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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFC3EF it is the complementary color #203C10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFC3EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFC3EF shade: #E4C3EA, #F5D5FD, #FFE7FF, #FFF9FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFC3EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFC3EF shade: #DFC3EF, #CEB1DC, #BD9FC9, #AC8DB6 and #9B7BA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFC3EF shade: #DFC3EF, #EBC3EF, #EFC3E7, #EFC3DB and #EFC3CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFC3EF shade: #DFC3EF, #D3C3EF, #C7C3EF and #C3C3EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFC3EF shade matches the following richer shades: #DFC3EF, #E0BCF5 and #E2B6FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFC3EF shade: #DFC3EF, #DDC9E9, #DBCFE3, #DAD5DC and #D8DBD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFC3EF shade: #C7C3EF, #D3C3EF, #DFC3EF, #EAC3EF and #EFC3E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFC3EF shade: #BC81DE, #CDA2E6, #DFC3EF, #F0E3F8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFC3EF shade: #DFC3EF, #EFC3CA and #C3EFCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFC3EF shade: #DFC3EF, #EFDFC3 and #C3EFDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFC3EF shade: #DFC3EF, #EFC3CA, #D3EFC3 and #C3EFE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFC3EF shade: #DFC3EF, #EFC8C3, #D3EFC3 and #C3E9EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

Complementary color

CMYK 47 / 0 / 73 / 76

HEX #203C10

RGB 32 60 16

HSL 98.18, 0.58%, 0.15%

LAB 22.22, -20, 23.2

 

CMYK 3 / 17 / 0 / 8

HEX #E4C3EA

RGB 228 195 234

HSL 290.77, 0.48%, 0.84%

LAB 82.63, 18.45, -14.98

 

CMYK 3 / 16 / 0 / 1

HEX #F5D5FD

RGB 245 213 253

HSL 288, 0.91%, 0.91%

LAB 88.97, 18.03, -15.39

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 6 / 20 / 0 / 14

HEX #CEB1DC

RGB 206 177 220

HSL 280.47, 0.38%, 0.78%

LAB 75.91, 18.21, -17.75

 

CMYK 6 / 21 / 0 / 21

HEX #BD9FC9

RGB 189 159 201

HSL 282.86, 0.28%, 0.71%

LAB 69.35, 18.69, -17.39

 

CMYK 5 / 23 / 0 / 29

HEX #AC8DB6

RGB 172 141 182

HSL 285.37, 0.22%, 0.63%

LAB 62.67, 19.21, -17.03

 

CMYK 5 / 25 / 0 / 36

HEX #9B7BA3

RGB 155 123 163

HSL 288, 0.18%, 0.56%

LAB 55.87, 19.77, -16.66

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 2 / 18 / 0 / 6

HEX #EBC3EF

RGB 235 195 239

HSL 294.55, 0.58%, 0.85%

LAB 83.4, 21.69, -16.42

 

CMYK 0 / 18 / 3 / 6

HEX #EFC3E7

RGB 239 195 231

HSL 310.91, 0.58%, 0.85%

LAB 83.52, 21.56, -11.93

 

CMYK 0 / 18 / 8 / 6

HEX #EFC3DB

RGB 239 195 219

HSL 327.27, 0.58%, 0.85%

LAB 83.18, 19.48, -6.03

 

CMYK 0 / 18 / 13 / 6

HEX #EFC3CF

RGB 239 195 207

HSL 343.64, 0.58%, 0.85%

LAB 82.85, 17.51, -0.08

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 12 / 18 / 0 / 6

HEX #D3C3EF

RGB 211 195 239

HSL 261.82, 0.58%, 0.85%

LAB 81.35, 13.91, -19.71

 

CMYK 17 / 18 / 0 / 6

HEX #C7C3EF

RGB 199 195 239

HSL 245.45, 0.58%, 0.85%

LAB 80.41, 10.13, -21.24

 

CMYK 18 / 18 / 0 / 6

HEX #C3C3EF

RGB 195 195 239

HSL 240, 0.58%, 0.85%

LAB 80.1, 8.89, -21.72

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 9 / 23 / 0 / 4

HEX #E0BCF5

RGB 224 188 245

HSL 277.89, 0.74%, 0.85%

LAB 80.96, 23.03, -23.41

 

CMYK 10 / 27 / 0 / 2

HEX #E2B6FB

RGB 226 182 251

HSL 278.26, 0.9%, 0.85%

LAB 79.95, 28.08, -28.16

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 5 / 14 / 0 / 9

HEX #DDC9E9

RGB 221 201 233

HSL 277.5, 0.42%, 0.85%

LAB 83.46, 12.75, -13.26

 

