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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFC198 it is the complementary color #203E67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFC198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFC198 shade: #E4C193, #F5D3A6, #FFE5B9, #FFF7CC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFC198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFC198 shade: #DFC198, #CEAF85, #BD9D72, #AC8B5F and #9B794C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFC198 shade: #E0C29A, #E0AF9A, #E09C9A and #E09A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFC198 shade: #E0C29A, #E0D59A, #D8E09A, #C5E09A and #B2E09A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFC198 shade matches the following richer shades: #E0C29A, #EBC48F and #F5C584

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFC198 shade: #E0C29A, #D5C0A4, #CABFAF, #C0BDBA and #B5BBC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFC198 shade: #E09C9A, #E0AF9A, #E0C19A, #E0D49A and #D9E09A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFC198 shade: #CC9C5A, #D6AF7A, #E0C29A, #EAD5B9 and #F3E8D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFC198 shade: #DFC198, #AAE09A and #A59AE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFC198 shade: #DFC198, #9AE0C1 and #C19AE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFC198 shade: #DFC198, #AAE09A, #9AB8E0 and #CF9AE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFC198 shade: #DFC198, #9AE09E, #9AB8E0 and #E09ADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 32 / 13

HEX #DFC198

RGB 223 193 152

HSL 34.65, 0.53%, 0.74%

LAB 79.67, 4.72, 24.6

 

Complementary color

CMYK 69 / 40 / 0 / 60

HEX #203E67

RGB 32 62 103

HSL 214.65, 0.53%, 0.26%

LAB 25.96, 3.54, -27.38

 

CMYK 0 / 15 / 36 / 11

HEX #E4C193

RGB 228 193 147

HSL 34.07, 0.6%, 0.74%

LAB 80.03, 6.05, 27.81

 

CMYK 0 / 14 / 32 / 4

HEX #F5D3A6

RGB 245 211 166

HSL 34.18, 0.8%, 0.81%

LAB 86.38, 5.52, 26.7

 

CMYK 0 / 10 / 27 / 0

HEX #FFE5B9

RGB 255 229 185

HSL 37.71, 1%, 0.86%

LAB 92.04, 2.45, 24.73

 

CMYK 0 / 3 / 20 / 0

HEX #FFF7CC

RGB 255 247 204

HSL 50.59, 1%, 0.9%

LAB 96.88, -4.07, 21.67

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 13 / 32 / 13

HEX #DFC198

RGB 223 193 152

HSL 34.65, 0.53%, 0.74%

LAB 79.67, 4.72, 24.6

 

CMYK 0 / 15 / 35 / 19

HEX #CEAF85

RGB 206 175 133

HSL 34.52, 0.43%, 0.66%

LAB 73.2, 5.25, 25.72

 

CMYK 0 / 17 / 40 / 26

HEX #BD9D72

RGB 189 157 114

HSL 34.4, 0.36%, 0.59%

LAB 66.63, 5.86, 26.93

 

CMYK 0 / 19 / 45 / 33

HEX #AC8B5F

RGB 172 139 95

HSL 34.29, 0.32%, 0.52%

LAB 59.94, 6.57, 28.22

 

CMYK 0 / 22 / 51 / 39

HEX #9B794C

RGB 155 121 76

HSL 34.18, 0.34%, 0.45%

LAB 53.13, 7.43, 29.62

 

CMYK 0 / 13 / 31 / 12

HEX #E0C29A

RGB 224 194 154

HSL 34.29, 0.53%, 0.74%

LAB 80.05, 4.84, 24.07

 

CMYK 0 / 22 / 31 / 12

HEX #E0AF9A

RGB 224 175 154

HSL 18, 0.53%, 0.74%

LAB 75.35, 14.93, 17.61

 

CMYK 0 / 30 / 31 / 12

HEX #E09C9A

RGB 224 156 154

HSL 1.71, 0.53%, 0.74%

LAB 70.84, 25.13, 11.28

 

CMYK 0 / 31 / 31 / 12

HEX #E09A9A

RGB 224 154 154

HSL 0, 0.53%, 0.74%

LAB 70.38, 26.2, 10.63

 

CMYK 0 / 13 / 31 / 12

HEX #E0C29A

RGB 224 194 154

HSL 34.29, 0.53%, 0.74%

LAB 80.05, 4.84, 24.07

 

CMYK 0 / 5 / 31 / 12

HEX #E0D59A

RGB 224 213 154

HSL 50.57, 0.53%, 0.74%

LAB 84.88, -5.03, 30.59

 

CMYK 4 / 0 / 31 / 12

HEX #D8E09A

RGB 216 224 154

HSL 66.86, 0.53%, 0.74%

LAB 87.12, -13.63, 33.45

 

CMYK 12 / 0 / 31 / 12

HEX #C5E09A

RGB 197 224 154

HSL 83.14, 0.53%, 0.74%

LAB 85.76, -20.68, 31.41

 

CMYK 21 / 0 / 31 / 12

HEX #B2E09A

RGB 178 224 154

HSL 99.43, 0.53%, 0.74%

LAB 84.54, -27.46, 29.56

 

CMYK 0 / 13 / 31 / 12

HEX #E0C29A

RGB 224 194 154

HSL 34.29, 0.53%, 0.74%

LAB 80.05, 4.84, 24.07

 

CMYK 0 / 17 / 39 / 8

HEX #EBC48F

RGB 235 196 143

HSL 34.57, 0.7%, 0.74%

LAB 81.36, 6.77, 31.79

 

CMYK 0 / 20 / 46 / 4

HEX #F5C584

RGB 245 197 132

HSL 34.51, 0.85%, 0.74%

LAB 82.38, 9.06, 38.98

 

