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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCBD04C it is the complementary color #20342F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCBD04C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCBD04C shade: #E4CBCB4C, #F5DDDE4C, #FFEFF14C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCBD04C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCBD04C shade: #DFCBD04C, #CEB9BD4C, #BDA7AA4C, #AC95974C and #9B83844C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCBD04C shade: #E0CCD1 and #E0CCCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCBD04C shade: #E0CCD1, #E0CCD7, #E0CCDC, #DFCCE0 and #DACCE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCBD04C shade matches the following richer shades: #E0CCD1, #E7C6CE, #EDBFCB, #F4B9C7 and #FAB2C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCBD04C shade: #E0CCD1, #D9D3D5, #D3DAD8, #CCE0DB and #C6E7DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCBD04C shade: #E0CCDC, #E0CCD7, #E0CCD1, #E0CDCC and #E0D2CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCBD04C shade: #C199A3, #D0B3BA, #E0CCD1, #F0E6E8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCBD04C shade: #DFCBD0, #E0DFCC and #CCD9E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCBD04C shade: #DFCBD0, #D1E0CC and #CCD1E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCBD04C shade: #DFCBD0, #E0DFCC, #CCE0DB and #CCCDE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCBD04C shade: #DFCBD0, #DBE0CC, #CCE0DB and #D1CCE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 2 / 4

HEX #DFCBD04C

RGBA 223 203 208 0.3

HSLA 345, 0.24%, 0.84%, 0.3

LABA 83.42, 7.82, 0.04, 0.3

 

Complementary color

CMYK 12 / 0 / 3 / 24

HEX #20342F4C

RGBA 32 52 47 0.3

HSLA 165, 0.24%, 0.16%, 0.3

LABA 19.92, -9.42, 0.6, 0.3

 

CMYK 0 / 3 / 3 / 3

HEX #E4CBCB4C

RGBA 228 203 203 0.3

HSLA 0, 0.32%, 0.85%, 0.3

LABA 83.71, 8.74, 3.19, 0.3

 

CMYK 0 / 3 / 3 / 1

HEX #F5DDDE4C

RGBA 245 221 222 0.3

HSLA 357.5, 0.55%, 0.91%, 0.3

LABA 90.04, 8.41, 2.51, 0.3

 

CMYK 0 / 2 / 2 / 0

HEX #FFEFF14C

RGBA 255 239 241 0.3

HSLA 352.5, 1%, 0.97%, 0.3

LABA 95.72, 5.73, 0.96, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 0 / 3 / 2 / 4

HEX #DFCBD04C

RGBA 223 203 208 0.3

HSLA 345, 0.24%, 0.84%, 0.3

LABA 83.42, 7.82, 0.04, 0.3

 

CMYK 0 / 3 / 2 / 6

HEX #CEB9BD4C

RGBA 206 185 189 0.3

HSLA 348.57, 0.18%, 0.77%, 0.3

LABA 76.98, 8.14, 0.69, 0.3

 

CMYK 0 / 3 / 3 / 8

HEX #BDA7AA4C

RGBA 189 167 170 0.3

HSLA 351.82, 0.14%, 0.7%, 0.3

LABA 70.43, 8.49, 1.38, 0.3

 

CMYK 0 / 4 / 4 / 10

HEX #AC95974C

RGBA 172 149 151 0.3

HSLA 354.78, 0.12%, 0.63%, 0.3

LABA 63.75, 8.88, 2.1, 0.3

 

CMYK 0 / 5 / 4 / 12

HEX #9B83844C

RGBA 155 131 132 0.3

HSLA 357.5, 0.11%, 0.56%, 0.3

LABA 56.95, 9.31, 2.86, 0.3

 

CMYK 0 / 9 / 7 / 12

HEX #E0CCD1

RGB 224 204 209

HSL 345, 0.24%, 0.84%

LAB 83.78, 7.81, 0.04

 

