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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBF82 it is the complementary color #20407D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBF82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBF82 shade: #E4BF7D, #F5D190, #FFE3A3, #FFF5B6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBF82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBF82 shade: #DFBF82, #CEAD6F, #BD9B5C, #AC8949 and #9B7736

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBF82 shade: #DFBE81, #DFA581, #DF8C81 and #DF8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBF82 shade: #DFBE81, #DFD881, #CCDF81, #B3DF81 and #9ADF81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBF82 shade matches the following richer shades: #DFBE81, #EBC275 and #F8C668

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBF82 shade: #DFBE81, #D2BA8E, #C5B79B, #B8B3A8 and #ABAFB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBF82 shade: #DF8C81, #DFA581, #DFBE81, #DFD781 and #CDDF81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBF82 shade: #CE9D40, #D6AE61, #DFBE81, #E7CFA2 and #F0E0C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBF82 shade: #DFBF82, #8FDF81 and #9981DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBF82 shade: #DFBF82, #81DFBE and #BE81DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBF82 shade: #DFBF82, #8FDF81, #81A2DF and #D181DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBF82 shade: #DFBF82, #81DF8F, #81A2DF and #DF81D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 42 / 13

HEX #DFBF82

RGB 223 191 130

HSL 39.35, 0.59%, 0.69%

LAB 78.79, 3.21, 34.97

 

Complementary color

CMYK 74 / 49 / 0 / 51

HEX #20407D

RGB 32 64 125

HSL 219.35, 0.59%, 0.31%

LAB 27.99, 10.9, -38.09

 

CMYK 0 / 16 / 45 / 11

HEX #E4BF7D

RGB 228 191 125

HSL 38.45, 0.66%, 0.69%

LAB 79.18, 4.7, 38.14

 

CMYK 0 / 15 / 41 / 4

HEX #F5D190

RGB 245 209 144

HSL 38.61, 0.83%, 0.76%

LAB 85.52, 4.05, 36.9

 

CMYK 0 / 11 / 36 / 0

HEX #FFE3A3

RGB 255 227 163

HSL 41.74, 1%, 0.82%

LAB 91.16, 0.78, 34.8

 

CMYK 0 / 4 / 29 / 0

HEX #FFF5B6

RGB 255 245 182

HSL 51.78, 1%, 0.86%

LAB 95.97, -6.01, 31.61

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 14 / 42 / 13

HEX #DFBF82

RGB 223 191 130

HSL 39.35, 0.59%, 0.69%

LAB 78.79, 3.21, 34.97

 

CMYK 0 / 16 / 46 / 19

HEX #CEAD6F

RGB 206 173 111

HSL 39.16, 0.49%, 0.62%

LAB 72.33, 3.88, 36.23

 

CMYK 0 / 18 / 51 / 26

HEX #BD9B5C

RGB 189 155 92

HSL 38.97, 0.42%, 0.55%

LAB 65.78, 4.67, 37.56

 

CMYK 0 / 20 / 58 / 33

HEX #AC8949

RGB 172 137 73

HSL 38.79, 0.4%, 0.48%

LAB 59.11, 5.6, 38.93

 

CMYK 0 / 23 / 65 / 39

HEX #9B7736

RGB 155 119 54

HSL 38.61, 0.48%, 0.41%

LAB 52.32, 6.74, 40.28

 

CMYK 0 / 15 / 42 / 13

HEX #DFBE81

RGB 223 190 129

HSL 38.94, 0.59%, 0.69%

LAB 78.52, 3.63, 35.14

 

CMYK 0 / 26 / 42 / 13

HEX #DFA581

RGB 223 165 129

HSL 22.98, 0.59%, 0.69%

LAB 72.35, 16.93, 27.03

 

CMYK 0 / 37 / 42 / 13

HEX #DF8C81

RGB 223 140 129

HSL 7.02, 0.59%, 0.69%

LAB 66.54, 30.33, 19.17

 

CMYK 0 / 42 / 42 / 13

HEX #DF8181

RGB 223 129 129

HSL 0, 0.59%, 0.69%

LAB 64.14, 36.15, 15.86

 

CMYK 0 / 15 / 42 / 13

HEX #DFBE81

RGB 223 190 129

HSL 38.94, 0.59%, 0.69%

LAB 78.52, 3.63, 35.14

 

CMYK 0 / 3 / 42 / 13

HEX #DFD881

RGB 223 216 129

HSL 55.53, 0.59%, 0.69%

LAB 85.19, -9.77, 43.64

 

CMYK 9 / 0 / 42 / 13

HEX #CCDF81

RGB 204 223 129

HSL 72.13, 0.59%, 0.69%

LAB 85.6, -20.66, 43.85

 

CMYK 20 / 0 / 42 / 13

HEX #B3DF81

RGB 179 223 129

HSL 88.09, 0.59%, 0.69%

LAB 83.94, -30.01, 41.4

 

CMYK 31 / 0 / 42 / 13

HEX #9ADF81

RGB 154 223 129

HSL 104.04, 0.59%, 0.69%

LAB 82.5, -38.74, 39.28

 

CMYK 0 / 15 / 42 / 13

HEX #DFBE81

RGB 223 190 129

HSL 38.94, 0.59%, 0.69%

LAB 78.52, 3.63, 35.14

 

CMYK 0 / 17 / 50 / 8

HEX #EBC275

RGB 235 194 117

HSL 39.15, 0.75%, 0.69%

LAB 80.48, 5.21, 43.97

 

CMYK 0 / 20 / 58 / 3

HEX #F8C668

RGB 248 198 104

HSL 39.17, 0.91%, 0.69%

LAB 82.56, 7.4, 53.11

 

CMYK 0 / 15 / 42 / 13

HEX #DFBE81

RGB 223 190 129

HSL 38.94, 0.59%, 0.69%

LAB 78.52, 3.63, 35.14

 

