, 11.24

 

CMYK 0 / 7 / 33 / 13

HEX #DFCF96

RGB 223 207 150

HSL 46.85, 0.53%, 0.73%

LAB 83.19, -2.82, 30.38

 

CMYK 2 / 0 / 33 / 13

HEX #DADF96

RGB 218 223 150

HSL 64.11, 0.53%, 0.73%

LAB 86.94, -12.87, 35.28

 

CMYK 11 / 0 / 33 / 13

HEX #C6DF96

RGB 198 223 150

HSL 80.55, 0.53%, 0.73%

LAB 85.5, -20.37, 33.11

 

CMYK 20 / 0 / 33 / 13

HEX #B3DF96

RGB 179 223 150

HSL 96.16, 0.53%, 0.73%

LAB 84.26, -27.22, 31.24

 

CMYK 29 / 0 / 33 / 13

HEX #9FDF96

RGB 159 223 150

HSL 112.6, 0.53%, 0.73%

LAB 83.1, -34.04, 29.49

 

CMYK 0 / 7 / 33 / 13

HEX #DFCF96

RGB 223 207 150

HSL 46.85, 0.53%, 0.73%

LAB 83.19, -2.82, 30.38

 

CMYK 0 / 9 / 41 / 8

HEX #EAD68B

RGB 234 214 139

HSL 47.37, 0.69%, 0.73%

LAB 85.73, -3.38, 39.52

 

CMYK 0 / 10 / 48 / 4

HEX #F5DC7F

RGB 245 220 127

HSL 47.29, 0.86%, 0.73%

LAB 88.03, -3.25, 48.55

 

CMYK 0 / 7 / 33 / 13

HEX #DFCF96

RGB 223 207 150

HSL 46.85, 0.53%, 0.73%

LAB 83.19, -2.82, 30.38

 

CMYK 0 / 5 / 24 / 17

HEX #D4C9A1

RGB 212 201 161

HSL 47.06, 0.37%, 0.73%

LAB 80.93, -2.48, 21.41

 

CMYK 0 / 3 / 14 / 22

HEX #C8C2AC

RGB 200 194 172

HSL 47.14, 0.2%, 0.73%

LAB 78.37, -1.64, 11.82

 

CMYK 0 / 1 / 3 / 26

HEX #BDBCB7

RGB 189 188 183

HSL 50, 0.04%, 0.73%

LAB 76.19, -0.56, 2.64

 

CMYK 8 / 7 / 0 / 24

HEX #B2B5C2

RGB 178 181 194

HSL 228.75, 0.12%, 0.73%

LAB 73.81, 1.49, -6.95

 

CMYK 0 / 25 / 33 / 13

HEX #DFA896

RGB 223 168 150

HSL 14.79, 0.53%, 0.73%

LAB 73.48, 17.78, 17.16

 

CMYK 0 / 16 / 33 / 13

HEX #DFBB96

RGB 223 187 150

HSL 30.41, 0.53%, 0.73%

LAB 78.13, 7.64, 23.56

 

CMYK 0 / 7 / 33 / 13

HEX #DFCF96

RGB 223 207 150

HSL 46.85, 0.53%, 0.73%

LAB 83.19, -2.82, 30.38

 

CMYK 2 / 0 / 33 / 13

HEX #DBDF96

RGB 219 223 150

HSL 63.29, 0.53%, 0.73%

LAB 87.02, -12.49, 35.39

 

CMYK 10 / 0 / 33 / 13

HEX #C8DF96

RGB 200 223 150

HSL 78.9, 0.53%, 0.73%

LAB 85.63, -19.63, 33.32

 

CMYK 0 / 12 / 57 / 20

HEX #CBB357

RGB 203 179 87

HSL 47.59, 0.53%, 0.57%

LAB 73.3, -2.67, 49.35

 

CMYK 0 / 9 / 45 / 16

HEX #D5C176

RGB 213 193 118

HSL 47.37, 0.53%, 0.65%

LAB 78.22, -3.1, 40.22

 

CMYK 0 / 7 / 33 / 13

HEX #DFCF96

RGB 223 207 150

HSL 46.85, 0.53%, 0.73%

LAB 83.19, -2.82, 30.38

 

CMYK 0 / 4 / 22 / 9

HEX #E8DEB5

RGB 232 222 181

HSL 48.24, 0.53%, 0.81%

LAB 88.32, -3.04, 21.37

 

CMYK 0 / 2 / 12 / 5

HEX #F2ECD5

RGB 242 236 213

HSL 47.59, 0.53%, 0.89%

LAB 93.31, -1.79, 11.87

 

CMYK 0 / 7 / 32 / 13

HEX #DFD097

RGB 223 208 151

HSL 47.5, 0.53%, 0.73%

LAB 83.46, -3.22, 30.23

 

CMYK 32 / 0 / 33 / 13

HEX #97DF96

RGB 151 223 150

HSL 119.18, 0.53%, 0.73%

LAB 82.68, -36.63, 28.85

 

CMYK 20 / 33 / 0 / 13

HEX #B296DF

RGB 178 150 223

HSL 263.01, 0.53%, 0.73%

LAB 66.98, 24.93, -33.27

 

CMYK 0 / 7 / 32 / 13

HEX #DFD097

RGB 223 208 151

HSL 47.5, 0.53%, 0.73%

LAB 83.46, -3.22, 30.23

 

CMYK 33 / 0 / 7 / 13

HEX #96DFCF

RGB 150 223 207

HSL 166.85, 0.53%, 0.73%

LAB 83.84, -26.12, 0.61

 

CMYK 7 / 33 / 0 / 13

HEX #CF96DF

RGB 207 150 223

HSL 286.85, 0.53%, 0.73%

LAB 69.76, 33.87, -28.75

 

CMYK 0 / 7 / 32 / 13

HEX #DFD097

RGB 223 208 151

HSL 47.5, 0.53%, 0.73%

LAB 83.46, -3.22, 30.23

 

CMYK 32 / 0 / 33 / 13

HEX #97DF96

RGB 151 223 150

HSL 119.18, 0.53%, 0.73%

LAB 82.68, -36.63, 28.85

 

CMYK 33 / 26 / 0 / 13

HEX #96A5DF

RGB 150 165 223

HSL 227.67, 0.53%, 0.73%

LAB 68.55, 8.22, -31.02

 

CMYK 1 / 33 / 0 / 13

HEX #DD96DF

RGB 221 150 223

HSL 298.36, 0.53%, 0.73%

LAB 71.22, 38.27, -26.38

 

CMYK 0 / 7 / 32 / 13

HEX #DFD097

RGB 223 208 151

HSL 47.5, 0.53%, 0.73%

LAB 83.46, -3.22, 30.23

 

CMYK 33 / 0 / 24 / 13

HEX #96DFAA

RGB 150 223 170

HSL 136.44, 0.53%, 0.73%

LAB 83, -33.53, 18.91

 

CMYK 33 / 26 / 0 / 13

HEX #96A5DF

RGB 150 165 223

HSL 227.67, 0.53%, 0.73%

LAB 68.55, 8.22, -31.02

 

CMYK 0 / 33 / 9 / 13

HEX #DF96CA

RGB 223 150 202

HSL 317.26, 0.53%, 0.73%

LAB 70.71, 35.19, -15.56

 

Description

Color code: HEX #DFD097 | qconv.com Color code: HEX #DFD097 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 208 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 208 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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