CMYK 0 / 9 / 9 / 12

HEX #E0CCCC

RGB 224 204 204

HSL 0, 0.24%, 0.84%

LAB 83.65, 6.97, 2.52

 

CMYK 0 / 9 / 7 / 12

HEX #E0CCD1

RGB 224 204 209

HSL 345, 0.24%, 0.84%

LAB 83.78, 7.81, 0.04

 

CMYK 0 / 9 / 4 / 12

HEX #E0CCD7

RGB 224 204 215

HSL 327, 0.24%, 0.84%

LAB 83.93, 8.86, -2.93

 

CMYK 0 / 9 / 2 / 12

HEX #E0CCDC

RGB 224 204 220

HSL 312, 0.24%, 0.84%

LAB 84.07, 9.75, -5.39

 

CMYK 0 / 9 / 0 / 12

HEX #DFCCE0

RGB 223 204 224

HSL 297, 0.24%, 0.84%

LAB 84.1, 10.14, -7.49

 

CMYK 3 / 9 / 0 / 12

HEX #DACCE0

RGB 218 204 224

HSL 282, 0.24%, 0.84%

LAB 83.69, 8.45, -8.14

 

CMYK 0 / 9 / 7 / 12

HEX #E0CCD1

RGB 224 204 209

HSL 345, 0.24%, 0.84%

LAB 83.78, 7.81, 0.04

 

CMYK 0 / 14 / 11 / 9

HEX #E7C6CE

RGB 231 198 206

HSL 345.45, 0.41%, 0.84%

LAB 82.82, 12.94, 0.33

 

CMYK 0 / 19 / 14 / 7

HEX #EDBFCB

RGB 237 191 203

HSL 344.35, 0.56%, 0.84%

LAB 81.61, 18.28, 0.23

 

CMYK 0 / 24 / 18 / 4

HEX #F4B9C7

RGB 244 185 199

HSL 345.76, 0.73%, 0.84%

LAB 80.77, 23.33, 1.24

 

CMYK 0 / 29 / 22 / 2

HEX #FAB2C4

RGB 250 178 196

HSL 345, 0.88%, 0.84%

LAB 79.7, 28.71, 1.38

 

CMYK 0 / 9 / 7 / 12

HEX #E0CCD1

RGB 224 204 209

HSL 345, 0.24%, 0.84%

LAB 83.78, 7.81, 0.04

 

CMYK 0 / 3 / 2 / 15

HEX #D9D3D5

RGB 217 211 213

HSL 340, 0.07%, 0.84%

LAB 85.07, 2.42, -0.26

 

CMYK 3 / 0 / 1 / 15

HEX #D3DAD8

RGB 211 218 216

HSL 162.86, 0.09%, 0.84%

LAB 86.48, -2.72, 0.15

 

CMYK 9 / 0 / 2 / 12

HEX #CCE0DB

RGB 204 224 219

HSL 165, 0.24%, 0.84%

LAB 87.61, -7.58, 0.16

 

CMYK 14 / 0 / 3 / 9

HEX #C6E7DF

RGB 198 231 223

HSL 165.45, 0.41%, 0.84%

LAB 89.15, -12.31, 0.26

 

CMYK 0 / 9 / 2 / 12

HEX #E0CCDC

RGB 224 204 220

HSL 312, 0.24%, 0.84%

LAB 84.07, 9.75, -5.39

 

CMYK 0 / 9 / 4 / 12

HEX #E0CCD7

RGB 224 204 215

HSL 327, 0.24%, 0.84%

LAB 83.93, 8.86, -2.93

 

CMYK 0 / 9 / 7 / 12

HEX #E0CCD1

RGB 224 204 209

HSL 345, 0.24%, 0.84%

LAB 83.78, 7.81, 0.04

 

CMYK 0 / 8 / 9 / 12

HEX #E0CDCC

RGB 224 205 204

HSL 3, 0.24%, 0.84%

LAB 83.9, 6.44, 2.88

 