CMYK 0 / 13 / 31 / 12

HEX #E0C29A

RGB 224 194 154

HSL 34.29, 0.53%, 0.74%

LAB 80.05, 4.84, 24.07

 

CMYK 0 / 10 / 23 / 16

HEX #D5C0A4

RGB 213 192 164

HSL 34.29, 0.37%, 0.74%

LAB 78.77, 3.04, 16.82

 

CMYK 0 / 5 / 13 / 21

HEX #CABFAF

RGB 202 191 175

HSL 35.56, 0.2%, 0.74%

LAB 77.82, 1.16, 9.45

 

CMYK 0 / 2 / 3 / 25

HEX #C0BDBA

RGB 192 189 186

HSL 30, 0.05%, 0.74%

LAB 76.77, 0.51, 1.87

 

CMYK 8 / 5 / 0 / 23

HEX #B5BBC4

RGB 181 187 196

HSL 216, 0.11%, 0.74%

LAB 75.67, -0.32, -5.26

 

CMYK 0 / 30 / 31 / 12

HEX #E09C9A

RGB 224 156 154

HSL 1.71, 0.53%, 0.74%

LAB 70.84, 25.13, 11.28

 

CMYK 0 / 22 / 31 / 12

HEX #E0AF9A

RGB 224 175 154

HSL 18, 0.53%, 0.74%

LAB 75.35, 14.93, 17.61

 

CMYK 0 / 14 / 31 / 12

HEX #E0C19A

RGB 224 193 154

HSL 33.43, 0.53%, 0.74%

LAB 79.8, 5.36, 23.73

 

CMYK 0 / 5 / 31 / 12

HEX #E0D49A

RGB 224 212 154

HSL 49.71, 0.53%, 0.74%

LAB 84.62, -4.52, 30.24

 

CMYK 3 / 0 / 31 / 12

HEX #D9E09A

RGB 217 224 154

HSL 66, 0.53%, 0.74%

LAB 87.19, -13.26, 33.56

 

CMYK 0 / 24 / 56 / 20

HEX #CC9C5A

RGB 204 156 90

HSL 34.74, 0.53%, 0.58%

LAB 67.54, 10.3, 41.1

 

CMYK 0 / 18 / 43 / 16

HEX #D6AF7A

RGB 214 175 122

HSL 34.57, 0.53%, 0.66%

LAB 73.78, 7.21, 32.48

 

CMYK 0 / 13 / 31 / 12

HEX #E0C29A

RGB 224 194 154

HSL 34.29, 0.53%, 0.74%

LAB 80.05, 4.84, 24.07

 

CMYK 0 / 9 / 21 / 8

HEX #EAD5B9

RGB 234 213 185

HSL 34.29, 0.54%, 0.82%

LAB 86.3, 2.9, 16.49

 

CMYK 0 / 5 / 11 / 5

HEX #F3E8D9

RGB 243 232 217

HSL 34.62, 0.52%, 0.9%

LAB 92.48, 1.23, 8.61

 

CMYK 0 / 13 / 32 / 13

HEX #DFC198

RGB 223 193 152

HSL 34.65, 0.53%, 0.74%

LAB 79.67, 4.72, 24.6

 

CMYK 24 / 0 / 31 / 12

HEX #AAE09A

RGB 170 224 154

HSL 106.29, 0.53%, 0.74%

LAB 84.06, -30.22, 28.84

 

CMYK 26 / 31 / 0 / 12

HEX #A59AE0

RGB 165 154 224

HSL 249.43, 0.53%, 0.74%

LAB 66.89, 19.03, -34.04

 

CMYK 0 / 13 / 32 / 13

HEX #DFC198

RGB 223 193 152

HSL 34.65, 0.53%, 0.74%

LAB 79.67, 4.72, 24.6

 

CMYK 31 / 0 / 14 / 12

HEX #9AE0C1

RGB 154 224 193

HSL 153.43, 0.53%, 0.74%

LAB 83.98, -28.39, 8.24

 

CMYK 14 / 31 / 0 / 12

HEX #C19AE0

RGB 193 154 224

HSL 273.43, 0.53%, 0.74%

LAB 69.35, 27.51, -30.05

 

CMYK 0 / 13 / 32 / 13

HEX #DFC198

RGB 223 193 152

HSL 34.65, 0.53%, 0.74%

LAB 79.67, 4.72, 24.6

 

CMYK 24 / 0 / 31 / 12

HEX #AAE09A

RGB 170 224 154

HSL 106.29, 0.53%, 0.74%

LAB 84.06, -30.22, 28.84

 

CMYK 31 / 18 / 0 / 12

HEX #9AB8E0

RGB 154 184 224

HSL 214.29, 0.53%, 0.74%

LAB 73.89, -0.9, -23.35

 

CMYK 8 / 31 / 0 / 12

HEX #CF9AE0

RGB 207 154 224

HSL 285.43, 0.53%, 0.74%

LAB 70.7, 31.89, -27.85

 

CMYK 0 / 13 / 32 / 13

HEX #DFC198

RGB 223 193 152

HSL 34.65, 0.53%, 0.74%

LAB 79.67, 4.72, 24.6

 

CMYK 31 / 0 / 29 / 12

HEX #9AE09E

RGB 154 224 158

HSL 123.43, 0.53%, 0.74%

LAB 83.26, -34.84, 25.54

 

CMYK 31 / 18 / 0 / 12

HEX #9AB8E0

RGB 154 184 224

HSL 214.29, 0.53%, 0.74%

LAB 73.89, -0.9, -23.35

 

CMYK 0 / 31 / 2 / 12

HEX #E09ADB

RGB 224 154 219

HSL 304.29, 0.53%, 0.74%

LAB 72.28, 36.36, -22.54

 

Description

Color code: HEX #DFC198 | qconv.com Color code: HEX #DFC198 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 193 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 193 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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