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Color name
HEX #DFCE39

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCE39 it is the complementary color #2031C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCE39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCE39 shade: #E4CE34, #F5E047, #FFF25A, #FFFF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCE39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCE39 shade: #DFCE39, #CEBC26, #BDAA13, #AC9800 and #9B8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCE39 shade: #DFCE3A, #DFA13A, #DF753A, #DF483A and #DF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCE39 shade: #DFCE3A, #C3DF3A, #97DF3A, #6ADF3A and #3EDF3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCE39 shade matches the following richer shades: #DFCE3A and #F1DD27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCE39 shade: #DFCE3A, #CCBF4C, #BAB05F, #A7A271 and #959384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCE39 shade: #DF733A, #DFA03A, #DFCC3A, #C6DF3A and #9ADF3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCE39 shade: #AA9C1C, #CEBC21, #DFCE3A, #E5D75D and #EAE081

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCE39 shade: #DFCE39, #3ADF47 and #893ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCE39 shade: #DFCE39, #3ADFCC and #CC3ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCE39 shade: #DFCE39, #3ADF47, #3A4DDF and #DF3AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCE39 shade: #DFCE39, #3ADF79, #3A4DDF and #DF3AA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 74 / 13

HEX #DFCE39

RGB 223 206 57

HSL 53.86, 0.72%, 0.55%

LAB 81.91, -9.84, 71.16

 

Complementary color

CMYK 84 / 75 / 0 / 22

HEX #2031C6

RGB 32 49 198

HSL 233.86, 0.72%, 0.45%

LAB 30.83, 48.18, -77.63

 

CMYK 0 / 10 / 77 / 11

HEX #E4CE34

RGB 228 206 52

HSL 52.5, 0.77%, 0.55%

LAB 82.32, -7.92, 73.31

 

CMYK 0 / 9 / 71 / 4

HEX #F5E047

RGB 245 224 71

HSL 52.76, 0.9%, 0.62%

LAB 88.53, -9.04, 73.31

 

CMYK 0 / 5 / 65 / 0

HEX #FFF25A

RGB 255 242 90

HSL 55.27, 1%, 0.68%

LAB 94.1, -12.86, 72.06

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE39

RGB 223 206 57

HSL 53.86, 0.72%, 0.55%

LAB 81.91, -9.84, 71.16

 

CMYK 0 / 9 / 82 / 19

HEX #CEBC26

RGB 206 188 38

HSL 53.57, 0.69%, 0.48%

LAB 75.59, -8.63, 70.71

 

CMYK 0 / 10 / 90 / 26

HEX #BDAA13

RGB 189 170 19

HSL 53.29, 0.82%, 0.41%

LAB 69.19, -7.21, 69.15

 

CMYK 0 / 12 / 100 / 33

HEX #AC9800

RGB 172 152 0

HSL 53.02, 1%, 0.34%

LAB 62.7, -5.57, 66.34

 

CMYK 0 / 14 / 100 / 39

HEX #9B8600

RGB 155 134 0

HSL 51.87, 1%, 0.3%

LAB 56.11, -3.61, 60.89

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE3A

RGB 223 206 58

HSL 53.82, 0.72%, 0.55%

LAB 81.91, -9.8, 70.83

 

CMYK 0 / 28 / 74 / 13

HEX #DFA13A

RGB 223 161 58

HSL 37.45, 0.72%, 0.55%

LAB 70.51, 13.71, 59.85

 

CMYK 0 / 48 / 74 / 13

HEX #DF753A

RGB 223 117 58

HSL 21.45, 0.72%, 0.55%

LAB 60.53, 37.03, 49.72

 

CMYK 0 / 68 / 74 / 13

HEX #DF483A

RGB 223 72 58

HSL 5.09, 0.72%, 0.55%

LAB 52.54, 57.8, 41.15

 

CMYK 0 / 74 / 74 / 13

HEX #DF3A3A

RGB 223 58 58

HSL 0, 0.72%, 0.55%

LAB 50.71, 62.84, 39.12

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE3A

RGB 223 206 58

HSL 53.82, 0.72%, 0.55%

LAB 81.91, -9.8, 70.83

 

CMYK 13 / 0 / 74 / 13

HEX #C3DF3A

RGB 195 223 58

HSL 70.18, 0.72%, 0.55%

LAB 84.32, -29.71, 72.33

 

CMYK 32 / 0 / 74 / 13

HEX #97DF3A

RGB 151 223 58

HSL 86.18, 0.72%, 0.55%

LAB 81.65, -46.49, 68.85

 

CMYK 52 / 0 / 74 / 13

HEX #6ADF3A

RGB 106 223 58

HSL 102.55, 0.72%, 0.55%

LAB 79.7, -60.72, 66.27

 

CMYK 72 / 0 / 74 / 13

HEX #3EDF3A

RGB 62 223 58

HSL 118.55, 0.72%, 0.55%

LAB 78.52, -70.29, 64.71

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE3A

RGB 223 206 58

HSL 53.82, 0.72%, 0.55%

LAB 81.91, -9.8, 70.83

 

CMYK 0 / 8 / 84 / 5

HEX #F1DD27

RGB 241 221 39

HSL 54.06, 0.88%, 0.55%

LAB 87.27, -10.34, 81.52

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE3A

RGB 223 206 58

HSL 53.82, 0.72%, 0.55%

LAB 81.91, -9.8, 70.83

 

