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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD07C it is the complementary color #202F83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD07C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD07C shade: #E4D077, #F5E28A, #FFF49D, #FFFFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD07C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD07C shade: #DFD07C, #CEBE69, #BDAC56, #AC9A43 and #9B8830

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD07C shade: #DFD07C, #DFB57C, #DF9A7C, #DF807C and #DF7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD07C shade: #DFD07C, #D3DF7C, #B9DF7C, #9EDF7C and #83DF7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD07C shade matches the following richer shades: #DFD07C, #ECD96E and #FAE261

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD07C shade: #DFD07C, #D2C789, #C5BE96, #B8B4A3 and #AAABB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD07C shade: #DF997C, #DFB47C, #DFCF7C, #D5DF7C and #BBDF7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD07C shade: #CFB839, #D7C45A, #DFD07C, #E7DC9D and #EFE8BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD07C shade: #DFD07C, #7CDF7F and #A77CDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD07C shade: #DFD07C, #7CDFCF and #CF7CDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD07C shade: #DFD07C, #7CDF7F, #7C8CDF and #DF7CDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD07C shade: #DFD07C, #7CDF9D, #7C8CDF and #DF7CBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

Complementary color

CMYK 76 / 64 / 0 / 49

HEX #202F83

RGB 32 47 131

HSL 230.91, 0.61%, 0.32%

LAB 23.6, 25.12, -48.97

 

CMYK 0 / 9 / 48 / 11

HEX #E4D077

RGB 228 208 119

HSL 48.99, 0.67%, 0.68%

LAB 83.41, -4.68, 46.45

 

CMYK 0 / 8 / 44 / 4

HEX #F5E28A

RGB 245 226 138

HSL 49.35, 0.84%, 0.75%

LAB 89.69, -5.24, 45.24

 

CMYK 0 / 4 / 38 / 0

HEX #FFF49D

RGB 255 244 157

HSL 53.27, 1%, 0.81%

LAB 95.33, -8.41, 43.23

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 0 / 8 / 49 / 19

HEX #CEBE69

RGB 206 190 105

HSL 50.5, 0.51%, 0.61%

LAB 76.66, -5.65, 44.65

 

CMYK 0 / 9 / 54 / 26

HEX #BDAC56

RGB 189 172 86

HSL 50.1, 0.44%, 0.54%

LAB 70.17, -4.98, 45.87

 

CMYK 0 / 10 / 61 / 33

HEX #AC9A43

RGB 172 154 67

HSL 49.71, 0.44%, 0.47%

LAB 63.58, -4.17, 47.02

 

CMYK 0 / 12 / 69 / 39

HEX #9B8830

RGB 155 136 48

HSL 49.35, 0.53%, 0.4%

LAB 56.87, -3.17, 47.97

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 0 / 19 / 44 / 13

HEX #DFB57C

RGB 223 181 124

HSL 34.55, 0.61%, 0.68%

LAB 76.19, 7.86, 34.72

 

CMYK 0 / 31 / 44 / 13

HEX #DF9A7C

RGB 223 154 124

HSL 18.18, 0.61%, 0.68%

LAB 69.65, 22.31, 26.14

 

CMYK 0 / 43 / 44 / 13

HEX #DF807C

RGB 223 128 124

HSL 2.42, 0.61%, 0.68%

LAB 63.82, 36.14, 18.24

 

CMYK 0 / 44 / 44 / 13

HEX #DF7C7C

RGB 223 124 124

HSL 0, 0.61%, 0.68%

LAB 62.98, 38.23, 17.08

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 5 / 0 / 44 / 13

HEX #D3DF7C

RGB 211 223 124

HSL 67.27, 0.61%, 0.68%

LAB 86.05, -18.48, 46.95

 

CMYK 17 / 0 / 44 / 13

HEX #B9DF7C

RGB 185 223 124

HSL 83.03, 0.61%, 0.68%

LAB 84.25, -28.39, 44.33

 

CMYK 29 / 0 / 44 / 13

HEX #9EDF7C

RGB 158 223 124

HSL 99.39, 0.61%, 0.68%

LAB 82.65, -38.04, 41.97

 

CMYK 41 / 0 / 44 / 13

HEX #83DF7C

RGB 131 223 124

HSL 115.76, 0.61%, 0.68%

LAB 81.32, -46.73, 40.02

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 0 / 8 / 53 / 7

HEX #ECD96E

RGB 236 217 110

HSL 50.95, 0.77%, 0.68%

LAB 86.3, -6.8, 54.38

 

CMYK 0 / 10 / 61 / 2

HEX #FAE261

RGB 250 226 97

HSL 50.59, 0.94%, 0.68%

LAB 89.66, -6.56, 64.34

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 0 / 5 / 35 / 18

HEX #D2C789

RGB 210 199 137

HSL 50.96, 0.45%, 0.68%

LAB 79.82, -5.33, 32.46

 

