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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCD8B it is the complementary color #203274. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCD8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCD8B shade: #E4CD86, #F5DF99, #FFF1AC, #FFFFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCD8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCD8B shade: #DFCD8B, #CEBB78, #BDA965, #AC9752 and #9B853F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCD8B shade: #DFCD8B, #DFB68B, #DFA08B and #DF8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCD8B shade: #DFCD8B, #DBDF8B, #C4DF8B, #ADDF8B and #96DF8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCD8B shade matches the following richer shades: #DFCD8B, #EBD47F and #F7DB73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCD8B shade: #DFCD8B, #D3C697, #C7BFA3, #BBB9AF and #AFB2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCD8B shade: #DFA08B, #DFB68B, #DFCD8B, #DBDF8B and #C5DF8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCD8B shade: #CDB14A, #D6BF6B, #DFCD8B, #E8DBAB and #F1E9CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCD8B shade: #DFCD8B, #8CDF8B and #AB8BDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCD8B shade: #DFCD8B, #8BDFCD and #CD8BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCD8B shade: #DFCD8B, #8CDF8B, #8B9DDF and #DE8BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCD8B shade: #DFCD8B, #8BDFA3, #8B9DDF and #DF8BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

Complementary color

CMYK 72 / 57 / 0 / 55

HEX #203274

RGB 32 50 116

HSL 227.14, 0.57%, 0.29%

LAB 23.17, 17.12, -40.18

 

CMYK 0 / 10 / 41 / 11

HEX #E4CD86

RGB 228 205 134

HSL 45.32, 0.64%, 0.71%

LAB 82.85, -1.66, 38.24

 

CMYK 0 / 9 / 38 / 4

HEX #F5DF99

RGB 245 223 153

HSL 45.65, 0.82%, 0.78%

LAB 89.15, -2.15, 37.07

 

CMYK 0 / 5 / 33 / 0

HEX #FFF1AC

RGB 255 241 172

HSL 49.88, 1%, 0.84%

LAB 94.8, -5.23, 35.08

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 0 / 9 / 42 / 19

HEX #CEBB78

RGB 206 187 120

HSL 46.74, 0.47%, 0.64%

LAB 76.08, -2.6, 36.35

 

CMYK 0 / 11 / 47 / 26

HEX #BDA965

RGB 189 169 101

HSL 46.36, 0.4%, 0.57%

LAB 69.57, -2.02, 37.6

 

CMYK 0 / 12 / 52 / 33

HEX #AC9752

RGB 172 151 82

HSL 46, 0.35%, 0.5%

LAB 62.94, -1.33, 38.88

 

CMYK 0 / 14 / 59 / 39

HEX #9B853F

RGB 155 133 63

HSL 45.65, 0.42%, 0.43%

LAB 56.19, -0.48, 40.17

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 0 / 18 / 38 / 13

HEX #DFB68B

RGB 223 182 139

HSL 30.71, 0.57%, 0.71%

LAB 76.68, 8.97, 27.47

 

CMYK 0 / 28 / 38 / 13

HEX #DFA08B

RGB 223 160 139

HSL 15, 0.57%, 0.71%

LAB 71.35, 20.74, 20.23

 

CMYK 0 / 38 / 38 / 13

HEX #DF8B8B

RGB 223 139 139

HSL 0, 0.57%, 0.71%

LAB 66.53, 31.99, 13.56

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 2 / 0 / 38 / 13

HEX #DBDF8B

RGB 219 223 139

HSL 62.86, 0.57%, 0.71%

LAB 86.85, -13.78, 40.71

 

CMYK 12 / 0 / 38 / 13

HEX #C4DF8B

RGB 196 223 139

HSL 79.29, 0.57%, 0.71%

LAB 85.19, -22.52, 38.24

 

CMYK 22 / 0 / 38 / 13

HEX #ADDF8B

RGB 173 223 139

HSL 95.71, 0.57%, 0.71%

LAB 83.72, -30.87, 36.05

 

CMYK 33 / 0 / 38 / 13

HEX #96DF8B

RGB 150 223 139

HSL 112.14, 0.57%, 0.71%

LAB 82.45, -38.64, 34.15

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 0 / 10 / 46 / 8

HEX #EBD47F

RGB 235 212 127

HSL 47.22, 0.73%, 0.71%

LAB 85.14, -3.17, 44.78

 

CMYK 0 / 11 / 53 / 3

HEX #F7DB73

RGB 247 219 115

HSL 47.27, 0.89%, 0.71%

LAB 87.81, -2.96, 54.06

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 0 / 6 / 28 / 17

HEX #D3C697

RGB 211 198 151

HSL 47, 0.41%, 0.71%

LAB 79.88, -2.66, 25.24

 