CMYK 4 / 9 / 0 / 11

HEX #DBCFE3

RGB 219 207 227

HSL 276, 0.26%, 0.85%

LAB 84.6, 7.76, -8.37

 

CMYK 1 / 3 / 0 / 14

HEX #DAD5DC

RGB 218 213 220

HSL 282.86, 0.09%, 0.85%

LAB 85.84, 2.97, -2.85

 

CMYK 1 / 0 / 2 / 14

HEX #D8DBD6

RGB 216 219 214

HSL 96, 0.06%, 0.85%

LAB 87.05, -1.91, 2.09

 

CMYK 17 / 18 / 0 / 6

HEX #C7C3EF

RGB 199 195 239

HSL 245.45, 0.58%, 0.85%

LAB 80.41, 10.13, -21.24

 

CMYK 12 / 18 / 0 / 6

HEX #D3C3EF

RGB 211 195 239

HSL 261.82, 0.58%, 0.85%

LAB 81.35, 13.91, -19.71

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 2 / 18 / 0 / 6

HEX #EAC3EF

RGB 234 195 239

HSL 293.18, 0.58%, 0.85%

LAB 83.31, 21.36, -16.56

 

CMYK 0 / 18 / 3 / 6

HEX #EFC3E8

RGB 239 195 232

HSL 309.55, 0.58%, 0.85%

LAB 83.55, 21.74, -12.42

 

CMYK 15 / 42 / 0 / 13

HEX #BC81DE

RGB 188 129 222

HSL 278.06, 0.58%, 0.69%

LAB 63.07, 39.35, -38.74

 

CMYK 11 / 30 / 0 / 10

HEX #CDA2E6

RGB 205 162 230

HSL 277.94, 0.58%, 0.77%

LAB 72.58, 28.11, -28.26

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 3 / 8 / 0 / 3

HEX #F0E3F8

RGB 240 227 248

HSL 277.14, 0.6%, 0.93%

LAB 91.79, 8.14, -8.6

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 0 / 18 / 15 / 6

HEX #EFC3CA

RGB 239 195 202

HSL 350.45, 0.58%, 0.85%

LAB 82.72, 16.72, 2.41

 

CMYK 18 / 0 / 14 / 6

HEX #C3EFCD

RGB 195 239 205

HSL 133.64, 0.58%, 0.85%

LAB 90.66, -20.61, 11.81

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 0 / 7 / 18 / 6

HEX #EFDFC3

RGB 239 223 195

HSL 38.18, 0.58%, 0.85%

LAB 89.42, 1.03, 15.7

 

CMYK 18 / 0 / 7 / 6

HEX #C3EFDF

RGB 195 239 223

HSL 158.18, 0.58%, 0.85%

LAB 91.08, -17.25, 3.05

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 0 / 18 / 15 / 6

HEX #EFC3CA

RGB 239 195 202

HSL 350.45, 0.58%, 0.85%

LAB 82.72, 16.72, 2.41

 

CMYK 12 / 0 / 18 / 6

HEX #D3EFC3

RGB 211 239 195

HSL 98.18, 0.58%, 0.85%

LAB 91.47, -16.96, 18.27

 

CMYK 18 / 0 / 3 / 6

HEX #C3EFE8

RGB 195 239 232

HSL 170.45, 0.58%, 0.85%

LAB 91.31, -15.48, -1.31

 

CMYK 7 / 18 / 0 / 6

HEX #DFC3EF

RGB 223 195 239

HSL 278.18, 0.58%, 0.85%

LAB 82.35, 17.77, -18.11

 

CMYK 0 / 16 / 18 / 6

HEX #EFC8C3

RGB 239 200 195

HSL 6.82, 0.58%, 0.85%

LAB 83.76, 13, 7.64

 

CMYK 12 / 0 / 18 / 6

HEX #D3EFC3

RGB 211 239 195

HSL 98.18, 0.58%, 0.85%

LAB 91.47, -16.96, 18.27

 

CMYK 18 / 3 / 0 / 6

HEX #C3E9EF

RGB 195 233 239

HSL 188.18, 0.58%, 0.85%

LAB 89.91, -11.03, -7.02

 

Description

Color code: HEX #DFC3EF | qconv.com Color code: HEX #DFC3EF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 195 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 195 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 18 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 18% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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