CMYK 0 / 11 / 32 / 18

HEX #D2BA8E

RGB 210 186 142

HSL 38.82, 0.43%, 0.69%

LAB 76.54, 2.09, 25.47

 

CMYK 0 / 7 / 21 / 23

HEX #C5B79B

RGB 197 183 155

HSL 40, 0.27%, 0.69%

LAB 74.89, 0.44, 16.05

 

CMYK 0 / 3 / 9 / 28

HEX #B8B3A8

RGB 184 179 168

HSL 41.25, 0.1%, 0.69%

LAB 73.06, -0.18, 6.23

 

CMYK 5 / 3 / 0 / 29

HEX #ABAFB4

RGB 171 175 180

HSL 213.33, 0.06%, 0.69%

LAB 71.29, -0.43, -3.05

 

CMYK 0 / 37 / 42 / 13

HEX #DF8C81

RGB 223 140 129

HSL 7.02, 0.59%, 0.69%

LAB 66.54, 30.33, 19.17

 

CMYK 0 / 26 / 42 / 13

HEX #DFA581

RGB 223 165 129

HSL 22.98, 0.59%, 0.69%

LAB 72.35, 16.93, 27.03

 

CMYK 0 / 15 / 42 / 13

HEX #DFBE81

RGB 223 190 129

HSL 38.94, 0.59%, 0.69%

LAB 78.52, 3.63, 35.14

 

CMYK 0 / 4 / 42 / 13

HEX #DFD781

RGB 223 215 129

HSL 54.89, 0.59%, 0.69%

LAB 84.93, -9.27, 43.32

 

CMYK 8 / 0 / 42 / 13

HEX #CDDF81

RGB 205 223 129

HSL 71.49, 0.59%, 0.69%

LAB 85.68, -20.27, 43.96

 

CMYK 0 / 24 / 69 / 19

HEX #CE9D40

RGB 206 157 64

HSL 39.3, 0.59%, 0.53%

LAB 67.73, 8.84, 53.88

 

CMYK 0 / 19 / 55 / 16

HEX #D6AE61

RGB 214 174 97

HSL 39.49, 0.59%, 0.61%

LAB 73.17, 5.4, 44.59

 

CMYK 0 / 15 / 42 / 13

HEX #DFBE81

RGB 223 190 129

HSL 38.94, 0.59%, 0.69%

LAB 78.52, 3.63, 35.14

 

CMYK 0 / 10 / 30 / 9

HEX #E7CFA2

RGB 231 207 162

HSL 39.13, 0.59%, 0.77%

LAB 84.08, 1.75, 25.45

 

CMYK 0 / 7 / 19 / 6

HEX #F0E0C3

RGB 240 224 195

HSL 38.67, 0.6%, 0.85%

LAB 89.76, 0.88, 16.18

 

CMYK 0 / 14 / 42 / 13

HEX #DFBF82

RGB 223 191 130

HSL 39.35, 0.59%, 0.69%

LAB 78.79, 3.21, 34.97

 

CMYK 36 / 0 / 42 / 13

HEX #8FDF81

RGB 143 223 129

HSL 111.06, 0.59%, 0.69%

LAB 81.95, -42.32, 38.45

 

CMYK 31 / 42 / 0 / 13

HEX #9981DF

RGB 153 129 223

HSL 255.32, 0.59%, 0.69%

LAB 59.71, 29.67, -44.81

 

CMYK 0 / 14 / 42 / 13

HEX #DFBF82

RGB 223 191 130

HSL 39.35, 0.59%, 0.69%

LAB 78.79, 3.21, 34.97

 

CMYK 42 / 0 / 15 / 13

HEX #81DFBE

RGB 129 223 190

HSL 158.94, 0.59%, 0.69%

LAB 82.46, -35.49, 7.49

 

CMYK 15 / 42 / 0 / 13

HEX #BE81DF

RGB 190 129 223

HSL 278.94, 0.59%, 0.69%

LAB 63.32, 40.15, -38.88

 

CMYK 0 / 14 / 42 / 13

HEX #DFBF82

RGB 223 191 130

HSL 39.35, 0.59%, 0.69%

LAB 78.79, 3.21, 34.97

 

CMYK 36 / 0 / 42 / 13

HEX #8FDF81

RGB 143 223 129

HSL 111.06, 0.59%, 0.69%

LAB 81.95, -42.32, 38.45

 

CMYK 42 / 27 / 0 / 13

HEX #81A2DF

RGB 129 162 223

HSL 218.94, 0.59%, 0.69%

LAB 66.39, 4.23, -34.47

 

CMYK 6 / 42 / 0 / 13

HEX #D181DF

RGB 209 129 223

HSL 291.06, 0.59%, 0.69%

LAB 65.42, 45.72, -35.45

 

CMYK 0 / 14 / 42 / 13

HEX #DFBF82

RGB 223 191 130

HSL 39.35, 0.59%, 0.69%

LAB 78.79, 3.21, 34.97

 

CMYK 42 / 0 / 36 / 13

HEX #81DF8F

RGB 129 223 143

HSL 128.94, 0.59%, 0.69%

LAB 81.53, -44.43, 30.72

 

CMYK 42 / 27 / 0 / 13

HEX #81A2DF

RGB 129 162 223

HSL 218.94, 0.59%, 0.69%

LAB 66.39, 4.23, -34.47

 

CMYK 0 / 42 / 6 / 13

HEX #DF81D1

RGB 223 129 209

HSL 308.94, 0.59%, 0.69%

LAB 66.51, 47.4, -25.83

 

Description

Color code: HEX #DFBF82 | qconv.com Color code: HEX #DFBF82 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 191 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 191 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 42 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 42% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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