CMYK 0 / 6 / 9 / 12

HEX #E0D2CC

RGB 224 210 204

HSL 18, 0.24%, 0.84%

LAB 85.15, 3.82, 4.7

 

CMYK 0 / 21 / 16 / 24

HEX #C199A3

RGB 193 153 163

HSL 345, 0.24%, 0.68%

LAB 67.1, 16.49, 0.47

 

CMYK 0 / 14 / 11 / 18

HEX #D0B3BA

RGB 208 179 186

HSL 345.52, 0.24%, 0.76%

LAB 75.57, 11.58, 0.3

 

CMYK 0 / 9 / 7 / 12

HEX #E0CCD1

RGB 224 204 209

HSL 345, 0.24%, 0.84%

LAB 83.78, 7.81, 0.04

 

CMYK 0 / 4 / 3 / 6

HEX #F0E6E8

RGB 240 230 232

HSL 348, 0.25%, 0.92%

LAB 92.11, 3.73, 0.23

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 9 / 7 / 13

HEX #DFCBD0

RGB 223 203 208

HSL 345, 0.24%, 0.84%

LAB 83.42, 7.82, 0.04

 

CMYK 0 / 0 / 9 / 12

HEX #E0DFCC

RGB 224 223 204

HSL 57, 0.24%, 0.84%

LAB 88.44, -2.92, 9.43

 

CMYK 9 / 3 / 0 / 12

HEX #CCD9E0

RGB 204 217 224

HSL 201, 0.24%, 0.84%

LAB 85.93, -3.01, -4.95

 

CMYK 0 / 9 / 7 / 13

HEX #DFCBD0

RGB 223 203 208

HSL 345, 0.24%, 0.84%

LAB 83.42, 7.82, 0.04

 

CMYK 7 / 0 / 9 / 12

HEX #D1E0CC

RGB 209 224 204

HSL 105, 0.24%, 0.84%

LAB 87.59, -8.63, 8.07

 

CMYK 9 / 7 / 0 / 12

HEX #CCD1E0

RGB 204 209 224

HSL 225, 0.24%, 0.84%

LAB 83.87, 1.17, -7.99

 

CMYK 0 / 9 / 7 / 13

HEX #DFCBD0

RGB 223 203 208

HSL 345, 0.24%, 0.84%

LAB 83.42, 7.82, 0.04

 

CMYK 0 / 0 / 9 / 12

HEX #E0DFCC

RGB 224 223 204

HSL 57, 0.24%, 0.84%

LAB 88.44, -2.92, 9.43

 

CMYK 9 / 0 / 2 / 12

HEX #CCE0DB

RGB 204 224 219

HSL 165, 0.24%, 0.84%

LAB 87.61, -7.58, 0.16

 

CMYK 9 / 8 / 0 / 12

HEX #CCCDE0

RGB 204 205 224

HSL 237, 0.24%, 0.84%

LAB 82.85, 3.28, -9.51

 

CMYK 0 / 9 / 7 / 13

HEX #DFCBD0

RGB 223 203 208

HSL 345, 0.24%, 0.84%

LAB 83.42, 7.82, 0.04

 

CMYK 2 / 0 / 9 / 12

HEX #DBE0CC

RGB 219 224 204

HSL 75, 0.24%, 0.84%

LAB 88.32, -5.18, 9.2

 

CMYK 9 / 0 / 2 / 12

HEX #CCE0DB

RGB 204 224 219

HSL 165, 0.24%, 0.84%

LAB 87.61, -7.58, 0.16

 

CMYK 7 / 9 / 0 / 12

HEX #D1CCE0

RGB 209 204 224

HSL 255, 0.24%, 0.84%

LAB 82.98, 5.46, -9.27

 

Description

Color code: HEX #DFCBD04C | qconv.com Color code: HEX #DFCBD04C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 203 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 203 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 2 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 2% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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