CMYK 0 / 4 / 18 / 22

HEX #C7BFA3

RGB 199 191 163

HSL 46.67, 0.24%, 0.71%

LAB 77.31, -1.84, 15.15

 

CMYK 0 / 1 / 6 / 27

HEX #BBB9AF

RGB 187 185 175

HSL 50, 0.08%, 0.71%

LAB 75.05, -1.09, 5.31

 

CMYK 6 / 5 / 0 / 27

HEX #AFB2BB

RGB 175 178 187

HSL 225, 0.08%, 0.71%

LAB 72.59, 0.7, -4.95

 

CMYK 0 / 28 / 38 / 13

HEX #DFA08B

RGB 223 160 139

HSL 15, 0.57%, 0.71%

LAB 71.35, 20.74, 20.23

 

CMYK 0 / 18 / 38 / 13

HEX #DFB68B

RGB 223 182 139

HSL 30.71, 0.57%, 0.71%

LAB 76.68, 8.97, 27.47

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 2 / 0 / 38 / 13

HEX #DBDF8B

RGB 219 223 139

HSL 62.86, 0.57%, 0.71%

LAB 86.85, -13.78, 40.71

 

CMYK 12 / 0 / 38 / 13

HEX #C5DF8B

RGB 197 223 139

HSL 78.57, 0.57%, 0.71%

LAB 85.26, -22.14, 38.34

 

CMYK 0 / 14 / 64 / 20

HEX #CDB14A

RGB 205 177 74

HSL 47.18, 0.57%, 0.55%

LAB 72.84, -1.68, 54.87

 

CMYK 0 / 11 / 50 / 16

HEX #D6BF6B

RGB 214 191 107

HSL 47.1, 0.57%, 0.63%

LAB 77.65, -2.7, 45.03

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 0 / 6 / 26 / 9

HEX #E8DBAB

RGB 232 219 171

HSL 47.21, 0.57%, 0.79%

LAB 87.37, -2.87, 25.26

 

CMYK 0 / 3 / 15 / 5

HEX #F1E9CC

RGB 241 233 204

HSL 47.03, 0.57%, 0.87%

LAB 92.28, -2.01, 15.07

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 37 / 0 / 38 / 13

HEX #8CDF8B

RGB 140 223 139

HSL 119.29, 0.57%, 0.71%

LAB 81.95, -41.8, 33.41

 

CMYK 23 / 38 / 0 / 13

HEX #AB8BDF

RGB 171 139 223

HSL 262.86, 0.57%, 0.71%

LAB 63.71, 29.05, -38.41

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 38 / 0 / 8 / 13

HEX #8BDFCD

RGB 139 223 205

HSL 167.14, 0.57%, 0.71%

LAB 83.27, -29.56, 0.77

 

CMYK 8 / 38 / 0 / 13

HEX #CD8BDF

RGB 205 139 223

HSL 287.14, 0.57%, 0.71%

LAB 67.11, 39.21, -32.87

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 37 / 0 / 38 / 13

HEX #8CDF8B

RGB 140 223 139

HSL 119.29, 0.57%, 0.71%

LAB 81.95, -41.8, 33.41

 

CMYK 38 / 30 / 0 / 13

HEX #8B9DDF

RGB 139 157 223

HSL 227.14, 0.57%, 0.71%

LAB 65.69, 9.71, -35.51

 

CMYK 0 / 38 / 0 / 13

HEX #DE8BDF

RGB 222 139 223

HSL 299.29, 0.57%, 0.71%

LAB 68.98, 44.39, -29.81

 

CMYK 0 / 8 / 38 / 13

HEX #DFCD8B

RGB 223 205 139

HSL 47.14, 0.57%, 0.71%

LAB 82.49, -3.09, 35.15

 

CMYK 38 / 0 / 27 / 13

HEX #8BDFA3

RGB 139 223 163

HSL 137.14, 0.57%, 0.71%

LAB 82.33, -38.09, 21.55

 

CMYK 38 / 30 / 0 / 13

HEX #8B9DDF

RGB 139 157 223

HSL 227.14, 0.57%, 0.71%

LAB 65.69, 9.71, -35.51

 

CMYK 0 / 38 / 11 / 13

HEX #DF8BC7

RGB 223 139 199

HSL 317.14, 0.57%, 0.71%

LAB 68.22, 40.52, -17.64

 

Description

Color code: HEX #DFCD8B | qconv.com Color code: HEX #DFCD8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 205 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 205 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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