CMYK 0 / 6 / 63 / 20

HEX #CCBF4C

RGB 204 191 76

HSL 53.91, 0.56%, 0.55%

LAB 76.45, -9.26, 57.86

 

CMYK 0 / 5 / 49 / 27

HEX #BAB05F

RGB 186 176 95

HSL 53.41, 0.4%, 0.55%

LAB 71.09, -7.55, 42.46

 

CMYK 0 / 3 / 32 / 35

HEX #A7A271

RGB 167 162 113

HSL 54.44, 0.23%, 0.55%

LAB 65.94, -5.95, 26.19

 

CMYK 0 / 1 / 11 / 42

HEX #959384

RGB 149 147 132

HSL 52.94, 0.07%, 0.55%

LAB 60.71, -2.01, 8.2

 

CMYK 0 / 48 / 74 / 13

HEX #DF733A

RGB 223 115 58

HSL 20.73, 0.72%, 0.55%

LAB 60.12, 38.05, 49.29

 

CMYK 0 / 28 / 74 / 13

HEX #DFA03A

RGB 223 160 58

HSL 37.09, 0.72%, 0.55%

LAB 70.27, 14.25, 59.61

 

CMYK 0 / 9 / 74 / 13

HEX #DFCC3A

RGB 223 204 58

HSL 53.09, 0.72%, 0.55%

LAB 81.39, -8.79, 70.34

 

CMYK 11 / 0 / 74 / 13

HEX #C6DF3A

RGB 198 223 58

HSL 69.09, 0.72%, 0.55%

LAB 84.53, -28.5, 72.6

 

CMYK 31 / 0 / 74 / 13

HEX #9ADF3A

RGB 154 223 58

HSL 85.09, 0.72%, 0.55%

LAB 81.81, -45.42, 69.06

 

CMYK 0 / 8 / 84 / 33

HEX #AA9C1C

RGB 170 156 28

HSL 54.08, 0.72%, 0.39%

LAB 63.68, -8.09, 61.94

 

CMYK 0 / 9 / 84 / 19

HEX #CEBC21

RGB 206 188 33

HSL 53.76, 0.72%, 0.47%

LAB 75.57, -8.78, 71.97

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE3A

RGB 223 206 58

HSL 53.82, 0.72%, 0.55%

LAB 81.91, -9.8, 70.83

 

CMYK 0 / 6 / 59 / 10

HEX #E5D75D

RGB 229 215 93

HSL 53.82, 0.72%, 0.63%

LAB 85.02, -9.91, 60.45

 

CMYK 0 / 4 / 45 / 8

HEX #EAE081

RGB 234 224 129

HSL 54.29, 0.71%, 0.71%

LAB 88.16, -9.45, 47.53

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE39

RGB 223 206 57

HSL 53.86, 0.72%, 0.55%

LAB 81.91, -9.84, 71.16

 

CMYK 74 / 0 / 68 / 13

HEX #3ADF47

RGB 58 223 71

HSL 124.73, 0.72%, 0.55%

LAB 78.54, -69.84, 60.01

 

CMYK 39 / 74 / 0 / 13

HEX #893ADF

RGB 137 58 223

HSL 268.73, 0.72%, 0.55%

LAB 43.76, 63.41, -70.5

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE39

RGB 223 206 57

HSL 53.86, 0.72%, 0.55%

LAB 81.91, -9.84, 71.16

 

CMYK 74 / 0 / 9 / 13

HEX #3ADFCC

RGB 58 223 204

HSL 173.09, 0.72%, 0.55%

LAB 80.76, -45.41, -2.67

 

CMYK 9 / 74 / 0 / 13

HEX #CC3ADF

RGB 204 58 223

HSL 293.09, 0.72%, 0.55%

LAB 53.16, 75.77, -54.85

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE39

RGB 223 206 57

HSL 53.86, 0.72%, 0.55%

LAB 81.91, -9.84, 71.16

 

CMYK 74 / 0 / 68 / 13

HEX #3ADF47

RGB 58 223 71

HSL 124.73, 0.72%, 0.55%

LAB 78.54, -69.84, 60.01

 

CMYK 74 / 65 / 0 / 13

HEX #3A4DDF

RGB 58 77 223

HSL 233.09, 0.72%, 0.55%

LAB 40.47, 42.23, -76.16

 

CMYK 0 / 74 / 6 / 13

HEX #DF3AD1

RGB 223 58 209

HSL 305.09, 0.72%, 0.55%

LAB 55.4, 77.43, -43.14

 

CMYK 0 / 8 / 74 / 13

HEX #DFCE39

RGB 223 206 57

HSL 53.86, 0.72%, 0.55%

LAB 81.91, -9.84, 71.16

 

CMYK 74 / 0 / 46 / 13

HEX #3ADF79

RGB 58 223 121

HSL 142.91, 0.72%, 0.55%

LAB 79.07, -63.48, 38.19

 

CMYK 74 / 65 / 0 / 13

HEX #3A4DDF

RGB 58 77 223

HSL 233.09, 0.72%, 0.55%

LAB 40.47, 42.23, -76.16

 

CMYK 0 / 74 / 28 / 13

HEX #DF3AA0

RGB 223 58 160

HSL 322.91, 0.72%, 0.55%

LAB 53.22, 70.9, -18.1

 

Description

Color code: HEX #DFCE39 | qconv.com Color code: HEX #DFCE39 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 206 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 206 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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