CMYK 0 / 4 / 24 / 23

HEX #C5BE96

RGB 197 190 150

HSL 51.06, 0.29%, 0.68%

LAB 76.62, -3.98, 21.13

 

CMYK 0 / 2 / 11 / 28

HEX #B8B4A3

RGB 184 180 163

HSL 48.57, 0.13%, 0.68%

LAB 73.21, -1.56, 9.17

 

CMYK 3 / 3 / 0 / 31

HEX #AAABB0

RGB 170 171 176

HSL 230, 0.04%, 0.68%

LAB 70.04, 0.61, -2.69

 

CMYK 0 / 31 / 44 / 13

HEX #DF997C

RGB 223 153 124

HSL 17.58, 0.61%, 0.68%

LAB 69.42, 22.85, 25.82

 

CMYK 0 / 19 / 44 / 13

HEX #DFB47C

RGB 223 180 124

HSL 33.94, 0.61%, 0.68%

LAB 75.94, 8.39, 34.4

 

CMYK 0 / 7 / 44 / 13

HEX #DFCF7C

RGB 223 207 124

HSL 50.3, 0.61%, 0.68%

LAB 82.79, -5.7, 43.12

 

CMYK 4 / 0 / 44 / 13

HEX #D5DF7C

RGB 213 223 124

HSL 66.06, 0.61%, 0.68%

LAB 86.19, -17.7, 47.17

 

CMYK 16 / 0 / 44 / 13

HEX #BBDF7C

RGB 187 223 124

HSL 81.82, 0.61%, 0.68%

LAB 84.38, -27.64, 44.52

 

CMYK 0 / 11 / 72 / 19

HEX #CFB839

RGB 207 184 57

HSL 50.8, 0.61%, 0.52%

LAB 74.73, -5.41, 63.82

 

CMYK 0 / 9 / 58 / 16

HEX #D7C45A

RGB 215 196 90

HSL 50.88, 0.61%, 0.6%

LAB 78.85, -6.25, 54.56

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 0 / 5 / 32 / 9

HEX #E7DC9D

RGB 231 220 157

HSL 51.08, 0.61%, 0.76%

LAB 87.3, -5.55, 32.37

 

CMYK 0 / 3 / 21 / 6

HEX #EFE8BE

RGB 239 232 190

HSL 51.43, 0.6%, 0.84%

LAB 91.59, -4.28, 21.32

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 44 / 0 / 43 / 13

HEX #7CDF7F

RGB 124 223 127

HSL 121.82, 0.61%, 0.68%

LAB 81.07, -48.34, 38.15

 

CMYK 25 / 44 / 0 / 13

HEX #A77CDF

RGB 167 124 223

HSL 266.06, 0.61%, 0.68%

LAB 59.85, 36.36, -44.5

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 44 / 0 / 7 / 13

HEX #7CDFCF

RGB 124 223 207

HSL 170.3, 0.61%, 0.68%

LAB 82.68, -32.9, -1.22

 

CMYK 7 / 44 / 0 / 13

HEX #CF7CDF

RGB 207 124 223

HSL 290.3, 0.61%, 0.68%

LAB 64.17, 47.75, -37.42

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 44 / 0 / 43 / 13

HEX #7CDF7F

RGB 124 223 127

HSL 121.82, 0.61%, 0.68%

LAB 81.07, -48.34, 38.15

 

CMYK 44 / 37 / 0 / 13

HEX #7C8CDF

RGB 124 140 223

HSL 230.3, 0.61%, 0.68%

LAB 60.22, 15.67, -44.15

 

CMYK 0 / 44 / 1 / 13

HEX #DF7CDC

RGB 223 124 220

HSL 301.82, 0.61%, 0.68%

LAB 65.96, 51.85, -32.82

 

CMYK 0 / 7 / 44 / 13

HEX #DFD07C

RGB 223 208 124

HSL 50.91, 0.61%, 0.68%

LAB 83.05, -6.21, 43.44

 

CMYK 44 / 0 / 30 / 13

HEX #7CDF9D

RGB 124 223 157

HSL 140, 0.61%, 0.68%

LAB 81.56, -43.4, 23.52

 

CMYK 44 / 37 / 0 / 13

HEX #7C8CDF

RGB 124 140 223

HSL 230.3, 0.61%, 0.68%

LAB 60.22, 15.67, -44.15

 

CMYK 0 / 44 / 15 / 13

HEX #DF7CBE

RGB 223 124 190

HSL 320, 0.61%, 0.68%

LAB 64.82, 46.84, -17.75

 

Description

Color code: HEX #DFD07C | qconv.com Color code: HEX #DFD07C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 208 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 208 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 44 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 44% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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