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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFC354 it is the complementary color #203CAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFC354. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFC354 shade: #E4C34F, #F5D562, #FFE775, #FFF988 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFC354. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFC354 shade: #DFC354, #CEB141, #BD9F2E, #AC8D1B and #9B7B08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFC354 shade: #DEC254, #DE9D54, #DE7854 and #DE5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFC354 shade: #DEC254, #D5DE54, #AFDE54, #8ADE54 and #65DE54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFC354 shade matches the following richer shades: #DEC254 and #EFCC43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFC354 shade: #DEC254, #CEB964, #BDAF75, #ADA585 and #9C9B96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFC354 shade: #DE7654, #DE9B54, #DEC054, #D7DE54 and #B2DE54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFC354 shade: #BC9D24, #D8B631, #DEC254, #E5CF76 and #ECDB99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFC354 shade: #DFC354, #56DE54 and #8954DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFC354 shade: #DFC354, #54DEC0 and #C054DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFC354 shade: #DFC354, #56DE54, #5472DE and #DC54DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFC354 shade: #DFC354, #54DE7B, #5472DE and #DE54B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 62 / 13

HEX #DFC354

RGB 223 195 84

HSL 47.91, 0.68%, 0.6%

LAB 79.25, -2.8, 57.9

 

Complementary color

CMYK 81 / 65 / 0 / 33

HEX #203CAB

RGB 32 60 171

HSL 227.91, 0.68%, 0.4%

LAB 30.59, 31.73, -62.04

 

CMYK 0 / 14 / 65 / 11

HEX #E4C34F

RGB 228 195 79

HSL 46.71, 0.73%, 0.6%

LAB 79.66, -1.01, 60.66

 

CMYK 0 / 13 / 60 / 4

HEX #F5D562

RGB 245 213 98

HSL 46.94, 0.88%, 0.67%

LAB 85.95, -1.97, 59.67

 

CMYK 0 / 9 / 54 / 0

HEX #FFE775

RGB 255 231 117

HSL 49.57, 1%, 0.73%

LAB 91.55, -5.62, 57.7

 

CMYK 0 / 2 / 47 / 0

HEX #FFF988

RGB 255 249 136

HSL 56.97, 1%, 0.77%

LAB 96.32, -12.93, 54.57

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 13 / 62 / 13

HEX #DFC354

RGB 223 195 84

HSL 47.91, 0.68%, 0.6%

LAB 79.25, -2.8, 57.9

 

CMYK 0 / 14 / 68 / 19

HEX #CEB141

RGB 206 177 65

HSL 47.66, 0.59%, 0.53%

LAB 72.86, -1.78, 58.78

 

CMYK 0 / 16 / 76 / 26

HEX #BD9F2E

RGB 189 159 46

HSL 47.41, 0.61%, 0.46%

LAB 66.38, -0.56, 59.28

 

CMYK 0 / 18 / 84 / 33

HEX #AC8D1B

RGB 172 141 27

HSL 47.17, 0.73%, 0.39%

LAB 59.8, 0.89, 59

 

CMYK 0 / 21 / 95 / 39

HEX #9B7B08

RGB 155 123 8

HSL 46.94, 0.9%, 0.32%

LAB 53.12, 2.64, 57.29

 

CMYK 0 / 13 / 62 / 13

HEX #DEC254

RGB 222 194 84

HSL 47.83, 0.68%, 0.6%

LAB 78.9, -2.7, 57.49

 

CMYK 0 / 29 / 62 / 13

HEX #DE9D54

RGB 222 157 84

HSL 31.74, 0.68%, 0.6%

LAB 69.67, 16.88, 47.11

 

CMYK 0 / 46 / 62 / 13

HEX #DE7854

RGB 222 120 84

HSL 15.65, 0.68%, 0.6%

LAB 61.31, 36.53, 37.2

 

CMYK 0 / 62 / 62 / 13

HEX #DE5454

RGB 222 84 84

HSL 0, 0.68%, 0.6%

LAB 54.56, 53.87, 28.82

 

CMYK 0 / 13 / 62 / 13

HEX #DEC254

RGB 222 194 84

HSL 47.83, 0.68%, 0.6%

LAB 78.9, -2.7, 57.49

 

CMYK 4 / 0 / 62 / 13

HEX #D5DE54

RGB 213 222 84

HSL 63.91, 0.68%, 0.6%

LAB 85.52, -20.51, 64.42

 

CMYK 21 / 0 / 62 / 13

HEX #AFDE54

RGB 175 222 84

HSL 80.43, 0.68%, 0.6%

LAB 82.91, -35.49, 60.85

 

CMYK 38 / 0 / 62 / 13

HEX #8ADE54

RGB 138 222 84

HSL 96.52, 0.68%, 0.6%

LAB 80.9, -48.67, 58.07

 

CMYK 55 / 0 / 62 / 13

HEX #65DE54

RGB 101 222 84

HSL 112.61, 0.68%, 0.6%

LAB 79.41, -59.53, 56.01

 

CMYK 0 / 13 / 62 / 13

HEX #DEC254

RGB 222 194 84

HSL 47.83, 0.68%, 0.6%

LAB 78.9, -2.7, 57.49

 

CMYK 0 / 15 / 72 / 6

HEX #EFCC43

RGB 239 204 67

HSL 47.79, 0.84%, 0.6%

LAB 82.88, -1.63, 69.07

 

CMYK 0 / 13 / 62 / 13

HEX #DEC254

RGB 222 194 84

HSL 47.83, 0.68%, 0.6%

LAB 78.9, -2.7, 57.49

 

CMYK 0 / 10 / 51 / 19

HEX #CEB964

RGB 206 185 100

HSL 48.11, 0.52%, 0.6%

LAB 75.29, -3.49, 45.46

 

CMYK 0 / 7 / 38 / 26

HEX #BDAF75

RGB 189 175 117

HSL 48.33, 0.35%, 0.6%

LAB 71.39, -3.49, 31.57

 

CMYK 0 / 5 / 23 / 32

HEX #ADA585

RGB 173 165 133

HSL 48, 0.2%, 0.6%

LAB 67.64, -2.41, 17.66

 

CMYK 0 / 1 / 4 / 39

HEX #9C9B96

RGB 156 155 150

HSL 50, 0.03%, 0.6%

LAB 63.93, -0.58, 2.74

 

CMYK 0 / 47 / 62 / 13

HEX #DE7654

RGB 222 118 84

HSL 14.78, 0.68%, 0.6%

LAB 60.89, 37.56, 36.7

 

CMYK 0 / 30 / 62 / 13

HEX #DE9B54

RGB 222 155 84

HSL 30.87, 0.68%, 0.6%

LAB 69.19, 17.95, 46.56

 

CMYK 0 / 14 / 62 / 13

HEX #DEC054

RGB 222 192 84

HSL 46.96, 0.68%, 0.6%

LAB 78.39, -1.67, 56.93

 

CMYK 3 / 0 / 62 / 13

HEX #D7DE54

RGB 215 222 84

HSL 63.04, 0.68%, 0.6%

LAB 85.67, -19.7, 64.63

 

CMYK 20 / 0 / 62 / 13

HEX #B2DE54

RGB 178 222 84

HSL 79.13, 0.68%, 0.6%

LAB 83.1, -34.35, 61.11

 

CMYK 0 / 16 / 81 / 26

HEX #BC9D24

RGB 188 157 36

HSL 47.76, 0.68%, 0.44%

LAB 65.7, -0.31, 62.03

 

CMYK 0 / 16 / 77 / 15

HEX #D8B631

RGB 216 182 49

HSL 47.78, 0.68%, 0.52%

LAB 75, -0.81, 67.2

 

CMYK 0 / 13 / 62 / 13

HEX #DEC254

RGB 222 194 84

HSL 47.83, 0.68%, 0.6%

LAB 78.9, -2.7, 57.49

 

CMYK 0 / 10 / 48 / 10

HEX #E5CF76

RGB 229 207 118

HSL 48.11, 0.68%, 0.68%

LAB 83.23, -3.86, 46.73

 

CMYK 0 / 7 / 35 / 7

HEX #ECDB99

RGB 236 219 153

HSL 47.71, 0.69%, 0.76%

LAB 87.39, -3.6, 34.61

 

CMYK 0 / 13 / 62 / 13

HEX #DFC354

RGB 223 195 84

HSL 47.91, 0.68%, 0.6%

LAB 79.25, -2.8, 57.9

 

CMYK 61 / 0 / 62 / 13

HEX #56DE54

RGB 86 222 84

HSL 119.13, 0.68%, 0.6%

LAB 78.96, -63.08, 55.37

 

CMYK 38 / 62 / 0 / 13

HEX #8954DE

RGB 137 84 222

HSL 263.04, 0.68%, 0.6%

LAB 48.18, 50.73, -62.76

 

CMYK 0 / 13 / 62 / 13

HEX #DFC354

RGB 223 195 84

HSL 47.91, 0.68%, 0.6%

LAB 79.25, -2.8, 57.9

 

CMYK 62 / 0 / 14 / 13

HEX #54DEC0

RGB 84 222 192

HSL 166.96, 0.68%, 0.6%

LAB 80.7, -44.35, 3.69

 

CMYK 14 / 62 / 0 / 13

HEX #C054DE

RGB 192 84 222

HSL 286.96, 0.68%, 0.6%

LAB 54.89, 63.09, -51.62

 

CMYK 0 / 13 / 62 / 13

HEX #DFC354

RGB 223 195 84

HSL 47.91, 0.68%, 0.6%

LAB 79.25, -2.8, 57.9

 

CMYK 61 / 0 / 62 / 13

HEX #56DE54

RGB 86 222 84

HSL 119.13, 0.68%, 0.6%

LAB 78.96, -63.08, 55.37

 

CMYK 62 / 49 / 0 / 13

HEX #5472DE

RGB 84 114 222

HSL 226.96, 0.68%, 0.6%

LAB 50.91, 22.52, -58.56

 

CMYK 1 / 62 / 0 / 13

HEX #DC54DE

RGB 220 84 222

HSL 299.13, 0.68%, 0.6%

LAB 58.82, 69.71, -45.14

 

CMYK 0 / 13 / 62 / 13

HEX #DFC354

RGB 223 195 84

HSL 47.91, 0.68%, 0.6%

LAB 79.25, -2.8, 57.9

 

CMYK 62 / 0 / 45 / 13

HEX #54DE7B

RGB 84 222 123

HSL 136.96, 0.68%, 0.6%

LAB 79.36, -58.37, 37.68

 

CMYK 62 / 49 / 0 / 13

HEX #5472DE

RGB 84 114 222

HSL 226.96, 0.68%, 0.6%

LAB 50.91, 22.52, -58.56

 

CMYK 0 / 62 / 18 / 13

HEX #DE54B7

RGB 222 84 183

HSL 316.96, 0.68%, 0.6%

LAB 57.36, 64.17, -25.18

 

Description

Color code: HEX #DFC354 | qconv.com Color code: HEX #DFC354 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 195 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 195 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 62 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 62% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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